Australian metalware manufacturer, Phoenix Pty Ltd, made this electroplated nickel silverfruit stand as part of its new 'Imperial' range of tableware. The simple, geometric design is representative of the Art Deco style This simple design with the geometric pattern is representative of the Art Deco style that spread through Australia in the inter-war period and was common in both local and imported electroplated wares. A silver plated fruit stand in an art deco design. The bowl has cut out rectangular designs around its edge.On base - letter H inside a circle Imperial EPNS A Phoenix producttableware fruit-stand phoenix epns domestic

Silver plated stand. Hexagonal with heart shaped holes at each point and arch shaped design with a solid centre.No inscriptions. Markings : E.P.N.S. \ Renown \ A1 Qualitye.p.n.s., silver, dinnerware, fruit stand

Ioannis Mavrokefalos (John Black) (b. Exoghi, Ithaca 1901 - d. Melbourne 1964) arrived in Western Australia in 1913; returned to Greece in 1920; and returned once again to Australia in 1924 settling in Melbourne, never to return to Ithaca again. He commenced work as a fruiterer and subsequently established a stall at the Victoria Market. In 1940 he ventured out of the Queen Victoria Market and established a stall at the Camberwell Market – ‘John Black & Sons’. His children Steve, Galdys and Denis joined the family business which operated until 1968.Black and white photograph mounted on board of fruit stall with lady customer and young person, and stall workers.

Silver fruit stand with a square plate and a round base. Plate has a bud design at the edge with curled indent on each side.Crusader Plate E.P.N.S. A1crusader, plate, dish, tableware, fruit stand

Silver bowl on stand with round base, and with a scallop pattern. The bowl has a dot and diamond pattern around the edge.E.P.A.I.N.S.silver, bowl, fruit stand, tableware

A more recent photograph of George Dellaportas / Dellas standing beside his fruit stand which was situated on the corner of Russell and Collins Street in Melbourne's CBD. Fruit barrows were set up at some of the busiest intersections in Melbourne's CBD.George Delaportas, like many other Ithacan Greeks who settled in Melbourne, conducted his own fruit vending business. An enlarged coloured photograph of a fruit vendor.businesses

This glass epergne was first owned by John Sanderson's grandmother, who lived in Wandin (Clegg Road) until the 1940s. She first purchased it in 1920 and used it as a vase before passing it on to her daughter Norma Spicer. Epergne's were first created during the early 18th century France as a table centrepiece to display 'exotic' fruits and cakes from France's colonies. They were originally made of silver, however, the late 18th century saw a rise in epergnes made of porcelain due to the growing status of the European porcelain industry. The late 19th century saw another shift as Victorian and Art glass became the name of the day, and most epergne's became increasingly more complex glass works, no longer used for holding food. This epergne is the product of these later glasswork vases, reflecting 1920s interest in uranium glass and clouded geometric patterns. Epergnes like this filtered out of popularity after World War II as large dining sets and table centrepieces became less important to every day life. Those that remained transferred to more useful roles within the household: this one being used as a vase for most of its life. Green tinted glass epergne with white clouded vertical stripes. Glass thick and slightly opaque, possibly uranium glass. Base is a fruit bowl with scalloped/ruffle edges and middle coming up into a triangle. The very edges of the fruit bowl and clouded with white and blue. A golden metal notion attaches to the middle of the fruit bowl with a globe shaped connector. Notion looks like a flat gold flower with six petals and three small leaves, with middle of the flower having a screw on which to screw the largest flute. The flower has three small bucket-shaped containers attached to it in which the smaller flutes are placed. Four flutes attach from the very middle, all bell shaped with very ends flaring out into a scalloped/ruffle edge. One large flute is screwed into the middle of the fruit bowl and stands straight up. Three smaller flutes are placed in around the larger one leaning slightly away from the centre.vases, epergne, 1920, 1920s, 20s, twenties, glass, glassware, uranium glass, radium glass, clouded glass, art deco, decorative objects, tableware, wandin, clegg road

These labels come from the Warrnambool Reeves Cordial Factory. John Reeves came to Warrnambool about 1900 and managed the cordial bottling plant in Banyan Street for Jim Kelly who traded under the name of the previous cordial manufacturer, J. S. Rowley. In 1931 John Reeves purchased the cordial factory in Koroit Street from the estate of John Fletcher. John Reeves’ son, Reg managed the cordial business in Koroit Street until 1946 when he took over from his father and carried on the business until his death in 1972. In 1977 Reeves’ son-in-law carried on the business under the trading name of Reeves. The building in Koroit Street that stands today was erected in 1957 when the original building was demolished. These labels are of interest because they are colourful and pleasing to the eye and because the Reeves Cordial Factory was a major business in Warrnambool for several decades in the 20th century..1 to .9 Piece of paper with curved edges with multi-coloured printing and coloured geometric decoration. .10 A piece of paper with yellow, red and white printing and images of a crown and a stage curtain. .1 Reeves’ Imitation Cordial Vanilla .2 Reeves’ Imitation Cordial Caramel .3 Reeves’ Flavoured Cordial Lime .4 Reeves’ Flavoured Cordial Chocolate .5 Reeves’ Flavoured Cordial Chillie .6 Reeves’ Flavoured Cordial Orange .7 Reeves’ Flavoured Cordial Orange & Lemon .8 Reeves’ Flavoured Cordial Fruit Cup .9 Reeves’ Flavoured Cordial Pineapple .10 Queen’s Toast Artificially Coloured Reeves Warrnambool reeves cordial factory, history of warrnambool

An F-class 2-4-0 steam locomotive and tender hauls a train of two open wagons, a guards van and a single Tait passenger car over the Eltham Railway Trestle Bridge, heading for Melbourne. This type of steam locomotive was replaced by the F-Class 2-4-2. The house on the right, originally known as 'Derril' was purchased in the early 1920s by Walter Ernest and Alice Miriam Gahan. On the western side of Main Road near the present-day site of Shillinglaw Cottage, they remained till about 1960 when Walter died. The house was demolished in 1968 during the widening of Main Road. In the distance beyond the trestle bridge on what would become Central Park appears to be an orchard of fruit trees. A young man with waist coat, jacket and hat stands beside an older man wearing suspenders without jacket and bare headed, sitting on the post fence. Photographer: J.H. Clark John Henry Clark was the youngest of three boys born to William Henry Clark (1823-1877) and Maria White (1843-1914). He and his brothers, William Charles Clark (1872-1945), Clement Kent Clark (1874-1912) operated a photography business (Clark Bros.) from 25 Thomas Street, Windsor near Prahran during the period c.1894 to 1914. Following death of Clement in September 1912 and their mother in 1914, the Clark Bros business appears to have dissolved, the premises demolished, and a new house was under construction in 1915. John set up business independently in 1914 operating out of 29 Moor Street, Fitzroy where he is registered in the 1914 and 1915 Electoral Rolls. By 1916 John had relocated to Eltham where he continued his practice as a photographer and took many of the early images around the district of Little Eltham. Around 1930 John changed professions and opened a small cobbler's shop in 1931 near the pond opposite Dalton Street adjacent to the Jarrold family cottage. He never married and continued his profession as a bootmaker from this little shop, maintaining a close relationship with Mrs Jarrold for the rest of their lives. His bootmaker shop remains today beside the Whitecloud cottage and is one of only three remaining shops in the area from the early 20th century. There are a couple of images of Eltham taken by Clark Bros. in the Eltham District Historical Society collection, one such example being Hunniford’s Post Office with Miss Anne Hunniford out front (EDHS_00140 - marked on the back of the print, Clark Bros., 25 Thomas St. Windsor), which would date this image between c.1894 and 1914. Other early images of Eltham taken by John Henry Clark are marked on the face “J. H. Clark Photo” and it is assumed these are dated between 1914 and 1930. It is noted that the Grant of Probate for John H Clark of Eltham South dated 5 April !957 (513/387) records his occupation as "X Photographer".derril, eltham railway trestle bridge, f-class 2-4-0 steam locomotive, gahan house, j.h. clark photo, main road, orchards, postcards, steam train, tait train, victorian railways

An early photograph of the Commercial Bank of Australia, Greensborough Branch in Main Street Greensborough, taken before 1914. Teller Walter West stands on the left (according to his grandson John Cramp). The rings on the white posts are for tethering the horses. After service in World War 1 West married the daughter of Greensborough butcher Mr. N. Elliot and moved to a soldier settlement fruit block at Redcliffs.Digital copy of black and white photograph.commercial bank of australia, main street greensborough

Allwood Nurseries in Hurstbridge was operated by W.G (William George) Gray. He operated a well cultivated property under nursery healthy stock, principally apples, peaches, plums and cherries and sometimes potatoes. He grew seedling stock which he supplied to other local orchardists and the overseas market. This image is of railroad train wagons loaded with fruit trees at Hurstbridge Railway Station for export to New Zealand. Frederick George Hurst (bearded) sits on top of the load (aged 73 years). His son-in-law Willian Gray stands beside the wagon. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, allwood nurseries, frederick george hurst, w.g. gray, hurstbrdge railway station, william george gray, railroad trains, nurseries (plants), export, despatch, transport

Fabrizio Crippa of Monza, Italy built a double storey villa in 1864 on the Main Road in Hepburn Springs. The surrounding land was planted with vines and fruit trees. The pear tree is most probably one of Fabrizio Crippa's original plantings.Am old pear tree stands in a garden with a building in the back ground. hepburn, hepburn springs, pear, villa parma, parma house, crippa, fabrizio crippa

S055.1 Ornate pressed silver chalice with engraved dedication on S055.2 round turned wooden stand. The design includes fruit, leaves and flowers."IN LOVING MEMORY OF DOUGLAS ALISTAIR CRAVEN A MEMBER OF ST ANDREWS GARDINER FROM 1944-1990 AND A FAITHFUL SERVANT OF THE CHURCH THROUGHOUT HIS ADULT LIFE INCLUDING AS TREASURER AND AN ELDER OF ST ANDREWS"st andrews presbyterian church gardiner, craven douglas alistair

Majolica - English Popular colourful relief-moulded ware, often in naturalistic shapes covered in various types of opaque white ground to secure glowing effects with brush-painted colour glazes, clear or opaque. Products ranged from umbrella stands to dishes of fruit or nuts. Evolved at the Minton factory in 1851 under Art Director Leon Arnoux, who might use parian ware for majolica figures etc. Widely produced, with little similarity to the Italian Renaissance ornament although some designed for Mintons by the artist Alfred Stevens was inspired by such motifs.Unusual multi-coloured patterned tea pot and lid. Basic colours - green, pink and blue'Estrucan/Majolic/E24domestic items, crockery

George Smith and his employees stand outside the Armstrong Street North Seed & Fruit Merchant shop. george smith, building, commerical, garden, ballarat

Watercolour painting by Charlie Hammond showing two train carriages at Belgrave Station. A group of people stand on the small platform beside the small station building which bears the sign 'Monbulk'. In the background are hilly paddocks. The most distant paddock has rows of what appear to be fruit trees. Below the painting Hammond has written '1901 Belgrave Station when it was Monbulk. Benson's Hill in the background. Later – Biffin's and later still – Harper's Guest House. Typical of all the stations along the line. Govt. had not recovered from the land boom and could not afford to build better ones.' This painting is based on a photo taken by Hammond in 1906, which is labelled by him, 'Sunday 28th Jany 1906. bringing the injured passengers to Belgrave Ry Station after the accident at the trestle bridge.'

Lavers Hill General Store, or more usually, Hampshire's Store, was owned initially for two years by Hampshire and Hutley, and then for 17 years by Mr and Mrs P. Hampshire (senior) who serviced the area including during the Depression. On their retirement their son, Percy, went into partnership with Leo Brauer for four years, and then ran it with his wife, Nea, for a further eight years until the store burnt down. The Store was a placed where the community congregated. It was a place where people met or waited for the train or the Cream Bus or the Mail Bus. Inside it was a place where you could buy groceries, fruit and vegetables, footwear, petrol, and so on. It was a place where children could buy a big stick of licorice for a halfpenny or 3d. worth of broken biscuits. Blackwood Gully Tea Rooms now stands in its place. B/W. Laver's Hill General Store, c.1945, with petrol bowser and sedan outside, and the level crossing to the right and the level crossing sign midfield.lavers hill; general store; railways; petrol bowser; hampshire; hutley; leo brauer;

This bed jacket was crocheted for Carmela Materia (1931-2018) by her mother, Giuseppa Auditore, around the time they emigrated from Italy to Melbourne. Both women were longtime Brighton locals, residing in the area from the 1950s until their deaths. Carmela Auditore was the first woman from her home village of Scaletta, Italy to emigrate to Australia. Setting sail alone in 1950 at the age of 19, she joined her brother John and uncle Frank in McCallum St, Brighton. Frank had arrived some years earlier and had spent the duration of the First World War in an internment camp. John worked at the Brighton Case Company, a box manufacturer on Nepean Highway, and paid for her passage. Carmela found a job sewing children's clothing at Drummonds, a small factory in Church St. Working eight hours a day, five days per week, netted her a weekly wage of three pounds. To earn a little extra, she washed dishes at a St Kilda Road restaurant for ten shillings a shift. Her parents, Salvatore and Giuseppa Auditore, joined her in Brighton in 1952. They rented a house behind an antique shop in Bay Street. Salvatore had been a fisherman in Scaletta, but quickly adapted to the job he found helping around the Garage at Brighton Motors in Male Street. On 14 February 1953, Carmela married her sweetheart, Salvatore Materia, at St James Catholic Church in Gardenvale. Salvatore had been living with his aunt in Well Street and worked on the wharves. Both Carmela and Salvatore were hard workers. They owned a fruit shop in Church Street where Woolworths now stands, and years later Carmela recalled the familiar 6am tap on her window each morning when her husband returned from the market. On dark winter mornings, she felt as if her hands would freeze as she helped Salvatore unload cold cabbages and cauliflowers from his truck. They later owned a shop in Ludstone Street in Hampton. After Salvatore died suddenly at the age of 48, Carmela returned to sewing, working at the Willow Fashions knitting mill in Gardenvale. She later went into partnership with her sister and brother-in-law, this time in the delicatessen business. Her parents, Giuseppa and Salvatore, spent the rest of their days with Brighton. Carmela recalled her father cheerfully walking the streets, greeting people by name. He knew everybody. He loved being in Australia and enjoyed life to the last, insisting on having bread and wine on the table at every meal.Cream crocheted wool bed jacket. Loose around bust with wide sleeves and open sides. Fastens at collar with thin braided ties, and at waist with two pearlescent plastic buttons.bed jacket, migration, 1950s, carmela auditore, carmela materia, giuseppa auditore

Belonged to Mrs. Dorothy Adamson.Crystal compote on stand, with etching (leaf design)fruit bowls, compotes

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr. Turner was born on 6 June 1885. He completed all of his schooling at Scotts Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had 4 daughters – Francis (Nancy), Heather, Jessie and Mary. In 1920, the family moved from Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga. This "lady’s" fruit knife was used up to the late 1900's by influential and "well off" ladies, not only as a fashion statement but as a practical tool when away from the kitchen/home to peel fruit and provide a cutting instrument for small items. The first true stainless steel was melted on August 13,1913. However, it did not produce blades that held an edge nor could edges be put onto blades easily so its inventor, Harry Brealey soon earned the reputation of being the inventor of the "knife that would not cut". Over the following decade further developments to the composition of stainless steel led to its wide use in the manufacture of cutlery.A small fruit knife with stainless steel blade. It has an ivory handle and a leather cover for the blade.On blade: Stainless Steel"cutlery, stainless steel, lady's fruit knife

This old apple tree situated beside the Plenty River Trail at Greensborough has been associated with Melbourne Founder John Batman. Known as Batman's Tree, this apple tree is on the bank of the Plenty River near Leischa Court, Greensborough. It is said that Melbourne Founder John Batman may have planted the tree and later signed his treaty here with the Aboriginal people. It still bears fruit and its recorded on the National Trust's Register of Significant Trees, as the oldest apple tree in Victoria. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p7 Was This John Batman's Tree? An apple tree on the bank of the Plenty River near Leischa Court, Greensborough, is believed to have belonged to Melbourne’s founder, John Batman. It could also stand where John Batman signed his famous treaty with the Aboriginal people.1 Known as Batman’s Tree, it still bears fruit and is recorded on the National Trust’s Register of Significant Trees, as the oldest apple tree in Victoria. It is ‘Believed to have been planted by either John Batman, (c1837) or Martin Batey (1841)’.2 In 1966 a Horticultural Adviser, Mr Rolfe, after extensive questioning of aged Greensborough residents, wrote: ‘it thus seems fairly certain that the old tree on the banks of the Plenty River is an original Batman apple tree’. Mr Rolfe said that the tree stood on a spot formerly called Wattle Bend: ‘one of the sites claimed to be where John Batman signed his famous treaty with the aboriginals. ‘My main source of information has been interviews with people who attended school in the Greensborough area from 70 to 80 years ago. Their parents were close to the days when Melbourne was founded so information passed on by word of mouth.’ Around 1920 the tree was struck by lightning and a concrete block was placed in the split. The concrete is inscribed with the date 1841 when the tree was thought to have been planted. Not everyone agrees with Mr Rolfe however. Former secretary of the Nillumbik Historical Society, Kevin Patterson, said there was no written evidence to support the claim. But he said the tree had been known to locals for decades as Batman’s Tree. In the 1920s a holiday resort in the area advertised: ‘Come to Greensborough and see John Batman’s tree’. Mr Patterson said it was thought that when Batman died in 1839 his land was sold and a Greensborough man Frederick Flintoff bought seedlings from his orchard for £1 each. This was the only one left.3 Mr Rolfe said: ‘If planted in 1837, or even a few years later, it undoubtedly is the oldest living apple tree in Victoria. Title records of the property on which the tree grows show that the land was a crown grant of F D Wickham in 1840. Mr Wickham was reputed to be a friend of John Batman. All the early settlers prior to the crown grants were squatters, by virtue of Batman’s treaty. This treaty was revoked by the then New South Wales Government, so it is likely that Wickham or an agent was in occupation before 1840. ‘According to Mrs Mavis Latham (John Batman – Great Australian Series, Oxford University Press) when Batman came to Port Phillip in 1835 he brought fruit trees with him. He failed to get a crown grant for his selection on Collins Street, which included 20 acres (eight ha) of orchard and cultivation. His residence became the Government Office and Melbourne grew from wild bushland in 1835 to a town of over 20,000 people by 1841. It is possible Batman visited Wickham and presented him with a tree.’ However a Flintoff descendant in 1933 said Frederick Flintoff ordered his bailiff Martin Batey to transplant the Batman Tree from the Spencer Street orchard to its present site as a memorial to his friend Batman.4 Mr Rolfe spoke to many people, including descendants of the Bateys and Flintoffs and pupils at the Greensborough Primary School. Many had gained their information from a ‘very highly respected’ head master Lewis Amiet at the Greensborough School from 1895 to 1917. He must have gained this information from residents in the district and had this information been incorrect, the parents of the children would have promptly corrected him.’ One woman who attended the school before Mr Amiet’s appointment, said the previous teacher also taught that the tree on the Plenty River was a Batman tree, Mr Rolfe said.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, greensborough, john batman tree, plenty river trail