Photograph of Dalma BARFOOT with new husband Frank POTTER after their wedding at Holy Trinity Church, Port Melbourne.B & W photograph of Dalma BARFOOT & her husband Frank POTTER taken on their wedding day outside Holy Trinity Church, Port Melbourne.Dalma Barfoot & Frankreligion - anglican (holy trinity), dalma barfoot, frank potter

Photograph of Dalma BARFOOT with her father William entering Holy Trinity Church, Port Melbourne for her wedding to Frank POTTER.B & W photograph of Dalma BARFOOT & her father William at Holy Trinity Church, Port MelbourneMr Barfoot Snr Dalmareligion - anglican (holy trinity), dalma barfoot, williiam barfoot, frank potter

"Potter Frank Hales 153, 10th Aust Machine Gun. Died of wounds 3 Nov 1917. Wimereu Communal Cemetery, Plot IV, Row L, Grave 3.Cream coloured card, red silk bow on front with the Rising Sun Emblem in gold ink. Inside has 4 paper pages. Middle pages have gold writing. Last page and inside back cover is a handwritten in black ink letter. Letter written 5 Nov 1916. Letter contents - hoping the receiver, his wife, and kiddies are well. They have not reached the front as yet. Very wet and muddy also measles & mumps are infecting a few.AUSTRALIAN COMMONWEALTH MILITARY FORCES. Inside the card "10th Machine Gun Company AUSTRALIAN IMPERIAL FORCES. To wish you a Merry Christmas and a Happy New Year from 2nd Lieut F. H. Potter.card, christmas card, ww1

Donors listed the original owner as Frank FITZGERALD of Moonee Ponds.Two Tone brass & copper coloured brass bugle with silver coloured metal mouth piece. Mouth piece is secured to bugle with a loop of cored.At top of bugle: Etched: “Rolestone Lark Hill” At top of bugle: Stamped: “Henry Potter & Co, 38 West St, Charing Cross Road London 1915” At side of bugle: Etched: “R Jacobson”musical instruments - brass section, bugle

Individual images of students in 1st Year Applied Science Course. The names of the student is written under the photo - in alphabetical order. Some spaces have no photo. Some names have been crossed out. In total there are 91 names (55 on one and 36 on the other). Of this number there are only 16 girls in the course for this year.Two beige cards with small black and white photographs - photographer's proofsName of student under photo - alphabetical orderapplied science, 1st year, barker, alison, baxter, mark, beamish, lisa, blake, linda, bodon, stephen, brown, rodney, byron, dean, campbell, noreen, cesnik, frank, clark, geoffrey, clarke, peter, coffey, damien, daniel, michelle, desnoy,gary, de vries, peter, drake, peter, duthie, barry, elkin, gary, ? e/f guiseppe, flanagan, denise, ford, gary, foster, gary, fowler, anthony, fullarton, david, gore, brendan, gorell, brett, gowers, alan, grinham, wayne, hall, richard, harrison, francis, hartmann, mark, hay, theresa, hovard,stephen, hoy, terrance, hull, grant, humphries, robert, hynd,geraldine, jakubans, linda, jarecki, ted, jeffreys, andrew, johns, alvin, kirkpatrick, kaye, laidlaw, gary, lazarus, peter, lean, rohan, long, paul, markby, craig, mcdonald, peter, mceuna, timothy, mcinnes, gregory, mckay, james, nicholson, scott, o'connor, paul, owen, janette, owen, michael, pear, zlatko, picorrillo, john, pilkington, john, potter, steven, prendergast, maurice, roberts, barry, ryan, marie, schwarz, peter, seeary, adrian, shiells, jane, stevenson, michael, tan, simon, taylor, catherine, turkuile, marianne, thomas, rosemarie, twyford, keith, vorstenbosch, mark, walker, paul, ward, jennifer, warner, gary, wheeler, stuart, winter, anthony, wood, mark, yee, arthur, zentgraf, mark, bowie, ?, davies, ronald, mckay, ?, maclean, andrew, cramer, geoff, page, stuart, firth, barry, fry, b, hennesy, tom, hoell, nicholas, evans, michael

Art Gallery with mural painted by Clifton Pugh (1924-1990) at his Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p153 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road

Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p155 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road

BHS CollectionPhotocopy of a page with photo of the Little 180 Gold Mine N. L. and a C. P. Diamond Drill used in underground prospecting. Article mentions an incursion which took place between 1/11/1935 to -/5/1936 between the Little 180 and Central Blue. It mentions the people involved and the Court judgement that was made. Written on the back is - this was sitting where Spotlight is now.. Junction of Marong Eaglehawk Rd. A pink sticker on the photo has written on it - this was on the spot now known as Spotlight.bendigo, history, long gully history group, the long gully history group - incursion 1/11/1935 to -/5/1936, e g robertson, savage, little 180, james elliot potter, south new chum syncline, h thompson, lou moroni, syd edwards, central blue, new chum syncline, bendigo crushing company, frank savage, h e jones, robert wills, spotlight, m thomson

Bendigo Operatic Society ''Annie Get Your Gun'' At the Capital Theatre View Street Bendigo for a Six Night Season Commencing Thursday 18th November,1971. Producer: Max Collis. Assistant Producer, Bellet and Wardrobe Mistress: Madge Welch. Society Pianist: Ruth Gorman. Musical Director: Gwen Grose. Cast: Kerry Lorenz as a Small Girl - Ferd Lorenz as Charlie Davenport - Shane Brennan as Mac (Property Manager) - Douglas Sayle as Foster Wilson - Ann Ball as Dolly Tate - Annette Beckwith as Winnie Tate - Terry Carr as Tommy Keeler - Len Carr as Frank Butler - Heather Lindhe as Annie Oakley - Mark Edebone, Peter Miller as Little Jake - Debbie Moyle, Rosemarie Favaloro as Nellie - Jennifer Carr, Cathy Johnson as Jessie - Judith Hall, Suzanne Hartley as Minnie - Brian Thomas as Col.Wm F. Cody - Valerie Griffith as Mrs. Little Horse - Wilma Baldwin as Mrs. Black Tooth - Kerry Hogan as Trainman - Bridgette Agnew as Waitress - John Tonkin as Conductor - Bernard Keogh as Major Gordon Lillie (Pawnee Bill) - Fred trewarn as Chief Sitting Bull - Ann Rundall as Wild Horse Ceremonial Dancer - Jan Lovett as Sylvia Potter Porter - Jill James as Mrs. Adamsprogram, theatre, bendigo operatic society

Digitised WHS newsletters from August 1989 (no. 68) to October 1990 (no. 75). Sent to Secretary of the Ringwood Historical Research Group, Jack Lindsay.Noteable articles:- Warrandyte Primary School Artists (Clara Southern, Jo Sweatman) Potter's Cottage Architects Frank Crozier (artist) Warrandyte State Park Harris Gully Road Warrandyte Royal Women's Hospital Auxiliary Warrandyte Trade Directories 1899-1908 Gold nuggets in Warrandyte Gold mining in Warrandyte 1859-60

Digitised WHS newsletters from December 1990 (no. 76) to October 1990 (no. 84). Sent to Secretary of the Ringwood Historical Research Group, Jack Lindsay.Noteable articles:- Earl Stewart bus service Brackenbury Street Yarra Yarra Mining Company Dr Owen's Puddling Machine 1927 bushfires Schult Steven Houghton Taffy Jones Great Southern Hill Caledonia Gold Mine Mary Hill - South Warrandyte Post Office Artists - Nutter Buzacott, Frank Crozier, Penleigh Boyd, William Frater, Christine Gray-Aldor Warrandyte Primary School Potter's Cottage

The Ballarat School of Mines is a predecessor institution of Federation University Austraila.An A2 poster showing small black and white portraits of each staffmember at the Ballarat School of Mines. Names include: Curriculum Services - John Kemp, Roger McFarlane, Leanne Gingell, Sandra Glover, Doug Seymour. Human Resources - Ross Furness, Ian Pym, Jenny Gough, Julie Thomas. Planning/Marketing - Keith Boast, Simone Byrne Student Services - Brian Webber, Janet McGie, Jani White, Jan Harwood, Judy Mills, Kirsten Martin, Barrie Frith, Tania Gaunt, Pam Merrett, Heather Durrant, Jola Piskozub, Frances Ratcliffe, Ian Robinson, Merill Potter, Lorelli Huggins, Maureen Auchettl, Fiona Angus, Natalie Howard. Corporate Services - Graham Penhall, Phil Dixon, Ron Sutton, Ron Lucas, Robert Munt, Garry Christie, Don Lawless, Bernie Stevens, David Fithall, Rebeccah Parker, Craig Holloway. Ararat Campus - David Haddow, Kim Knight, Kevin Martin, Maureen Green, Ian Harris, Adrian McMillan, Frank Parker, Keith Akers. Rural Studies - Andrew Sullivan, Gary Lyttle, Ian Best, Graham Shearer, Malcolm Trainer, Ross Holton, Anthony Thake, Paul Norquay, John Harrison. ballarat school of mines, staff, ron wild, max palmer, heather durant, vl d'angri, alistair heighway, neville french

Booklet produced by the Lang Lang Masonic Lodge 236 on the occasion of the Installation of Bro. Stanley Worthington as Worshipful Master and Investiture of Officers 5 October 1932. Booklet is made up of one page folded in half to make up four pages, and is made of thickened cream paper with a frilled edge on the front page. Front page shows the masonic square and compass symbol in gold print, with information on the ceremony in blue ink, surrounded by a raised embossed border. All text printed in blue ink. Page 2 lists past masters from 1915 to 1931.Page 3 is titled The Festive Board and page 4 has a list of officers 1932-33.dr s t appleford, g r burhop, herbert clark, w cole, w p cole, w r l currie, frank m dale, m f dale, m dally, joseph f davis, w eason, a g gill, g t gill, a g glasscock, len greaves, wallace g greaves, e chas hartshorne, r hawley, n jaboor, chas jones, w h koetsveld, lang lang masonic lodge, jas longmuir, p j mcgay, d n mcmillan, c potter, wm c sim, h thomas, keith thomson, wm c tibballs, w a tomlison, a h turner, t r vizard, c wheeler, j a wiltshire, e n wiseman, stanley wothington

Black and white photograph taken at farwell by Cr Frank Burns to people who attended Back to Bairnsdale celebration in 1974. In photograph Cr. Frank Burns first Mayor of Bairnsdale Town Council, later city, Mrs Alex McKay, Kelso, Mrs Eileen Potter nee Duncan of New Zealand, Mrs Jean Wilton or Walton nee Duncan of New Zealand74 5 03 5genealogy, celebration

Softcoverhumour, walsh st library

Mabel Pye was a printmaker and painter. She was born in Box Hill in 1894, probably at the family’s Loch Street property. She was the daughter of Alice Eleanor Noar and her husband William Edward Pye, who married in 1893. William was known as Ted and is recorded in electoral rolls as a legal clerk and later as a public servant. Mabel had a sister Hazel who was also an artist, but less well known. 12 Loch Street, Surrey Hills was known as ‘Mulberry Hill’ and the Pyes appear to be the first occupants – Alan Holt’s register of Surrey Hills properties has them there from c1900. The property was originally about an acre in size and was later divided into 4 house blocks. In 1923 they built a house for themselves on one of the blocks facing Benwerrin Street and called it ‘Tanglewood’. The Loch Street house abutted the Surrey Hills Reservoir and was diagonally linked to the land in Benwerrin Street. In 2019 both the houses still stand. The family were involved in amateur theatre and at times the studio doubled as a rehearsal space for the Benwerrin Players, a group which operated through the late 1920s and early 1930s being comprised of friends and neighbours from Benwerrin Street and Windsor Crescent. Some of their performances were at the Surrey Hall in Union Road. Most of Mabel’s known work dates from the 1930s. She had studied under Bernard Hall at the National Gallery School. Mabel was a member of both the Victorian Artists Society from 1918-1941 and also the Melbourne Society of Women Painters and Sculptors from 1920-1950. Her work is represented in the Australian National Collection and in state galleries. The NGV has one of her works, the Gallery of NSW has 9 works, a large body of works and personal material is held by the Ian Potter Collection and there is one piece in the City of Whitehorse Collection. This ink sketch of the White Horse Hotel is signed MP and dated 1933, the year the building was demolished. A black and white studio photograph of a young lady standing beside a pedestal and wearing a light coloured dress with 3/4 length sleeves, dark stockings and lace up shoes. A corsage of dark flowers adorns the bodice. loch street, surrey hills, artists, whitehorse hotel, box hill, miss mabel pye, city of whitehorse collection, william edward pye, miss alice elanor noar, mrs alice eleanor pye, frank stamford

Pugh was one of many artists who brought an Australian experience to attention. This work reveals the colour, textures, harshness and inhabitants of the natural bush, with the angular forms found on the ‘black birds’ dominating the composition with dramatic effect. Shanahan, Albert Tucker, Frank Werther and Fred Williams have at one time settled and or work there. Untitled (Black Birds) from the Bodford Terrace Suite 1978, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come lithographic print on French Arches paper. Dynamic and expressive depiction of black birds in flight on far left of composition, cropped elements of Australian landscape in blue and red in the background (trees, shrubs, rocks). Inscribed lower right 'Clifton'; 1:1; 179/300clifton pugh, bodford suite, dunmoochin

Pugh was one of many artists who brought an Australian experience to attention. His landscapes reveal the colour and textures of the natural bush, often with a dramatic emphasis. His reference to the harshness of the bush consistently arises, with angular forms dominating the composition. White Choughs in the Landscape is typical of his representations of the bush as a dynamic environment. White Choughs in the Landscape, 1958, created by Clifton Pugh - a celebrated Australian artist known for his landscapes and portraiture as well as (three-time) winner of Australia’s Archibald Prize. This piece plays a significant role within the Nillumbik Shire Collection due to Pugh’s strong connection to the local land where he settled in Cottle’s Bridge in 1951, purchasing 15 acres and named it Dunmoochin. Artists, potters and others settled at Dunmoochin and formed the Dunmoochin Artists Co-operative in order to collectively protect the land. Numerous renowned artists worked or resided at Dunmoochin including: Rick Amor, Fred Williams, Albert Tucker, Frank Hodgkinson, Mirka Mora, John Olsen, John Percival and John Howley amongst others. Upon his death in 1990 he left an art collection and extensive properties at Dunmoochin to be appreciated and utilised by artists for years to come White Choughs in the Landscape is typical of Pughs' representations of the bush as a dynamic environment. The brittleness and fragility of the landscape is recorded in the surface of the work, where paint is applied in thin layers.Signed 'Clifton Sept. 1958'clifton pugh, dunmoochin, white choughs

5839.01 - Sunshine High School Student Photos 1980 Year 7A.jpg 3rd Row (L-R) - Benny Garuana, David Walker, Joseph Tabone, Henry Delibasic, Andrew Howlett, Laurence Vella, Israiel Keon, Darren Clements 2nd Row (L-R) - Marita Camilleri, Tonella Scalise, Rosa Cozzolino, Rita Carvana, Mr. Wringe (Teacher), Theresa Zammit, Josephine Galea, Carmen Giodmaina, Joyce Refalo Front Row (L-R) - Tracey White, Julieanne Tanti, Riann Portelli, Sandra Haber, Lynette McNab, Joan Barbara, Joanne McDonald Absent - Christine Kelly 5839.02 - Sunshine High School Student Photos 1980 Year 7B.jpg 3rd Row (L-R) - Joseph Previti, Ray Mifsud, Peter Sammut, Brett Sheppard, Simon Welsh, Pomerija Knezevic, Allan Pearce, Brad Evans, Renato Vlpianc 2nd Row (L-R) - Mrs. Georgiou (Teacher), Maria Marinaccio, Penny Presiridis, Vilma Ruzic, Kelly-Ann Woolley, Elizabeth Pazsa, Andrew Koumis, Mary Loschiavo, Mrs. Gough (Teacher) Front Row (L-R) - Leanne Agius, Tessie Galea, Lydia Fabretto, Michelle Thomson, Susanne Busuttil Absent - Rose Cassar, Doreen Bajada, Jeanette Scerri, Wendy Carlton 5839.03 - Sunshine High School Student Photos 1980 Year 7C.jpg 3rd Row (L-R) - Derek Smith, Radomir Acanski, Ivan Kryzman, Henry Troncoso, Hasan Nazim, Mark Mills, Mark McCorquodale 2nd Row (L-R) - Laura Rovetto, Sylvia Mercieca, Christine Pisana, Susan Kilpatrick, Mrs. Gough (Teacher), Sophie Shenwda, Ellena Vuk, Marie Pankhurst, Nicole Anderson Front Row (L-R) - Julie Cini, Silvana Musumeci, Svetlana Klajcin, carol Cassar, Lidia Albanese, Tracey Cox, Janet Kennedy, Dianna Mavric, Louise Potter Absent - Claudio Rodriguez 5839.04 - Sunshine High School Student Photos 1980 Year 7D.jpg 3rd Row (L-R) - David Ford, Dietmar Schulz, Glenn Welsh, Wayne Bodey 2nd Row (L-R) - Craig Galloway, Alan Gardner, Peter Paszkieicz, Dean Whitmore, Miss. Ware (Teacher), Scott Dickinson, Robert Juers, Mark Trainor, Joe Vella Front Row (L-R) - Tresha Barkas, Kim Funston, Loretta Vella, Veronica Stachelwski, Kristine Patten, Svetlana Banovic, Geraldine Cooper, Lissette Vella, Mary Vicsovich, Susan Welsh Absent - Elena Vuk, Troy Williams 5839.05 - Sunshine High School Student Photos 1980 Year 7E.jpg 3rd Row (L-R) - Shaun Bailey, Joe Cassar, Greg Sujecki, Jack Kourtessis, Nick Nicolaou, David Dzesa, Steven Geourgiou, Silvestro Rizzo, Ken Vouris, Chris Christou 2nd Row (L-R) - Linda Stiles, Leanne Boyd, Slavica Pesic, Venera ?, Miss. Hlupar (Teacher), Susan Camilleri, Nadia Barbara, Julia Caluzzi, Denise Condon Front Row (L-R) - Zehra Bekirovski, Julie Doyle, Josephine Cini, Barbara Doyle, Debbie Strachan 5839.06 - Sunshine High School Student Photos 1980 Year 7F.jpg 4th Row (L-R) - Mark Havryluk, Mark Lewis, Neil Orange 3rd Row (L-R) - Billy Bosidis, Andrew Sultana, Peter Mavrogenis, Joe Mount, Claudio Tavololla, Andrew Sampson, George Christou 2nd Row (L-R) - Kim Van Andel, Sandra Sacco, Nancy Camilleri, Sonia Hallatsch, Mrs. Barr (Teacher), Elisa Notaristefano, Carol Attard, Mezuka Mala, Maryanne Grech Front Row (L-R) - Nicole Lanham, Sandra Sultana, Sandra Ormston, Maryanne Abela, Heather Duckett, Billana Hedji 5839.07 - Sunshine High School Student Photos 1980 Year 8A.jpg 3rd Row (L-R) - Nicky Granata, Agatino "Trino" Sciacca Agatino, Grantley Hall, Ricky Scalisi, Billy Styles, Douglas Savage, Tony Patman, Robert Browne 2nd Row (L-R) - Paula Harrison, Raylene Mills, Carol Ramsey, Natalie Abela, Ms. A. Kubicki (Teacher), Julie Johnson, Kym Bryant, Ronni Watson, Jenny Bore Front Row (L-R) - Wendy Evans, Lora Difalco, Mathese Azzopardi, Pauline Galea, Phyllis Cassar, Rosa Muia 5839.08 - Sunshine High School Student Photos 1980 Year 8B.jpg 3rd Row (L-R) - Paul Loschiavo, Barry Newton, Frank Testa, Tony Plazanic, Craig Evans, Frank Woschiavo 2nd Row (L-R) - Karen Hartmann, Melinda Smith, Stacey Tippett, Doreen Bigeni, Mr. P. James (Teacher), Leanne Kelly, Kathy Vouris, Leeanne Gilchrist, Derinda Wallace Front Row (L-R) - Sharon Bristow, Mary Skordis, Anna Petrarca, Susan Legget, Narelle Trainor, Laila Arfaoui, Rosanna Care, Gayle Cook Absent - Lesley Taylor 5839.09 - Sunshine High School Student Photos 1980 Year 8C.jpg 4th Row (L-R) - John Causon, Luke Talbot 3rd Row (L-R) - Darren Wilkinson, Greg Jefford, Bruce Willaton, Rolf Heinrichs, Geoffrey Brown, Jeff Schmidt, Warren Vernon, Waleed Ragdo 2nd Row (L-R) - Christine Bernacki, Ester Barat, Anna Matias, Zdravka Vrselja, Mr. R. Armstrong (Teacher), Visnja Matasic, Julie Skard, Cecelia Walsh, Lina Tenaglia Front Row (L-R) - Ellen Lekas, Vera Jarema, Helen Tsobanis, Joanne Lamont, Tulin Osman, Sharon Cooper, Lora Licul 5839.10 - Sunshine High School Student Photos 1980 Year 8D.jpg 3rd Row (L-R) - Nick Kabovikos, Geoff Thomas, Alberto Pamintuan, Mark Smith, Peter Taylor, Darren Dickinson, Stephen Carlton 2nd Row (L-R) - Annette Jones, Maria Digiglio, Colleen Sammut, Cvetka Krizman, Mrs, Diffey (Teacher), Dina Sultana, Sharon Mamo, Patrkia Todarello, Patricia Psaila Front Row (L-R) - Sharon Bernard, Lisa Harper, Mary Demetriou, Danielle Trento, Mara Abela, Wendy Webb, Gina Cassar, Kelly Fry, Helen Azzopardi, Geraldine Parisella Absent - Diana Vassallo, Maria Abela 5839.11 - Sunshine High School Student Photos 1980 Year 8E.jpg 3rd Row (L-R) - Leslie Casha, Peter Lester, Peter Chudiakon, Vince Foti, Peter Siassios, Steven Cassar, Darren Scott, Tony Feschuk, Justin Casha 2nd Row (L-R) - Sophie Theodoridis, Linda Edwards, Snezana Bijelic, Mr. D. Henshaw (Teacher), Arline Franklin, Joan Barabara, Gordana Risteska Front Row (L-R) - Vivian Boor, Lorraine Atkinson, Tracey Collis, Jeanette Dean, Marina Diblasio, Carmella Troiana, Vicky Mercisca, Maria Giacca, Joanne Dempster, Tjen Mehmet 5839.12 - Sunshine High School Student Photos 1980 Year 9A.jpg 3rd Row (L-R) - Tony Rishworth, Paul Carson, George Dean, Peter Dewsbury, John Prozzo, Phillip Peake, Darran Harrison 2nd Row (L-R) - Kathy Zerbinos, Maryanne Zerafa, Susan Swain, Arlene Swanson, ? (Teacher), Lina Carrarini, Vicki Risteska, Paulina Camilleri, Robyn Xuereb Front Row (L-R) - Lousie Keane, Sherry Salveson, Susan Grixti, Sue Berry, Karen Barnwell, Wendy Harrison, Jeanette Webb, Michelle Dempster. 5839.13 - Sunshine High School Student Photos 1980 Year 9B.jpg No Names 5839.14 - Sunshine High School Student Photos 1980 Year 9C.jpg No Names 5839.15 - Sunshine High School Student Photos 1980 Year 9D.jpg No Names 5839.16 - Sunshine High School Student Photos 1980 Year 9E.jpg 3rd Row (L-R) - Paul Schodde, Spiros Kiroakidis, Scott Graham, Frank Giacca, David Petronio, Stephen Sheppard, Emil Ruzic, Raymond Carlton, Steven Cauchi 2nd Row (L-R) - Lily Depetro, Josephine Sammut, Galina Zielinski, Seval Latif, Mr. Russell (Teacher), Sandra Petrovic, Smilyana Raddvan, Jackie Stepanovska, Katrina Hicks Front Row (L-R) - Debra Walmsley, Antoinette James, Meral Latif, Zina Sammut, Georgina Kladas Absent - Stephen Perdikis, Robert Williams 5839.17 - Sunshine High School Student Photos 1980 Year 10A.jpg 3rd Row (L-R) - Ms. D. Pace (Teacher), Nino Santucci, Michael Hendricks, Darren Mathers, Tony McCarthy, Nicky Di Falco, Brett Hunter, Michael Sarkezi 2nd Row (L-R) - Michelle Potter, Loretta Dawson, Mary Cassar, Carol Hoole, Anita Siassics, Dianne Evans, Mary Debrincat, Paula Galea, Lynne Harper Front Row (L-R) - Rita Sultana, Mary Borg, Gaye Scott, Pauline Saliba, Diane Tanti, Connie Attard, Christine Camilleri, Kerry Adcock, Louise Xvereb 5839.18 - Sunshine High School Student Photos 1980 Year 10B.jpg 3rd Row (L-R) - ? (Teacher), Joe Galea, Les Johnson, Wayne James, Neil Branch, Rod Hobbs, Jerry Galea, Joeg Di Giccio, Lee Faulkner, Michael Azzopardi 2nd Row (L-R) - Phyllis Salvesen, Freda Borg, Joanne Leggett, Michalle Warburton, Anne Hovell, Therese Evans, Cathy Costa, Linda Cenusa Front Row (L-R) - Nancy Cassar, Jeanette ?, Allison Wright, Noelle Goode, Maviella Gusman, Joylene Hall 5839.19 - Sunshine High School Student Photos 1980 Year 10C.jpg 4th Row (L-R) - Lennie Heinrich, Darren Spencer, Carl stolz, Paschali Sampson 3rd Row (L-R) - Emanouel Kallipalitis, Kevin Sacco, David McDougall, Peter Krasicky, Mario Tenaglia, Dominic Tenaglia 2nd Row (L-R) - Karen White, Rosa Tucci, Christine Best, Julia Prozzo, Ms. D. Strantzen (Teacher), Melika Mala, Carmen Cauchi, Jenny Zorzi, Maria Sorgiovanni Front Row (L-R) - Josie Rovetto, Mary Zammit, Katy Lekkas, Pat Detleken, Poppy Christoforou, Carylle Strachan, Josephine Muscat, Assunta Muia 5839.20 - Sunshine High School Student Photos 1980 Year 10D.jpg No Names 5839.21 - Sunshine High School Student Photos 1980 Year 11A.jpg 3rd Row (L-R) - Stven Di Cicco, Frank Borg, ? Di Blasio, Brett Weston, Ricky Fortune, Charlie Zerafa, Haydn Sutherland 2nd Row (L-R) - Pat Rosato, Jan Cox, Kathy Galvin, Karen Lamont, Ms. Karas (Teacher), Jenny Hart, Robyn Duckett, Nicola Dodds, Sue Simmons Front Row (L-R) - Leanne McHenry, Maryanne Cauchi, Jean Gattrel, Mary Christoforou, Doreen Jones 5839.22 - Sunshine High School Student Photos 1980 Year 11B.jpg 3rd Row (L-R) - Robert Mitchell, Michael Lishenko, David Wilson, Brendan Gray, Stephen Morris, Tony Prceri, John Hallo 2nd Row (L-R) - Carol Bristow, Maria Care, Belgin Irfan, Karen Nason, Ms. D. Pace (Teacher), Michelle Brander, Peta Andrew, Patricia Meagher, Effy Pesirisis Front Row (L-R) - Shelley Jordan, Donna Potaris, Sue Jones, Michelle Cauchi 5839.23 - Sunshine High School Student Photos 1980 Year 11C.jpg 3rd Row (L-R) - Jeff Anderson, Ismail, Ken Moore, George Mauragenis, Cameron Barnett, Nenard Pilic, Russell Welsh, Tio Calic, Ray Arfouai 2nd Row (L-R) - Julie Brown, Joanne Welsh, Shelley Freeburn, Kaye Plummer, Ms. Joan Morris (Teacher), Joyce Camilleri, Faye Vinio, Julie Servanis, Roz Pemberton Front Row (L-R) - Janet Valente, Maria Dalipis, Toulla Nisiphirou, Gina Salvatore, Sywia Galea, Linda Politis, Gianna Petrarca, Dora Petzierides 5839.24 - Sunshine High School Student Photos 1980 Year 11D.jpg 4th Row (L-R) - Paul Hallatsch, Joey Lanciana, Alan Hudson 3rd Row (L-R) - Emil Bernat, Don Monteleone, Frank Farinella, Nenad Pilic, Mario Cammileri, Tony Arceri 2nd Row (L-R) - Annette Jackson, Carmen ?, Diane Whitmore, Sonia Sundquist, Mr. Don Webster (Teacher), Karen Nason, Karen Green, Carmen Schepelman, Lydia Pavichievac Front Row (L-R) - Anglea McReady, Julie Myers, Jenny Munteanu, Linda Poliitis, Pauline Spiteri 5839.25 - Sunshine High School Student Photos 1980 Year 12 H.S.C..jpg No Names 5839.26 - Sunshine High School Student Photos 1980 Year 12 S.T.C..jpg No Names 5839.27 - Sunshine High School Student Photos 1980 Year 9, 10 and 11.jpg No Namessunshine high school, sunshine north, student photograph

3473.01 - Sunshine Technical School 1981 Year 10 10BI Boys Girls Names Front Row L2R Annette Lindsay Dianne Spiteri Sharon Dodemaide Helen Nichol Susan Cartledge margaret Micallef 2nd Row L2R David Hibbert Rachel Lumsden Christine Fumulo Dean Ciantar Linda Farrugia 3rd Row L2R Alison Moiler Sandra Alchin Luigi Di Dio Cheryl Barnes Wayne Finco Teachers Mr I Bowker Mrs T Elliott Principal Mr D R Boyd 3473.02 - Sunshine Technical School 1981 Year 10 10B2 Girls Names Front Row L2R Jennifer Kelling Diane Woodall Trina Ward Kim Becker Karen Bamber Sahron Darcy 2nd Row L2R Rita Zahra Lyn Mercieca Irene Myles Lisa Harvey Jo Oates 3rd Row L2R Maree Johnson Julie Meyers Diane Crampton Lee Ann McGrath Teacher Ms A Becker Principal Mr D R Boyd 3473.03 - Sunshine Technical School 1981 Year 10 10G Boys Girls Names Front Row L2R Jane Spiteri Sue Ramon Zeynep Amur Vicki Parker Bev Harrison Jenny Hall Kerry Plant 2nd Row L2R Paul Holliday Iztok Sorl henry Simpson Zlatko Trajcevski Henry Farrugia 3rd Row L2R Darren Frisch Gary Dodemaide Jeff Chesters Barry Dodemaide Albert Borg Richie Robertson Jason Stafford Teachers Mr J Lyon Mrs A Davidson Principal Mr D R Boyd 3473.04 - Sunshine Technical School 1981 Year 11 11A Boys Girls Names Front Row L2R Leonard Kirk Beverley Ayton Debbie Robinson Anthony Grech 2nd Row L2R Mario Azzopardi Paul Maloney Andrew Mall Michael Banjanin Michael Farrugia Teacher Mr B Robins Principal Mr D R Boyd 3473.05 - Sunshine Technical School 1981 Year 11 11B1 Boys Girls Names Front Row L2R Julie Green Katrina Becker Desley Nagle Patricia Disante Anna Delph Cherylann Dale 2nd Row L2R Deirdre Hogan Marcelline Hockey Wayne Lewis Ulsa Baldacchino Sandra Ridge 3rd Row L2R Michael Dimitriadis Leah Archer Peter Niarchos Melissa Croft Janice Richards Teacher Ms S Robertson Principal Mr D R Boyd 3473.06 - Sunshine Technical School 1981 Year 11 11B2 Boys Girls Names Front Row L2R Allen Cameron Lisa Wormald Susan Drinkwater Marie Mangion Maree Dawson Vicki Vaughan 2nd Row L2R Jo Talarico Marissa Mifsud Craig McGrath Romey Spiteri Phillip May Teacher Mr Crebbin Principal Mr D R Boyd 3473.07 - Sunshine Technical School 1981 Year 11 11E Boys Names Front Row L2R Blagio Disante Craig McGuinness Ian McDonald Frank Martuccio ken Toli Colin McCarthy Aziz Salib 2nd Row L2R Joe Brockdorf Paul Stachnick Kevin Potter Jeff Montebello Rodney Griffiths Glen Lindsay Steven Schembri Teacher Mr A Halfhyde Principal Mr D R Boyd 3473.08 - Sunshine Technical School 1981 Year 11 11G Boys Girls Names Front Row L2R Karen Plunkett Cynthia Smith Maree Coulson Ena Abreu 2nd Row L2R Andrew Cox Rita Caruana Joe Caruana Helen tanner Trevor Robertson Teacher Miss LaTrobe Principal Mr D R Boyd 3473.09 - Sunshine Technical School 1981 Year 11 11W Boys Names Front Row L2R Ly Cam Hoan Huynh Quang Steven Micallef Nesat Kjulafovski Nhue Hong Phan 2nd Row L2R John Caruana tony Reynolds Shener Aziz Peter Dimovski Teacher Mr C Major Principal Mr D R Boyd 3473.10 - Sunshine Technical School 1981 Year 11 11W2 Boys Names Front Row L2R Eddie Said Tim Walker Jim OBrien Peter Manning Chris Diomides Anthony Farrugia Marc Holmes 2nd Row L2R Jeffrey Wnzar Anthony Meyer Darryl Pyers Andrew Elliott Aaron Caines Jim Parogiotidis Teacher Mr J Smith Principal Mr D R Boydsunshine technical school, technical school, class photographs