Greensborough Plaza is alive with the colours of autumn after a fresh foliage gown was installed at the shopping centre to mark the start of the new season.News article 1 page, black text.greensborough plaza, colours of autumn, gillian pollard

oil on linenpainting, buildings, mother, baby, plants, apartments, rob mchaffie, high rise, parquetry, neighbourhood, foliage

Colour photographeltham, eltham living and learning centre, living and learning centre, pavilion, shire of eltham

Digital copy of colour photographfred mitchell collection, 2017, flora, kurrak road, plants, rivers garden centre, yarrambat

Digital copy of colour photographfred mitchell collection, 2017, flora, kurrak road, plants, rivers garden centre, yarrambat

Appears as an illustration in, "Green Grows Our Garden," A.P. Winzenried p 79.Black and white photograph. Oak Tree with the edge of the Lily/Luffmann Ponds in the foreground.On reverse, "Late Sept. 1947 Oak viewed from end of lily ponds - new foliage."oak tree, lily ponds, foliage, green grows our garden, a.p. winzenried, luffmann ponds, garden view

Certificates won by J G Scott at Rutherglen Show. 32.7 First Prize - Three Foliage Plants, Blue.Prize certificate for 1906, Rutherglen & Murray Valley Agricultural & Horticultural Society. Blue certificate with gold printing. First Prize certificate won by J G Scott at Rutherglen Show for Three Foliage Plants."Rutherglen and Murray Valley / Agricultural & Horticultural Society / Twenty Seventh Annual Exhibition / Wednesday, 24th October, 1906" / "A.H. Thompson, Secretary"rutherglen show, rutherglen & murray valley agricultural & horticultural society, j g scott

The gold cross was discovered by Victorian scuba diver Julie Wilkins, who had already experienced more than 500 dives in Australia and overseas. She was holidaying in Peterborough, Victoria, and looking forward to discovering more about the famous Loch Ard ship, wrecked in June 1878 at Mutton Bird Island. The fast Glasgow-built clipper ship was only five years old when the tragedy occurred. There were 54 people on board the vessel and only two survived Julie's holiday photograph of Boat Bay reminds her of her most memorable dive. Submerged in the calm, flat sea, she was carefully scanning around the remains of the old wreck when, to her amazement, a gold coin and a small gold cross suddenly came up towards her. She excitedly cupped them in her hands, then stowed the treasures safely in her wetsuit and continued her dive. She soon discovered a group of brass carriage clock parts and some bottles of champagne. It was a day full of surprises. The items were easily recognisable, without any build-up of encrustations or concretion. Julie secretly enjoyed her treasures for twenty-four years then packed them up for the early morning train trip to Warrnambool. After a short walk to Flagstaff Hill Maritime Museum and Village, her photograph was taken as she handed over her precious find. She told her story to a local newspaper reporter, lunched a café in town then took the late afternoon train home. Her generous donation is now part of a vast collection of Loch Ard shipwreck artefacts, including the gold watch and the Minton Majolica model peacock. The small decorative cross dates back to on or before 1878, when the Loch Ard had set sail. The loop and ring have been added, perhaps as a pendant, pocket watch accessory or similar purpose. It may have been worn for ‘good luck’ or a ‘blessing’ on the long journey to Australia, where ships had to carefully navigate the treacherous Bass’s Strait before arriving at their destination of Melbourne. Sadly, many met their fate on that short stretch of ocean aptly named the Shipwreck Coast. The cross is very recognisable even though it was exposed to the wrecking of the ship, its consequent movement, and the sea's turbulence. Its scratched, pitted and worn condition, and the damage near the loop, is part of its story. The red-brown-black discolouration is similar to that found on other gold coins, sometimes called the ‘corrosion phenomena’. Studies suggest the possible cause is contaminants in the minting process reacting to the coins’ environment. Three edges of the cross have slightly raised narrow ridges of gold which could have been cause by the gold being cast liquid gold into a mould.This gold cross pendant is significant as a symbol of Christianity, a sign of hope and safety, and a sample of the religious following on board the Loch Ard, although not everyone wears a cross for this reason. This cross is a sample of jewellery owned by people migrating to Australia in the late 19th century. The cross and the guinea recovered together from the wreck of the Loch Ard are made of gold and help interpret the financial status of some of those on board.Gold cross; yellow gold with decorative hand engraved foliage design on the front, fitted loop and ring on top. The simple Latin or Roman variation of the cross, with an elongated vertical arm, has no figure on it and the reverse has no decoration. The right, left and base edges have sections of narrow, long slightly raised ridges. The top edge has remnants of red-black colour. Victorian era cross, ca. 1878. The cross was recovered from the wreck of the ship Loch Ard.Engraved foliage design. Slightly raised long ridges on sides and base edges. flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, gold cross, religious cross, religious trinket, religious jewellery, engraved cross, cross pendant, cross with ring, victorian era, 1878, antique cross, crucifix, religious symbol, christian symbol, christian jewellery, contamination phenomena, gold corrosion, good luck, lucky charm, blessing, pendant, loch ard, wreck of the loch ard, mutton bird island, peterborough, scuba diver, 1980s, shipwreck artefact, relic, latin cross, roman cross, pectoral cross, julie wilkins

A postcard depicts five soldiers standing near a cannon in winter time. They are wearing jackets and hats to protect them from the cold as freshly fallen snow rests on the surrounding foliage. Postcards were a common form of souvenirs for soldiers who were travelling around Europe either during World War 1 or just after, before returning to Australia. The link to Legacy is not known but there are many postcards are in the collection.Postcards were a very common form of communication in the first World War. This postcard also records the war for those who didn't have cameras. This type of souvenir would have been familiar to the first Legatees as they had served in World War 1.The postcard's image depicts five soldiers standing near a cannon. They are wearing jackets and hats to protect them from the cold as freshly fallen snow rests on the surrounding foliage. A small hole can be seen at the top centre of the card, most likely from a thumb tack.world war one, souvenir, cannon, soldiers

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Elephant holding foliage in its trunk Small signature and number 563keith wingrove memorial trust, australian bookplate design awards, bookplate, printmaking

Slide. Bendigo Views. Branches and foliage of a tree.slide, bendigo, bendigo views, bendigo views

Collected by Dorothy Brumby in relation to Great Western ResearchMan holding cockatoo in front of tree foliage

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Autumn foliage, USAMade in USA / Patentedmit bemis professorship, mit, robin boyd, slide

Donated by Molly CookBlack & White Postcart of two Penguin Chicks in foliage."Photo Shop Series" "Penguin Chicks" "Phillip Island"wildlife - penguins, penguins, phillip island

From Jessie Smith's collection of Island activities & landscapes. Koala on table. "Edward" was rescued in a bush fire by Mrs. Oswin-Roberts."Edward" - Koala sitting on small table. Foliage in backgroundlocal history, photographs, cowes, black & white photograph, wildlife in captivity, edward the koala, jessie smith collection, stan mcfee, mrs oswin roberts

Head and shoulders portrait of a male with moustache in a background of foliage.photograph, person, male

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Furry possum clinging to a branch with dense foliage in the backgroundA.P. King per 82/100keith wingrove memorial trust, australian bookplate design awards, printmaking, bookplate

Small black and white photograph of a cae decorated with flowers and foliage.photograph

Screenprint depicting a landscape with three trees and turquoise foliage and owl in flight. Signed (L.l) 'Clifton'clifton pugh, screenprint, landscape, owl

Large glass water jug with attached handle, acid etched with flowers and foliage.domestic equipment, food consumption, jugs, old ref number di442

Murray Comrie Collection. This is a reasonable copy of an older original. Copy probably made by Murray Comrie in the 1960s. Monochrome photograph of men harvesting Eucalyptus foliage, possibly at or near Arnold West.arnold west, industries, agriculture, eucalyptus, distilling, forestry, plants, trees

Small black and white photograph of a car decorated withflowers and foliage, dated on back 19.3.32.photograph