Sample of Embroidered flower motif.- Small Embroidered flower motif with leaves - Colours, pink & green leaves.Nilembroidary, flower motif

Lace collars and cuffs were used by women in the late 19th and early 20th century to embellish their clothing. They were able to be detached which made them suitable as a decorative object on clothing that could be easily changed when required. Duchesse lace, was produced in Belgium from about the mid-nineteenth century onwards. In general, it was regarded as a cheaper version of 'true' Brussels lace and is a form of bobbin lace. The lace set was part of a collection belonging to Alice Matilda Barrie. Alice was born on October 17th, 1885 at Willowie, SA, she died on May 10th, 1981 in Adelaide. Alice was the daughter of Thomas and Luisse Mathilde Wood. Thomas was the publican of the Willowie hotel and Alice's brother Frank owned the Willowie store where the lace set may have been purchased. A family photo shows Alice wearing a lace collar in the early 1940’s which confirms her use of similar articles.The lace set has significance historically and socially as an example of textile accessories women used to embellish their clothing in the late 19th and early 20th century.A Duchesse lace set comprising three collars, a pair of cuffs and a hanky. Two of the collars are rounded and the third has a rectangular back and falls to points at the front. The lace on the hanky has been handstitched to the fine linen centre shape. In each piece the lace motifs are flower based (petals, stems, leaves) and are joined by thin bars.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, lace, brussels duchesse lace, duchesse lace, cotton, linen, flower motifs, bobbin lace, lace collar, lace cuff, lace hanky, lace handkerchief, lace set, lace accessories

Indian Theme dress- Long sleeved - Flower motif print - variegated blue to purple - Pintucked detailing on top and sleevesSonali for Myriad, 10, Made in Indiaindia, handmade, 1970's, clothing

From Till CollectionSilver metal scarf pin. Square with flower motif in each corner. Spring clip on the back.costume accessories, jewellery

Made by Joy Clucas, English machine embroidery designer, who taught classes at Guild in July 1984.Peach chiffon with a large flower motif at one end, in pink, green and white. Finely stitched hem.Joy Clucasembroidery, england, stoles, creative embroidery, 1980-2000

This doily is typical of items of household linen in popular use in the 19th and early-to-mid 20th centuries. It was a tradition for brides to have a 'glory box' containing linen and embroidered and crocheted articles to take to their new home. In the Words of donor, Betty Stone, … “These crocheted and embroidered articles cover a period of three generations- ie. Sarah (nee Chamberlain) Lees, Ann (nee Lees) Dale, and Daisy Elvena (nee Dale) Welsh. All three were accomplished needlewomen; also, both Sarah Lees (born 1844) and her daughter, Ann (b 1865) crocheted a wide variety of articles for use in their homes. A few examples of these items have survived the years.” (NOTE: For additional information please refer to my book Pioneer and Places- A History of Three Warrnambool Pioneering Families ie. Chamberlain, Dale and Lees families)This item is associated with the Warrnambool pioneer families of Chamberlain, Dale and Lees. These families are listed in the Pioneers' Register for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The item is a fine example of early 20th-century needlework.Doily, white round crocheted work with flower motif in centre and scalloped edge. From the Chamberlain Dale Lees Collection. flagstaff hill, warrnambool, flagstaff hill maritime museum and village, great ocean road, chamberlain family, dale family, lees family, betty stone, warrnambool pioneer, warrnambool genealogy, wangoom, chamberlain dale lees collection, glory box, doily, needlework, crochet, handmade, craft, manchester, linen, haberdashery

Black cotton lace stole. Central leaf pattern is surrounded by border of squares and flowers. Outside border is leaf and flower motif.

Worked by Isabella Clark. Item known to be 153 years old in 1938. The name possibly suggests the ruffles could be of Scottish origin.Fine muslin with floral design and drawn fabric patterns along the ruffle edge. White on white. Filling stitches in the flower motifs.embroidery, dresden (point de sax), dresden work, whitework, drawn fabric, 18th century, scotland

UnknownRare survivor of 1890's fashion Female black lace cape. Guipure - small collar fastened with black grosgrain silk ribbon with bow - 2 beaded flower motif.female evening and/of morning wear

Cypriot Bichrome Ware from Cypro-Geometric PeriodThe interior with two black concentric band and circles, the rim and twin pierced lug handles painted, The base with flower motif encircled by concentric bands and lines. cypriot

These boxes were often used for storing jewellery, cosmetics, or other small personal items. The bird and flower motifs are common in East Asian art and symbolizes beauty, prosperity and good forture.Black lacquerware jewellery box with inlaid mother of pearl pieces, brass handle, hinged lid and inside a mirror, red felt and hinged flap

Paraguayan Ñandutí Lace Mat - Ñandutí is a traditional Paraguayan lace. The name means "spider web" in Guaraní, the official, indigenous language of Paraguay.Set of six Coasters are made in Ñandutí lace from Paraguay. This lace is closely related to Teneriffe lace (done on a wheel). White coasters, circular and flower motifs.embroidery, lao, nanduti, paraguay

Booklet from Northern District Nursing School used as a training/education tool for the school. The booklet gives a brief description of each of the Dolls in the Collection and a snapshot of the history of nursing through the ages. A4 size booklet - stapled twice on left hand side. Pink and Black Border with flowers motifs in four corners. Black written list of Dolls on front covernursing history, northern district school of nursing

A San Blas Mola Panel is a hand-stitched textile artwork created by indigenous Guna (Kuna) women of the San Blas Islands (Guna Yala) in Panama. Technique: Made using multi-layered reverse appliqué and fine embroidery. Makers stack two to seven colored cotton fabrics, cut away top layers, and turn and stitch the edges to reveal vibrant underlying designs. Function: Traditionally worn as the front and back decorative panels of Guna women's blouses, paired with a wrap skirt (sabured) and headscarf (muswe). Motifs: Feature geometric patterns (molas naga), traditional animal and spiritual figures (molas goaniggadi), or modern pop-culture and global icons (such as cigarette packets or commercial logos) adopted post-1925.Mola applique with cut back panels. Stylized flower motifs using applique, hand stitching and needle turning.. Red background with yellow, blue, orange, brown, black details.mola - reverse applique, san blas

This brooch with its floral design is typical of the jewellery worn during the Romantic Period of the Victorian Era, when Queen Victoria's husband, Prince Albert, was alive 1837-1861. During this period flower motifs and brooches and pins were popular.This brooch is representative of jewellery worn during the Romantic Period of Queen Victoria's rule, 1837-1861.Brooch, light weight, rose coloured gold metal with red- brown onyx stone. Flower shaped brooch with six petals, stone attached, with rose design stem which is flanged on back. Backing plate is also rose coloured metal. A small ring is attached to the top of the brooch where the safety chain is attached. There are two small holes on back of brooch. A chain is attached to the horizontal pin on the back, and has a pin on its end. There is an Inscription engraved on the back. Engraved in script, "Coco" [Italian word for gold]flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ladies jewellery, victorian era jewellery, jewellery inscribed 'coco', brooch, jewellery, ladies' jewellery, victorian era, romantic period

China toilet boat (English?) of elongated 'oval' shape. Bottom piece has two ridges to make three (low) 'sections' in base. Flower motif on top and sides. Inscribed catalog number U4.702.2domestic equipment, containers, toiletries

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Deanne states that this is her favourite season and she loves painting the small orchids as they flower after the cold season begins to clear.Black cloak with pink and purple toned flower motif on outer cloak, purple and black diamond, and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak, murnong

Container (round flat box) of pink-coloured ('Peche') 'Cashmere Bouquet' Face Powder . Top of box has product name and flower motif; back of box has manufacturer's details (Colgate Palmolive; Made in Australia etc.personal effects, cosmetics, powder

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High Street in Wodonga, but a new warehouse was built in Melbourne Road later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the plaque has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Copper metal plaque commemorating 10 years of the Sarah Coventry Pty. Ltd. jewellery company from 1968 to 1978, in a brown wooden fame. The inscription is in black and flock printed on the copper plaque with '10' in the central of a flower motif."Sarah Coventry. / 10 / 10th Anniversary 68-78"sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, copper plaque, commemorative plaque

Restored by Tony Newstead. Played by Dr Phil Law during the 1930s, "for dances and other functions, while teaching at Clunes, Talbot, Creswick, Learmonth, Newtown, Smeaton, and while teaching at Elwood (at Eltham, Gisborne and Sunbury." including on many of his expeditions to the Antarctic. Phil Law was a dedicated jazz reed player and band leader in his early years as a country school teacher. His brothers also played. Gift of Dr Phil Law - 1999. Dr Law died in Melbourne on 28 February 2010 at the age of 97.Owned and played by Dr Phillip Garth (Phil) Law AC, CBE, for dances and other functions, while teaching during the 1930s, and on many of his 28 expeditions to the Antarctic. Metal Silver B flat soprano saxophone made by V. Kohlert and Sons, Graslitz, Czechoslovakia. Circa 1920s. Mother of pearl keys, slight denting. Additional mouth piece. On bell of saxophone "Kohlert Sons / Graslitz / Czechoslovakia" framed by flower and leaf motifdr phil law, dr phillip law, soprano saxophone, kohlert and sons, kohlert sons, antarctic explorer, b flat soprano saxophone, silver instrument, reed instrument

This piece belonged to Miss Doris Tye, donated to the Guild by Miss M. Harris (member)Bright, multicoloured (red, green, blue, yellow, brown, pink and cream) Irish crochet style. Australian flower motifs (waratah, wattle, flowering gum, flannel flower, nuts) in a wide border around a brown linen map of Australia with the States (less Tasmania) A.C.T. stitched on.Initials of the States, Vic, N.S.W., Qld, S.A. N.T. and W.A.crochet, maps, 1900-20, australia

Three fans: 10848.13a - paper fan made of many sections; with Chinese dragon and flower motif, made to form a round fan 1084801b - Black plastic fan with nine Australian motifs centered on Queensland, connected with red ribbon 100848013c - White plastic fan with an Asian tree motifpaper fans, chinese motifs

57 page booklet with buff coloured thick paper covers. The cover has a rectangular border creating a frame within which is the title. Each corner of the border is a flower motif. The pages are also buff excluding those with images and photographs which are white. The first page has handwritten information.A history of the Portland Presbyterian Scots Church and its congregations. Written for its centenary in 1942.glenelg shire cultural collection, portland, presbyterian, church, religion, celebration, centenary celebrations, 1940s

Women's clothing: pink boned corset. Garment is patterned with flower motif. Suspenders attached to bottom of corset. Corset is laced up the back through eyelets. Item donated by Mrs. J. Mannix, 54 Bannister Street, Bendigo. On inside of garment 'Beauty's Contour, 148, Type ABD U.B.'female, corset, women's clothing, corset