Aulsebrook Collection: Script for film A4, paper 7 pages Extensive script for a film relating to Ayers rock

A series of scripts for film/video promoting Australian building materials for export to Singapore. Script on pink foolscap is a different script. The double-sided blue carbon copy script is a slightly different version of the first two pages of the 4-page carbon copy on foolscap script.Crawford Productions and Robin Boyd also explored ideas for other television productions, besides the successful 'The Flying Dogtor" series.Typewritten, 1 double-sided page blue carbon copy on foolscap, 1 page carbon copy on pink foolscap, 4 pages carbon copy on foolscap. 6 pages totalbuilding materials, henry wilckens, singapore, malaya, export, advertisement

This original script was from a television mini series titled 'All The Rivers Run' that was filmed in Echuca in 1982. The production took over the township for many months and was often filmed on board the Port of Echuca's paddle steamers.This original script from the mini series 'All the Rivers Run' is of social significance as it was filmed on location at the Port of Echuca and surrounding Echuca township. There are very few remaining scripts in existence. 70 page printed script of Episode 3 All the Rivers Run mini series 'All the Rivers Run' Episode 3 Written by Colin Free, Edited by Betty Archer, Directed by Pino Amenta. Copyright 1982 Crawford Productions Pty Ltd script, paper, miniseries, echuca, river, crawford productions, port of echuca

Official invitation to Miss L J Parry from The Matthew Flinders Bicentenary Citizens Council and the Royal Historical Society of Victoria. A large cream coloured card printed with the following words in black script: In the distinguished presence of His Excellency Major-General Sir Rohan Delacombe Governor of Victoria and Lady Delacombe and The Honourable R J Hamer Premier of Victoria and Mrs Hamer, The Chairman Sir John Holland and Members of the Matthew Flinders Bicentenary Citizens Council in association with the Royal Historical Society of Victoria requests the pleasure of the company of Miss L J Parry at "Flinders 200"A multi-media historical entertainment of song, dance, film and narration at the Sidney Myer Music Bowl on Sunday 24th March 1974 at 7:30pm. In the lower left hand corner is printed Admission Free to the lawns. Reserved seats at $2 available at the Victorian Government Tourist Bureau 276 Collins St Melbourne 3000 From 4th March.event, entertainment, anniversary

Official invitation to Bendigo Historical Society from The Matthew Flinders Bicentenary Citizens Council and the Royal Historical Society of Victoria. A large cream coloured card printed with the following words in black script: In the distinguished presence of His Excellency Major-General Sir Rohan Delacombe Governor of Victoria and Lady Delacombe and The Honourable R J Hamer Premier of Victoria and Mrs Hamer, The Chairman Sir John Holland and Members of the Matthew Flinders Bicentenary Citizens Council in association with the Royal Historical Society of Victoria requests the pleasure of the company of Bendigo Historical Society at "Flinders 200"A multi-media historical entertainment of song, dance, film and narration at the Sidney Myer Music Bowl on Sunday 24th March 1974 at 7:30pm. In the lower left hand corner is printed Admission Free to the lawns. Reserved seats at $2 available at the Victorian Government Tourist Bureau 276 Collins St Melbourne 3000 From 4th March.event, entertainment, anniversary

The scarf was worn by Eileen Capocchi, a member of the Eureka Youth League Choir who sang at the Youth Carnival for Peace and Friendship and donated the item. The planned event had been targeted by Prime Minister Menzies as a Communist Party activity. The Commonwealth Government pressured local Sydney Councils to deny the organisers a venue. These attempts failed. The event combined sporting, athletic and musical events at a football stadium. In later years it was the subject of two documentary films. The scarf is of historic and social significance because of its association with the Peace Carnival for Peace and Friendship of 1952 and the Eureka Youth League. The scarves were worn by all participants and by Eureka Youth League members in subsequent years. The scarf records some of the musical and sporting events organised by the Eureka Youth League in most major Australian cities.Brown and yellow square rayon machine edged scarf made for the 1952 Youth Carnival for Peace and Friendship in Sydney. Central portion shows a peace dove, pink heath, flannel flower and wattle. Perimeter shows a saxophonist, ballet dancer, high jumper, hurdler, cyclist and volleyball net. "Youth Carnival for Peace and Friendship" white script on 3cm brown banner repeated 4 times around perimeter.eileen capocchi, eureka youth league choir, youth carnival for peace and friendship, eureka youth league, 1952

A play about front-line warfare on the Western Front written by a soldier who served in the front line in France for over a year. Sherriff became an insurance agent who wrote plays to raise money for his rowing club. He wrote a novel and the he turned to the new art form, the talking film, becoming Hollywood's highest-paid script-writer. His credits include screenplays for: The Invisible Man; Lady Hamilton; Goodbye Mr Chips; The Dam Busters; Odd Man Out; Quartet and Mrs Miniver. The play was directed by Mick Rodger; The Director of the MTC was John Sumner with Assistant Director Ray Lawler.Paper program; coloured cover; 16 p. includes articles about the play and the actors.the university of melbourne, melbourne theatre company, journey's end, r c sherriff, athenaeum theatre, john stanton, mick rodger, ray lawler

Play directed by John Sumner, Literary Advisor Ray LawlerPlay by David Williamson, program states he had recently completed the film script 'Year of Living Dangerously'.Paper program:good conditionthe perfectionist, athenaeum theatre, program, melbourne theatre company, david williamson

From website: "Shot at various locations by cinematographer Robert Tremelling under the direction of Brenton Manser, the docudrama Rider and Writer is based on poet Adam Lindsay Gordon’s life during the time he lived in South Australia and Victoria. Manser has been researching, planning and developing the script for the new film since February 2012. Much of the footage for Rider and Writer has been shot in Mount Gambier, Port MacDonnell, Penola, Coleraine and Warrnambool. Jakin Manser has the leading role of Adam Lindsay Gordon, and former Grant High School drama teacher, David Reed, returned to Mount Gambier to act in the film, cast as John Riddoch, wealthy pastoralist and friend of Gordon. After 50 commended performances playing Riddoch in the stage production ‘Reckless’, Reed had retired. However, he was enticed by Manser to revive the character for the film."With a bust of Adam Lindsay Gordon in Westminster Abbey, London, his story is of national and international significance. Only one other film about Gordon is known to exist, produced in 1916. Allan Childs, curator of Gordon’s former residence ‘Dingley Dell’ is excited by the project: ‘To have a film that is made with the latest high definition equipment will bring the story of this famous poet alive to a new generation. We’ve come a long way since the black and white silent movies of 1916.’ The film premiered in Mount Gambier on 30 August 2014.adam lindsay gordon, brenton manser, robert tremelling, docudrama, 2014

Yields information about the Ballarat Tramway system through historic film collected by the BTPS and made into a Video tape. Has a strong association with those who provide the film, for example Bob Prentice and others.Video cassette tape and box with cover containing the video titled ""The Tramways of Ballarat" produced by the BTPS in 1993. The contents of this tape were subsequently used to make the DVD. Over a 1000 copies distributed. Material from BTV 6 used in the production. See rear cover for details of those whose film was used. Cover Photo Glen Mills, Script Richard Gilbert, Narration Bruce McLean and Produced by John Phillips and Richard Gilbert. Inside of the cassette paper cover is a map of the system. Produced by the Association of Railway Enthusiasts on behalf of the BTPS. Cost at the time $29.95, price sticker remains.ballarat, films, tv broadcasts, btv

A script parodying the stage show 'Diggers' with which Pat Hanna entertained post WWI audiences. The parody adapts the 'Diggers' format to Legacy activities such as the girls' physical culture class, and reflects the mores of the times. There is no indication of date, but the design and writing style is similar to 01292, written in 1930. Pat Hanna (born George Patrick Hanna; 18 March 1888 in Whitianga, New Zealand) was a New Zealand-born film producer ; he was a soldier of the First World War who entertained postwar audiences with the stage show 'Diggers', that was adapted to a film of the same title in 1931. An example of the entertainment Legatees favoured to leaven their more serious activities.White paper with black type of a script of a scene called Figgers.hanna, gala performance

non-fictionA HOMESTEAD HISTORY Alfred Joyce began a pastoral partnership with his brother in the Upper Loddon early in 1844. His reminiscences reveal events of the venture, from the departure from Melbourne with the completion of a roomy homestead, from the threat of bankruptcy, to substantial success within a decade. In writing them, he was not dependent upon his memories; the many letters he had written to his parents in London had eventually been returned to him, and those written between 1851 and his mother's death in 1858 form a continuation of his own narrative. They describe in vivid detail the upheavals that followed the discovery of gold, the transformation of both town and country, the dissolution of the Joyce brothers' partnership, and Alfred's activities as pastoralist, farmer and miller at Norwood on die Bet Bet Creek. In this third edition, for which a much wider range of illustrations is available, an epilogue continues the story of George Joyce at Plaistow and Alfred Joyce at Norwood until both properties had passed into other hands. Domestic tragedy overwhelmed the one, while droughts and mortgages eventually ruined the other. It is a record which, in the words of the American Historical Review, 'would serve as script for a first-class documentary film and deserves high rank, in the literature of pastoral pioneering'. Other reviewers have been equally emphatic: 'The real history of Australia is written very largely in such records as this' (Australian Quarterly); 'of historical documents such as diese we cannot have too many' (Sydney Morning Herald). (back cover)alfred joyce, upper loddon

This electric kettle/Jug is shaped in the style of the Art Deco period 1930's to 1950's (in Australia). It was at the beginning of the wave of creative kitchen ware to stimulate and impress visitors and uplift what used to be a boring kitchen environment.This "art deco" electric kettle is very significant to the Kiewa Valley because it highlight that rural families and areas where in step (fashion wise) to their city "cousins". In the mid 1900's "the fashion" in Australia was (on the whole) always some years behind that of England and Europe. The years after World war II reduced the time lag between the "advanced fashion" of Europe and England and came in step with the emerging modern American fashion. American "film stars" started have their fashion projected onto the silver screens.This electric Fowler ware is a ceramic hot water jug. Its shape is in the "Art Deco" style of the early 1920's.On base "240V - 1650W" below this "AC ONLY" below this "MODEL No. EEJ" "APP. No. N550" below this "JUG BODY BY" under this and in script style "FOWLER WARE" below this "1583"kitchen appliances, tea/coffee preparation, light refreshments, hospitality offerings, art deco styles in appliances