Olinda Main Street 1903 with Peter Witt's blacksmith in the foreground opposite Hodges' Smithy and the Mission Hall. Reverse of photograph has handwritten description by John Lundy-Clarke.Olinda 1903 One of the photos which were used to compile the Panorama blacksmith, peter witt, frank hodge, mission hall

Bendigo Advertiser ''The way we were'' from 2003. Classmates: St Mary's College pupils in 1946. The school is now known as Catholic College Bendigo. Back row from left: Stephen Webster, Kevin Maher, Peter Jeffrey, Brian White, Joe Grenfell. Seventh row: Joan Dwyer, Beverly Webster, Carlotta Bush, Judy Hill, Peggy Webster, Phyllis Webster. Sixth row: Clare Cooney, Betty McEncroe, Mary Leonie, Pat Wilson, Mary Cooney, Phillipa McEniry, Helen O'Brien. Fifth row: Patricia Wilson, Maureen McNamee, Margaret Duguid, Jeanette Tranter, Beverly Hill, Janice Gill, Barbara Leonie, Aileen Braden. Fourth row: Margaret Paull, Helen McEncroe, Genevieve Redmond, Margaret Henry, Sue McWilliams, Marie Girvan, Maree Hayes, Elaine Giudice. Third row: Michael McEniry, Jenifer Carter, Rhonda Smith, Jill McIntosh, Virginia Bush, Margaret Phillips, Patricia Cullen, Pat Elderfield, Nola Smith, Ron Salter. Second row: John Hulls, Leo Bonazza, John Hibberd, Peter Cooney, Kevin Wright, Vincent Duguid, Peter Pritchard, Bill Doherty. Front row: John McNamara, Tom Tranter, john White, Unknown, Frank Hill, John Hodge. Bendigo advertiser ''The way we were'' from 2003. Class Identified: there was an unknown in the photograph and he was either Royce Charlotte or Michael O'Brien. Also, between Frank Hill and John Hodge, Tony Hill's name was omitted. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser ''The way we were'' from 2003. Flashback to 1946: St Mary's college pupils, Bendigo 1946. The school is now known as the Catholic College Bendigo. Back row from left: Stephen Webster, Kevin Maher, Peter Jeffrey, Brian White, Joe Grenfell. Seventh row: Joan Dwyer, Beverly Webster, Carlotta Bush, Judy Hill, Peggy Webster, Phyllis Webster. Sixth row: Clare Cooney, Betty McEnroe, Mary Leonie, Pat Wilson,. Mary Cooney, Phillipa McEniry, Helen O'Brien. Fifth row: Patricia Wilson, Maureen McNamee, Margaret Duguid, Jeanette Tranter, Beverly Hill, Janice Gill, Barbara Leonie, Aileen Braden. Fourth row: Margaret Paull, Helen McEnroe, Genevieve Redmond, Margaret Henry, Sue McWilliams, Marie Girvan, Maree Hayes, Elaine Giudice. Third row: Michael McEniry, Jenifer Carter, Rhonda Smith, Jill McIntosh, Virginia Bush, Margaret Phillips, Patricia Cullen, Pat Elderfield, Nola Smith, Ron Salter. Second row: John Hulls, Leo Bonazza, John Hibberd, Peter Cooney, Kevin Wright, Vincent Duguid, Peter Pritchard, Bill Doherty. Front row: John McNamara, Tom Tranter, John White, Unknown O'Brien, Frank Hill, John Hodge. The clip is in a folder.newspaper, bendigo advertiser, the way we were

The Ballarat School of Mines had a 'Model Mine' that was used to teach students. Practical work was undertaken for a fee, supervised by laboratory superintendents. Copies of assays undertaken are compiled together in this book. Leatherbound ledger with transfer copies assay reports from the Ballarat School of Mines. Those seeking assaying work from the Ballarat School of Mines are listed in alphabetical order in the front of the ledger. The ledger contains 543 pages. .2) Foolscap assay report on foolscap Ballarat School of Mines letterhead, and signed by Alfred Mica Smith, Superintendent of Laboratories. The report was on eight samples of Quartz submitted by R.C. Morgan, Scotts, Hotel, Melbourne .3) Assay report on Ballarat School of Mines letterhead, dated 14 August 1985, and signed by Andrew Berry, Registrar. The assay was supervised by Professor Alfred Mica Smith, and undertaken for James Burke, Broken Hill, New South Wales. .4) Assay report on Ballarat School of Mines letterhead, dated 18 August 1988, and signed by Alfred Mica Smith, Superintendent of Laboratories. The assay was undertaken on samples of Limonite submitted by James Burke and others, Broken Hill, New South Wales. The report includes information the the Ballarat School of Mines museum and the search for geological specimens from all Australian colonies for the collection. .5) A 'rough' assay report on samples of stone submitted by H. Major Senr, Wilcannia, New South Wales. 5) A 'rough' assay report on sample quartz drillings from quartz reef submitted by H. Morris, Egerton, and an sample of quartz and pyrites for determination by Professor Krause submitted by R.M. Serjeant. ballarat school of mines, a.c. allan, brittania g.m. co., s. body, black horse company, john m. bickett, william bell, james barker, w. bliss, w. bailey, william barrou, w.h. batten, w. bechervaise, band and albion, budd bros, charles barker, i. cahir, a. chamber, w. cahill, james coglan, d. clarke, a.w. dobbie, john dosett, john dunstan, j.a. evans, l. eggleton, charles forbes, d. fitzpatrick, e. ford, michael goold, j. graham, john greenwood, james hayes, ed hardy, arthur harvey, george hodges, john hall, jubilee gold mining company, krause, luplau, lempiere, mt lyell co, john law, ed meadway, john murray, j.h. middleton, c.m. miles, m. muir, e. mcmillan, w. mcdougall, c. napier, w.r. nicholls, napier freehold, w.b, ochiltree, oakleigh gold mining company, dr pinnock, c. quin, james ross, c.b. retallack, e. rowlands, royal standard, linton, frank rabling, william russell, charles soloman, f. selby, w.j. scott, sulieman pasha co, south clunes united, h.w. sinclair, george selby, e.h. schroeder, horsham, e.w. spain, c.h. sheary, sir henry loch gold mining company, a. sutherland, saxon consols, j.b. triggs, h. townsend, harold turnley, c. taylor, melbourne, c. thorpe, a. vandenberg, charles walker, charles wilson, thomas wellington, a. wynne, r. warne, e. wattis, john wood, walter warner, armidale, c. winterbottom, w.l. willliams, j.c. young

Ballarat University College is a predecessor institution of Federation University AustraliaColour photograph of Ballarat University College Business Graduates taken outside on Mount Helen Campus. Back Row: Scott Alexander, Trent Somers, Evan King, Andrew Cutter, Steve Milojevic, Brad Winfield, Anthony Matthews, Craig Dowling 3rd Row: Darren Hodge, Brett Holloway, Donna Wells, Dale Boucher, Michael Till, Andrew Still, Russell Keenan, Rod Bridger, Phil McFarlane 2nd Row: Jason McGrath, Sue Farmer, Lauretta Clarke, Lavinia Knight, Kerry McPhan, Lisa Watt, Jock Selkirk, Andew Loader, Ashly Ruyg, David Shaw, Monica Yates, Janet Mason Front Row: Stephen Kearney, Kylie Edwards, Jane Anderson, Debbie Lyons, Frank Beyerle, Gerrard Morganballarat university college, business school, scott alexander, trent somers, evan king, andrew cutter, steve milojevic, brad winfield, anthony matthews, craig dowling, darren hodge, brett holloway, donna wells, dale boucher, michael till, andrew still, russell keenan, rod bridger, phil mcfarlane, jason mcgrath, sue farmer, lauretta clarke, lavinia knight, kerry mcphan, lisa watt, jock selkirk, andew loader, ashly ruyg, david shaw, monica yates, janet mason, stephen kearney, kylie edwards, jane anderson, debbie lyons, frank beyerle, gerrard morgan

This type of pessary came in six sizes ranging from 8.0 to 10.5cm.Two pessaries, Hodge design. Made of moulded black vulcanite. Small size. Typed label with catalogue record, "HODGE PESSARY".intrauterine device, pessary

Uterine and anal pessaries were in use from the early 1900s onwards. The size and shape of the pessary varied greatly, and the variation of the original Hodges pessary is evident in many catalogues over a period of sixty years. Celluloid appliances were made in many different colours (ie. blue, pink, white, yellow). The use of celluloid gradually decreased during the late 1960s.Yellow celluloid (plastic) pessary. intrauterine device

Uterine and anal pessaries were in use from the early 1900s onwards. The size and shape of the pessary varied greatly, and the variation of the original Hodges pessary is evident in many catalogues over a period of sixty years.Black vulcanite pessary divided at one end, leaving a gap of approximately 1.5cm.intrauterine device

This is Albert Smith's modification of a Hodges pessary. Uterine and anal pessaries were in use from the early 1900s onwards. The shape and style of pessaries varied with the introduction of new O & G techniques, and the materials they were made from varied with the maker. The Hodges-Smith pessary was usually hand made and was in demand as an intra-uterine device in the 1960s. For the prevention of uterine or abdominal infection, this type of pessary was changed frequently.Small, irregular vulcanite/wire pessary, covered with red rubber. Inscribed "PATENT".pessary, intrauterine device

Uterine and anal pessaries were in use in the early 1900s. Both size and shape of the pessary varied considerably. Pessaries were often round ('ring' pessaries) or irregular shape, depending on the maker. The name of the pessarty was usually that of the inventor.Pessary. Intra-uterine contraceptive device, consisting of red rubber outer covering over wire or vulcanite in an irregular shape. Most likely hand made. Inscribed "PATENTED" at .intrauterine device

This type of pessary was often used for uterine malpositions and displacements and usually made from vulcanite. This particular object is known as Hodges moulded pessary. [Source: George Tiemann & Co Surgical Instruments catalogue.1989. page 486.] The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids. Moulded black vulcanite pessary. Pessary is irregular in shape, and medium size. "I.T.A.Y." inscribed on upper curve.pessary, intrauterine device

This type of pessary was often used for uterine malpositions and displacements and usually made from vulcanite. This particular object is known as Hodges moulded pessary. [Source: George Tiemann & Co Surgical Instruments catalogue.1989. page 486.] The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Moulded black vulcanite pessary. Pessary is irregular in shape, and large size.pessary, intrauterine device

This type of pessary was often used for uterine malpositions and displacements and usually made from vulcanite. This particular object is known as Hodges moulded pessary. [Source: George Tiemann & Co Surgical Instruments catalogue.1989. page 486.] The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Moulded black vulcanite pessary. Pessary is irregular in shape.intrauterine device

Uterine and anal pessaries were in use from the early 1900s onwards. The size and shape of the pessary varied greatly, and the variation of the original Hodges pessary is evident in many catalogues over a period of sixty years. Celluloid appliances were made in many different colours (ie. blue, pink, white, yellow). The use of celluloid gradually decreased during the late 1960s.Hodges -style intrauterine pessary, made of black vulcanite.intrauterine device

Both uterine and anal pessaries were in use from the early part of the 1900s. This particular type of pessary was in general use from the 1960s to the mid 1970s.Hodges-style intrauterine pessary with three cross bars.intrauterine device

15375.1 The poster is an advertisement for the performance presented by University of Ballarat Arts Academy, Third Year Acting Students, 2002, for the play 'Spring Awakening A Children's Tragedy'. A play by Frank Wedekin translated by Edward Bond. Director - Fiona Blair; Design - John Bennett; Costumes - Melanie Liertz; Lighting - Rob Irwin. It was performed at PO Box Theatre from Thursday September 4th - Saturday September 13th, all performances at 7.30pm except Sunday 7th at 6pm. Ticket prices: Adult $22, Friends of the Arts Academy (FAA) $20, Concession $15.50, Student $12, UBSA Student $7.50, AA Students $5. 15375.2 A flyer advertising a performance by Faculty of Education and Arts, Arts Academy 2014 Graduating Music Theatre Company of 'Spring Awakening A New Musical'. Book and Lyrics by Steven Sater; Music by Duncan Sheik. Based on the Original Play by Frank Wedekind. Director - Tom Healey, Music Direction - David Piper. This production of Spring Awakening has been double cast: Austria Cast and Germany Cast. (See Media for names). The musical was performed at Helen MacPherson Theatre from Wednesday 9th April to Tuesday 15th April and with four Austria and Four Germany productions. There were two performances on Saturday 12th ( 2pm & 7.30 pm) and a 4pm performance on Sunday 13th. All other performances were at 7.30. Spring Awakening is a coming-of-age rock musical with music by Duncan Sheik and a book and lyrics by Steven Sater. It is based on the 1891 German play Spring Awakening by Frank Wedekind. Set in late 19th-century Germany, the musical tells the story of teenagers discovering the inner and outer tumult of adolescent sexuality. In the musical, alternative rock is employed as part of the folk-infused rock score.15375.1 Original Poster 15375.2 A paper flyerspring awakening, frank wedekind, edward bond, fiona blair, rob irwin, university of ballarat, the university of ballarat arts academy, po box theatre, steven sater, duncan sheik, tom haley, david piper, anna -francesca armenia, cody arthur, prudence bell, robbie bennett, jamie bray, shelley cocker, tamara cohen, ryan hawke, ben hodges, eden holmes, josh kerr, lauren marshal, shaly mccomas, grace sabbatucci, josh sanders, regan schmidt, christopher southall, sharon wills, kylie baker, robbie bennet, isabella bevan, chloe bruer-jones, darcy dann, louisa fitzhardinge, kirsty gayther, rebecca koroneos, stephanie long, vanessa menjivar, elizabeth sahlstrom