Blueprint, printed white on blue paper, of the mechanical engineering drawings of "Elevation of Four Cylinder Shearing Machine Shewing3 Cuts on Face and 1 Cut on Back" -395C"Elevation of Four Cylinder Shearing Machine Shewing3 Cuts on Face and 1 Cut on Back" -395C.ELEVATIOB OF FOUR CYLINDER SHEARING MACHINE SHEWING 3 CUTS ON FACE AND 1 CUT ON BACK -395Cshearing machinery shearing sheds shearing, shearing machinery, shearing sheds, shearing

Heidelberg Golf Club. Four Ball won by A. L. Hughes 31.8.1935 Engraved metal cup "H.G.C. Four Ball won by A. L. Hughes 31.8.35" hgc championship, 1935, four ball, a. l. hughes, trophies

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Print copy of an original performance photograph of Robin Vanser (Vandersluys) in performance at the Kew Civic [Town] Hall with Lennie Holmes FourKew Town Hall c.1963 | Robin Vanser (Vandersluys) | Lennie Holms Fourperforming arts - australia - 1960s, robin vanser, kew civic hall - kew town hall

Robin Kelly was born Robin Vandersluys in Mary Street, Kew. As a child, she sang in backyard concerts run with her brother, Leslie. The family moved to Deepdene in 1949 and Robin joined church and school choirs. Later she was to study classical singing with Stella Power, modern singing with Jack White, TV Presentation with Natalie Raine of Crawford Productions and acting/singing with Jessie Matthews. Following her victory in a talent quest at the Orama Ballroom, she was invited to join the Orama Big Band with singers Harry Cox and Arlene Forrest. She also sang with the Kerm Jones Jazz Band at Power House and with Frank Johnson's Jazz Band at Jazz Junction. Robin became resident band vocalist at the historic Federal Hotel in Collins Street with the Rudi Laquer Trio. She also sang at The Savoy Plaza with the George Cadman Trio. A year later she became resident vocalist at the Ress Oriental Hotel with the Lennie Holmes Trio. Later, Robin married pianist Peter Jones, singing under the name 'Robin Vanser' in clubs in Sydney and regional New South Wales. She was booked for a Vietnam War tour and also sang in Tahiti. Returning to Melbourne, her agent booked her to appear in shows in Tasmania including West Point Casino and Melbourne country venues. Another agent, John Bishop, booked her to do floor shows in Melbourne, including Xmas Seasons at the Hampton Hotel where she entertained audiences with her comedy and audience participation routines. In 1971, Robin Kelly retired to run her Robin Hood Antiques business in Canterbury, during which time she was married to tenor Glenn Kelly. Later she joined Sing Australia Camberwell Choir, performing as a soloist at their Melbourne Town Hall Concert.The Vandersluys-Kelly Collection of photographs, costumes and musical performance memorabilia was donated to the Kew Historical Society by Robin Denise Kelly in 2018. The collection is an important record of stage and recorded performances in Australia in the second half of the 20th century. This new nationally-focused and artistically significant collection augments and contextualises the local performing arts materials in our collection. Print copy of an original performance photograph of Robin Vanser (Vandersluys) in performance at the Kew Civic [Town] Hall with Lennie Holmes FourLennie Holmes Four | Kew Town Hall | c.1964 Kew Town Hallperforming arts - australia - 1960s, robin vanser, kew civic hall - kew town hall

James Venn Morgan was one the most important landowners and pioneers in Kew. He founded the Model Dairies. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Mr and Mrs James Venn Morgan of Charles Street, Kew with one of their daughters and their granddaughter.Four generations of Morgan Familyjames venn morgan, kew

Four people dressed up to help Elanora residents enjoy the Easter celebrations in 1994. Two clowns, a rabbit with a basket of Easter eggs and a staff member (Nicole) with an Easter Bonnet.1 coloured photograph of four people, three dressed in fancy dresselanora home (brighton), association for the blind

Presentation Cup awarded annuallyPresentation cup 28cm (h) x 30cm (w) Diam. at rim 18cm. The cup is mounted on a brown wooden base 22cm (sq) and 9 cm (h) +Additional Keywords: Parkwood Secondary CollegeParkwood Secondary College FOUR QUARTERS CUP

Designed to create an impression on paper, the slate allows users to create Braille by guiding the stylus into the correct alignment to produce Braille, through the applied use of pressure that creates a depression on one size of the paper and a raised dot on the alternative side. In this example, the frame has two side hinges which allow it to sit over the paper edge, and four lines of Braille could be written.1 metal Braille frame with four lines of Braille windowsPerkins Model 140 RVIB sticker has been attached to the back of the framebraille equipment, assistive devices

Ringwood Golf Club Pro giving a pupil a lesson and photo of four ladies putting out on a green.2 black and white photographs, one golf pro with pupil and 1 of four ladies on green and man on a grass cutting machine. (undated) +Additional Keywords: Harvey, Peter

Set of four typed documents dated 23/2/1952: Appendix A - All routes and Sections - Adults Appendix B - City to Sebastopol and other routes Appendix C - One section on all routes and city sections Appendix D - Summary of comparisons with average for previous two years. Sets out tables for 1947/48, 1949/50 and 1951/52. Gives information on tickets and transfers issued, weekly tickets, tourist tickets issue, scholar's tickets issued, passengers, tram mileages, revenue, revenue per car miles, average fare per passengers, passengers per car miles, and misc. revenues - papers, parcel tickets and special chartered trams.Yields information about the type of traffic reports prepared by the SECV Ballarat to provide detail of passengers carried, tramcar mileages, and statistics.Set of four large format sheets, heavily creased, typed originals.tramways, ballarat, reports, traffic, weekly tickets, transfer tickets, secv, revenue, statistics

Four volume set awarded to Catharine S Procter in 1879 as Dux of Ballarat College (girls school). Catharine was 16 when she received this prize. During 1877 - 1891 Ballarat College accepted enrolments from female students. The school holds the original register of this period and notes that Catharine Procter entered the school in 1878 when she was 15. Further detail regarding Catherine proctor has been supplied to the school by researcher Nicola Cousen.Set of four volumes half-calf bound and marbled card covers; school crested printed in gold on front cover; raised bands on spine with six compartments; gold lettering and decorations on spine; marbled end pages and edges; binding generally tight but hinges broken in fourth volume; Inside front cover of all books: Ballarat College crest / Dux Prize / Form / Awarded to / Catharine S Procter / Christmas 1879catharine-s-procter, ballarat-college, 1879, dux

Maps, p.248.non-fictionBiography of Field Marshal Bernard Montgomerymarshals - great britain - biography, montgomery of alemain - biography

p.315.non-fictionThe first anthology of early Irish verse including a large number of texts in the original and in translationirish spirituality, 2. irish poetry

Index, p.189.fictionhere is a diverse multitude of tales from a tradition to rival Homer or the Arabian nights - the tales of kings, chieftains, outcasts and visionaries.literature - ireland, poetry - irish

A collection of poems in four languages.wathaurong, wathaurong aboriginal cooperative, southwest victoria, cherbourg

Four Glasses in Two boxesRotary Club of Brimbank Central

Arthur WARREN (1958- ) Born Yallourn, Victoria Arthur Warren attended Gippsland Institute of Advanced Education from 1977 to 1979. He later returned as a visiting lecturer. After graduating Warren Arthur trained with Victor Greenaway for six and a half years, before establishing Amesfield Pottery in Upper Beaconsfield in 1986. Four porcelain lace pieceswarren arthur, ceramics, jan feder memorial ceramics collection, gippsland campus, alumni, victor greenaway, amesfield pottery

'Four times lucky' by Caroline Jones. Article in Sunday Sun, 3 September 1989, on four successive female Mayors of Nunawading.mayors, arrowsmith, valda, smith, dorothy g, plummer, jan, reid, wendy, city of nunawading

Three women sit by a piano, whilst another leans in, all wearing Easter Bonnets. A variety of items decorate their hats, including a soft toy, feathers, ribbon and flowers. At least two women are residents, whilst the woman standing is a staff member.Black and white photograph of four womenelanora home (brighton), association for the blind

Located in the collection of Eltham District Historical Society, this envelope contains four sepia prints ranging in dates from 1923 to 1956. The envelope is postmarked 24 Apr 1958 and on the reverse is noted "Accepted 30/4/58". On the face is witten in pencil "Try 18" being No. 18 Russell Crescent, Fitzroy North. Also noted in blue ink "Mother Louie (or Louise) Down - Sister Hilda". The wedding photo is unidentified except for the date 22 May 1956. It was taken by The Lock wood Studios. Other photos are described on their reverse sides as: "Olive McKay, Mr Pinkerton and self" "Uncle Donald and Aunt Florrie, July 1923" "Jessfield, May 12th, 1928" It is not known why they are held by EDHS or the significance/relationship of the people to the Eltham district. Any information pertaining to these people is welcomed.olive mckay, mr. pinkerton, miss o. down, louise down, hilda down

Four females in tennis outfits, one sitting at the front. ballarat school of mines, tennis

Left to Right, Elenor Musumeci, Jill Riddler, Myriam Scott, Unknown Four women outside standing in front of an entrance sign.Entrance in white raised letters on a grey stone block.biarri

John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Four wheel thrown goblets, two with decorative stems. art, artwork, john o'loughlin, ceramics, goblets

Four Domestic Bowls, Stoneware fired Temaku Glazejilliby pottery, jan feder memorial ceramics collection, mixing bowls, russell thorpe