CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of an Aboriginal woman with a white and orange background. The Aboriginal woman appears to be seated and is wearing a full-length dress. She is positioned on the lower left side of the work and portrayed in orange and black. Behind her the background has been left blank. The top and right side of the work has an orange background with white wavy lines.Front: (no inscriptions) Back: 47glenelg shire council cultural collection, portland, 150th anniversary, female artist, female artists, women, gunditjmara

The flag was donated by Mrs A. M. Mitchell Craigwood Convalescent Hospital Como WA "This flag was made by my Grandmother, Elizabeth Nicholls nee Tallack. It was used as a decoration to welcome Lord Hopeton (Hopetown) to Sandford sometime previous to 1883, when he was still a Viscount. I can't remember his name. No doubt Mr H.K. Kahan is no doubt quite correct in these dates and could find no record of the earlier visit. My mother Phillippa was a young girl at the time and sang at the concert in his honor "Will ye no come back again". It must have been before 1883 because in that year at the age of 18 she married. After the concert he asked that the young lady and her mother be presented. Next day he came to afternoon tea. A great honor in those days". Phillippa Tallack Nicholls was born 1865, Sandford, and married in 1883 to Patrick Maguire. (Digger Pioneer Index 1836 to 1888). There was a Royal Visit in 1881 by the Duke of Clarence and the Duke of York and their party to the district and this appears to be the visit that Mrs Mitchell is referring to. In 2005, Casterton and District Historical Society Inc. donated the flag to the Glenelg Shire Council Cultural Collection for the citizens of Casterton.Five 5-pointed stars forming the constellation of the Southern Cross on a field of royal blue. Four strips of red cloth edged in white form a Union Jack design in the upper left corner. Mounted on white cotton backing, under perspex in timber frame.flag, ensign, pre-federation

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives, portland harbour

CEMA Art Collection Previously located in History HouseThe painting depicts a street scene with ten buildings in a line. The foreground represents a road and is depicted in various shades of brown, green and yellow. The row of buildings is a mixture of double and single storeys. The most prominent building is a double storey grey building with four top storey windows and a chimney. The top half of the work is a blue and yellow sky. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions)

CEMA Art Collection Previously located in History HouseThe painting depicts a street scene with several buildings and people. The foreground represents a road and is depicted in shades of brown and yellow. Several men stand on the edge of the road and one sits in a horse and buggy. Behind the men are several buildings with wooden fences. The building in the centre of the work is yellow with a white roof and two white chimneys. The top half of the work is a predominately blue sky with lines of yellow, pink and white. The work has a gold and black frame and exposed canvas.Front: DEB Back: (No inscriptions)

A depiction of a seascape with six large rocky outcrops emerging from the ocean. The rocks are painted in horizontal layers of red, yellow and blue. The sea is indigo with highlights in white and darker areas of near black. Sky depicts a dawn or dusk view, with lower half washed in apricot and yellow with touches of red/orange. Upper half of sky is blue. In faun matt and framed under glass in wooden frame with gold edging.Front: McL 90 (lower right) (white paint) Back: (no inscriptions)

CEMA Art collection Previously located in History HouseThe print depicts a night view of a city street. In the foreground are ghosly figures completing a military march along a wide street. On the left side is a large white Remembrance Shrine with three flags hanging on individual flagpoles. In the background are numerous multi-storey buildings with a row of light streetlights in front. The work is completed in various shades of blue and mounted with brown card. Framed with a gold and black frame, the work has an exposed canvas.Front: Brass embossed plate: THE IMMORTAL SHRINE BY WILL LONGSTAFF COPYRIGHT REGISTERED Back: (No inscriptions)

CEMA Art collection Previously located in History HouseThe painting portrays a gorge from the perspective of being in the gorge and looking towards the shore. In the foreground is a small body of water with large brown rocks to the right. Yellow sand extends from the rocks around to the left of the water. The sand stretches from the water's edge to the large cliffs in the background that form the borders of the gorge. The work is mounted and framed in an ornate gilded frame with glass.Front: A.S.Murray (signature lower left) A ROCKY GORGE by A.S.MURRAY (sticker - lower centre on glass) Back: 3132 (small yellow sticker)

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a fishing boat on slipway. The boat and ground surrounding it are predominantly black with a small amount of orange. The sky is dark blue and fades into a lighter blue on the right side of the work.Front: Norman Poole (lower right) (pencil) Back: 31