Showing 117 items matching flange
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Flagstaff Hill Maritime Museum and Village
Flange
Ref LA 3 32 256 HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Small square brass Flange with four corner holes and one larger centre hole. Artefact Reg No LA/25. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, flange -
Flagstaff Hill Maritime Museum and Village
Flange
Ref LA 3 32 257 HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Small square brass Flange with four corner holes and one larger centre hole. Artefact Reg No LA/26. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, flange -
Flagstaff Hill Maritime Museum and Village
Flange
Ref LA 3 32 258 HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Small square brass Flange with four corner holes and one larger centre hole. Has slight bend one side. Artefact Reg No LA/27. Recovered from the wreck of the Loch Ard.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, flange, brass flange -
Gippsland Art Gallery
Ceramic, Welch, Robin, Cylindrical Form with Flange, 1980
Purchased with the assistance of the Crafts Board of the Australia Council, 1980gippsland, artwork, permanent collection -
Gippsland Art Gallery
Ceramic, Welch, Robin, Cylindrical Form with Flange, 1980
Purchased with the assistance of the Crafts Board of the Australia Council, 1980gippsland, artwork, permanent collection -
Moorabbin Air Museum
Manual (item) - Parts Catalog PC-203-2 Avco Lycoming O-320 B and D Series, High Compression Wide Cylinder Flange Model Aircraft Engines
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Moorabbin Air Museum
Manual (item) - Parts Catalog PC 406-2 Avco Lycoming IO/LIO-360-C, -J, HIO, TIO, AEIO-360 Series Parts Catalog, Wide Cylinder Flange Models Aircraft Engines
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Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Duke's stem pessary associated with Dr Frank Forster
Part of the collection of Dr Frank Forster. The philosophy of this object was to keep the uterus dilated. It was commonly believed at this time that the cervix was the cause of dysmenorrhoea. The stem pessary was an object used to rectify uterine displacements - either anteversion or retroversion. The device consisted of a stem which is introduced into the uterus, the stem was then attached to an ovoid flange or ball, on which the cervix uteri then rested. Connected to this flange was an external part or wire frame, which in turn was attached at one extremity to a flat tubular portion, passing into the vagina. This was then fixed to the intrauterine portion. The wire frame was then made to press on to the pubis, so that the pessary could be kept in position in utero.Pessary, Duke's stem design. Metal pessary with hollow stem, and a rounded flange at one end. The flange has eight small holes surrounding the central hole. The stem is flexible and is made from coiled metal which has then been attached (perhaps by soldering) to the flange.pessary, intrauterine device -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Duke's stem pessary associated with Dr Frank Forster
Part of the collection of Dr Frank Forster. The philosophy of this object was to keep the uterus dilated. It was commonly believed at this time that the cervix was the cause of dysmenorrhoea. The stem pessary was an object used to rectify uterine displacements - either anteversion or retroversion. The device consisted of a stem which is introduced into the uterus, the stem was then attached to an ovoid flange or ball, on which the cervix uteri then rested. Connected to this flange was an external part or wire frame, which in turn was attached at one extremity to a flat tubular portion, passing into the vagina. This was then fixed to the intrauterine portion. The wire frame was then made to press on to the pubis, so that the pessary could be kept in position in utero.Pessary, Duke's stem design. Metal pessary with hollow stem, and a rounded flange at one end. The flange has six small holes surrounding the central hole. The stem is flexible and is made from coiled metal which has then been attached (perhaps by soldering) to the flange.pessary, intrauterine device -
National Wool Museum
Catalogue, Loom and warping beam flanges
Catalogue, "Loom and warping beam flanges and loose collars" - David Sowden & Sons, Shipley. Among items from Yarra Falls Mill.Catalogue, "Loom and warping beam flanges and loose collars" - David Sowden & Sons, Shipley.textile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving -
Vision Australia
Image
A Certificate of Merit from the AFB is presented to an unknown Bendigo organisation (possibly a corrections institution). Three men hold the certificate; two in suits, one in a workshirt and pants.1 x B/W photographBendigo page 3" (illegible) Photo No. 14 #85 Flanges top and bottomassociation for the blind -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Furgusson-style fetal stethoscope associated with midwife Mary Howlett, c. 1866 - 1920
The Furgusson stethoscope was in use from 1866. It is made all in one piece and has no attachments.Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920. She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Fetal stethoscope consisting of an ebony tube with flanges at each end. The large flange would be placed onto the abdomen and the small flange would be placed to the ear to hear the fetal heart beat.diagnostic instruments, midwifery -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Pessary used by Dr Olga Bolitho, and associated with Dame Ella MacKnight
This pessary belonged to Dr Olga Bolitho who inherited it from Dame Ella MacKnight. Used by Olga Bolitho once or twice, according to correspondence dated 14/5/00 from Olga Bolitho [held with the donation form] Dame Ella Macknight was an obstetrician and gynaecologist who worked at the Queen Victoria Hospital, Melbourne. She was appointed as a Dame Commander of the Order of the British Empire on 1 January 1969 for services to medicine. She gained her MB BS in 1928 from the University of Melbourne. After qualifying as an obstetrician and gynaecologist, (MD, Melb.1931, DGO Melb 1936), she was associated with the Queen Victoria Hospital from 1935-1977. Her appointments included honorary obstetrician and gynaecologist from 1935-1964; vice-president of the Committee of Management for 1963-1971 and president from 1971-1977. She was president of the Council of the Royal College of Gynaecologists from 1970-1972.After her death in 1996, her family set up a post graduate scholarship in her honour with the Royal College of Gynaecologists & Obstetricians.Clear plastic pessary. Pessary is circular, with a wide flange and a short stem. The stem is attached to the flange, rather than the pessary being moulded as one piece. There are two small holes in the flange, either side of the stem.intrauterine device, pessary -
Anglesea and District Historical Society
Tailwaggers Club Identification Tag
Circular medallion with flange at top with hole (for attachment).Front: (Centre) If I'm / lost ring / FB3626 / 59027 / is my / registered / no. (edge) Latham House, 234 Swanston St, Melb. Back: (Centre) Crossed Tails / J / Help my / Pals (edge) The Tail-Waggers Club.tailwaggers, registered no 59027 -
Kew Historical Society Inc
Household Textile, Pillow Sham
White linen pillow sham with lace flange Laundry stamp?pillow shams, bed linens, household textiles, lace -
Ballarat Tramway Museum
Photograph - Colour Photograph/s - set 8, Warren Doubleday, 4/07/2001 12:00:00 AM
Set of 8 photographs of the wheels and their flange details of those of BTM tram No. 27 prior to transporting to AETM St. Kilda, Adelaide, on 4 July 2001. On AGFA paper. .1 - Wheels loaded on the trailer .2 - flange - gear side of No. 2 axle .3 - wheel depth - gear side of No. 2 axle .4 - flange - non gear side, No. 2 axle .5 - ditto .6 - flange - non gear side of No. 1 axle .7 - flange - gear side of No. 1 axle .8 - dittobtm, wheels, flanges, wear, tram 27 -
Vision Australia
Image
Circa 1960's, three men hold certificates towards the man in the middle.B/W photographBallarat Page No. 3 3" include all in full clip #85 flanges to and bottom Ballarat Courier press photographassociation for the blind -
Vision Australia
Functional object - Object, Wooden Braille board
Wooden braille board with wooden header, hinged with brass hinges and small pins to clamp the paper to the board. Metal frames on each side hold a rod across the front of the board. The rod is fixed to two moveable parts which can go up or down the board as required.1 wooden back board with metal flanges either sideroyal victorian institute for the blind, braille equipment -
Federation University Historical Collection
Implement, Machine Wheel with Mandrel
A mandrel (/ˈmændrɪl/; also mandril or arbor) is one of the following: * a round object against which material can be forged or shaped; or * a flanged or tapered or threaded bar that grips a workpiece to be machined in a lathe. A flanged mandrel is a parallel bar of a specific diameter with an integral flange towards one end, and threaded at the opposite end. Work is gripped between the flange and a nut on the thread. A tapered mandrel (often called a plain mandrel) has a taper of approximately 0.005 inches per foot and is designed to hold work by being driven into an accurate hole on the work, gripping the work by friction. A threaded mandrel may have a male or female thread, and work which has an identical thread is screwed onto the mandrel.Iron frame with handle. Vice section for attaching to bench. Mandrel for shapingmachine wheel, mandrel, forged, shaped, holds workpiece -
Blacksmith's Cottage and Forge
Fork, toasting
Domestic item that has been hand made for a specific purpose for toasting food over coals or an open flame. Adjustable two tines/prongs toasting fork with side holding flangesdomestic, kitchen, item, food, toast, wire, cutlery, fork, homemade -
Queenscliffe Maritime Museum
Stop Valve
In line stop valve (possibly for steam) 14 cm flange. Brass -
Federation University Art Collection
Ceramic, Bowl by Robin Welch, 1980
Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby. Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965.Stoneware bowl with split flange, glazed with matt white, black and a touch of copper red Tobin Welch stamped on basejan feder memorial ceramics collection, ceramics, robin welch, gippsland campus, jan feder -
Friends of Westgarthtown
Jar
Salt-glazed terracotta jar with flanged rim on opening. Two toned brown colouring.S.S written in black marker on base. No 1 27 1/2 engraved on base.domestic items, food storage and preservation, jar, terracotta, two-toned, domestic. -
Friends of Westgarthtown
Jar
Salt-glazed terracotta jar with flanged rim on opening. Two toned brown colouring.QT imprinted on shoulder.domestic items, food storage and preservation, jar, terracotta, two-toned, domestic. -
Coal Creek Community Park & Museum
Cup
Enamelled metal cup, blue rim with second flange around cup, below rim. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Tool - Tongue depressor with anaesthetic tube attachment used by Dr Lorna Lloyd-Green
Metal tongue depressor with anaesthetic tube attachment. Consists of proximal and distal blades, and a blade shaft. "4" marking on the upper distal end of the blade. There is a short metal tube alongside the proximal flange, attached to the upper section of the flange, which is turned inwards and down with a small bulb on the end. Plastic or rubber tubing can be attached to this bulb. There is a smaller rounded flange at the distal end of the shaft. -
Federation University Historical Collection
Instrument - Scientific Instrument, Tripod
A heavy tripod, wooden legs, top flange equipped with 6 cm male screw thread.ballarat school of mines, tripod, surveying -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Gellhorn mushroom pessary associated with Dr Frank Forster
Part of the collection of Dr Frank ForsterClear plastic pessary consisting of three sections including a wide flange, short stem and bulb. intrauterine device, pessary -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Infant enema syringe associated with Dr Frank Forster
Enema syringe for infants. Consists of red rubber bulb attached to a white bone flange attachment. -
Ballarat Tramway Museum
Functional object - Section of Rail - Bendigo Battery Tram, 1890
Bendigo first commenced tramway operation in 1890 using battery trams. These were not successful. The rail, approx 36lb/yard or about 38kg/m has been sawn from an original length and collected.Demonstrates a light weight section of tram rail used in Bendigo.Section of flanged steel rail, sawn, fitted with two engraved gold colour plastic signs. Engraved on the signs or plaques - "Bendigo Tramways 1890" and "Original Battery Tram Rail, No. 4"tramways, bendigo, rail, battery trams