Showing 83 items matching "grampians flora"
-
University of Melbourne, Burnley Campus ArchivesAlbum - Colour slides, Forests Commission of Victoria, Grampians Flora, 1984
... Grampians Flora...grampians flora...Grampians Flora, Photograph Album containing 98 colour slides in slide pockets with list of names of plants on each slide. ...Not scanned Grampians Flora Album Colour slides Forests Commission of Victoria ...Grampians Flora, Photograph Album containing 98 colour slides in slide pockets with list of names of plants on each slide. Not scannedgrampians flora, plants, plant id -
University of Melbourne, Burnley Campus Archives
Album - Colour 35mm slides, A. Lewis, Grampians Flora, 1984
... Grampians Flora......grampians flora...Contains list of 98 plants labelled, "Grampians Flora," and corresponding slides (some missing." ...Contains list of 98 plants labelled, "Grampians Flora," and corresponding slides (some missing." ...Plastic folder labelled, "Victorian College of Agriculture & Horticulture-Burnley, Burnley Gardens, Swan St, Richmond Vic 3121." Contains list of 98 plants labelled, "Grampians Flora," and corresponding slides (some missing." Plus one extra slide. Some slides taken by A. Lewis. Slides not scanned.vcah, victorian college of agriculture and horticulture, burnley, burnley gardens, grampians flora, a. lewis, plant list -
Stawell Historical Society IncBook, I.R. McCann, Grampians Wildflowers An Illustrated Checklist - Volume 1 & 2, 1984
... ...Grampians...Flora...Beauglehole O.A.M. stawell Grampians Flora On Cover: Grampians wildflowers An Illustrated Checklist - Volume 1 I.R. ...This checklist contains 545 species of native dicotyledonous plants which have been recorded in the Grampians National Park, has been compiled from records made and lists assembled by A.C. Beauglehole O.A.M.Colour Photograph of Common Heath Flower, with Grey Insert with green and White Print. Another grey Insert Lower Right Coner with white printOn Cover: Grampians wildflowers An Illustrated Checklist - Volume 1 I.R. McCannstawell, grampians, flora -
Stawell Historical Society IncBook, I.R. McCann, The Grampians in Flower, 1984
... ...Grampians...Flora...Stawell Historical Society Inc 46 Longfield St Stawell grampians The authors aim has been to provide a pictorial introduction to the flowering plants of the Grampians region. stawell Grampians Flora On Cover: The Grampians in Flower. ...The authors aim has been to provide a pictorial introduction to the flowering plants of the Grampians region.Light green card cover with colour photograph of the Orange Bell climber flower,On Cover: The Grampians in Flower. I.R. McCann Inside: To Slyvia Best wishes for Christmas '96 and the new year. Love John.stawell, grampians, flora -
Stawell Historical Society Inc
Realia - Calender, Brambuk Visitor Centre, A Year in Grampians - Gariwerd
... All Profits from the sale of this Calendar go to the Community Association of Halls Gap for the upkeep of our Botanical Gardens of Grampians flora. Dedicated to the memory of Kees Sietsma. with thanks to God, creator and Sustainer. ...All Profits from the sale of this Calendar go to the Community Association of Halls Gap for the upkeep of our Botanical Gardens of Grampians flora. Dedicated to the memory of Kees Sietsma. with thanks to God, creator and Sustainer. ...Perpetual Calender. With eight proposed seasons according to Indigenous AustraliansOn a backgrous of Blurred of white and red Flowers "A Year in the Grampians Gariwerd". A Photo of the Grampians across farmland "This Calender combines Australian and European traditions" "Indigenous Australians observe changing weather and environmental patterns and resulting cycles of local seasons. On Each page of this calendar the large scene photos were taken in that month, over a period of twenty years. ( It must be remembered that flowers vary with the elevation, the soil, the aspect and the weather from year to year. You will not always find the same flowers in the same month as portrayed here.) In Europe, a calendar in the home is a long tradition: be it the familiar annual version or the Perpetual one to record important recurring dates such as family birthdays. It is our hope that however you choose to use our calendar, you will take peasure in the colour and beaty of the year in the Grampians Gariwerd." "All photographs by kees and Margo Sietsma. All Profits from the sale of this Calendar go to the Community Association of Halls Gap for the upkeep of our Botanical Gardens of Grampians flora. Dedicated to the memory of Kees Sietsma. with thanks to God, creator and Sustainer. -
Halls Gap & Grampians Historical SocietyPhotograph - B/W
... Halls Gap & Grampians Historical Society Centennial Hall 117-119 Grampians Road Halls Gap grampians This is a photo of the Comfort Station in the reserve in central Halls Gap. The reserve was used by campers and picnickers. NATURAL HISTORY Flora ...This is a photo of the Comfort Station in the reserve in central Halls Gap. The reserve was used by campers and picnickers.The photograph shows a building, constructed from logs and stone. Steps lead up to the door and the building has small, paned windows. There is a large tree in front of the building and bush behind it. To the right are a some swings and in the right foreground there is a wooden seat and a hanging sign mounted on a stone base. There are two posts in the centre foreground.natural history, flora -
Halls Gap & Grampians Historical SocietyPostcard - B/W
... grampians Period unknown. A postcard depicting "Clematis". mkThe postcard is written on the back to "My dear little Ida" from "Aunt". See photo stored in "Adittional Images" for full text. NATURAL HISTORY Flora ...Period unknown. A postcard depicting "Clematis". mkThe postcard is written on the back to "My dear little Ida" from "Aunt". See photo stored in "Adittional Images" for full text.The postcard depicts wildflowers (Clematis) climbing up a tree/stump."The Rose Series, P. 1800 Australian Wild Flowers - "Clematis"" written on bottom border of postcard. There is a letter written in black ink on the rear of the postcard - see "Additional Images".natural history, flora -
Halls Gap & Grampians Historical SocietyPostcard - Sepia
... Grampians heath. Sent by "Ethel" of "Hankelow", Halls Gap to wish her father a (belated) Happy Birthday. NATURAL HISTORY Flora ...A postcard of Grampians heath. Sent by "Ethel" of "Hankelow", Halls Gap to wish her father a (belated) Happy Birthday.The postcard is of heath in full flower. Rocky ground can be seen in the right foreground."The Rose Series. P. 623 Native Heath of the Grampians. Vic." on bottom edge of postcard. A letter written from "Hankelow", Halls Gap on rear (see Additional Images for full text of letter).natural history, flora -
Halls Gap & Grampians Historical SocietyPostcard - Coloured
... Halls Gap & Grampians Historical Society Centennial Hall 117-119 Grampians Road Halls Gap grampians A postcard which has been embellished with painted colouring (done by hand). The native flowers are Grevillea Dimorpha. NATURAL HISTORY Flora ...A postcard which has been embellished with painted colouring (done by hand). The native flowers are Grevillea Dimorpha.A postcard of red native flowers & green foliage in a gilt vase. The colour of the postcard has been painted onto this original."Grevillea Dimorpha" and "NJS" written in blue pen on back. "Post Card; Correspondence; Address Only; Kodak; Ausralia" printed on back.natural history, flora -
Halls Gap & Grampians Historical SocietyPhotograph - Coloured
... Halls Gap & Grampians Historical Society Centennial Hall 117-119 Grampians Road Halls Gap grampians NATURAL HISTORY Flora Photo shows a close up of a person holding two flowers which look like ducks (Duck Orchids) between their fingers. ...Photo shows a close up of a person holding two flowers which look like ducks (Duck Orchids) between their fingers. There is a muted background of foliage.natural history, flora -
Halls Gap & Grampians Historical SocietyPhotograph - Coloured
... Halls Gap & Grampians Historical Society Centennial Hall 117-119 Grampians Road Halls Gap grampians NATURAL HISTORY Flora The photo is a close-up of a specimen of a type of native pea growing in the bush. ...The photo is a close-up of a specimen of a type of native pea growing in the bush. Gum leaves and other vegetation also appear in the photo. The flowers have two main colours; gold and rust brown.natural history, flora -
Halls Gap & Grampians Historical SocietyPhotograph - Coloured
... Halls Gap & Grampians Historical Society Centennial Hall 117-119 Grampians Road Halls Gap grampians This is a photo of Swainsonia Procumbens (Broughton pea). NATURAL HISTORY Flora The photo shows a close-up of a specimen of native pea. ...This is a photo of Swainsonia Procumbens (Broughton pea).The photo shows a close-up of a specimen of native pea. The flower is bright mauve with green/yellow stamens. The background is out of focus foliage/grasses.natural history, flora -
Halls Gap & Grampians Historical SocietyPhotograph - Coloured, C Jan 1987
... Halls Gap & Grampians Historical Society Centennial Hall 117-119 Grampians Road Halls Gap grampians NATURAL HISTORY Flora The photo shows a close-up of a specimen of native pea. ...The photo shows a close-up of a specimen of native pea. The plant has many small flowers and leaves. The flowers are gold in colour with orange/brown (redish) centres. A large gum trunk or branch of a very pale colour forms the background.natural history, flora -
Halls Gap & Grampians Historical SocietyPhotograph - Coloured
... Halls Gap & Grampians Historical Society Centennial Hall 117-119 Grampians Road Halls Gap grampians NATURAL HISTORY Flora The photo shows a close-up of a specimen of native pea. ...The photo shows a close-up of a specimen of native pea. Four flowers are clearly visible on the plant; they are pale lemon/green with purple brown stamens and colouring. The two lower flowers are not fully open. The background is blurred and consists of unidentifiable plants/foliage in greens, browns and orange.natural history, flora -
Halls Gap & Grampians Historical SocietyPhotograph - Coloured
... Halls Gap & Grampians Historical Society Centennial Hall 117-119 Grampians Road Halls Gap grampians This is a photo of Leptospermum Turbinatum (Shining Tea-tree). NATURAL HISTORY Flora Photo shows a close-up view of a native flower (tea-tree).The flower has five white petals with small dark pink/red centre petals. ...This is a photo of Leptospermum Turbinatum (Shining Tea-tree).Photo shows a close-up view of a native flower (tea-tree).The flower has five white petals with small dark pink/red centre petals. Small, red tipped, green leaves surround the flower and can be seen on the stems. The background is out of focus.natural history, flora -
Halls Gap & Grampians Historical SocietyPhotograph - Coloured
... Halls Gap & Grampians Historical Society Centennial Hall 117-119 Grampians Road Halls Gap grampians It appears to have been taken from an old photo probably black and white. NATURAL HISTORY Flora Photo is of a close-up of a spray of thryptomene. ...It appears to have been taken from an old photo probably black and white. Photo is of a close-up of a spray of thryptomene. natural history, flora -
Halls Gap & Grampians Historical SocietyPhotograph - B/W
... Halls Gap & Grampians Historical Society Centennial Hall 117-119 Grampians Road Halls Gap grampians Flora General scrub Photo shows rocky outcrops and scrub. ...Photo shows rocky outcrops and scrub. A small leafless tree can be seen in centre of photo. Other stumpy trees and grasses also appear in photo.General scrubflora -
Ararat Gallery TAMAPrint, Nanette Bourke, The Growth of Tourism, 1988
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMANanette Bourke, Opening up the Land, 1995
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment....Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMANanette Bourke, Return of the Grasstrees, 2007
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment....Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, No, I don't want to live to 100, Thank you, 1992
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment....Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Watch Over All Living Things, 1996
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment....Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Starleaf Grevillea, 2008
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment....Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Blue Devils, 1992
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Casuarina Grove, 2003
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Grasstrees, a different perspective, 1992
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Burnt Wattle's Tracery, 2008
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Smooth Fruited Grevillea, 1996
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, Just a Gumtree, 2006
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. -
Ararat Gallery TAMAPrint, Nanette Bourke, The Cult of the Car - Carefree Youth, 1990
... Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment. ...Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.
