Freeform poem protesting loss of amenity of river frontage land in Greensborough, for inclusion in Greenhills Progress Association newsletter, by June Roberts1 p. typed letter, by June M. Robertspoulter reserve greensborough, pope place greensborough, june roberts

Jenny Rowe says: This piece was inspired by some hand dyed threads, interesting fabrics and a piece called Soleil Rouge by Celcile Meraglia which I saw on Pintrest. I began by ironing various size circles and ovals on to the silk dupion backing. I then drew the lines that surround them and divided the spaces. These were worked by couching various threads and tapes, loads o chain stitch (my favourite) whipped, laced, over worked with running stitch in a contrasting colour or with buttonhole stitch worked into the side. Stitches used for the circles and filling include - fly , lazy daisy, chinese and french knots, raised chain bands, up and down buttonhole, spider web, herringbone, feather, palestrina, roumanian and seed stitches. I used these as the whim took me and I kept going back and forth adding layers until I just had to say STOP! Finally I added a few cogs in a nod to steam punk, one of my favourite styles. It was a wonderful piece to use many different stitches and all those lovely threads in your stash. I had tremendous fun stitching this. Example of contemporary creative surface stitcherySilk dupion panel designed and embroidered by Jenny Rowe, Bendigo Branch of the Embroiderers Guild of Victoria. Surface embroidery using many different stitches and threads. Embellished with metal cogs in a nod to steam punk style. floral, freeform, steam punk

The artist, Rebecca Greig, completed the Bachelor of Fine Arts (Visual Arts) at Federation University in 2014. This work was the winner of the 2014 Federation University DVC Acquisition Award.Orange freeform recycled PVC pipe sculpture by Rebecca Greig. Artist's Statement: "This work is a reflection of the sub-conscious of my experiences through education. The sculpture reflects my feelings of inadequacy in education, therefore this sculpture reflects the triumph of my accomplishment through overcoming many hurdles."artwork, artist, sculpture, greig, rebecca greig, dvc acquisition award, recycle, pvc, available, available sculpture, orange

Viola Annie McVicars (1911–1990) was born in Korumburra on 29 April 1911. At the age of 21, she married William John Ayling (1909–1995). After their marriage in 1932, they moved to Kew, initially to 81 Tennyson Street, and later to 180 Pakington Street. A professional tailoress, Viola Ayling was also a talented amateur potter, creating her ceramics at her home in Pakington Street, where she had an internal studio and a handmade, wood-fired brick kiln in her backyard. Following her death in 1990, her studio pottery passed to her daughter, and following the daughter’s death, to her granddaughter. This piece of glazed earthenware is part of a collection of 15 functional and decorative ceramic items donated by Viola’s granddaughter to the collection in 2024.A handmade vase, expertly potted and glazed. The style is representative of Australian ceramic design of the period, particularly that employed by Klytie Pate.Freeform, heavily-potted earthenware vase, initially covered with a semi-transparent maroon glaze with a secondary green glaze applied over the top and allowed to drip over parts of the ground colour. The interior and foot of the vase are glazed in cream. The artist has signed her name to the base.Signature to bases: "V. Ayling"ceramics, pakington street -- kew (vic.), vase, viola annie ayling, viola annie mcvicars