Looking west along a bluestone goods shed at the Ballarat Railway yard in 1960.ballarat railway, building, goods shed, ballrarat, railway

Once a major junction station between the Port Fairy Line and the branch to Penshurst and Hamilton, the track at Koroit has long been removed. The station has been preserved with heritage funding keeping it looking close to its working condition. The large brick station building, platform and goods shed have all been retained and provide a good example of a major junction station on a former railway line.Digital images of remnant railway items at the former Koroit Railway Station. transport, rail trail, koroit, koroit railway station, goods shed, siding

Goods Shed at Stawell Railway Station with train goods wagons on two lines

Wooden framed, glass covered water coloured print of Numurkah Railway Station footbridge & goods shed, with silo in backgroundNumurkah Railway Station & Footbridge / Vicki Wilkinson-Byme 1988

Railway Goods Shed 1997stawell

Railway Goods Shed 1997stawell

Stawell Railway Goods Shed c1940s Wooden Framed, Large B/W Photograph showing Three (3) men and numerous packages, in a wooden roomBig Hill Art and Framing Stamp on the back.stawell

Photocopy of photo: image shows steam engine and tender on line outside goods shed at rear. Shed is red brick, white brick pointing, semi arched windows.railways, bendigo to melbourne, bendigo steam train

Colour photo, laminate 4d for display. On back of image ' The Bendigo Railway Station today, showing the formers Goods Shed ( now the Discovery Centre) in the foreground. This was rebuilt after the fire of 1965'railways, bendigo to melbourne, bendigo station

Two colour photographs Goods shed and railway station and passenger train at station.stawell transport

Stawell Railway Yards 1950’s or 60’s. Station on right. Goods shed on left.stawell transport

Group of men pushing trolleys with boxes of Pomonal apples at Stawell Railway Goods Shed. In the background are more men overseeing the loading of fruit. In the 1930's many cases of apples were exported overseas. The original photograph is held at the public records office. Y.P.R.S. series no. 3457 no 113. The Stawell Historical Society had permission to copy this photograph from Northern Grampians Shire Commissioners. Group of men in a shed pushing hand trollies with four boxes of apples loaded on each trolly.stawell

Colour photograph of a bluestone goods shed at Ballarat Railway Station. ballarat railway station, goods shed, bluestone

Colour photograph of a bluestone goods shed at Ballarat Railway Station. ballarat railway precinct, bluestone, goods shed

Photographs taken by teacher at Pleasant Creek Training Centre to help train students in living skills and becoming familiar with what shops sold. Part of socializing students for leaving the training centre.Napier Street Stawell education, railways, transport, streetscape

Rose Series P1647 Same as 2978-3transport, railways

ballarat railway station, buildings, public, vehicle

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, cargo, cargo handling, portland harbour

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland

Colour photograph of a bluestone goodshed in the Ballarat Railway Precinct.ballarat railway station, bluestone, goods shed

Digital images of items at the Koroit Railway Station. transport, rail trail, koroit, koroit railway station, goods shed, siding, metal, nails

Colour photographs showing Ballarat East Railway station.ballarat east railway, ballarat, ballarat east railway sheds, ballarat east goods shed

Our Collection includes several photographs signed BONSEMA WODONGA or sometimes simply TBW. Thomas Peter John Bonsema was born in Wodonga in 1876 to Peter John Bonsema and Mary Ann nee Nash. His name first appears on the Electoral Roll for Wodonga in 1909 and on the Electoral Roll in 1912 he is listed as a photographer. His photographs capture many scenes and events around Wodonga and surrounding areas. Thomas Bonsema married Minna Louisa Jones in 1912. By 1914 he had moved to Chiltern, Victoria where he established Bonsema’s Photographic Studio. From this time onward many of his works bore the signature “BONSEMA CHILTERN”. As well as continuing to photograph landscapes and important buildings, Mr Bonsema was often the official photographer at school and community celebrations. He also sold many framed photographs and postcards from his premises at 68 -70 Conness Street, Chiltern. By 1943 Thomas John Bonsema had relocated to New South Wales and died in Beecroft, NSW on 14th July 1944. Some of his photographs are held in the Victorian State Library and Mitchell Library Sydney Collections.This image is significant because it is the work of a recognised photographer Thomas Bonsema who was born in Wodonga in 1876.A black and white image of Wodonga Railway Station including the platform and goods shed.At bottom of the image:- Railway Station Wodonga Bonsema Wodongabonsema photography, railway station wodonga, thomas peter john bonsema

This image is part of a collection of 35mm colour transparencies taken by photographer Stewart Strachan during the carousel restoration project which took place in Elphinstone between 1997-1999. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. In around 1996, the carousel was found quietly rotting away in a Victorian shed by collector and restorer Rick Furlong, who saw its beauty and potential, then gathered a team of specialist historians, craftspeople and artists to work on the project of authentic restoration. Rick Furlong – Collector, Restorer and Project Manager Lindsay Mew – Woodcarver and Foundry Artist, dismantled, sectioned and cleaned the horses. Graeme Wright – Artist, who stripped up to 40 layers of paint from the horses and completed colour research for each individual horse. Kurt Simmons - Dismantled, sectioned and cleaned the horses. Andy Bull – Carpenter and Joiner, restored the floorboards, platforms, drums and crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match the originals, believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing. The period matched organ and steam engine were sourced from New South Wales and Tasmania respectively. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, the Steampacket Place Development Board purchased the Armitage-Herschell portable steam-driven carousel as a major feature on the revitalised waterfront.Colour image showing the interior of a goods shed with carousel horses, equipment and machinery.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, steam engine, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, armitage-herschell, stewart strachan photograhy, elphinstone, rick furlong, artists, mordialloc

This image is part of a collection of 35mm colour transparencies taken by photographer Stewart Strachan during the carousel restoration project which took place in Elphinstone between 1997-1999. The Carousel was manufactured around 1892 by the Armitage-Herschell company of New York. The Carousel operated on the Mordialloc Pier from the 1920s to the 1950s. In around 1996, the carousel was found quietly rotting away in a Victorian shed by collector and restorer Rick Furlong, who saw its beauty and potential, then gathered a team of specialist historians, craftspeople and artists to work on the project of authentic restoration. Rick Furlong – Collector, Restorer and Project Manager Lindsay Mew – Woodcarver and Foundry Artist, dismantled, sectioned and cleaned the horses. Graeme Wright – Artist, who stripped up to 40 layers of paint from the horses and completed colour research for each individual horse. Kurt Simmons - Dismantled, sectioned and cleaned the horses. Andy Bull – Carpenter and Joiner, restored the floorboards, platforms, drums and crown panels and recreated a ticket box. Colin Turton – Repaired and restored all the structural metal work. Brendan Furlong & David Ely – Artists, painted the horses in their original colours. Jenny McCracken – Artist, created the paintings on sixteen scenery panels. Denise Puller – Made the pure horsehair tails. Chuck Kaparich (from Montana, USA) – Carved the chariots and shipped them for assembly and painting in Elphinstone. Using only recycled timbers, 24 of the 36 horses were restored with many legs, heads and necks replaced, while 12 replicas were hand-carved to match the originals, believed to be rare examples hand-carved by the American master, Charles Dare. Each horse took 300 hours to restore, with intricate carving, coating, filling, sanding, smoothing, painting and varnishing. The period matched organ and steam engine were sourced from New South Wales and Tasmania respectively. The Steampacket Place Development Board, a joint team formed by the Victorian State Government and the City of Greater Geelong undertook the $30 million revitalisation of the entire Geelong Waterfront from 1995 to 2000. As part of the revitalisation, the Steampacket Place Development Board purchased the Armitage-Herschell portable steam-driven carousel as a major feature on the revitalised waterfront.Colour image showing wooden carousel horses inside a goods shed building.merry go-round, horses, carousel, geelong, restoration, rides, j. j. miller, geelong waterfront, steam engine, opening, 35mm colour transparency, steampacket place development board, city of greater geelong, revitalisation, armitage-herschell, stewart strachan photograhy, elphinstone, rick furlong, artists, mordialloc