non-fictionAn article about the deployment of goats by GrazeAway to eradicate weedsweeds, animals

Newspaper clipping 14/11/1968. Account of goats and untethered horses creating problems on Phillip IslandAccount of goats and untethered horses creating problems on Phillip Islandphillip island, goats & horses

Angora goats are believed to have originated in the Himalaya Mountains of Asia. Angora goats were first imported into Australia in 1832 and 1833. They came from M Polonceau’s stud in France to the property of the Riley family of Raby N.S.W. Pure bred Angoras were imported from Turkey in subsequent years up to 1873, to properties in New South Wales, Victoria, and later South Australia. Farming Angora goats became popular in the 1970s.Sepia photo of three Angora Goat Bucks with four men wearing white shirts and and brim hats in a landscape format.On rear top edge - Duaes(?) Anorgra Bucks 19-560wool, angora goat, goat

Sally Hearn (1932–2018) was a dedicated button collector and a prominent member of the Victoria Button Collectors Club. Her button collection was featured as a primary display in the 'The Melbourne Story' exhibition at the Melbourne Museum, which opened in mid-2008.The Hearn Collection of locally made and international buttons is historically and aesthetically significant as it illustrates the textile and manufacturing history of button making.Contrary to title, there is only 4 loops on 1 circle of leather. Made of goat horn, usefulness as buttons questionable. Created by an individual only known as 'Percy' in South Australia, 1999.Original Catalogue Entry: "The 2 ladies in the shop said they had no buttons then one remembered the ones that “Percy” had made so I bought them both but I’m not sure if it’s 2 circular leather buttons decorated with goats horn, or if it’s 7 goats horn buttons and if so how were they used?"sally hearn, button collections

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

'Amy's pets having breakfast' is written on the back of the photograph.A sepia photograph of farmyard animals: calf, 2 lambs, a goat and various hens in an enclosed yard. There is an industrial site in the background.animals, calves, livestock, goats, george evans collection

Arthur Butcher and his wife Martha arrived at Fisherman's Bend in 1911and established a dairy, sheep and goat farmFisherman's Bend photos from Butcher family (set of 9): .03 6 x 8.5 B&W photo of goats grazing on Butcher's farmfishermans bend, business and traders - dairies, gladys butcher, butcher family dairy

Arthur Butcher and his wife Martha arrived at Fisherman's Bend in 1911and established a dairy, sheep and goat farmFisherman's Bend photos from Butcher family (set of nine): .06 6 x 8.5 B&W photo of children and goat on Butcher's farmfishermans bend, business and traders - dairies, gladys butcher, butcher family dairy

Photograph shows Ivy May Child aged about 19 years holding a goat. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Black and white photograph that has been colorised with green and yellow that shows a young woman , standing in a garden, holding a goativy child, ivy may child, goat, child family

The students from Bulla Primary School were visiting a circus and the ringmaster was showing them a pony, a camel and goat which were some of the animals in the circus.The site chosen for the circus must have been near an airport as an air control tower is visible on the skyline.A non-digital coloured photograph of a circus ringmaster, who is holding a pony and talking to children about the donkey, the camel and the goat that are some of the circus animals. There are vehicles in the background and an air control tower is visible on the skyline. The circus was on land in the vicinity of Tullamarine Airport.circuses, bulla primary school, circus animals

3084.1 is titled "Ready For Launching" and is of Mr Lachlan Macalaster on the left and Mr Jim Holden preparing to release two roosters for a competition - The Rooster Chase,. 3084.2 was taken at the 1978 annual Orbost Show in a new division for goats. the photograph was taken during the judging. Linda and Val Donald are in the photograph' 3084.3 and 3084.4 are of the new pavillion at Newmerella Recreation Ground,This is a pictorial record associated with the annual Orbost Show which has been a major event in Orbost for over a century. Agricultural shows are an important part of cultural life in small country towns and the Orbost Show is an integral part of Orbost 's agricultural history.Four black / white photographs. 3084.1 shows two men each holding a rooster. 3084.2 shows a group of five people standing near some goats. 3084.3 and 3084.4 are of the construction of a large metal shed.Each photograph has a label on the back with detailed information.orbost-show macalaster-lachlan holden-jim donald-val agriculture

Articles by Lucy Hill: AUSTRALIAN FOLK LORE AND THE UMBIQUITOUSE GOAT Stories of the goats that used to roam around Bendigodocument, lucy hill collection - compiled by john hattam from the manuscript of the late lucy hill and published in the bendigo advertiser

Paper card with a picture of a house with a thatched roof. There is a stone wall and two trees that are beginning to blossom. There are four children two boys and two girls. One girl has no footwear. One boy is holding a goat. There are two goats a large pig and chicken in the picture. The words" An Irish Cabin" appears on the lower left side and a Orange ribbon has been attatched to the lower right side."Dear Bess I suppose you think I an never going to answer your pursuit but I thought I would do so while here in Belfast cause I know you have a lot of time for the Micks. How would you like a little home like this one no cows to milk only goats no horses to drive only donkies & it looks as though the girls have no boots to clean by this card but there is some first class sig hias this one has taken a purge he must be an Ulsty show. Love from Donald

Slide. Bendigo Views. Tethered goat in the Botanical Gardens.slide, bendigo, bendigo views, bendigo views

Medal presented to J Goldie from local farm family at Port Fairy Agricultural Show, formerly named Villiers and Heytesbury Agricultural ShowRepresents medal awarded to entrants in Agricultural Shows c.1900Horse, cow, sheep, goat, pig, rooster in a rural sceneVilliers and Heytesbury Agricultural Association Awarded to J Goldie Jun. for Single Pony - not more than 14 hands 1900j goldie, agricultural, villiers and heytesbury, show

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

Mary Egan who died on April 4th, 1981, spent 23 years as a greatly-respected lecturer in English curriculum at the Ballarat Teachers College, State College of Victoria and Ballarat College of Advanced Education. Red covered book with goat on the cover written in Pitman's initial teaching alphabetBook Plate, University of Ballarat Library sticker inside front cover and barcode on front cover, shelving sticker on back cover. University of Ballarat Stamp on inside cover. A-75 written on first page stamped inside back cover with State School 719 Yendonmary egan, ballarat teachers college, state college of victoria, ballarat college of advanced education, education department victoria, ruth ainsworth, ronald ridout, pitman's initial teaching alphabet

Silver goat with elongated neck mounted upon a milky brown agate base. Nonematcham skipper, sculpture, silver, agate, goat

Plaster relief depicting a chimera with goat's head, lion's mane and serpent's tail.Nonematcham skipper, relief, jewellery, chimera

Nanya Station is a magnificent 40,000 hectare property in far western New South Wales. Its unique system of natural salt lakes, old growth Mallee, and variety of intact ecosystems, makes Nanya a significant refuge for biological diversity. Federation University Australia has been the proud custodian of Nanya since 2004, and values Nanya as an important resource in our research, conservation and education programs. Staff and students are committed to creating a research community to preserve and enrich the biodiversity of this important legacy of the University and the nation. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A photographic documentation of sheep, feral goat and kangaroo bones found and photographed at 'Nanya Station'. art, artwork, michael shiell, shiell, nanya, bones, available

Kangaroo Flat A History, Gold, Goats & Peppercorns. Publisher: Richmond Cambridge Printers, Bendigo. (also see Index Kangaroo Flat A History, Gold, Goats & Peppercorns. Catalogue number 5165. ISBN: 0 646 126510 2. Date: 1993. 164 pages. Photographs, illustrations & Maps. Signed by David Horsfall. Gloss green cover gold print and picture (poppet head, goat, tree).David G Horsfallbook, bendigo, kangaroo flat, history, kangaroo flat

Silicon mould depicting a Chimera; consisting of the head of a goat, the mane and body of a lion and the tail of a serpent. Nonematcham skipper, mould, jewellery, chimera

Black and white photograph of Albert Sharp and friend at 16 Halley Street, Blackburn. A goat farm in the backgroundhalley street, blackburn no 16, sharp, albert