Showing 123 items matching folklore
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Whittlesea Historical Society Inc.
Photograph, Carome, Mernda, c. 1960
3 photographs showing Carome at Mernda dated mid 1960's. CAROME In 1840 Arthur Sergeantson purchased Section 19, Parish of Morang, a total of 842 acres. He named the property `Sergeantson Hall’ but the portion between the Plenty Road and Plenty River soon became known as Carome, the name of a flour mill he established in 1841. In 1843 Sergeantson leased the mill to a miller named Anderson, who operated it until 1850. Anderson was followed by Robert Charles. The present dwelling date back to at least 1850, and possibly earlier. In 1857 Sergeantson’s remaining 411 acres and Carome Mill were purchased by Abraham Willis and William Hardesty, who refurbished and upgraded the mill at the enormous cost of 1,200 Pounds. In 1868 the Mill was destroyed by fire. Willis continued farming at Carome until 1899 when he leased the farm to his son Robert and retired to Carlton. Little of the Mill remains. It was set just downstream from the deep rocky waterhole which formed a natural dam. Local folklore has it that this waterhole was used for water games by the Aborigines. Europeans certainly swim there now, and locals refer to this area as Power's hole, named after the previous owners the Power family. Such a prominent waterhole is likely to have been well known to the Aborigines. (Reference: City of Whittlesea Heritage Study) 3 colour photographs.mernda, carome mernda, bluestone, power family, willis family, abraham willis, isabella willis, carome mill, powers hole -
Whittlesea Historical Society Inc.
Photograph - Copy, Alfred, Lucy, Florence and Charles Arnold, c.1910
A photograph of Alfred Arnold his wife Lucy (nee Willis) and their children Florence and Charles. Lucy is the daughter of Abraham and Isabella Willis of Carome in Mernda. CAROME In 1840 Arthur Sergeantson purchased Section 19, Parish of Morang, a total of 842 acres. He named the property `Sergeantson Hall’ but the portion between the Plenty Road and Plenty River soon became known as Carome, the name of a flour mill he established in 1841. In 1843 Sergeantson leased the mill to a miller named Anderson, who operated it until 1850. Anderson was followed by Robert Charles. The present dwelling date back to at least 1850, and possibly earlier. In 1857 Sergeantson’s remaining 411 acres and Carome Mill were purchased by Abraham Willis and William Hardesty, who refurbished and upgraded the mill at the enormous cost of 1,200 Pounds. In 1868 the Mill was destroyed by fire. Willis continued farming at Carome until 1899 when he leased the farm to his son Robert and retired to Carlton. Little of the Mill remains. It was set just downstream from the deep rocky waterhole which formed a natural dam. Local folklore has it that this waterhole was used for water games by the Aborigines. Europeans certainly swim there now, and locals refer to this area as Power's hole, named after the previous owners the Power family. Such a prominent waterhole is likely to have been well known to the Aborigines. (Reference: City of Whittlesea Heritage Study) Copy of black and white photograph.Printed on Kodak Professional Endura Papermernda, carome mernda, bluestone, power family, willis family, abraham willis, isabella willis, carome mill, powers hole, william hardesty, arthur sergeantson, alfred arnold, lucy willis, lucy arnold, florence arnold, charles arnold -
Whittlesea Historical Society Inc.
Photograph, Carome Homestead, Mernda, 1972
A photograph showing Carome homestead in Mernda dated 1972. CAROME In 1840 Arthur Sergeantson purchased Section 19, Parish of Morang, a total of 842 acres. He named the property `Sergeantson Hall’ but the portion between the Plenty Road and Plenty River soon became known as Carome, the name of a flour mill he established in 1841. In 1843 Sergeantson leased the mill to a miller named Anderson, who operated it until 1850. Anderson was followed by Robert Charles. The present dwelling date back to at least 1850, and possibly earlier. In 1857 Sergeantson’s remaining 411 acres and Carome Mill were purchased by Abraham Willis and William Hardesty, who refurbished and upgraded the mill at the enormous cost of 1,200 Pounds. In 1868 the Mill was destroyed by fire. Willis continued farming at Carome until 1899 when he leased the farm to his son Robert and retired to Carlton. Little of the Mill remains. It was set just downstream from the deep rocky waterhole which formed a natural dam. Local folklore has it that this waterhole was used for water games by the Aborigines. Europeans certainly swim there now, and locals refer to this area as Power's hole, named after the previous owners the Power family. Such a prominent waterhole is likely to have been well known to the Aborigines. (Reference: City of Whittlesea Heritage Study) Colour photograph.Printed on Kodak Professional Endura Paper.mernda, carome mernda, bluestone, power family, willis family, abraham willis, isabella willis, carome mill, powers hole, william hardesty, arthur sergeantson -
Whittlesea Historical Society Inc.
Photograph - Copy, Carome Homestead, Mernda, 1932
A photograph of a man in front of Carome Homestead, 1932. CAROME In 1840 Arthur Sergeantson purchased Section 19, Parish of Morang, a total of 842 acres. He named the property `Sergeantson Hall’ but the portion between the Plenty Road and Plenty River soon became known as Carome, the name of a flour mill he established in 1841. In 1843 Sergeantson leased the mill to a miller named Anderson, who operated it until 1850. Anderson was followed by Robert Charles. The present dwelling date back to at least 1850, and possibly earlier. In 1857 Sergeantson’s remaining 411 acres and Carome Mill were purchased by Abraham Willis and William Hardesty, who refurbished and upgraded the mill at the enormous cost of 1,200 Pounds. In 1868 the Mill was destroyed by fire. Willis continued farming at Carome until 1899 when he leased the farm to his son Robert and retired to Carlton. Little of the Mill remains. It was set just downstream from the deep rocky waterhole which formed a natural dam. Local folklore has it that this waterhole was used for water games by the Aborigines. Europeans certainly swim there now, and locals refer to this area as Power's hole, named after the previous owners the Power family. Such a prominent waterhole is likely to have been well known to the Aborigines. (Reference: City of Whittlesea Heritage Study) Copy of a black and white photograph.Handwritten on the back: Carome Mernda 1932mernda, carome mernda, bluestone, power family, willis family, abraham willis, isabella willis, carome mill, powers hole, william hardesty, arthur sergeantson -
Whittlesea Historical Society Inc.
Photograph, Carome, Mernda, 2006
5 photographs showing Carome homestead and property at Mernda dated 2006. 1. Carome homestead. 2. Carome, looking southward down old rail line. 3. Carome homestead. 4. Dairy/feed sheds at Carome. 5. Carome property. CAROME In 1840 Arthur Sergeantson purchased Section 19, Parish of Morang, a total of 842 acres. He named the property `Sergeantson Hall’ but the portion between the Plenty Road and Plenty River soon became known as Carome, the name of a flour mill he established in 1841. In 1843 Sergeantson leased the mill to a miller named Anderson, who operated it until 1850. Anderson was followed by Robert Charles. The present dwelling date back to at least 1850, and possibly earlier. In 1857 Sergeantson’s remaining 411 acres and Carome Mill were purchased by Abraham Willis and William Hardesty, who refurbished and upgraded the mill at the enormous cost of 1,200 Pounds. In 1868 the Mill was destroyed by fire. Willis continued farming at Carome until 1899 when he leased the farm to his son Robert and retired to Carlton. Little of the Mill remains. It was set just downstream from the deep rocky waterhole which formed a natural dam. Local folklore has it that this waterhole was used for water games by the Aborigines. Europeans certainly swim there now, and locals refer to this area as Power's hole, named after the previous owners the Power family. Such a prominent waterhole is likely to have been well known to the Aborigines. (Reference: City of Whittlesea Heritage Study) 5 colour photographs.Printed on Kodak Royal Digital Papermernda, carome mernda, bluestone, power family, willis family, abraham willis, isabella willis, carome mill, powers hole, william hardesty, arthur sergeantson -
Federation University Art Collection
Artwork, other - Artwork, 'Ghosts in the Himalayas (Shot Up)' by Lisa Anderson, 2016
Dr Lisa ANDERSON (1958- ) Dr Anderson’s research questions environmental issues that impact on the social structures of communities and their mapped or metaphysical borders. She develops projects around ways of understanding the effects of climate change. These include work with folklore, legends and religions that tell stories of coping with weather, forced migration of animals and people and coping with difference. She has undertaken international residency programs and exhibitions in the Arctic, Iceland, Paris, Norway, London and China, and she was the first Artist in Residence at the Australian Museum. These unique opportunities continue an extensive art practice of installation work, video, photography and sculpture. Anderson has an extensive record of exhibitions in Australia and overseas with work included in both private and corporate collections. Her exhibitions include Journeys: Due North, a large installation work that includes work created over a 10-year period of engagement in expedition and science work North of the Arctic Circle. Beneath the Beauty of Architecture, an exhibition at her London Gallery, Bicha, used images created in China, Nunuvut Territory in Canada and the Antarctic while working with the migration stories of survival. Dr Anderson has created many large scale artworks that challenge notions of occupation of the City, including Writing the City, a three-year program of installation works to shift the use of Sydney to being a city of public space in its pre-Olympic development. Singing up Stones celebrated the people who created and use the Opera House and the Quay for performance and ideas. This included the first image projection onto the Sydney Opera House, a projection onto the Sydney Harbour Bridge and a ballet of cruise liners with the sound simulcast on the local radio station. Two digital prints with acrylic on metal and bullet holes. This work is the result of research on the hidden voice of landscape undertaken by Dr Lisa Anderson while an Honorary Professor at Federation University Australia. lisa anderson, available -
Nillumbik Shire Council
Mixed Media (textiles): Rosalie COGAN (b.1948 Vaght, Netherlands), Rosalie Cogan, War and Peace, 1987
Cogan is a textile artist and her work is political in nature. 'War and Peace' is about the Vietnam War and a statement about patriotism in war, of lessons not learnt, of remembrance and never forgetting. This work is an expression of her feelings towards this time and of her husband's experience who fought in this war. The Republic of Vietnam 'Vietnam Campaign Medal' is from the former country of South Vietnam (Republic of Vietnam). Established in 1966, it was awarded to members of United States, Australian, and New Zealand military forces serving six months or more in support of Republic of Vietnam military operations. The medal is issued with a device known as the 1960 Bar. The bar displays the date of 1960 followed by a dash and a blank space. The unusual appearance was caused by the government of the Republic of Vietnam stating that the 1960 bar would show the dates of the Vietnam War from start to finish, with the ending date placed on the 1960 bar after the South Vietnamese had triumphed over North Vietnam (the Democratic Republic of Vietnam). Since South Vietnam fell, and the government ceased to exist, an ending date for the 1960 Bar was never established. The Vietnam Campaign Medal is considered a foreign award by the U.S., Australian, and New Zealand governments. The joint Australian and New Zealand campaign medal awarded for service in the Vietnam War is the 'Vietnam Medal'. The obverse of this medal shows the crowned head of Queen Elizabeth II, with titles, while the reverse has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam. The RSL poppy (the Flanders poppy) has long been a part of Remembrance Day, the ritual that marks the Armistice of 11 November 1918, and is also increasingly being used as part of Anzac Day observances. During the First World War, red poppies were among the first plants to spring up in the devastated battlefields of northern France and Belgium. In soldiers' folklore, the vivid red of the poppy came from the blood of their comrades soaking the ground. The poppy soon became widely accepted throughout the allied nations as the flower of remembrance to be worn on Armistice Day. Today the RSL continues to sell poppies for Remembrance Day to raise funds for its welfare work. "War and Peace' is significant as it explores and highlights a period in history (the Vietnam War), which was contentious both socially and politically. Cogan and her family lived locally, in the Shire of Eltham during this time, and her work is a reflection of the experiences and sentiments of a section of the Nillumbik community. Textile piece. 'War": Cast muslin, machine embroidery onto white calico. Tanin dye, poly thread, side bust view (hand, shoulder and arm). Black machine stiching on shirt and shirt pocket with two vietnam medals. A replica of the 'Vietnam Medal' in muslin is shown reverse and has the inscription VIETNAM above a symbolic representation of the ideological war in Vietnam, which is of a male figure standing between two spherical shapes. The ribbon has a vertical central section of bright yellow which has centrally superimposed on it three thin stripes of red, (representing the South Vietnamese flag) flanked by two stripes of red (representing the Army). On the left is a dark blue stripe representing the Navy and on the right, a light blue stripe representing the Air Force. A replica in muslin of the second medal is the Republic of Vietnam 'Vietnam Campaign Medal' of the former country of South Vietnam. The ribbon has green and white strips with a device bearing the inscription ‘1960 – ‘. The medal is traditionally a gold and white enamelled star with a green, red and gold centre motif. Right hand is touching the medals/heart, while left arm is left resting to the left side over a crutch which ends in a rolled up bandage. 'Peace': Cast muslin, machine embroidery onto calico. Black dye, poly thread and RSL poppy. Side bust view (hand, shoulder and arm). Yellow machine stiching on black shirt and shirt pocket with RSL red poppy on shirt pocket. Right hand is reaching to touch the poppy, while left arm is slightly bent resting on its' left side. Nonetextile, muslin, embroidery, vietnam war, medals, vietnam medal, vietnam campaign medal, rsl poppy, war, peace, armistice, remembrance day, anzac -
Federation University Historical Collection
Image - black and white, Angus McMillan, c1835
Angus McMillan named the Avon River after the river of the same name in his native Scotland. In 1840 he established a pastoral run at Bushy Park, north-west of the township. William Odell Raymond established a run in the area in 1842, and built his house, Strathfieldsaye, during 1848–54. European settlement did not take place without resistance, and in return, massacres were inflicted by Angus McMillan and others on Gunai people, especially between the years of 1840 and 1850. (wikipedia) The first application for the 'Bushy Park' run appears in the “Port Phillip Gazette” on 13 August 1843. It was taken up by Angus McMillan, who also took up the 'Boisdale' run for his employer Lachlan Macalister at the same time. In March 1844 a Licence to occupy the 16,000 acre 'Bushy Park' was granted to McMillan. In the late 1840s Andrew Martin and Matt McCraw built Angus McMillan's Bushy Park homestead. Aboriginal killings in Gippsland area most often were never formally recorded, but lived on in folklore, mainly in place names pinpointing what some historians now refer to as "massacres", and others as "conflicts". There is Boney Point, on Lake Wellington, Butchers Creek, near Metung, Slaughterhouse Gully, at Buchan, Skull Creek, at Lindenow, and, notoriously, Warrigal Creek, at Woodside. "Here, according to a couple of contemporary - though not eyewitness - reports, between 50 and 150 blacks were killed in an orgy of revenge after the murder and mutilation of a leading Scots settler, Ronald Macalister. If anybody had any doubts about the fitness of commemorating McMillan's name, no one voiced them then. Gippsland was, and still is, dotted with stone cairns tracing his route from Omeo, down the Tambo Valley to the fertile plains where he was to make (and lose) his fortune. And where, according to a growing body of opinion, he was to lead the "Highland Brigade", a band of armed settlers, against the Kurnai. History is fiction agreed on, and it is written by the winners. For most of the past 150 years, McMillan has been hailed as a trail-blazing pioneer. The legend began to crumble 20 years ago with publication of new histories, which at first outraged Gippsland historical societies and old residents, but which have gradually changed the way McMillan is viewed. ... Still, not all McMillan's contemporaries agreed with the "Highland Brigade" and its methods. Henry Meyrick, an English-born squatter, wrote to relatives in disgust about his neighbours. He estimated that 450 had been killed, and wrote: "Men, women and children are shot down whenever they can be met with. Some excuse might be found for shooting the men by those who are daily getting their cattle speared, but what they can urge in their excuse who shoot the women and children I cannot conceive." (http://www.theage.com.au/articles/2002/04/26/1019441303552.html, accessed 20 September 2016.) The Gippsland electorate is called 'McMillan' in his honour. Black and white image of a man wearing a coat and beret. He is Scottish born Victorian Squatter Angus McMillan of Bushy Park, Gippsland.angus mcmillan, squatter, aboriginal massacre, bushy park, gunai, avon river, pioneer -
Ballarat Heritage Services
Photograph - Photograph - Colour, Lisa Gervasoni, Remains of Angus McMillan's Bushy Park Home, 2014, 07/06/2014
Angus McMillan was born in 1810 at Glenbrittle in the Isle of Skye. He was one of fourteens sons of Ewan McMillan. Angus McMillan arried i New South Wales in January 1839, and became an overseer for Captai nLachlan Macalister. I n 1839 Angus McMillan travelled south. He settled for a time on Jame MacFarlane's statin at Currawong. IOn 28 May 1839 Angus MacMillan stated travelling southward toward the coast. Angus Macmillan named the Avon River after the river of the same name in his native Scotland. In 1840 he established a pastoral run at Bushy Park, near Maffra. William Odell Raymond established a run in the area in 1842, and built his house, Strathfieldsaye, during 1848–54. European settlement did not take place without resistance, and in return, massacres were inflicted by Angus McMillan and others on Gunai people, especially between the years of 1840 and 1850. (wikipedia) The first application for the 'Bushy Park' run appears in the “Port Phillip Gazette” on 13 August 1843. It was taken up by Angus McMillan, who also took up the 'Boisdale' run for his employer Lachlan Macalister at the same time. In March 1844 a Licence to occupy the 16,000 acre 'Bushy Park' was granted to McMillan. In the late 1840s Andrew Martin and Matt McCraw built Angus McMillan's Bushy Park homestead. Aboriginal killings in Gippsland area most often were never formally recorded, but lived on in folklore, mainly in place names pinpointing what some historians now refer to as "massacres", and others as "conflicts". There is Boney Point, on Lake Wellington, Butchers Creek, near Metung, Slaughterhouse Gully, at Buchan, Skull Creek, at Lindenow, and, notoriously, Warrigal Creek, at Woodside. "Here, according to a couple of contemporary - though not eyewitness - reports, between 50 and 150 blacks were killed in an orgy of revenge after the murder and mutilation of a leading Scots settler, Ronald Macalister. If anybody had any doubts about the fitness of commemorating McMillan's name, no one voiced them then. Gippsland was, and still is, dotted with stone cairns tracing his route from Omeo, down the Tambo Valley to the fertile plains where he was to make (and lose) his fortune. And where, according to a growing body of opinion, he was to lead the "Highland Brigade", a band of armed settlers, against the Kurnai. History is fiction agreed on, and it is written by the winners. For most of the past 150 years, McMillan has been hailed as a trail-blazing pioneer. The legend began to crumble 20 years ago with publication of new histories, which at first outraged Gippsland historical societies and old residents, but which have gradually changed the way McMillan is viewed. ... Still, not all McMillan's contemporaries agreed with the "Highland Brigade" and its methods. Henry Meyrick, an English-born squatter, wrote to relatives in disgust about his neighbours. He estimated that 450 had been killed, and wrote: "Men, women and children are shot down whenever they can be met with. Some excuse might be found for shooting the men by those who are daily getting their cattle speared, but what they can urge in their excuse who shoot the women and children I cannot conceive." (http://www.theage.com.au/articles/2002/04/26/1019441303552.html, accessed 20 September 2016.) The Gippsland electorate is called 'McMillan' in his honour. Photographs of the remains of a timber home used by squatter Angus McMillan at his "Bushy Park" property on the Avon River. angus mcmillan, bushy park, avon river, squater -
Federation University Historical Collection
Report, Grampians Puma
The study into the Grampians Puma was undertaken by John A. Henry to settle the question of the existence of a puma population in the mountains. People who believe they have sighted a puma, or have sighted other evidence, were interviewed. The study also looked into records relating to the potential of USA army personal leaving a mascot in the grampians. Also see cat no 14012 - Pumas in the Grampians Mountains: A compelling Case?: An up-dated Report of the Deakin Puma StudyWhite A4 pages laser printed pages related to a study conducted on the possibility of a Grampians Puma (Felis concolor) populations. Australian Animal Foklore Collectionaustralian animal folklore collection, john a henry, john henry, maurice hornocker, grampians, geranium springs, puma, felis concor, mt bepcha, scats, us army, peter morris, hans brunner, mt gambier, raaf, ernst wieher, ellis tucker, halls gap, peter dryden, geoff riddle, snow astbury, robert hiatt, tom schubert, trevor clark, dick saligari, ted saligari, terry zerbst, brian warren, gary middleton, barry henderson, morrie lawson, bill hower, michael harrison, ray kerris, robert east, terry rethus, dougal shilcock, garth rees, ilka rees, harry shrive, ellis tucker, american airmen, mascot, billywing range, sandy mackirdy, mark johnson, john morris, des paulson, feral cat, roses gap, paula odare, gaye beveridge, donald macarthur, karen jeffery, plaster casts, terry rethus, tom schubert, victoria valley, mt talbot, fox, john spencer, ivan bother, neal bother, evan macklay, harry shrive, bill hower, michael harrsion, norma harrison, ellis tucker, gary middleton, barry henderson, joy potter, les becker, john ryan, cam anderson, richardson, shirley farrant, adinsall, max xharles, margaret hurley, linda crawford, don anderson, paddy hynes, barry bell, neal boethe, mark johnson, victoria point, david hamilton, wally smith, mythical, myth, folklore -
Federation University Historical Collection
Plaster cast, David Pepper-Edwards (probably), Plaster Cast of a Big Cat Footprint, c 2004
David Pepper-Edwards used a number of plaster cast footprints made at Taronga Zoo in the identification of Big Cat sightings in the bush.David Pepper-Edwards used a number of plaster cast footprints made at Taronga Zoo in the identification of Big Cat sightings in the bush.australian animal folklore collection, david pepper edwards, pepper edwards, big cat, cat, plaster cast, footprint -
Federation University Historical Collection
Skeletal remains of an animal
Skeletal remains of a sheep collected as evidence of a potential big cat 'kill'. The skull has been bitten off, probably by a stag hound.australian animal folklore collections, big cats victoria, skeleton, bones, m14156 -
Federation University Historical Collection
Animal specimen - Bones, Skeletal remains of an animal
Skeletal remains of an animal collected as evidence of a potential big cat 'kill'. australian animal folklore collections, big cats victoria, skeleton, bones -
Australian National Surfing Museum
Photograph, John Witzig, Bob McTavish photograph Bells Beach 1 1965, 18/04/1965
This photo, part 1 of a 2 photo sequence taken by John Witzig, is of of Bob McTavish riding a very large waves (15'+) at Bells Beach on Easter Sunday (April 18th) 1965. This wave is thought to be the same one described by McTavish in his book as one of the biggest, most powerful waves he had ridden, almost resulting in his drowning after being washed down past the next headland at winki pop. Bells, Easter, 1965 is considered one of the biggest days that this break has been surfed. The surfer in the photograph, Bob McTavish would go on to become one of the most influential surfer/shapers in Australian during the next decade.The extremely large waves experienced by surfers at Bells Beach on Easter Sunday 1965 is part of surfing folklore. The wave featured in this photograph is considered one of the largest ridden waves ever documented at Bells Beach.Large black and white (sepia toned) photo. Part 1 of a 2 photo sequence taken by John Witzig of Bob McTavish riding a very big wave at Bells Beach. Photo is titled 'Bob McTavish Big Bells 1 - 1965', and signed and numbered by John Witzig (11/100). Signed by John Witzig. Numbered 11 / 100bells beach, john witzig, bob mctavish, easter sunday 1965, bells beach surfing classic -
The Beechworth Burke Museum
Photograph, unknown
This photograph was taken in the Burke Museum c1970 and depicts an exhibition about the Kelly Gang. This photograph is of social significance due to its connection with the Burke Museum as well as the Kelly Gang. The Kelly Gang story is integral to the formation of an Australian identity and highlights the Irish oppression during the 1800s. Ned Kelly is an Australian icon, mythologised in Australian literature, art, folklore and history, and the Kelly Gang story permeates Australia's national consciousness. The Burke Museum is significant here also, as the image shows the importance of the Kelly Story to the Beechworth area and local identity. This photograph is also of research potential due to the great interest in the Kelly Gang history in Australia, and also for its presentation of a historical museum exhibition in Beechworth.Black and white, rectangular photograph, printed on photographic paperObverse: Beechworth/a pictorial record of the early days/and associations with the Kelly Gang Reverse: BMA03314 1997.3125/Agfaned kelly, kelly gang, burke museum, australia, museum, display, photograph, pictorial record, beechworth municipality, beechworth, exhibit, bust, clock, urn, vase, painting -
The Beechworth Burke Museum
Photograph, 1997
This photograph is recorded as having been taken in the North East Victoria Regional Tourist Authority, Wangaratta and depicts an exhibition display of items and interpretative labels associated with the Kelly Gang. The display was reportedly laid out as part of a Vic Tour Stamp, with items from the Burke Museum Collection.This photograph is of social significance due to its connection with the Burke Museum as well as the Kelly Gang. The Kelly Gang story is integral to the formation of the Australian identity and highlights the Irish oppression during the 1880s. Ned Kelly is an Australian icon, mythologised in Australian literature, art, folklore and history, and the Kelly Gang permeates Australia's national consciousness. The significance of the Burke Museum is also highlighted here, as the photograph shows the importance of the Kelly story to the Beechworth area and local identity, as well as its significance within the museum collection. The photograph is of strong research potential due to its depiction of the Kelly Gang history in Australia and its presentation of a historical museum exhibition which toured from Beechworth to other Victorian locations. With a depiction of the exhibition and associated label, the photograph provides insight into how the language and historical interpretation of Kelly Gang has developed, and how cultural and social opinions which are often shaped by exhibition displays, have shifted. Black and white rectangular photograph printed on matte photographic paper.Obverse: Gold Cradle / History / Claim 1835 / The north east is rich in history. It was the home of Ned Kelly, the 'Man from Snowy River' and (???) dog Mogan. Century old buildings are common and (???)nders of the gold rush days are everywhere / V. R. / £8000 Reward / Robbery and Murder / (indeterminate) Reverse: The historical display laid out in VICTOUR / 1997 3135 / North East Victoria/ Regional Tourist Authority/ P.O. Box 250/ Wangaratta. 3577 /BMMA03324burke museum, ned kelly, kelly gang, museum collection, exhibition, display, gallery, museum, exhibit -
Koorie Heritage Trust
Book, O'Brien, May, The legend of the seven sisters, 1990
A traditional Aboriginal story from Western Australia.[8], 21 p. : chiefly col. ill., col. ports. ; 22 x 30 cm.A traditional Aboriginal story from Western Australia. stars -- australia -- folklore. | aboriginal australians -- western australia -- juvenile literature. -
Koorie Heritage Trust
Book, Roberts, Ainslie, The Dreamtime: Australian Aboriginal Myths in Paintings, 1968
...as yet our writers, musicians, dramatists, and artists, still dominated by the influences of overseas cultures, have seen but little inspired by the beauty of the mythical beliefs of our native people. Suddenly, this rich store of beauty has been revealed to us through the paintings of Ainslie Roberts. With the creative mind of the true artist, free from all influences except those of the mythical stories of the brown-skinned aborigines, he has given us pictures as full of imagery and fantasy as the stories on which they are based, pictures that reveal both the sensitive mind of the artist and the fertile imagination of the aboriginal story-teller.79 pages : coloured illustrations ; 24 cm....as yet our writers, musicians, dramatists, and artists, still dominated by the influences of overseas cultures, have seen but little inspired by the beauty of the mythical beliefs of our native people. Suddenly, this rich store of beauty has been revealed to us through the paintings of Ainslie Roberts. With the creative mind of the true artist, free from all influences except those of the mythical stories of the brown-skinned aborigines, he has given us pictures as full of imagery and fantasy as the stories on which they are based, pictures that reveal both the sensitive mind of the artist and the fertile imagination of the aboriginal story-teller.aboriginal australians -- folklore. -
Koorie Heritage Trust
Book, Roberts, Ainslie, The First Sunrise : Australian Aboriginal myths, 1971
The profound mystery of the creation of the Universe has occupied the beliefs of people from the simplest cultures to those of the present day. Almost without exception, except perhaps in some aspects of modern life, these veliefs have played a major part in mould79p. : ill.(part col.) ; 24cm.The profound mystery of the creation of the Universe has occupied the beliefs of people from the simplest cultures to those of the present day. Almost without exception, except perhaps in some aspects of modern life, these veliefs have played a major part in mouldroberts, ainslie, 1911- | aboriginal australians -- folklore. | legends -- australia. | aboriginal tales & legends. australia. texts. | australian paintings. roberts, ainslie. | australian -
Koorie Heritage Trust
Book, Roberts, Ainslie et al, Dreamtime heritage : Australian Aboriginal myths in paintings, 1975
Paintings by Ainslie Roberts and text by Melva Jean Roberts of Australian Aboriginal Myths. Part of a series.80p. : ill. ; 25cm.Paintings by Ainslie Roberts and text by Melva Jean Roberts of Australian Aboriginal Myths. Part of a series.roberts, ainslie, 1911- | australian paintings. roberts, ainslie. special subjects: australian aboriginal myths. illustrations. | australian aboriginal myths. texts. | aboriginal australians -- folklore -- pictorial works. | aboriginal australians -- religion. -
Koorie Heritage Trust
Book, Roberts, Ainslie et al, The Dawn of Time: Australian Aboriginal myths in paintings and text, 1972
9-79 P.; ill.; 23 cm.roberts, ainslie. | aboriginal australians -- folklore. | legends -- australia. | art and mythology. -
Koorie Heritage Trust
Book, Robinson, Roland Edward, The man who sold his dreaming, 1977
Blurb: The title of this book is taken from the story of an Aboriginal who sold his 'dreaming', or sacred tribal birthright, to the white man for five sovereigns and two bottles of rum. In collecting and reporting these stories, Roland Robinson has retained the style of speaking of each Aboriginal narrator. The stories are actually verbatim narratives, and Robinson was taken by his Aboriginal friends in New South Wales to visit the sacred mountains, rivers, rocks, and waterholes that are featured in this book.143 p. : ill. ; 18 cm.Blurb: The title of this book is taken from the story of an Aboriginal who sold his 'dreaming', or sacred tribal birthright, to the white man for five sovereigns and two bottles of rum. In collecting and reporting these stories, Roland Robinson has retained the style of speaking of each Aboriginal narrator. The stories are actually verbatim narratives, and Robinson was taken by his Aboriginal friends in New South Wales to visit the sacred mountains, rivers, rocks, and waterholes that are featured in this book.aboriginal australians -- folklore. | legends -- new south wales. -
Koorie Heritage Trust
Journal - Serials, Aboriginal History Inc, Aboriginal History - Volume 32. 2008, 2008
A series of articles by leading writers on Aboriginal History.217 P. fac. ill. notes; footnotes; refs. photographs.A series of articles by leading writers on Aboriginal History.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | aboriginal circus performers, australia. | honorary correspondence scheme. victoria 1860-1868 and 1869-1904 | andrew porteus honorary correspondent, northern wathaurung, reports - mt. emu tribe. | edward stone parker - protector loddon aboriginal station. | dja dja wurrung, loddon protectorate. | aboriginal oral histories - childhood and playlore australian childhood folklore collection, museum victoria. -
Koorie Heritage Trust
Book, Barlow, Alex, The brothers Barmbarmbult and Mopoke, 1991
Story retold by Alex Barlow with illustrations by Elizabeth Djandilnga Thorne. "Long ago, when the great spirit ancestors were making the land, two spirit brothers lived in north-west Victoria. They were the brave warriors Barmbarmbult. this story recounts one of their many adventures."32 p. : col. ill. ; 22 cm.Story retold by Alex Barlow with illustrations by Elizabeth Djandilnga Thorne. "Long ago, when the great spirit ancestors were making the land, two spirit brothers lived in north-west Victoria. They were the brave warriors Barmbarmbult. this story recounts one of their many adventures."readers (primary) | readers -- aboriginal australians -- folklore. | readers -- aboriginal australians -- religion. | readers -- aboriginal australians -- food. | aboriginal australians -- victoria -- folklore. | aboriginal australians -- victoria -- religion -- juvenile literature. | aboriginal australians -- victoria -- food -- juvenile literature. | food -- folklore. long age -
Koorie Heritage Trust
Book, Robinson, Roland coll, The Nearest the white man gets : Aboriginal narratives and poems of New South Wales, 1989
He brings together thirty-nine Aboriginal narratives and poems. collected whilst travelling in outback Australia.96 p. : ill. ; 22 cm.He brings together thirty-nine Aboriginal narratives and poems. collected whilst travelling in outback Australia.aboriginal australians -- new south wales -- folklore. | aboriginal australians -- new south wales -- poetry. -
Koorie Heritage Trust
Book, Briggs, Carolyn, The journey cycles of the Boonwurrung : stories with Boonwurrung language, 2008
The stories constitute maintaining and reclaiming heritage and carries forward the language and knowledge to the guests in Boonwurrung country. The significance of these stories is that they constitute maintaining and reclaiming heritage. They were given to the author over many years. They are a legacy of her people, and it is her responsibility to pass them on. "This stories edition is adapted from text edition by John O'meara courtesy Bayside City Council."v-xi; 51 P.; ill.; lists.The stories constitute maintaining and reclaiming heritage and carries forward the language and knowledge to the guests in Boonwurrung country. The significance of these stories is that they constitute maintaining and reclaiming heritage. They were given to the author over many years. They are a legacy of her people, and it is her responsibility to pass them on. "This stories edition is adapted from text edition by John O'meara courtesy Bayside City Council."derrimut, -1864. | benbow, -1852. | briggs, louisa, 1836-1925. | language - vocabulary - word lists. | sites - quarries - ochre and pigment. | material culture. | environment - climate and weather - seasons. | literature and stories. | language - vocabulary - place names. | boonwurrung / boonerwrung / bunurong language (s35) (vic sj55-09) | boonwurrung / boonerwrung / bunurong people (s35) (vic sj55-09) | aboriginal australians -- folklore. | australian languages -- victoria. | language revival -- victoria. | dreamtime (aboriginal australian mythology) -- victoria. | material culture -- victoria. | ocher -- victoria. | seasons -- victoria. | bayside (vic sj55-05) | australian. -
Koorie Heritage Trust
Book, Robinson, Roland, Aboriginal myths and legends, 1966
xvi, 218 p. : ill. ; 18 cm.aboriginal australians -- folklore. | legends -- australia. -
Torquay and District Historical Society
Glass Dish, 1884
The Joseph H Scammell sailed from New York on 13th January 1891 bound For Melbourne Australia. On 7th May 1891 she hit rough weather outside Port Phillip Bay, and hit the reef 400 metres off Port Danger, at Torquay. The people on board were rescued the next day but the ship broke up and cargo and goods were strewn along the foreshore. An auction of goods was conducted by Burns and Sparrow and this dish was purchased by Edwin Molyneaux, one of the Founding Fathers of Torquay, and donated by his Great Grand daughterThis item was rescued from the only shipwreck off Torquay. The focus of this wreck has formed part of Torquay's history and folkloreA solid rectangular clear cut glass dish, part of collection from the Joseph H. Scammell.Original Note of unknown author "off /Joseph H/Scammell/May7th 1891glass dish, wreck of joseph h scammell -
Federation University Historical Collection
CD-ROM, Thylacine Oral History
White CD-ROM in white paper CD envelope. The CD-ROM contains an oral history between Simon Townsend and Bernie Mason on Thylacines.australian animal folklore collection, simon townsend, townsend, bernie mason, thylacine -
Federation University Historical Collection
report, Assessment of Evidence for the Presence in Victoria of a Wild Population of 'Big Cats', 08/2012
For over 100 years people have reported sighting of big cats in the Victorian bush. This report assessed the evidence.22 page report by the Arthur Rylah Institute on whether their are big cats loose in the Victorian bush. Ir asks questions such as if 'big cats' exist in Victoria what species they would be; the veracity of available evidence; Deakin Puma Study Group; Kurt Engel cat; Winchelsea faecal sample Carrie Magnik australian animal folklore collection, big cats, cat, ferral cats, cryptozoology