Showing 38 items
matching floral bowl
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Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Functional object - Floral bowl
... Floral bowl...Floral Bowl...A silver-plated Georgen style silver plated floral bowl... Floral Bowl Police examinations 1982 On the box written ...The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.A silver-plated Georgen style silver plated floral bowl in its original box. The base is ten centimetres diameter pedestal with a decorative scroll around the edge, it's five centimetres high and tapers four and a half centimetres. The bowl has a flat bottom with curved sides that rise six centimetres to a 14 centimetre opening. The lid has a decorative scroll on its edge which supports an open grid of five concentric circles with eight pieces radiating from the centre circle. Inside the bowl there is an eight centimetre diameter plastic frame to hold flowers. Engraved on the bowl is NORTHEN DISTRICT SCHOOL OF NURSING IN APPRICIATION POLICE EXAMINATIONS 1982. Engraved on the base is SILVER PLATED IANTHE OF ENGLAND The brown cardboard box has blue and white writing- IANTHE No 178 GEOGIAN STYLE, an image of the bowl, SILVER PLATED FLORAL BOWL. There is a small white sticker with black numbers 177 On the box written with black ink - GIFT ndns, floral bowl, police examinations 1982 -
Emerald Museum & Nobelius Heritage Park
Incense Burner, Early 19th century
... Floral Bowl with Figured Legs and Top... 1983 fires japanese insense burner Floral Bowl with Figured ...Nancy Hawley requested one of a pair come to the Emerald Museum . It was brought back from Japan by a friend of Noni Smith after World War 2. Noni Smith was Mr Murphy's nurse for many years Noni died at the age of 90 years . She was principal of Emerald Primary School. She was very involved with the recovery after Ash Wednesday 1983 firesJapanese Incense Burner Circa early 19th centuryFloral Bowl with Figured Legs and Topjapanese insense burner -
Friends of Westgarthtown
Ceramic - Bowl, Royal Stanley Ware, England, Ceramic glazed bowl with floral design
... Ceramic glazed bowl with floral design... shallow bowl with three legs. Dark blue base colour with floral ...Smooth and glossy ceramic oval shaped shallow bowl with three legs. Dark blue base colour with floral design in blue, purple, yellow and green.Maker's mark on bottom of bowl reads" Royal Stanley Ware C & Co, 835, England, Jacobean.ceramics, terracotta, royal stanley ware, england, ceramic -
Ballarat Clarendon College
Trophy
... and silver stand; ornate floral engraving on bowl and stand; folding...; ornate floral engraving on bowl and stand; folding detail ...The Veterans Plate trophy was awarded at the Annual Sports Day. Thomas Anderson (BD 30/06/1886) entered Ballarat College in 1903 as a 17yo. He was the son of J W T Anderson of Waubra and had previously attended Waubra SS VI Class. The Ballarat Old Collegians Association notes in The Minervan 1913 that "each year the Association presents to the College Sports committee the College Cups (Senior and Junior), the Old Collegians Cup and the Veterans Plate. Squat, double-handle silver rose bowl cup with fluted rim and silver stand; ornate floral engraving on bowl and stand; folding detail on handles. Inscribed on face of bowl: VETERANS PLATE / 1910 / T ANDERSON Inscribed on rear of bowl: Ballarat College crestthomas-anderson, veterans-plate, athletics, ballarat-college -
Clunes Museum
Domestic object - JUG AND BASIN SET
... floral design China Bowl - white with pink, blue, green and brown... background, pink, green, blue and brown floral design China Bowl ...China Jug - white background, pink, green, blue and brown floral design China Bowl - white with pink, blue, green and brown floral design Jug, marked with sticker "60" Stamped on base WE in circle, indecipherable stamp Bowl, base marked 2 ?? IVO 2015hygiene, grooming -
Mont De Lancey
Lamp - Kerosene
... rim. Bowl with floral design in white, pink and blue.... glass chimney with frilled rim. Bowl with floral design in white ...Hand kerosene lamp with clear glass chimney with frilled rim. Bowl with floral design in white, pink and blue.kerosene lamps, lamps -
Dutch Australian Heritage Centre Victoria
Delft blue ashtray (asbakje in Delfts blauw)
... arrows, three floral motifs inside bowl, rural scene.... Upper edge decorated with blue arrows, three floral motifs ...Dutch were formerly heavy smokers, and many brought ashtrays as part of their luggage when they migrated.Delftware with its traditional is collected by both Dutch and touristsScalloped-edged shallow ashtray with three cigarette rests and a pair of tiny clogs on the edge. Upper edge decorated with blue arrows, three floral motifs inside bowl, rural scene with windmill on on bottom of bowl. On underside: superimposed with crown, handpainted in Delftsblauw, 119.ashtray; delftware -
Flagstaff Hill Maritime Museum and Village
Domestic object - Ewer and Bowl, J & G Meakin, 1912 - 1925
J & G Meakin was an English pottery manufacturing company founded in 1851 and based in Hanley, Stoke-on-Trent, Staffordshire. In the 19th century, J & G Meakin was known for the vast quantities of cheap ironstone china it produced for the domestic English market and export to Australia, Canada, New Zealand, and the United States. From around 1970, designs included Liberty, Sterling, Trend, Classic, and Heirloom. Some of these were influenced by earlier designs. The newer wares can be distinguished by back stamp markings such as 'permanent colours', 'everlasting colour', or 'dishwasher proof'. J & G Meakin had close family and corporate affiliations to the potteries Johnson Brothers, and Alfred Meakin Ltd, which explains why many patterns are similar, if not almost the same. There was a takeover by J. & G. Meakin in 1968 of Midwinter Pottery. The firm was then taken over by the Wedgwood Group in 1970. In 2000 production under the Meakin name ceased and their long-established works, Eagle Pottery, was then used for the production of Johnson Bros pottery. Eagle Pottery closed in 2004 when production was transferred abroad; the works were demolished in 2005.Item is significant as it is believed to be an early example of the SOL trademark made between 1913-1925.Ironstone wash jug and bowl set, white, often referred to as a ewer and bowl. Both jug and bowl have matching raised embossing of panels with floral motifs within them.Both items have marks "Ironstone China Reqd SOL 39/4/3 STG Meakin England" Trademark of J & G Meakin with sun emblem .flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, jug china white and basin, jug, jug and basin, jug & bowl, ewer, bowl, ewer & bowl, j and g meakin, ironstone ware, bathing, washing, personal hygiene -
Ringwood and District Historical Society
Plastic Container, Ringwood Garden Club Inc - Tub of Artefacts and Documents to be catalogued
RINGWOOD GARDEN CLUB INC. The following is a list of items that are stored at the RDHS Archive site, from the Ringwood Garden Club. This box of items does not include all the archival items from the Club, the Minutes will be kept at the home of the Archive Officer. Medal: From the Royal Horticultural Society of Victoria. Won at Box Hill show, in 1978. Badge: An early Ringwood Horticultural & Agricultural Society badge. Old Photograph: “Judging the Fruit Exhibits”, circa 1908. Certificate: 3rd. Prize at the 2009 Hanging Basket Competition, from the R.H.S.V. Shield: From the National Dahlia Society of Victoria, Annual Inter Society Championship In 1975. Won by the then: Ringwood & District Horticultural Garden Club. Tray: The Bill McDowell Perpetual Trophy for Amateur Cut Flowers: winners from 1973 to 1987. Old Photograph: From the Royal Agricultural Society of Victoria, awarded at the Royal Melbourne Show in 1947, First Prize, Ringwood. Certificate: From the Melbourne City Council: Festival of Progress, held in 1951, to Commemorate the Centenary of Victorian Government. Certificate of Merit: from past winners at shows. (5) Certificates: 2 unused Certificates of Merit, 1 unused Champion certificate. Garden Competition Certificates: from 1959 to 1981. Poster: Early Autumn Show poster displayed in shop Windows. Hortico Prize Certificates: 2 unused, $10.00 & $5.00 value. Tape Recording: Recorded history of the Ringwood Garden Club, talk given by the late Hugh McCall on 23/9/1996, Club’s centenary. Prize Cards: 41 First Prize” cards from Mrs. D. Holloway & 27 “Second Prize” cards, from 1956 to 1960. Prize Cards: 2 First Prize & 1 Second Prize card from Mrs. Holloway at the 1st. Heathmont Boy Scouts in 1958. Prize Cards: 4 Prize Cards from the Upwey & District Garden Club. 3 lsts., 12nd. Prize Card: from the Boronia & District H & A. Society: 1st. Prize, (no other information) Prize Card: from the R.H.S.V.: Second Prize for 1 Vase of Daffodils, Mr W Rosel. Prize Card: from the Dandenong Ranges Floral Festival, Easter Show, First Prize, Mrs Holloway in April, 1957 plus a Second Prize, same year. Prize Card: from the Mitcham Horticultural Society, Autumn Show, Mrs Holloway, 1 Bowl of Floating Flowers in 1958. Laminated Certificates: from the Great Victorian Hanging Basket Competition by the R.H.S.V. (no years mentioned) Club Syllabus: from 1980 to 2015. Photographs: from winners at our shows and judges at those shows. Ribbons: Ringwood Horticultural Society, 1962, Champion, Exhibit in Vegetables. Upwey & District Garden Club, 1977, Jubilee Carnival of Flowers. Ringwood garden Club, Vic. Large Dahlia Championships, 1983,6 Dahlias, D.V.’s. National Dahlia Soc. of Vic., Autumn Show, 1975, Inter-Societies Championship. Upwey & District Garden Club, 1980 Carnival of Flowers, Mountain Dist. Cham’s. “ “ “ “ , Spring Show, 1973. “ “ “ “ , Carnival of Flowers, 1984, Inter Society Exhibit. “ “ “ “ , “ “ “ , 1982. Best Exhibit. Healesville Garden Club: Autumn Show, Best Exhibit, Cut Flower Section. Ringwood Garden Club, Autumn Show, 1964, Best Exhibit in Vegetables. Upwey & District Garden Club, 1974 Carnival of Flowers. Ringwood Garden Club, Spring 1986, Best Exhibit in Junior Cookery. Ringwood & District Hort. & Graden Club, Autumn Show, 1974, Best Floral Art. Ringwood garden Club, Autumn 1989, Ringwood Amateur Dahlia Championship, Ringwood Horticultural Society, Autumn Show, 1963, Best Exhibit in Vegetables. Ringwood H & A Society: Autumn Show, 1957, Best Exhibit Floral Art. Ringwood & District Horticultural & Garden Club, Spring Show, 1973, Best Floral Art Exhibit. Upwey & District Garden Club, Carnival of Flowers, 1985. Mountain District Championships, Inter-Society Exhibit. Yarra Glen A. & H. Society Inc. Annual Show: small blue sash-style ribbon. Small Ribbons: from Victoria 150, a second (red) & 3rd. (green) Felt Badges: 1 green for Secretary: 1 blue for Judge. Rosette: 3rd. Prize at the Hanging Basket Competition in 2009. Blue Folder: contains photographs, prize cards, certificates, awards, etc. Albums: 4 photo, albums of garden shows, floral art, Spring Celebration photos and Newspaper articles. * All items placed in the container were placed there on 2nd. September, 2019. -
Warrnambool and District Historical Society Inc.
Toilet set, China toilet set, Early 20th century
A bathroom set would have been a common item in most households in the 19th century and up the mid 20th century. Not many of the bathroom sets, however, would have been as fine and as attractive as this one as this one would have belonged to a family with some wealth. Bathroom sets went out of common use once houses were sewered or had septic tanks and toilets and bathrooms were constructed inside the main house building. This set is of interest as an example of a common household item in houses 100 years ago or more. It will be useful for display.This is a five-piece china bathroom/ toilet set. The five pieces that comprise the set have a white background with a floral pattern in sage green monochrome with roses, carnations, sweet pea and dianthus. In the pattern are also tendrils and foliage. The jug is an elongated oval shape with a decorated handle. The interior of the lip is chipped. The circular bowl has an indented ridge at the top with interior and exterior decoration. The bowl is partly discoloured and there is some crazing. The toothbrush holder has a vase-like shape with an indented rim with fluting on the top. The chamber pot is circular with a decorated handle and one crack. The soap holder is circular and has three parts – the circular decorated base, the inset piece with a fluted edge and one large and six small holes for draining, and the decorated lid which is also fluted around the edge. The markings at the base of each item have a crown symbol as well as the lettering. Staffordshire England Camelia’ social history, bathroom set, china bathroom set -
Warrnambool and District Historical Society Inc.
Goblet, Brass Goblet, Mid 20th century
This brass goblet has been used by the now-defunct Apex Cub of Warrnambool as a jar to hold the fines money contributed by members at a meeting. It may have been made in India, North Africa or a Middle East country but nothing is known of its origin or provenance.This goblet’s history is sketchy and it may be of use now in displays. The Warrnambool and District Historical Society has other historical material associated with the disbanded Warrnambool Apex Club.This is a brass goblet (a bowl on a pedestal base). It is etched with ornamental patterns and floral shapes. Handwritten on base of object: ‘W’bool Apex Club Fines Jar’. apex club of warrnambool, warrnambool -
Warrnambool and District Historical Society Inc.
China, Cup & Saucer, Eary 20th century
This is a porridge set which probably dates from the early years of the 20th century. Porridge bowls and cups were particularly popular in Scotland at that time and would have been used in households in Australia throughout the 19th and early 20th centuries. These items have no known local provenance but are of interest as an example of the household china that was in use 100 years ago and was still being used for many decades after that time. They are attractive items and will be useful for display. These two items are a large cup and saucer made of china and used for porridge. The cup has colour floral and leaf scroll decorations inside the top rim, a piece of verse extolling the farmer and surrounded by black and white patterns, including farming implements, on one side of the cup and coloured farming implements in circles with the same verses in larger circles with a colour wheat sheaf in the centre on the other side of the cup. The saucer, more in the shape of a soup bowl, has the same colour floral and leaf decorations around the rim and the same farming patterns and verses in the centre. The handle has a black and white floral decoration The maker’s mark and name are on the bottom of the cup and saucer. ‘In God is Our Trust’ ‘The Farmers Arms’ history of warrnambool, porridge bowls -
Flagstaff Hill Maritime Museum and Village
Tray cloth, Late 19th century
This item is one of many 19th century items donated to Flagstaff Hill Maritime Village by the Giles Family, and known as the “Giles Family Collection”. Henry Giles was born at Tower Hill, Victoria in 1858 and worked as a labourer on the Warrnambool Breakwater. His wife, Mary Jane, was born in 1860 at Cooramook and worked as a student teacher at Mailor’s Flat Secondary School. The Giles family lived at The Maam, Wangoom in the late 19th century, before moving to New South Wales in 1895, where Henry built bridges. Henry died in 1933 and Mary Jane died seven years later. Flagstaff Hill holds a number of objects associated with the Giles family, which were donated by Flagstaff Hill volunteers Vera and Aurelin Giles (Henry and Mary Jane’s daughter and granddaughter respectively). These are predominantly located in the Lighthouse Keeper’s Cottage and include: Living room • Cloths (made by Vera Giles) • Portraits of Mary and Henry Giles • 1 x dresser • Covers on dresser • 1 x bellows Baby’s room • 1 x blessing (in the baby’s room) • 1 x picture of boy and girl • 1 x rocking chair • 1 x cushion (made by V Giles) • 1 x chest (belonging to Mary Jane Giles’s mother, Jane Fleming who migrated to Australia from Ireland in 1843) • 1 x chest cover • Bed materials Bedroom • 1 x knitted bedspread and cushion cover (knitted by V Giles) • Pillow shams and covers (Mrs Catherine King) • Pillow cases (Mary Giles) • 1 x wash stand (Mary Giles) • Towels (lace knitted by Aurelin Giles) • 1 x washstand cover • 1 x white ceramic dog • Shaving items • 1 x dressing table mirror • 1 x dressing table cover (made by Aurelin Giles) • 1 x framed motto • 2 x texts • 1 x settee (sofa) • 1x wardrobe (Vera Giles donated the wardrobe in the Lighthouse Keeper’s Cottage to Flagstaff Hill. According to Aurelin Giles, it was originally owned by William Swinton junior and was later given to a friend of the Giles family.) Kitchen • Settee covers (made by V Giles) • 1 x sideboard • 1 x butter churner • 2 x pictures • 1 x white cheese dome • 1 x wash-up tray • 2 x jugs • 1 x vegetable bowl and dish • 1 x willow pattern dinner set • Glass butter and jam dishes. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. Tray cloth, white cotton with blue floral embroidery, chrchet edge. Some small tears. (Giles Collection) Tag attached "LHK N7"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles family, henry giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century linen, 19th century handcraft, tray cloth -
Glenelg Shire Council Cultural Collection
Leisure object - Sugar Bowl - child's tea set, n.d
White china sugar bowl (no lid), gold lustre trim and floral design. From a children's toy tea set.Back: 'MADE IN JAPAN'decorative item, functional item, sugar bowl, tea service, toy, childhood -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Scales, Imperial weights & large bowl, c1900
A pair of scales or dishes in which objects to be weighed and the weights / masses against which to weigh them are placed is an "Apparatus for weighing. The pan, or each of the pans, of a balance." These common kitchen / dairy scales would be used by the householder to weigh flour, sugar, cereal, vegetables, fruit, meats, butter, cheese etc. prior to cooking or storing . c1900 A set of steel weighing scales with a balance beam that holds 1 large metal dish for the item to be weighed and a smaller tray holding the weights. The object/ substance to be weighed is placed in 1 dish and the weights are added to the other dish until the two dishes balance equally on the beam. The base , balance beam and tray are decorated with a floral pattern Its parts include a fulcrum, a beam that balances on it, two pans at the ends of the beam to hold the materials to be weighed, and counter-balancing weights.Each weight is engraved with Imperial Measure = 2lb, 1lb, 6ozmarket gardeners, early settlers, fruit vegetables, farmers, cooking, recipes, scales, weights, measures, brass, balance beam, moorabbin, cheltenham, bentleigh, kitchen scales, dairy products, cereals, wheat flour, . -
Orbost & District Historical Society
butter mold
This butter mold is typical of the period when food processing was done at home. It would have been before the time of mass food processing factoriesA wooden bowl which uses the lid as an imprint plunger. The imprint is a floral design and has a long handle. The bowl has a hole in the base for easy removal of butter.butter-mould domestic food-preparation -
Flagstaff Hill Maritime Museum and Village
Ceramic - Dish, Johnson Bros, Circa 1883 (very early Mark)
Johnson Brothers were a British tableware manufacturer and exporter that was noted for its early introduction of "semi-porcelain" tableware. It was among the most successful of the Staffordshire potteries which produced tableware, much of it exported from the 1890s through the 1960s. They were also important manufacturers of large bathroom ceramics. The company was founded in 1883, but from 1968 to 2015 it operated as a part of the Wedgwood Group. However, after the Wedgwood Group was acquired by Fiskars in 2015, the production of Johnson Brothers was discontinued. The company's name derives from the names of the company's founders. The four original "Johnson Brothers" were Alfred, Frederick, Henry, and Robert. Their father married the daughter of a master potter, Alfred Meakin. In 1883, Alfred and Frederick Johnson began production at defunct pottery, known as the Charles Street Works, that they had purchased at a bankruptcy sale in Hanley, Stoke-on-Trent. At first, they specialised in the manufacture of durable earthenware, which they called "White Granite". The success of this venture led to rapid expansion. In 1888, the Rev. Henry Johnson joined them, followed ten years later by a fourth brother, Robert Johnson. Having established a solid reputation producing basic "whiteware", the company developed a product known as "semi-porcelain", a range of pottery that had the characteristics of fine china, but the durability of ironstone ware. This kind of tableware soon became very popular in the United States due to its durability and low cost. In 1889, the Hanley pottery was opened, later the Alexander pottery, and in 1891 the Imperial Works Pottery. In 1896, the Trent Sanitary Works was opened for the production of non-tableware products, and Alfred Johnson left the business to establish his pottery. By 1898, Robert Johnson had relocated to New York City to manage Johnson Brothers' rapid expansion into the North American market. An item that gives a snapshot into the emerging market for tableware that was reasonably priced and serviceable. The company produced "whiteware" but the innervation of the pottery line called semi-porcelain changed the industry. This allowed potteries to produce fashionable pottery items that were affordable to all social classes of the time. Bowl white ceramic decorative with floral decoration around lip. On base, "Royal Ironside China, Johnson Bros England" & crest of lion and unicorn flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, bowl, china bowl, lion and unicorn crest, table ware, kitchen ware, white ware, johnson brothers -
Bright & District Historical Society operating the Bright Museum
Pipe clay
Incomplete clay pipe. Section of the stem glued to the bowl. Embossed and some other markings.Floral or berries on stem on one side of bowl and harp on the other side of the bowl. 'GLASGOW' and 8 on one side of stem and indeterminate writing on the other side of the stem. -
Bright & District Historical Society operating the Bright Museum
Bowl
Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Porcelain food bowl, celadon glaze, Chinese. Blue floral design on outer surface, blue lines inside.chinese, bowl, goldfields, gios, tableware, glaze, porcelain, buckland, celadon -
Bright & District Historical Society operating the Bright Museum
Bowl
... Chinese porcelain food bowl, celadon glaze, blue floral... tableware bowl celadon glaze buckland valley goldfields aldo gios ...Chinese porcelain food bowl, celadon glaze, blue floral design on outer surface. Blue lines around inside of bowl. Eight pieces reassembled. Has a base rim."Tick" on bottom of the bowl.porcelain, chinese, tableware, bowl, celadon, glaze, buckland valley, goldfields, aldo gios -
Flagstaff Hill Maritime Museum and Village
Bowl
... Bowl ceramic with decorative floral design around rim...-museum shipwreck-coast flagstaff-hill-maritime-village Bowl ...Bowl ceramic with decorative floral design around rim in green and gold. Bowl area is white. "Verona 5 ways England" stamped on back. Has several chips.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Flagstaff Hill Maritime Museum and Village
Domestic object - Bowl, Late 19th to early 20th centuries
This semi-porcelain wash basin would have been used in a Victorian household for bathing and personal hygiene. It was made by the well-known firm Johnson Bros. in England. The wash bowl or basin is a typical example of a Victorian era household's bathing item. It is significant for its association with renowned potters Johnson Bros. of EnglandBowl or wash basin, white with pink and green floral decoration. Inscription on base; stamped in brown paint. Royal semi-porcelain material, made by Johnson Bros, England"ROYAL / SEMI-PORCELAIN / JOHNSON BROS. / ENGLAND" Symbol [Crown above a ribbon with maker's name.]flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wash bowl, wash basin, bathing, personal hygiene, johnson bros, pottery, percelain, semi-porcelain -
Flagstaff Hill Maritime Museum and Village
Domestic object - Ewer, First half of the 20th century
This object and the set of five items is believed to have been made in or around the Staffordshire area in the United Kingdom. Over 1500 pottery firms have operated in Stoke-on-Trent since the early 1700's - Some lasted only a few years and some for well over 200 years. Some potters built and owned their own works. Many others were tenants in works built by others and a succession of potters occupied the same works. It was also a common practice for a works to be split between two different pottery companies or for a larger manufacturer to let out a smaller section of his works to a potter who would make wares which were not of interest to the pot works owner. Some potters purchased 'blanks' from other manufacturers and put their own decoration on them some items have two back stamps some have no marks at all. This adds to the confusion and frustration of trying to trace details of a particular manufacturer such as the subject item.The subject item at this time cannot be associated with an historical event, person or place, provenance regards manufacturer is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Ewer or jug, cream ironstone with brown flower spray floral decoration.(Part of 5 piece set containing ewer, bowl, brush vase, soap dish lid and soap dish)Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, porcelain container, toilet container, beauty container, ceramic, decorative object, pottery object -
Churchill Island Heritage Farm
Bowl, c. 1900
... island bowl Stamp: ITALY #10617 hand written on base Ceramic ...Ceramic serving bowl with two handles, a coral frilled border with hatched green inner border, white background with central vibrant floral bouquet. Stamp: ITALY #10617 hand written on basechurchill island, bowl -
Bendigo Historical Society Inc.
Domestic Object - CHINA BOWL
... Blue and white small boat shaped china bowl heavily... with floral gilding. Domestic Object CHINA BOWL ...Blue and white small boat shaped china bowl heavily decorated with floral gilding.Hand Painted Japan I E Codomestic equipment, table setting, bowl -
Bendigo Historical Society Inc.
Domestic Object - SMALL CHINA DISH
Small cream china dish with floral decoration.Sandland Ware Lancaster & Sandland Ltd Hanley Englanddomestic equipment, table setting, bowl -
Anglesea and District Historical Society
Sugar Shovel, Estimated date: c 1890
... by Daniel & Arter Ltd. Fiddleback pattern. Shovel shaped bowl... by Daniel & Arter Ltd. Fiddleback pattern. Shovel shaped bowl ...Nevada silver (electroplated nickel silver) sugar shovel by Daniel & Arter Ltd. Fiddleback pattern. Shovel shaped bowl with etched floral design.nevada silver, daniel & arter ltd, sugar shovel -
Stawell Historical Society Inc
Memorabilia - Realia, c1950's
Domestic Cream China Bowl with silver edge and floral designstawell -
National Wool Museum
Trophy
This trophy was awarded to William Kermode of Mona Vale for the best pair of Merino ewes exhibited at the Southern Tasmanian Agricultural and Pastoral Society in October, 1879. William Kermode formed the Mona Vale flock in 1829 with VDL C. Saxons. In the early 1870s under Kermode, Ercildoun rams were tried, as was a St Johnstone ram. It is well documented that the famous Steiger-blood ram, Sir Robert (out of a Mona Vale ewe), had considerable impact on a number of Tasmania's influential studs. At its height in the late nineteenth century, Mona Vale was regarded as "... one of Tasmania's leading and parent studs, producing robust fine-wool sheep with quality, long-stapled and dense wool." (Massy 1990: p.406). The first agricultural society in Australia was formed in Hobart on 1 Jan. 1822. The trophy was retailed by Walsh Brothers, Melbourne in c.1875. The cup has no makers marks, but has been attributed by Christie's to Edward Fischer, a local Geelong silversmith. This attribution is based upon stylistic criteria. However, Ms Veronica Filmer of the Geelong Art Gallery (curator of "Geelong's Colonial Silversmiths", Geelong Art Gallery, 1988), has suggested that the lack of stamps is unusual (most of Fishcher's work was stamped) and also that it is somewhat heavy for Fischer's work. The trophy originated from the collection of Edward Clark, an antique dealer. Prior ownership of the trophy is uncertain, but it is believed that Clark purchased it in the mid 1990s from descendants of the original prize recipients.Trophy, sterling silver. Circular, stepped base and tapering stem decorated with cartouches of leaves on a matt background. The bowl of the trophy has an applied belt cartouche with an inscription. Within the belt cartouche is an engraved and embossed panel of two sheep with a cottage in the background. There are ribbon tied floral swags on either side of the cartouche, and a presentation inscription with a beaded border on the reverse of the bowl.SOUTHERN TASMANIAN AGRICULTURAL & PASTORAL SOCIETY Presented / to / Joseph Clarke Esq / and awarded to / W.A. Kermode Esq / of Mona Vale / for Best Pair Merino Ewes, / October 1879southern tasmanian agricultural and pastoral society, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), fischer, mr edward - silversmiths and jewellers kermode, mr william - mona vale stud clarke, mr joseph, mona vale stud, tasmania -
Ballarat Heritage Services
Ceramic - Ceramics, Ceramic Sugar bowl by Wartook Pottery, c1990
Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the word 'sugar'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood