This shaped ink bottle made by Caldwell's is called a 'boat ink bottle'. It was shaped especially to hold a nib pen when the pen was not in use. The design of the bottle is sometimes called a ‘cottage’ or ‘boat’ shape. The Caldwell’s handmade glass ink bottle was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This pen and ink bottle set is of significance as the bottle has its original cork and retains remnants of ink, which was made from a recipe that at the time was over 100 years old, according to Caldwell.. The handmade, mould blown method of manufacture is representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottle and its contents are of state significance for being produced by an early Melbourne industry and exported overseas. The pen and ink set is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Victorian boat ink bottle; small rectangular clear glass ink bottle with horizontal grooves made in the glass for resting and holding the pen. The set includes one pen and nib with the bottle and cork. The bottle is made by Caldwell's and contains its Flo-Eesi Blue Black Ink brand."Caldwell's Flo-Eesi Blue Black Ink."flagstaff hill, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

This crate of bottles may have come from a wholesaler, business, stationer or school. The design of the bottles is sometimes called a ‘cottage’ or ‘boat’ shape. Each of the 70 Caldwell’s handmade glass ink bottles was mouth-blown into a two-piece mould, a method often used in the mid-to-late 19th century. The glass blower burst the bottle off the end of his blowpipe with a tool, leaving an uneven mouth and sharp edge on the bottle, which was usually filed. The bottle was then filled with ink and sealed with a cork. More expensive bottles would have a lip added, which was more time-consuming and costly to produce. The capacity for a bottle such as this was about 3 ½ oz (ounces) equal to about 100 ml. Pen and ink have been in use for handwriting since about the seventh century. A quill pen made from a bird’s feather was used up until around the mid-19th century. In the 1850s a steel point nib for the dip pen was invented and could be manufactured on machines in large quantities. The nis only held a small amount of ink so users had to frequently dip the nib into an ink well for more ink. Handwriting left wet ink on the paper, so the blotting paper was carefully used to absorb the excess ink and prevent smudging. Ink could be purchased as a ready-to-use liquid or in powdered form, which needed to be mixed with water. In the 1880s a successful, portable fountain pen gave smooth-flowing ink and was easy to use. In the mid-20th century, the modern ballpoint pen was readily available and inexpensive, so the fountain pen lost its popularity. However, artisans continue to use nib pens to create beautiful calligraphy. Caldwell’s Ink Co. – F.R. Caldwell established Caldwell’s Ink Company in Australia around 1902. In Victoria, he operated from a factory at Victoria Avenue, Albert Park, until about 1911, then from Yarra Bank Road in South Melbourne. Newspaper offices were appointed as agencies to sell his inks, for example, in 1904 the New Zealand Evening Star sold Caldwell’s Flo-Eesi blue black ink in various bottle sizes, and Murchison Advocate (Victoria) stocked Caldwell’s ink in crimson, green, blue black, violet, and blue. Caldwell’s ink was stated to be “non-corrosive and unaffected by steel pens”. A motto used in advertising in 1904-1908 reads ‘Makes Writing a Pleasure’. Stationers stocked Caldwell’s products and hawkers sold Caldwell’s ink stands from door to door in Sydney in the 1910s and 1920s. In 1911 Caldwell promised cash for returned ink bottles and warned of prosecution for anyone found refilling his bottles. Caldwell’s Ink Stands were given as gifts. The company encouraged all forms of writing with their Australian-made Flo-Eesi writing inks and bottles at their impressive booth in the ‘All Australian Exhibition’ in 1913. It advertised its other products, which included Caldwell’s Gum, Caldwell’s Stencil Ink (copy ink) and Caldwell’s Quicksticker as well as Caldwell’s ‘Zac’ Cough Mixture. Caldwell stated in a 1920 article that his inks were made from a formula that was over a century old, and were scientifically tested and quality controlled. The formula included gallic and tannic acids and high-quality dyes to ensure that they did not fade. They were “free from all injurious chemicals”. The permanent quality of the ink was important for legal reasons, particularly to banks, accountants, commerce, municipal councils and lawyers. The Caldwell’s Ink Company also exported crates of its ink bottles and ink stands overseas. Newspaper advertisements can be found for Caldwell’s Ink Company up until 1934 when the company said they were the Best in the business for 40 years.This large collection of similar ink bottles is of particular significance as the bottles have come from the same source, most have their original corks and some retain their original labels, which is rare. The method of manufacture of these bottles is also representative of a 19th-century handcraft industry that is now been largely replaced by mass production. The bottles and their contents are of state significance for being produced by an early Melbourne industry and exported overseas. This case of ink bottles is historically significant as it represents methods of handwritten communication that were still common up until the mid-20th century when fountain pens and modern ballpoint pens became popular and convenient and typewriters were becoming part of standard office equipment.Ink bottles in a wooden crate; 70 rectangular, hand-blown clear glass ink bottles. They have side seams, uneven thickness, especially at the bases, and rough, burst-off mouths. The shoulders on the long sides have horizontal grooves used for pen rests. The bottles vary; some have labels, some contain remnants of blue-black ink, and many have their original corks. The glass has bubbles and imperfections. The remnants of printed labels are on white paper with a swirly border and black text. The bottles contained Caldwell’s blend of blue black ‘Flo-Eesi’ ink.Printed on label; “CALDWELL FLO-EESI BLUE BLACK INK” “ - - - - “ Printed script signature “F.R. Caldwell”flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, ink, nib pen, writing ink, writing, copying, banks, lawyers, commerce, student, permanent ink, flo-eesi, blue black ink, stationery, record keeping, handwriting, writing equipment, writing accessory, office supply, cottage bottle, boat bottle, mouth-blown bottle, two-part mould, sheer-lip bottle, burst-lip, cork seal, f r caldwell, caldwell’s ink company, albert park, south melbourne, inkstands, stencil ink, copy ink, quicksticker, zac cough mixture

Black and white copy of original photograph of two young ladies seated in a garden with a small table with cakes, a vase of flowers and teacups in front of them. Both ladies are in dark dresses with foliage tucked into their bodices."Ethel Greenwood (L) + Mrs Flo Lancaster (nee Tuckfield) G/D of Mary Linton"ethel greenwood, mrs flo lancaster (nee tuckfield)

People - "Brereton, Flor; Harnson, Flo" Associated with - Eden Photo Studios Melb.

Cypress gardens was a leading holiday resort of its time. Bert and Flo Foster formed their ideas regarding its creation after a trip to the USA. It remained a popular holiday motel, boatel and reception place till it was demolished in the early 2000'sCollection of B and W and coloured photographs mounted on pages of a large metal spiral bound album. Original plastic overlays of each page have been removed. A number of photos are loose in the album.photo album, Descriptions of some photos are typed and included on most pagesaqua sport, recreation, holiday resort

Cypress Gardens was built by Bert and Flo Foster to encourage holiday makers to visit Yarrawonga Mulwala and enjoy aquatic pursuits. Boats were accommodated. Built in the 1950’s and opened 19th December 1959, demolished around 2000, land sold and luxury homes were built along the lakeside. Four fold coloured ( red, black, blue, yellow) brochure, printed on both sides featuring black and white photos. Taken around about and inside resort buildings. tourism, advertising, aquatic sports

MRS. FLO TREMBATH, NEE FLO PERRY. MUSIC TEACHER AND MEMBER OF CHOIR.ORIGINAL SEPIA PHOTOGRAPH OF MISS FLO PERRY - LATER MRS. FLO TREMBATH, STANDING BY CANE FRAME BESIDE VASE OF ROSES.PARIS PANELlocal history, photography, photographs, trembath, perry

A photo and two hand written notes about a former Legacy Girls' Class attendant in 1993. It appears there was a visit by a legatee and a legatee's wife to a former junior legatee, showing that people kept in contact with Legacy for a long time. The photo shows Florence Moore (nee Moll) and her husband Bert being visited by Legatee George Standish and Jane Sullivan, who was the wife of Legatee John Sullivan (President in 1991). The note with the photo says it was for the archive in 1993. The handwritten letter from the Moores says: Dear George (Standish), . . . Enclosed is the photo I promised to send you we are Bert and Florence Moore (nee Moll). . . We enjoyed the day very much and it was sad news to learn that Flo Kennedy (one of the original Legacy girls) had passed away. Regards, Bert and Florence. In an article in the Bulletin 1979 after a reunion it is mentioned that Florence Moore (nee Moll) was the first girl to enrol in classes and senior champion in 1928.A record of a Junior Legatees being in contact with Legacy for a long time.Photo of Flo and Bert Moore with Jane Sullivan and George Standish.Handwritten on the notes on the back 'Florence Moll (Now Moore) knew Flo Kennedy. Jane Sullivan, Bert Moore, and Florence Moore' in red texta. Also 'August 1993. Florence Moll was an original Legacy Girls' Classes attendant' in black pen.girls' classes, jane sullivan, florence moore, george standish

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, cecil street, flo spicer

[from a contemporary report:] Our float with its colonial washing day theme won the trophy for the best display. Bruce Ness arranged items from the Society's collection on his truck. Joh Ebeli and Russell Yeoman set up further items on the trailer loaned by Denis McKay. An important part of the event was the members who came along in their “old gear” to complete the picture. As usual musicians from the Victorian Folk Music Club helped us out with their lively music.Colour photographeltham festival, shire of eltham historical society, 1987, main road, opal smith, eileen gibbons, flo spicer

Studio portrait of Flo Davies.First student enrolled at the new Canterbury State primary school.Hand tinted portrait photograph of Florence (Flo) Davies, reputed first student enrolled at Canterbury Primary SchoolBottom left corner "Broothern Studios" Bottom right corner "230 Collins St. M" (corner torn) Rear centre "Florence Emily/Davies (handwritten)photograph, school, student, canterbury

ORIGINAL SEPIA PHOTOGRAPH OF MIXED CHOIR. MRS. FLO TREMBATH, MUSIC TEACHER. MEMBER OF CHOIR.PHOTOGRAPH OF MIXED CHOIR. MRS. FLO TREMBATH, NEE PERRY, MUSIC TEACHER, AS MEMBER OF THE CHOIR.F.M. PERRY PENGUIN TAS.local history, photography, photographs, choirs

Uniform issued to SGT. "McCLAREN M". Reg No. 3/52075 2 FLO REGT R.A.A. 1. Coat - khaki colour wool fabric uniform great coat. Double breasted with six buttons. Collar which fastens with buttons and metal hook and eye fastener. Shoulder epaulettes with button. Back has full length inverted pleat and lower vent with two buttons concealed closure. Buttons are gold coloured plastic with metal shank with raised emblem - crown over cannon carriages artillery. Double half belt with three buttons back at waist. Two front inset pockets with flap. Manufacturers stamp on light brown coloured cotton half lining, sleeves beige colour lining. 2. Beret - black colour wool felt with black colour cotton fabric lining and black colour leather trim. Two white cotton manufacturers labels inside on lining.Manufacturers infrmation. 1. Purple ink stamp "46/^" Black ink stamp "D^D". 2. Crown label - black embroidery "BERET/ Mnfrs/Pty Ltd/ Victoria/Australia. SIZE 7 1/2 " . Side label - black embroidery "REGIMENTAL NO/ NAME" Handwritten black ink "3/52075/SGT McLAREN. M./ 2 FLO REGT. R.A.A." uniform, army, great coat, m. mclaren

Photograph depicts the R.S.S. "A" Team - Winners of Grand Aggregate, Geelong Girls' Interhouse Sports, 1943. Those photographed are: Dot Beckley, Ruth Ramsden, Jean Clarke, Violet Jones (Vice Capt), Jean Jones, Ina Osborne, Flo Louttit, Keith Turner (Coach), Ede Ramsden, (Captain), Pat Height (Mascot). Between the 1920’s and 1950’s the YWCA, Blue Triangle and local committee of representatives organised an Inter House Athletics Day for Girls in Geelong and Melbourne. Local Geelong business, such as the surrounding woollen mills, business firms and church clubs would form teams of seven women to compete in a variety of sports such as bowls, basketball, hockey, cricket and soccer. Events such as these were organised to encourage women to participate in competitive sports and network with other women in the workforce.Photograph depicts the R.S.S. "A" Team - Winners of Grand Aggregate, Geelong Girls' Interhouse Sports, 1943.Top edge - R.S.S. "A" Team - Winners of Grand Aggregate, Geelong Girls' Interhouse Sports, 1943. Bottom edge - Back row - Dot Beckley, Ruth Ramsden, Jean Clarke, Violet Jones (Vice Capt), Jean Jones, Ina Osborne / Sitting - Flo Louttit, Keith Turner (Coach), Ede Ramsden, (Captain), Pat Height (Mascot)textile mills - sporting teams textile mills, returned soldiers and sailors mill, sport, textile mills - sporting teams, textile mills

Foodarama Supermarket Lakes Entrance Black and white photograph of Margaret Berlingeri of Lakes Foodarama Tuckerbag Myers Street with customer Flo Hale Lakes Entrance Victoriabusinesses, commerce, supermarkets

Two black miniature leatherette softcover books in a leatherette carry case with a twisted cord and tiny ball decorated handle.: Hymns Ancient and Modern for use in The Services of the Church and The Book of Common Prayer and Administration of the Sacraments. On the front cover of all three items are nine oak leaves stamped on the diagonal and set inside two striped diagonal bands. On the spine is stamped in gold Hymns A & M. At the back there is an Index of First Lines. The pages have gilt edges. 469p. On the opposite page to the title page is written in small handwriting in black ink - 'To Flo, from R A. 21/7/96' The Book of Common Prayer has written in black small ink writing the inscription - 'With love from R. A . 21/7/96' On the spine stamped in gold is Common Prayer. There is no pagination, but it is a much thinner book with gilt edged pages.non-fictionTwo miniature books - A Hymn book and a Common Prayers book in a black embossed carry case with a cord handle.religious books, hymns, prayers

A Wilson Speed Flo racquet, with 'SUPER-FLEX SHAFT', red painted throat and shaft, black-painted shoulder undersides, perforated black leather grip, and white cloth butt cover with red-stitched 'W' trademark. Inscription: WILSON/SPEED FLO/SPEED FLEX/FIBRE FACE. Materials: Wood, Nylon, Glue, Lacquer, Metal, Leather, Adhesive tape, Paint, Ink, String, Cloth, Ribbontennis

This article is about Flo Syer, who as a nurse, served during World War 2 and was taken prisoner by the Japanese when the ship she was traveling on was sunk off Sumatra. Flo believes that women should also be remembered at Anzac Day services.A newspaper article clipped from a larger page with a large black and white photo of an older woman and three columns of text underneath'POW' [blue ink top right of page]ww2, wwll, pow, florence elizabeth syer, banka island

Recollectionsof her life in Preston, by Flo McDonald, lifetime residentNewspaper clipping, black and white text and imagepreston victoria, flo mcdonald, florence mcdonald

Flo's Palace was located at 97 Oxford Street, Darlinghurst, Sydney. Owned by Dawn O'Donnell and Roger Claude Tesseydre and managed by Dennis (Flo) Fuller. Notable for its glass disco dance floor, it was also an early venue notable for its east Asian clientele.Black and white photograph.

Flo McDonald expresses regets about the incorporation of Preston in the City of Darebin Newspaper clipping, black and white text and imageflo mcdonald, preston, darebin, florence mcdonald

MISS FLO PERRY CONDUCTED CHOIRS IN CLUNES AND WON MANY CONTESTS..1 BLACK AND WHITE PHOTOGRAPH, MOUNTED ON CARDBOARD - GROUP OF BOYS AND GIRLS, MISS PERRY IN THE MIDDLE. BRICK HOUSE, TILED ROOF ON RIGHT OF PHOTOGRAPH - LACE WORK ON VERANDAH POST ON LEFT. .2 BLACK AND WHITE PHOTOCOPY OF THIS PHOTOGRAPH CLUNES JUVENILE CHOIR. MISS FLORENCE PERRY.local history, photographs, choirs

People - "Ellis, Flo, Em, Godfrey; Vance, Tom & Alice; Burt Etc" Associated with - Ellis & Richardson Kalgoorlie (Photographer)

Kodak home developing and printing kit with booklet; black and yellow plastic carry case; 2 x developers; printing masks; photo-flo (liquid); Acid fixing powder; wood and glass frame; glass measuring cup; photographic thermometer; 'dark' light in a metal case."Kodak (Australasia) Pty Ltd Melbourne, Australia"photographic processing equipment, photographic chemicals, darkroom lamps

This mantle clock was given to Norman Nobelius by his parents Rupert and Flo Nobelius on the occasion of his marriage to Frances Ayers in 1947 and was subsequently inherited by their daughter, Pauline. Rupert was the son of Carl Axel Nobelius, the famous Emerald horticulturalist. This clock was a gift from the son of the famous Emerald horticulturalist, Carl Axel Nobelius.Ansonia mantle clock with ornate oak case with metal pendulum and a brass key c1940s. Round metal face with Roman numerals. The clock was cleaned and the silver work on the door replaced in recent years.Below clock face: "ANSONIA CLOCK COMPANY"emerald, c. a. nobelius & sons, 1940s, ansonia clock

Back row (l to r): Ellen Jagoe, Selma Snell, Jean Coutts, Flo Miles. Front row (l to r): Jane Ford-Lloyd, Elva Carr, Chief Commissioner Duncan, Anne Palmer, Jessie ArnottGraduation photograph from 1950 showing the full complement of uniform of Victorian women police. Chief Commissioner Duncan is seated in the centre of the front row.police women, uniform, duncan, chief commissioner, carr, elva, graduation