Discusses the Australian television program Whiplash and how the use of guns is not as necessary as in the American television industry. Technique, poetry and drama appear to be the basis for the Australian film industry.Handwritten, quarto, 7 pagesWritten on scrap paper at Page 5.whiplash, australian film industry, australian television industry, robin boyd, manuscript

Photographs relating to Ballarat's Link with Pioneering in the Australian Film Industry. Near the spot depicted, in 1891, Captain Joseph Perry of the Salvation Army operated a Prison Gate Brigade Home on a rented property on Barley Street Ballarat East (since demolished). In the house he cared for prisoners who had been released from the Ballarat Gaol.. He also set up the Social Reform Wing photographic studio, and was it's sole operator. He used his photographic skills to publicise his work and to raise money. He also produced glass lantern slides. As part of the Salvation Army's Limelight department Joseph Perry produced "Sodiers of the Cross" (1900) and for the Australian Government Fedeation films in 1901, bith considered pioneer films in Australia.salvation army, joseph perry, prison gate brigade home, social reform wing photographic studio, barkly street ballarat east, pioneer films

This piece was written just after the Melbourne Film Festival, where no Australian feature film was shown. It mourns the lack of support for the Australian film industry - Canada has been able to do it, why can't we use this as a model?Typewritten (c copy), pencil edits, 2nd copy typewritten (c copy), quarto, 3 pages225c. in pencil on the side. On back of last page, blue biro sketch - a fireplace?film industry, canadian film industry, australian film industry, john grierson, robin boyd, manuscript

Review of outline for proposed Building Industry film. Boyd suggests changes to the representation of the Master Builder through a description of their responsibility to organise the many trades and techniques in the building process. He rewrites an alternative simplified opening.Typewritten, carbon copy, foolscap, 1 page.louis mumford, master builders, building industry film, the city speaks

The chapters include: Justus Jorgensen &​ Montsalvat; the metamorphosis of the middle-class; the pise-de-terre connection; early building experiences; historic landmarks; the mud-brick revival; the Tarnagulla Dunolly Moliagul triangle; the Socio-Aesthetic Society; the renaissance of the Australian film industry; the Eltham inhabitants &​ their environment; the rediscovery of the Indigenous landscape; the Dunmoochin episode; the Dunmoochin potters; Clifton Pugh's success; the coming of the corporate state.Paperback; xiii, 143 p. : ill. ISBN: 0949909009justus jorgensen, clifton pugh, social customs

Mirrabooka means Southern Cross. The Melbourne Movie Club was established for those interested in Moving Pictures and all its branches. 'A place to go to spend a few leisure hours, a select dance, parties, picnics, amusements, to learn the art of picture acting and make up, to take part in the Company's productions, dramatic art, to have a jolly good time, etc.' The Melbourne Movie Club has a spacious premises at 184 Exhibition Street, Melbourne, with a floor space of 10,000 square feet, where scenes and sets were erected for the use of Club Members. The Club had full moving picture producing equipment such as big light plant, stage effects, scenery, and cameras. The Melbourne Movie Club saw themselves ad the nursery and basis for a National Film Industry. .1) The secretary was Burnard W. Morey (AICA), the director was L. Morton, and the Managing director of Mirrabooka Films was James Weston. .2) The Managing Director was Louis Morton, the director was Ivan Morton, the Manager Robert Spencer and the organiser and Producer was W. Winford.Two booklets relating to the Melbourne Movie Club. .1) Eight page white booklet of the Melbourne Movie Club - The Mirrabooka Films Pty Ltd. The booklet discusses the place of film in Australia. .2) Eight page pink booklet of the Melbourne Movie Club.melbourne movie club, movie, theatre, james weston, mirrabooka, mirrabooka films, burnard morey

Celluloids are a class of compounds created from nitrocellulose and camphor, with added dyes and other agents. Generally considered the first thermoplastic, it was first created as Parkesine in 1856 and as Xylonite in 1869, before being registered as Celluloid in 1870. Celluloid is easily moulded and shaped, and it was first widely used as an ivory replacement. The main use was in movie and photography film industries, which used only celluloid films prior to acetate films that were introduced in the 1950s. Celluloid is highly flammable, difficult and expensive to produce and no longer widely used, although its most common uses today are in table tennis balls, musical instruments and guitar picks. Celluloid was useful for creating cheaper jewellery, jewellery boxes, hair accessories and many items that would earlier have been manufactured from ivory, horn or other expensive animal products. It was often referred to as "Ivorine" or "French Ivory". It was also used for dressing table sets, dolls, picture frames, charms, hat pins, buttons, buckles, stringed instrument parts, accordions, fountain pens, cutlery handles and kitchen items. The main disadvantage the material had was that it was flammable.. It was soon overtaken by Bakelite.A miniature, oval, Ivorine hand mirror with floral engraving on back. An accoutrement for use in a lady's Evening bag c19thCFloral design engraving on back of mirrormoorabbin, brighton, early settlers, pioneers, cheltenham, craft work, mirors, ivorine, evening bags, celluloids, bakelite, plastics,