This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of yellow glass beads of graduated sizes strung on thick cotton thread.decorative items, women's jewellery

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Fashion (or clothing/costumes) in the collection was largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This short, beaded 'flapper' dress was worn by Mrs Udora Freame to a ball at the Hawthorn Town Hall in the 1920s. Donated by her daughter, the dress is the earliest item of fashion in the collection where provenance can be linked to a local civic event.Sleeveless black chiffon 'flapper' evening dress with v-neck. The dress is embroidered with silver thread using chain stitch and glass beads simulating Parisian jet.women's clothing, australian fashion - 1920s, evening dresses, udora freame, evening wear, flapper dresses, mayoral balls -- hawthorn (vic.)

The origin of this necklace of facetted amber-coloured glass beads is unknown. However, its design is reminiscent of jewellery that was fashionable in the late 19th and early 20th centuries.This necklace of facetted amber-coloured glass beads is an example of a women's fashion accessory of the late 19th and early 20th centuries. Necklace; metal chan with facetted ambe beads attached to the lower half. A small chain is added to the clasp. Each teardrop-shaped amber-coloured glass bead is linked to smaller round, lighter-coloured beads, which are then joined to the chain links.flagstaff hill maritime village, shipwreck coast, flagstaff hill, warrnambool, flagstaff hill museum and village, accessory, fashion accessory, necklace, facetted beads, amber beads, glass beads, late 19th century, early 20th century

Commonly used in the early 20th century to protect sugar from household fliesSquare crocheted sugar basin cover with beaded edge. Beads are alternately white and amber. The word Sugar is centrally crotcheted.handicrafts, sugar basin covers, food protection, crochet

The Kew Historical Society's Fashion & Design collection includes a small and representative collection of reticules, purses and handbags, inherited, owned, used and or donated by members of the Society. These items date from the Nineteenth and Twentieth centuries, and conform to fashions and styles popular during the period of their use. Some of the items are handmade, while others are mass-produced commercial products.An earlier inventory of the collection identified an Eighteenth century French evening bag. While the frame shows some affinities with models of that period, its dating has provisionally been made to the Nineteenth century, until expert advice is sourced.Densely beaded evening bag on a gilded metal frame. The beads are woven in a a variety of abstract and geometric patters, including a cross within an octagon at centre. The bag is held by a white metal chain.evening bags, women's clothing -- accessories, bags -- handbags, bags -- purses, fashion accessories

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.This item consists of a collection of 51 assorted buttons, two beads and five buckles. The objects are mounted on two rectangular display cards, one cream and one grey. The cream card contains 31 buttons and two beads, predominately black, white and translucent in appearance. The buttons vary in size and shape. The grey card contains 20 buttons and five buckles, including dark circular brass buttons made for men's trousers. Official Catalogue Entry: "In November 1997, a small group of button collectors were invited to “dig” for buttons at “BUTTON HILL” Geelong. Now private property but in 1870 the site of a paper mill. The story goes that 3 ladies were employed to cut the buttons off the garments collected to be turned into rags with which to make the paper of the time. The buttons were disposed of and fell between the blue stone rocks in an old quarry. Time and the elements have affected them all. They show evidence of fire, flood and frost. Only those of brass survived, the other metals have disintegrated. It was a fun day. This harvest was from 4 hours work by 2 people! It was exceedingly difficult balancing on broken rocks at an angle of 45° and picking away. I uncovered a gooey shape at one stage. It turned out to be a hibernating frog! I put him back beneath his rock and avoided stepping on it. Thank you Austin for organizing the trip. The black glass buttons are both mourning and half mourning for a lady’s dress or man’s waistcoat, as are the white ones. The small white ones are for underwear. The flat brass ones are for men’s trousers. The 3 picture buttons for ladies or children. The uniform one is Tasmanian National Shipping Company. The ball ones are for a lady’s dress. The brass buckles etc are from men’s waistcoats and trousers."sally hearn, button collections

This is an example of a home craft object, designed for the user to decorate various objects.Multi-coloured beaded fringe used to decorate an object such as a lampshade.Nilfringes, glass beads, homecraft

This is an example of a home craft object, designed for the user to decorate various objects.Multi-coloured beaded fringe used to decorate an object such as a lampshade.Nilfringes, glass beads, homecraft

Dark red glass beaded necklace

Made by Sarah Johnson.Two white, hand crocheted jug covers. One: circular with orange edging and white glass beads. Two: Square, with white edging and blue glass beads.milk jugs, vessel covers, food covers

Hand crochet and decorated with blue glass beads with one in centre.handcrafts, crocheting or crochet work, domestic items, food storage & preservation

Short hatpin with light blue glass bead on one end.costume accessories, hat accessories, hat pin, blue glass bead

From collection of Betty McPhee. A round, cream cover with yellow and blue glass beads. Design: 6 radiating diamonds with centres of blue and yellow diamonds worked alternately. Outer edge: fans decorated with tear-drop shaped glass beads.handcrafts, crocheting or crochet work

Unknown - possibly USADoll embroidered in coloured glass beads, padded and reversible. Embellished with tassels and paillettes.doll, bead work

Table doyley made of glass beads. Brown edge with purple diamond in centre.domestic items, table setting

Black glass beaded bag, with woven rope-like handles and cream silk lining

Ornamental tortoiseshell hair comb with glass beads set in a pattern on front. Two prongspersonal effects-toilet requisites, hairdressing

Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High Street in Wodonga, but a new warehouse was built in Melbourne Road later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the necklace has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Silver tone, faux pearl crucifix necklace with purple glass bead, on long silver chain. "(c) SARAH COV/CANADA" on back of crucifix sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, necklace, necklaces

Worn by Mrs Falla (snr) from Donald Mother of Mrs L Bartlett Ornamental collar made with small clear and white glass beads in a circular shape, and mountedon thin card

This kind of beads was commonly worn by women in the early to mid 20th century. These strings of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.2 strings of glass beads. Both necklaces have a metal clasp and are strung on a cord of thick cotton.decorative items, women's jewellery, fashion accessory

Cover for milk jug; used during 1930's and 1940's before refrigeration, by Betty McPheeCrocheted circular piece, cream cotton centre; bordered edge 4 cm wide with 16 glass beadshandcrafts, crocheting or crochet work, domestic items, food storage & preservation

Purchased at a fete by Pat Richardson in the 1990sWidely used in Australian homes to protect milk from insects until the advent of bottled milkWhite crocheted milk jug cover, with blue glass beads at regular intervals around edge to weight the coverdomestic items, food storage & preservation, handcrafts, crocheting or crochet work

Milk jug cover such as used pre-refrigeration during 1930's and 1940's. Owner Betty McPheeCream, oblong crocheted milk jug cover; 4 cm shell pattern edge trimmed with red glass beadshandcrafts, crocheting or crochet work, domestic items, food storage & preservation

White, circular crocheted milk jug cover with petal pattern and clear, sparkling glass beads around the outer edge.milk jugs, vessel covers, food covers

Clothing. A wire frame shape, with a black canvas lining, and covered on the outside with black velvet. The shape is ''head-hugging'' with scalloped extensions towards the ears. Beading in a floral design covers the shape - these are tiny round black glass beads and black bugle beads. These glass beads reflect the light against the black velvet.costume accessories, female, black velvet beaded cap

Red Velvet Tea Cosy with Ornate Beading. Glass Beads Silver and White. Rose and white Braid trim. Kapok padding.stawell clothing material

Part of the Bette Jones Milk Jug Cover Collection.A cream crotchet round milk jug cover with green glass beads and a centre crocheted cup and saucer in cream with a green edge.handcrafts, crocheting or crochet work, domestic items, food storage & preservation