Collection of 67 colour slides . Mar 85 M2, M4 and M7 mainly showing damage to grass, M7 mainly floral design displays.Labelled "Garden Week 1985"garden week, 1985, floral design displays, damage to lawn, damage to grounds

This hand-knitted, white double-bed bedspread and matching round cushion were hand-made by Vera Giles. The process took her nine-and-a-half months. She presented it to Flagstaff Hill to be part of the Giles Collection. There are many 19th-century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by Vera and Aurelin Giles. The items are associated with the Giles Family and are known as the “Giles Collection”. These items mostly came from the simple home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton), whose photos are in the parlour. They married in 1880. Henry Giles was born at Tower Hill in 1858. He was a labourer on the construction of the Breakwater before leaving in 1895 to build bridges in N.S.W. for about seven years. Mary Jane was born in 1860 at Cooramook. She attended Mailor’s Flat State School where she was also a student teacher before, as a family legend has it, she became a governess at “Injemiara” where her grandfather, Francis Freckleton, once owned land. Henry and Mary’s family of six, some of whom were born at Mailor’s Flat and later children at Wangoom, lived with their parents at Wangoom and Purnim west, where Henry died in 1933 and Mary Jane in 1940.The Giles family collection has social significance at a local level because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established. The handmade items were knitted in the late 20th century using a craft and design that augment the late-19th to early 20th-century furnishings where they are displayed.Hand knitted white cotton bedspread and cushion with knitted floral pattern. Items are both part of the Giles Collection. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill-maritime-museum, flagstaff-hill-maritime-village, knitted bedspread, knitting, bedspread, giles collection, henry giles, vera giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, manchester, cushion

Photographer notations on slide: B21 Published: 10 April 1934 Published title and caption: Preparing for Garden Week Reference: PREPARING FOR GARDEN WEEK. (1934, April 10). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved February 2, 2026, from http://nla.gov.au/nla.news-article203840965 Caption: "Garden Week, which opens to-day at Wirth's Park, will present the best of the Autumn flowers, together with seasonal shrubs and trees, grown by Victorian Horticulturists. Girl students are here seen preparing one of the exhibits. The display will continue until Saturday inclusive." Description: Female gardeners from the School of Horticulture, Burley, preparing an exhibit for Autumn Garden Week located at Wirth's Park on the site of the current Melbourne Arts Centre. A horticultural training establishment commenced at Burnley in 1891. Women were allowed to attend from 1899 under the enlightened leadership of Charles Luffman. By 1934, following the tragic impacts of World War One, women were both required and determined to earn a living and to be paid landscape architects, designers and managers. Wearing trousers and overalls was an outward indicator that should they wish, they could be horticulturalists, not just gardeners. Garden Week was billed as one of the most important floral displays held in Australia, showcasing flowers, fruit and vegetables, bulbs, succulents, garden ornaments, practical appliances and garden literature. There were large display halls and model gardens - designed to provide inspiration to the amateur gardener and showcase Victorian producers. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Louise McKenzie. In January 2026, volunteer Fiona Collyer contacted Burnley Campus Archives at University of Melbourne to share the image. Jane Wilson, Manager of the Burnley Campus Archives, University of Melbourne, supplied the following information: "I find that we actually have that photograph as a newspaper cutting, sent in from a former student. This is some additional information: Students are: Evelyn Yule (1932), Betty Holmes (1932), Margaret Doherty (1932) and Alice Glascodine (later Mrs. Tucker) (1933). Alice sent us the newspaper cutting." Alice didn't specify who was who in the photograph but noted: "An earlier cataloguer had thought Alice was the one on the right, but I’m not sure."Photographer notations on slide: "B21".gardens, events, 1930-1939, horticulture, world war 1, gardening, women gardeners, jodhpurs, clothing and dress, burnley horticultural college

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).E.W. Coles & Sons reproduction of a Morris & Co. pattern. Manufactured in c.1970. Sample created for the Werribee Mansion.Verso: "PR 15234 * 19 [pounds] 50pdecorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).E.W. Coles & Sons reproduction of a Morris & Co. pattern. Manufactured in c.1970. Sample created for the Werribee Mansion.Verso: "PR 15274 * 15 [pounds] 50p"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Christopher Dresser designed wallpaper. Important example of original design. This is an off-cut from the wallpaper used in the hallway of the historic house Raheen in Kew. Paper is a floral pattern, with gold, green, blue, brown and yellow colours. Two rolls.Verso: "3017"decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. These include artefacts (wallpapers, textiles, carpet samples), furnishings, printed materials (catalogues, books, periodicals), and pictures (photographs).Christopher Dresser designed dado wallpaper. Important example of original design. This is an off-cut from the wallpaper used in the hallway of the historic house Raheen in Kew. Paper is a floral and symetric pattern, with burgundy, blue, green and gold colours. Three rolls.decorative arts & design, wall coverings – history, wallpapers – history, interior decoration – history

The Paragon China Company was a British manufacturer of bone china from 1919 to 1960, based in Longton, Stoke-on-Trent, and more recently part of the Royal Doulton group.Green display wall plate with multicoloured central floral design and gold patterned fluted edge.plates, china

Kashmiri embroidery has a distinct characteristic to it – both in technique and appearance. Kashida is the traditional name of Kashmiri embroidery, which came with the Persians, just as the motifs and style suggest much of Persian influence. The work is very colorful and derives its designs from elements in the scenic beauty of the land. This craft, mostly done by men, is said to have descended from royal patronage. “It is essentially a child of landscape and bountiful nature and is, therefore, as varied in it’s richness, as superb in its beauty”. The floral motifs with their inexhaustible display of colours, variegated birds, luscious fruits, majestic mountains, shimmering lakes – all find a place in Kashmir embroidery’ ~ Kamaladevi Chattopadhyay Source: India CraftFine dark beige wool with all over embroidery in fine wool thread. Colours are red, orange, pinks, blue, green and brown. Borders on collar, front and bottom of the coat are edged with a red line couched in yellow thread. Design flowers and birds.embroidery, surface stitchery, garments, 1940-60, india

Knotting was a popular pasttime for eighteenth century women, often made from luxury materials. Knotting uses a thicker thread to produce a cord for applique on surface embroideryKnotting shuttles were both elegant tools for display and leisureMother of Pearl knotting shuttle with floral design on top. Dot design border. Brass rivets and bone central block with a central hole. Incised decorative pattern flowers near centre, dotted form around edgesknotting, mother of pearl