Framed photograph of Flight Lieutenant E W LinsPlaque affixed; "Donated to THE FRANKSTON RSL 23-8-93 By FLIGHT/LIEUT. E.W. LINS R.A.F - R.A.A.F CX 203 - 521A . ATTACHED 4 YEARS 1942 1946 MIDDLE EAST - ITALY - SICILY "LEST WE FORGET"ww2, e w lins, raaf

Evidence of Lara RSL Sub-Branch continuing support for Lara Community and resulted in it's membership growth by 30.14% Evidence of Lara RSL Sub-Branch continuing support for Lara Community.A4 picture frame containing a parchment of a Certificate of Appreciation given by the State Executive of the Victorian Branch of the Returned & Services League of Australia to Lara RSL Sub-Branch for accounting for the membership increase by 30.14 % dated 8/7/2010On the top of the Certificate of Achievement is the RSL Official Badge symbol and signed on the bottom by the State President and Chief Executive Officer.parchment for certificate of achievement, glass front, wooden frame, white card board back

This unit was designed and manufactured in a factory where many local people of Bacchus Marsh worked. Ref. Historical Notes-Significance Assessment Study ( October 2008)Bakelite tabletop radio,small box,camel-coloured leatherette covered,glass front,three dials,electrical cord,4 vlave reflex super heterodyne, cord attached, incription on set reads "MARSHMAN MUSIC MASTER".Maker's mark in blue print "MARSHMAN MUSIC MASTER" (Inscription on the central area of the glass front of the unit) "BROADCAST" is printed in cream twice in the area of the radio Frequency Band listings.electrical, , bacchus marsh, bakelite, radiogram, bob butler, post war invention, leatherette, technology, 1950 s, small scale radio, heterodyne, cabinet radio, arbee supply c0, civilian radio, manufacturer s drawings, wiring layout, console model

Reproduced by kind permission of the Australian War Memorial by Royal Australian Survey Corps 1985. Brown wooden frame with gold inner trim & glass front. Mounted with white border & brown paper frame backing. Copy of coloured painting of Landing At Duc Thanh. Original by B Fletcher.Brown wooden frame with gold inner trim & glass front. Mounted with white border & brown paper frame backing. Copy of coloured painting of Landing At Duc Thanh. Original by B Fletcher.RHS bottom corner: Artist's signatureroyal australian survey corps, rasvy

Presentation plaque adhered to glass front, bottom centre, gold engraving on black plastic. "Presented to the Bendigo RSL from the Rotary Club of Kangaroo Flat 1 July 2017"The work depicts the Soldiers Memorial Institute Building (Bendigo Military Museum) using a number of coloured gemstone chips adhered to a support board, list of Gemstone chips listed on the back of frame, original hand made craft. Frame timber with gold paint, 3D look with black fabric mount, glass front and MDF board backing and MDF board stand.Information printed on paper on back of board, "Good/idea/ Ph 704973 o0 - 5005115/ Gem name and colour/ Ruby red/Spinel pink/ Sapphire blue/ Lapis La2uh blue/ Jade green, Tomaline black/ Apatite light green/ Peridot light green"framed accessories, rotary club, smirsl, brsl

Charles Wheeler biography link http://www.portrait.gov.au/people/charles-wheeler-1881 Painted by a prominent artist. Refer to Sir Ronald East's history of the Greenwood family pp. 336-371, noteably page 343 that mentions about Henrietta Carr, only daughter on George F. Carr, who married AV Greenwood in 1896. Also reference to The Wattle Club pp. 356-7. Thus giving the connection of the Greenwood and Carr families, the subjects of Charles Wheeler's painting.Painting in glass-fronted frame.Typewritten notation behind the frame - "Greenwood oral family history says that this unsigned painting was done by Charles Wheeler as a demonstration for Rose Greenwood, (A.V. Greenwood's sister). They shared a studio at the Wattle Club Hall at Box Hill circa 1890s. The subject matter was said to be Grandfather Carr's orchard in Wantirna Road (Ringwood - Still standing in 2003). Source: Mary Greenwood, youngest Granddaughter of A.V. Greenwood."

"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting in glass-fronted frame.

Painting in glass-fronted frame.Reflections (Ringwood Lake) by May Freeland, 59 Lucknow Street Mitcham.

Badges of rank obtained by Chris Albers during his deployment to Cambodia with the United Nations.Timber frame, Glass front.Rank Insignia of a senior Caption in the CPAF, Cambodian Peoples Armed Forces. cambodia, badges, rank

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.

"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Painting with cardboard border in glass-fronted frame.Handwritten notation on back of frame - "Lilypond at Quambee Nth Ringwood 1912, and sticker - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

"Margaret Robbie was another of the local painters who came late to art or combined it with a quite different occupation. Her grandparents, John Shaw and Margaret (Byers), went to Hobart in 1855 but then crossed the Strait and settled in Kyenton where they remained until 1918. Margaret was the issue of the marriage of Mary Shaw and Robbie. She spent a considerable time overseas for the YWCA, including a period as its General Secretary in Toronto, Canada, and worked in the Middle East during World War 2. Margaret Robbie made her garage in Ringwood Street into a flat-cum-studio-cum-gallery for her painting activities when she was not caring for her sister and an elderly aunt." - Hugh Anderson - Ringwood, Place of Many Eagles [p.218].Painting with cardboard border in glass-fronted frame.Inscription along lower edge of painting - "Margaret Robbie, copied from a postcard", and sticker on back of frame - "Ringwood Framing Gallery, 233 Whitehorse Road Ringwood, Phone 8704930"

Bage board with mounted badges glass fronted

Wooden frame with green border & glass front.Sketch Map of Darwin.documents - maps, frame accessories, darwin

Certificate presented to Dick Nankervis on the occasion of his appointment of an officer in 1918 at Saint James's Court. Refer to Word Document in item 0048Certificate of Appointment in wooden frame with glass frontCertificate appointing Dick Nankervis MM as Officer of the Land Forces by King George VI at the Court of Saint James on 11 December 1918partchment, glass

Certificate of appreciation presented to Corporal William Charles Clark for his service in Second World War presented by the Shire of Beechworth on 18 June 1946This certificate was presented to Corporal William Charles Clark VX34546 by the President, Councillors and Ratepayers of the Shire of Beechworth on 18 June 1946. All soldiers of Beechworth who served in World War II were presented with these cedrtifcateGrey Wooden framed, glass fronted Certificate. On the reverse is a self adhesive label with hand written note, "Property of W.C.Clark / VX34546 / Lent by Grandson / Lance Richard Flynn / Feb 2009certiciate, framed certificate

These Pocket Watches were used during WW2This is an original York Lever Pocket WatchA round steel backed, glass front pocket watchon the front of the watch face York Lever

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Pencil drawing with cardboard border in glass-fronted frame.

Colour photograph in large glass fronted wooden frame.Ringwood Technical School School Council 1988 30th Anniversary. Standing L to R. Mr. G. King, Mr. A. Bedggood, Mr. G. Madeley, Mr. R. Tate, Mrs. L. Cogan, Mr. C. Whitehead, Mrs. R. Free, Mr. V. Brownlie, Mr. J. Lopes, Mr. M. Bradley, Mr. L. Cruickshank. Seated. Mrs. S. Turton, Mr. G.R.G. Smart, Mr. B. Knox, Mrs. M. Byrne, Mrs. L. Iles. Missing. Miss K. Mackieson, Mr. D. Browning, Mr. A. Maxwell.

Wooden Frame and backing with glass front showing memorabilia.Private Oscar McCarthy No.6623. 14th. Battalion AIF (From Bairnsdale VIC). Killed in action Bullecourt, France 11th. April 1917 aged 23. No known grave- remembered on National Memorial Villers, Bretonneux France. 14th. Battalion broach, medals and letter from The King. Donated by his Niece Kath Davis of Chirnside Park, Vic.

The Cutty Sark is a British clipper ship which was built in Scotland in 1869. She made the trip between England and Australia carrying wool. The model was made by Thomas Ward, harbour master at Portland from 1885 - 1896.Ship's model in glass-fronted timber case. Presented as a diarama.Front: This model of the "Cutty Sark" was made by my grandfather 'Thomas Ward', Portland Harbour master 1885-1896. Signed Harry Ward Goldsmith (inside case, top left back).cutty sark, ship model, thomas ward

Black plastic frame with glass front and photo of Brass BandOnly marking is on back of photo saying Keith Faulks. Korea