Showing 4 items matching "galley oven"
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Flagstaff Hill Maritime Museum and VillageFunctional object - Latch, before 1890
... ...galley oven... - The iron latch was possibly from a galley oven door or fireplace - The bronze bolt, spike or pin Both the bolt and latch are listed on the same page in the records of the Old Warrnambool Museum, and noted that they were found by K.A.G. ... - The iron latch was possibly from a galley oven door or fireplace - The bronze bolt, spike or pin Both the bolt and latch are listed on the same page in the records of the Old Warrnambool Museum, and noted that they were found by K.A.G. ...Due to the interest of a public works inspector, James Gilroy, who in 1890 dug in the 'ship's remains' of a wreck now known as the Mahogany Ship, Ancient Wreck, Gold Ship, or Ancient Vessel, three relics were located. Two of these objects, a bronze bolt and an iron latch, are part of Flagstaff Hill’s collection of shipwreck artefacts. The third object was a heavily oxidised ‘quantity of ironwork’. - The iron latch was possibly from a galley oven door or fireplace - The bronze bolt, spike or pin Both the bolt and latch are listed on the same page in the records of the Old Warrnambool Museum, and noted that they were found by K.A.G. (or H.A.G.) on the site of the Ancient wreck in 1890. Interestingly, another item in these records is ‘Notes on Ancient wreck, near Gorman’s Lane’. Gorman’s Lane is just inland from the sand dunes of the Coastal Reserve at Tower Hill. The current location of these Notes is unknown. The Museum opened in 1886 and continued until 1963, when it was closed by the Warrnambool City Council and the whole collection was put into storage. The council then transferred items to various places, including Flagstaff Hill and the current Warrnambool Art Gallery. Flagstaff Hill’s early Accession Records book lists the items as being received from the Old Warrnambool Museum collection; the Latch is record 152 and the Pin is record 153. An article, ‘Birthplace of our History’ by Don Dean, is on file in the Warrnambool and District Historical Society. It was published in the Australian POST, on March 17, 1955. This article describes the findings of the items going back to 1890, along with other information about sightings of what has come to be known as the Mahogany Ship. The mystery of the Mahogany Ship began in 1836 when two shipwrecked sealers discovered the remains of an “ancient vessel” in the sand dunes about four miles west of Warrnambool. Since the last recorded sightings in the 1880’s the true origin of the Mahogany Ship has remained one of Australia’s most famous historical mysteries. One of the more recent theories is that the vessel was one of the Portuguese ships exploring the Australian coast in 1522. For over one hundred years, searchers have attempted to locate and identify the wreck. The search continues for the tangible evidence which will once and for all establish the Mahogany Ship’s place in Australia’s History. The latch has local historic significance as it was found in the sand dunes of Warrnambool in 1890. The latch is also significant for being part of the original 1886 Warrnambool Museum's collection. The latch is significant for its possible link to one of Victoria’s and Australia’s maritime mysteries, the Mahogany Ship (also known as the Ancient Wreck). It is one of the very few known relics that could give evidence of the existence and history of the vessel. The ship is listed on the Victorian Heritage Register S438 as it is one of Victoria’s oldest recorded shipwrecks. The identity of the vessel has the potential to change Australia’s history.Latch, iron. Flat iron latch tapers inward from loop handle to narrow end with prongs. Handmade. warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, mahogany ship, latch, relic, old warrnambool museum, ancient vessel, ancient wreck, oven latch, fireplace latch, galley oven, gold ship, gorman's lane, coastal reserve, tower hill -
Flagstaff Hill Maritime Museum and VillageFunctional object - Bolt, before 1890
... - The iron latch was possibly from a galley oven door or fireplace - The bronze bolt, spike or pin Both the bolt and latch are listed on the same page in the records of the Old Warrnambool Museum, and noted that they were found by K.A.G. ... - The iron latch was possibly from a galley oven door or fireplace - The bronze bolt, spike or pin Both the bolt and latch are listed on the same page in the records of the Old Warrnambool Museum, and noted that they were found by K.A.G. ...Due to the interest of a public works inspector, James Gilroy, who in 1890 dug in the 'ship's remains' of a wreck now known as the Mahogany Ship, Ancient Wreck, Gold Ship, or Ancient Vessel, three relics were located. Two of these objects, a bronze bolt and an iron latch, are part of Flagstaff Hill’s collection of shipwreck artefacts. The third object was a heavily oxidised ‘quantity of ironwork’. - The iron latch was possibly from a galley oven door or fireplace - The bronze bolt, spike or pin Both the bolt and latch are listed on the same page in the records of the Old Warrnambool Museum, and noted that they were found by K.A.G. (or H.A.G.) on the site of the Ancient wreck in 1890. Interestingly, another item in these records is ‘Notes on Ancient wreck, near Gorman’s Lane’. Gorman’s Lane is just inland from the sand dunes of the Coastal Reserve at Tower Hill. The current location of these Notes is unknown. The Museum opened in 1886 and continued until 1963, when it was closed by the Warrnambool City Council and the whole collection was put into storage. The council then transferred items to various places, including Flagstaff Hill and the current Warrnambool Art Gallery. Flagstaff Hill’s early Accession Records book lists the items as being received from the Old Warrnambool Museum collection; the Latch is record 152 and the Pin is record 153. An article, ‘Birthplace of our History’ by Don Dean, is on file in the Warrnambool and District Historical Society. It was published in the Australian POST, on March 17, 1955. This article describes the findings of the items going back to 1890, along with other information about sightings of what has come to be known as the Mahogany Ship. The mystery of the Mahogany Ship began in 1836 when two shipwrecked sealers discovered the remains of an “ancient vessel” in the sand dunes about four miles west of Warrnambool. Since the last recorded sightings in the 1880’s the true origin of the Mahogany Ship has remained one of Australia’s most famous historical mysteries. One of the more recent theories is that the vessel was one of the Portuguese ships exploring the Australian coast in 1522. For over one hundred years, searchers have attempted to locate and identify the wreck. The search continues for the tangible evidence which will once and for all establish the Mahogany Ship’s place in Australia’s History. The bolt has local historic significance as it was found in the sand dunes of Warrnambool in 1890. The bolt is also significant for being part of the original 1886 Warrnambool Museum's collection. The bolt is significant for its possible link to one of Victoria’s and Australia’s maritime mysteries, the Mahogany Ship (also known as the Ancient Wreck). It is one of the very few known relics that could give evidence of the existence and history of the vessel. The ship is listed on the Victorian Heritage Register S438 as it is one of Victoria’s oldest recorded shipwrecks. The identity of the vessel has the potential to change Australia’s history.Bolt, also referred to as spike or pin. Bronze bolt, round body with head on one end that has straight sides, tapers to a point at the other end.warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, mahogany ship, relic, pin, spike, old warrnambool museum, nail, ancient vessel, ancient wreck, portuguese ship, gold ship, gorman’s lane, coastal reserve, tower hill -
Victorian Aboriginal Corporation for LanguagesBook, Charles White, The story of the blacks : the Aborigines of Australia /? Charles White (1845-1922)
... This work was originally published in serialised form in the Bathurst Free Press around the turn of the century by Charles White and afterwards syndicated to other newspapers and still later reached the galley-proof stage of publication. The text for this edition was obtained from a copy of the Ovens Register 1904-1905, held by the Burke Museum, Beechworth, Victoria. ...Victorian Aboriginal Corporation for Languages 33 Saxon Street Brunswick melbourne Charles White maps, b&w photographs, b&w illustrations This work was originally published in serialised form in the Bathurst Free Press around the turn of the century by Charles White and afterwards syndicated to other newspapers and still later reached the galley-proof stage of publication. The text for this edition was obtained from a copy of the Ovens Register 1904-1905, held by the Burke Museum, Beechworth, Victoria. ...This work was originally published in serialised form in the Bathurst Free Press around the turn of the century by Charles White and afterwards syndicated to other newspapers and still later reached the galley-proof stage of publication. The text for this edition was obtained from a copy of the Ovens Register 1904-1905, held by the Burke Museum, Beechworth, Victoria. This edition includes some preliminary material, glossary, notes, index and bibliography prepared by Peter A Jones.maps, b&w photographs, b&w illustrationscharles white -
Wangaratta Art GalleryTextile, Christine Upton, Gum Blossoms, 1989-1992
... Ovens Street Wangaratta high-country Christine Upton is a local artist who is a master lino block printer and batik artist. Her works are found in private and public collections throughout Australia, parts of Great Britain, USA, Europe and South East Asia. The masterful skills of Upton are seen in this work through its high quality and being an exquisite example of lino block printing. wangaratta art galley ...The inks used were fabric printing inks and two colours were applied at the one time on the same roller, the roller being inked with green on one side and red on the other. The roller was a sponge paint roller 100mm wide. The technique used was 'soft bed release'. This is where the fabric is placed over a soft bed (woolen blanket with cotton overlay) and the inked block is placed on top of the fabric, then body weight is applied to the back of the block by placing the hands on the block and transferring weight through the body and into the hands. The block is then lifted and the process starts allover again.Rural City of Wangaratta CollectionA repetitive pattern of gum blossoms that has been printed on a rectangular piece of pure silk twill in green and red ink by a lino block.wangaratta art galley, print, lino block, flora, gum, christine upton, textile, australian flora
