The 'Dolphin' was a well boat built at Port Fairy in 1940 by the Haldane Brothers It was used mainly for shark fishing RFB 760 1940- c1951 She has now been purchased by the Tacoma Preservation Society in Port Lincoln as part of the Haldane Brothers collectionBlack and white photograph of Fishing boat Dolphin sailing back toward Port Fairyfish haldane brothers, fishing dolphin, boat shark, industry, shark fishing boat "dolphin"

Softcover MagazineNote on the front cover with name "Raymond McGrath". Postcard found on page 108 from 6th May 1987 at Durras NSW. "Dear Trish, We are on our third day at Durras and having a wonderfully healthy holiday going for long beach walks and getting quite exhausted. Yesterday the more hardy of us (Ben, Amy & me) even swam. Just prior to our swim four dolphins had been frolicking in the bay where we were picnicking. Ben, Amy and Rupert are anxious to do some fishing so we are off to buy some bait and post this card in Batemans Bay some 20km south. Happy Mother's Day for Sunday. Love from us all, Penleigh." The postcard sent to Mrs John Davies and features the SS Merimbula approaching home wharf, photo credit unknown.walsh st library

The Wreck of Hope (Long-nosed Common Dolphin skeleton, Delphinus delphis) featured as part of the exhibition Anatomy Lessons, shown at the National Wool Museum in 2024. The exhibition featured meticulously-sculpted, life size skeletons, making visitors question their place in this web of the living and the dead. From a towering giraffe stretching 4.4 metres in height, to an army of over 50 delicately rendered frogs, this exhibition was enthralling in scale. Each sculpture is an accurate portrayal of a real animal and is carefully measured, drawn, and moulded from steel, wire, and foam. The frame is then intricately knitted over to create these thought-provoking pieces. Each sculpture tells a story, one of the collection of animals by museums and collectors, of Western safari hunters, of human encroachment, and of the often-sad role of the animals in our lives. These underlying concepts are explored and reflected by the materials used. Wool, that speaks of warmth, of comfort, of care, meets the size, grace, and sheer breathtaking beauty of the pieces, clashing with the hard and complex stories beneath. This knitted dolphin skeleton was the start of Beevor's interest in comparative anatomy. Beevors recalls viewing a dolphin, one of many skeletons alongside a mouse and a lion in the Australian Museum's collection during a school visit in the 1970s. At the time, school children watched TV reruns of 'Flipper', which portrayed dolphins as intelligent and noble animals. Elsewhere, the conservation movement was growing, and appeals to protect marine mammals were gaining momentum through the 'Save the Whales' campaign. The fascination with live dolphin shows had grown throughout the 1960s and 1970s and the ethics began to be questioned. Some believe they played an important role in raising public awareness of cetaceans and their welfare. Others argued the performances glorified the dominance of heroic trainers over the subordinate dolphin, and offered little education about the dolphins' natural characteristics nor prioritised their welfare. Many of these facilities are now closed and all dolphin species are protected by international accords aimed at conserving wild populations. Despite this dolphins are still at risk of swallowing plastic waste, mercury toxicity, toxoplasmosis, boat impacts and being bycatch in commercial fishing operations. Originally from Australia, Michele Beevors has been practicing in New Zealand for the last 20 years. She is Head of Sculpture at Dunedin School of Art, Otago Polytechnic, New Zealand’s oldest, and one of its most prestigious, art schools. Beevors has exhibited in galleries, museums, and exhibition spaces in across New Zealand, Australia and Vienna with art that is defiant, unconventional, and moving.Life sized knitted skeleton of a dolphin, with white wool and internal steel, foam and wire frame. The dolphin is mounted on a wooden base, made from a desk, with books placed under the desk lid. The books and desk are painted black.knitting, art, dolphin, conservation, sculpture, skeletons, anatomy lessons, michele beevors