Series of photographs loaned for copying by Robert Collier through Keith Rooney. Photographs have been scanned by Ted Arrowsmith at 300dpi as a 'tiff' and burnt onto a CD Rom. copies of photographs were produced from the CD Rom for inclusion in the album.Black and white photograph of Tunstall and the Tunstall Gatehouse in Springvale Road, near the Tunstall Station.springvale road tunstall, tunstall, gatehouse, tunstall railway station.

The Boroondara General Cemetery is registerd by Heritage VictoriaBoroondara Cemetery in kew was established in 1858. It has an unusual triangular reserve bounded by High Street, Park Hill Road and Victoria Park, Kew. The caretaker's lodge and administrative office (1860 designed by Charles Vickers, additions, 1866-1899 by Albert Purchas) form a picturesque two-storey brick structure with a slate roof and clock tower. A rotunda or shelter (1890, Albert Purchas) is located in the centre of the cemetery: this has an octagonal hipped roof with fish scale slates and a decorative brick base with a tessellated floor and timber seating. The cemetery is surrounded by a 2.7 metre high ornamental red brick wall (1895-96, Albert Purchas) with some sections of vertical iron palisades between brick pillars. Albert Purchas was a prominent Melbourne architect who was the Secretary of the Melbourne General Cemetery from 1852 to 1907 and Chairman of the Boroondara Cemetery Board of Trustees from 1867 to 1909. He made a significant contribution to the design of the Boroondara Cemetery Boroondara Cemetery is an outstanding example of the Victorian Garden Cemetery movement in Victoria, retaining key elements of the style, despite overdevelopment which has obscured some of the paths and driveways. Elements of the style represented at Boroondara include an ornamental boundary fence, a system of curving paths which are kerbed and follow the site's natural contours, defined views, recreational facilities such as the rotunda, a landscaped park like setting, sectarian divisions for burials, impressive monuments, wrought and cast iron grave surrounds and exotic symbolic plantings. In the 1850s cemeteries were located on the periphery of populated areas because of concerns about diseases like cholera. They were designed to be attractive places for mourners and visitors to walk and contemplate. Typically cemeteries were arranged to keep religions separated and this tended to maintain links to places of origin, reflecting a migrant society. Other developments included cast iron entrance gates, built in 1889 to a design by Albert Purchas; a cemetery shelter or rotunda, built in 1890, which is a replica of one constructed in the Melbourne General Cemetery in the same year; an ornamental brick fence erected in 1896-99(?); the construction and operation of a terminus for a horse tram at the cemetery gates during 1887-1915; and the Springthorpe Memorial built between 1897 and 1907. A brick cremation wall and a memorial rose garden were constructed near the entrance in the mid- twentieth century(c.1955-57) and a mausoleum completed in 2001.The maintenance shed/depot close to High Street was constructed in 1987. The original entrance was altered in 2000 and the original cast iron gates moved to the eastern entrance of the Mausoleum. Some notable memorials include The Springthorpe Memorial (VHR 522), The Syme Memorial (1908), The Cussen Memorial (VHR 2036). Burials within the cemetery include the Henty family, artists Louis Buvelot and Charles Nuttall, businessmen John Halfey and publisher David Syme, artist and diarist Georgiana McCrae, actress Nellie Stewart and architect and designer of the Boroondara and Melbourne General Cemeteries, Albert Purchas. The Boroondara Cemetery features many plants, mostly conifers and shrubs of funerary symbolism, which line the boundaries, road and pathways, and frame the cemetery monuments or are planted on graves. The major plantings include an impressive row of Bhutan Cypress (Cupressus torulosa), interplanted with Sweet Pittosporum (Pittosporum undulatum), and a few Pittosporum crassifolium, along the High Street and Parkhill Street, where the planting is dominated by Sweet Pittosporum. Planting within the cemetery includes rows and specimen trees of Bhutan Cypress and Italian Cypress (Cupressus sempervirens), including a row with alternate plantings of both species. The planting includes an unusual "squat" form of an Italian Cypress. More of these trees probably lined the cemetery roads and paths. Also dominating the cemetery landscape near the Rotunda is a stand of 3 Canary Island Pines (Pinus canariensis), a Bunya Bunya Pine (Araucaria bidwillii) and a Weeping Elm (Ulmus glabra 'Camperdownii'). Amongst the planting are the following notable conifers: a towering Bunya Bunya Pine (Araucaria bidwillii), a Coast Redwood (Sequoia sempervirens), a rare Golden Funeral Cypress (Chamaecyparis funebris 'Aurea'), two large Funeral Cypress (Chamaecyparis funebris), and the only known Queensland Kauri (Agathis robusta) in a cemetery in Victoria. The Cemetery records, including historical plans of the cemetery from 1859, are held by the administration and their retention enhances the historical significance of the Cemetery. Digital images of a red brick gatehouse at Boroondara General Cemetery in Kew.cemetery, boroondara, kew, gatehouse, clock, tower, clocktower, heritage, memorial

Local scene - Overnewton Gatehouse. Local scene - Overnewton Gatehouse.Painting, oil on board.

This booklet written by Tim Gatehouse and published by the Anglican Diocese of Melbourne gives details on the Arts and Crafts movement background and history in Australia, a short biography of Walter Richmond Butler, architect of the Mission to Seafarers and architect to the diocese of Melbourne from 1895. In 1902 he designed the extensions to Bishopscourt, East Melbourne, now called the Butler Wing.Walter Richmond Butler was an influential British architect bringing his knowledge in the Arts and Crafts movement to Australia. He was commissioned the design of the first mission in central Melbourne, the Central Institute on Siddeley Street, then the second Mission on Flinders Street. He remained a friend of the Mission and especially the Godfrey sisters who lived for some time in an apartment in Tintern Avenue.Colour booklet containing colour and black and white photographswalter richmond butler (1864–1949), bishopscourt, diocese, anglican, arts and crafts, james blackburn, architecture, 120 clarendon street, east melbourne

Local significant historical building depicted in this drawing.Historical buildingAR0118

Shield type wooden plaque

A discussion of the garden of Major Anthony Beale in Fitzroy, prior to the family's relocation to St Helena in Greensborough. The history of the garden's creation was taken from Major Beale's diary (held in the State Library of Victoria). A second article in this newsletter describes a walk around the MacRoberton factory in Fitzroy. 2 pages, text and colour images.anthony beale, beale family, gardens, st helena, mac robertson

36 p.; 30 cmnon-fiction"Goronga is a farming property at Pakenham Upper, in the foothills of the Dandenong Ranges 55 kilometres from Melbourne. The property of 24 hectares (60 acres) was established as a farm by selectors in the 1870s and in 1889 was purchased by Melbourne residents William and Matilda Raleigh, who created a hill station garden around the new house they built adjoining the earlier farmhouse...." -- page 3. pakenham upper (vic.), goronga

Published in 2016, this is a biographical account of the Lazarus family heritage, particularly Samuel Lazarus and his involvement in Ned Kelly's trial. Samuel Lazarus and his family lived in Alma Road, Camberwell, during the last few years of his life.camberwell, fitzroy historical society, samuel lazarus

An early black and white photograph taken near the entrance gatehouse to "The Hermitage" at Narbethong in Victoria.An early black and white photograph taken near the entrance gatehouse to "The Hermitage" at Narbethong in Victoria. "The Hermitage" was built by photographer John William Lindt as a home and guesthouse in 1894. John Lindt had previously photographed the mountain scenery of the Black Spur and purchased 71 acres and subseqently built his home and guesthouse from where he continued his career. "The Hermitage had a garden designed by John Lindt's friend, Ferdinand von Mueller, who was at one stage the Director of the Melbourne Botanic Gardens. The garden featured New Guinea tree houses from which John Lindt made frequent panoramas of his property and the surrounding forest of towering mountain ash. Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.the hermitage, john william lindt, narbethong, victoria, black spur, ferdinand von mueller, melbourne botanic gardens, new guinea, catherine lindt

An early black and white photograph taken near the entrance gatehouse to "The Hermitage" at Narbethong in Victoria.An early black and white photograph taken near the entrance gatehouse to "The Hermitage" at Narbethong in Victoria. "The Hermitage" was built by photographer John William Lindt as a home and guesthouse in 1894. John Lindt had previously photographed the mountain scenery of the Black Spur and purchased 71 acres and subseqently built his home and guesthouse from where he continued his career. "The Hermitage had a garden designed by John Lindt's friend, Ferdinand von Mueller, who was at one stage the Director of the Melbourne Botanic Gardens. The garden featured New Guinea tree houses from which John Lindt made frequent panoramas of his property and the surrounding forest of towering mountain ash. Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.the hermitage, john william lindt, narbethong, victoria, black spur, ferdinand von mueller, melbourne botanic gardens, new guinea, catherine lindt

The gatehouse, one of the heritage buildings on the grounds of Montsalvat, the artists' colony in Eltham founded in 1934. This area was built 1939/41 originally as a garage, store and cool room with a painting studio above.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Print 16 x 21 cm (Held at Eltham Library)P.M.G. Department (Neg. No. 4695J)eltham, shire of eltham pioneers photograph collection, montsalvat, sepp, gatehouse

Gatehouse, Station Pier, Port Melbournemelbourne harbor trust - port of melbourne authority, piers and wharves - station pier, station pier gatehouse

(From Glen Stuart). Photos taken from Centenary Bridge c1947. HMS Glory (inner East). HMS Implacable (outer East). HMS Indefatigable (outer West). Unknown freighter at Inner West. Ships still in wartime grey and used to transport personnel and equipment back to Australia after the war, before returning to England. PMHPS assume that these five photos (3354.01 - .05) were taken on the same day. See Glen Stuart's comment above although this photo has been taken on the pier looking back through the gatehouse towards Centenary Bridge. HMS Glory, Implacable and Indefatigable with attendant destroyers Tuscan and Armada arrived in Port Melbourne on 23 January 1946 and returned to England in 1947. [This series of photos 3354.01 - .05 as well as 3361 and 3362 came to PMHPS from the Moe Historical Society via the St Kilda Historical Society. Notations in pencil on the back along the left had edge indicate they came from "C W Ward photo, 355 High St, Prahran, Melbourne". Each photo bears the date 9-12-1947 in the top left corner. It is not known what this date refers to. Possibly it is when the photo was printed. Another notation on each photo says "Port Melbourne, taken in 1920". This is definitely incorrect and "NOT" has been written underneath this comment.]Station Pier Gatehouse from waterside with bunting and a "Thank You" sign attached. Pedestrians walking towards Centenary Bridge. c1946 - 47C W Ward photo, 355 High St, Prahran, Melbournepiers and wharves - station pier, war - world war ii, centenary bridge

An ornate painted gate with pierced decoration of a tree below the word 'Gatehouse'

By1880 most railway crossings were identified by a sign, although at very busy crossings a watchman was posted. Eventually most stations were manned and gates were installed. The watchman was generally housed in a small wooden or brick building with a clear view of the single line. The next stage was mechanical closing of the gates, using a lever situated in a shed behind the gatehouse. By 1956 automatic barriers had been installed. A working model of the gate style crossing can be seen at New Street Brighton.A collection of 12 black and white photographs of the Windsor family who lived in the gatehouse next to the Tunstall station. The stationmaster Ernest Windsor was also responsible for track maintenance between Ringwood and Middleborough Road Box Hill. His wife Betty Jean Windsor was gatekeeper for 2 years. On the back of each photograph are the names of the family members in the photo.Catherine Ann Windsor (born 1897), John Ernest (Ern) WIndsor, Catherine (Kitty) Windsor (born 1919), Patricia Janette WIndsor (born 1935) Tunstall Railway Gatesstationmasters, tunstall station, windsor ernest, windsor catherine, windsor patricia, windsor betty, windsor catherine (kitty)

Digital copy of a photograph of Princes Pier after removal of wharf apron & structures. The gatehouse & gates remain.piers and wharves - princes pier

The toll gate and house was erected at Stradbroke Knoll, Grassy Creek by JC Taylor and sons of Geelong . Construction was completed on Christmas Day 1922. It was moved from Grassy Creek to Cathedral Rock in October 1929 where it stayed until 1936. It was then sold and moved to Lorne. It is the second house on the right in Minapre Street. The Gatehouse keepers at the time were Mr and Mrs Wright. The original Gatekeepers were Mr and Mrs MacKay. They left Grassy Creek with their family on 11 May 1926The GOR Tollgate and house were originally erected by J.C. Taylor and Sons of Geelong, at Stradbroke Knoll, Grassy Creek and construction was completed on Christmas Day 1922. It was moved from Grassy Creek to the Springs at Cathedral Rock in October 1929 where it stayed until 1936, It was then sold and moved to Lorne. It is the second house on the right in Minapre Street. The gatehouse keepers at this time were Mr. & Mrs.Wright. The original gatekeepers were Mr & Mrs Mackay. They left Grassy Creek with their family on 11th May 1926j.c. taylor and sons. gor, tollgate.

x 2 B & W photos including x2 Co-operative Store and Pondage Wall (sepia); Very early gatehouse before boom gate (sepia)

Lasercopy of photograph of three aircraft carriers at Station Pier 23.1.1946: HMS Glory (inner east), HMS Implacable and HMS Indefatigable, viewed from the footbridge outside the gatehousepiers and wharves - station pier, transport - shipping, índefatigable, implacable, glory

B&W lasercopy of photo of Station Pier 6.4.1938 and the German liner 'Reliance' at Inner East Berth. Over gatehouse can be seen the funnels and mast tops of Empress of Britain.transport - shipping, piers and wharves - station pier, reliance, empress of britain