Note by E.B. Littlejohn 17 December 1991, "L-R Margaret (Peg) Sweetman, ?, Dorothy Alexander, ?."Black and white photograph. 3 female an 1 male student pruning grape vines in the Orchard.orchard, margaret sweetman, dorothy alexander, students working outside, pruning, grape vines, publicity

Grape Pickers at Hans Irvine’s Vineyard Great Western 1890's.Black and white photograph of a field with workers harvesting a crop and two horse drawn vehicles loaded with barrels in the background.stawell

Owned by Charles Barber who worked in the mines in the late 1800s and died in 1041 aged approximately 90 years old. Grapevine system shown is an old one called Gobelet or Bush Vine, now little used. (see link to Wikipedia article)Coloured photograph on a post card, with brown border, showing a vineyard with pickers and 3 horse carts with bins for collecting grapes.vineyard, wine industry, grape picking, gobelet pruning system, charles barber

Group of grape pickers at Arawatta Vineyard, Irvine's Vineyard Great Western. Two horses pulling a wagon with men on it.

B/W photo of three men with a white horse pulling a cart with barrels of grapes just picked. Taken at Arrawatta Vineyard at Irvine's, Great western near Jonathon Gully and German Gully Roads. 1902win, wineries

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white studio photograph of the torso of a man dressed in a dinner suit with a carnation in the buttonhole. The man is Frank Wright.Printed on back - Photo by:- Cyril Arnold, 15 Grape St., London, W.C.2, Phone--Temple Bar 0573 Written in pen on back - 1779/cfrank wright, conductor, brass band

From Vine to Wine 'By an Orlando Grape'. Brown book with cloth cover, writing on the front cover is in gold. 30 pages, text one side and photos on the other. Book is by G. Gramp and Sons Ltd, recounting 100 years they've been in business.an Orlando Grapebooks, technical, wine making, cohn brothers.g. gramp and sons, orlando

Barbara Hermans 1988 Entrant No. 77 Ref: Series 34, Items 98 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, barbara hermans, diamond valley vineyards, scan - 35mm positive, st andrews

black and white reproduced photofruit block, grape drying, merbein

harvest, vineyards, grapes, fruits

grape block

From the home of the late Mr and Mrs Edmund Burgi - C1900Hanging copper hot water kettle with spirit burner underneath to keep water hot. Placed on a brass stand with decorative coiled supports. Top of kettle has embossed grapes and leaves pattern with a bakelite and brass handle - knob on lid.grape and leaf embossed pattern on lid of kettlekettles, stands

From the home of the late W.J. SebireLidded silver and glass ornate pickle jar on a stand with a three pronged silver pickle fork. Heavy glass patterned jar, silver lid has grapes and leaves decoration with an ornate patterned knob. It is of the style of the late 19th Century.New York. pattern of grapes and leaves on lidpickle jars, food storage jars, forks

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. Rutherglen's wine industry began in the 1850s and, by the 1880s, the area was a big employer and producing one third of all Australian wine. This postcard is dated 1909.This postcard is in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Postcard of grape-picking at Rutherglen, 1909.On front: Inscribed 'GRAPE PICKING / RUTHERGLEN' On back, handwritten long message: 'Rutherglen / 21-12-09 / Dear Mag / A short one to wish you / & Will & the children the / Compliments of the Season ... / Love to all / Wilbpostcard, photography, 1900s, rutherglen, vineyeard

Thomas Stoddart, 1828 - 1905, bought 12 white marble statues during a visit to Italy. Stoddart arranged for them to be shipped to Victoria and placed on pedestals of Sicilian marble and on bases of Victorian granite. These statues were unveiled in the gardens on Queen Victoria's birthday, 24th May, 1884. His intention was for the statues to adorn and add interest to the gardens. The figure of Autumn is holding a bunch of grapes symbolic of the vintage.The artwork is of historic and aesthetic significance to the people of BallaratWhite marble figure of a man holding a bunch of grapes Autumn by Angelo Bertozziautumn

This item would have been used to apply rouge to the face to make the cheeks red. This rouge holder was made to fit into a purse or pocket for quick and easy application of the rouge. Variants of rouge or reddening materials are still used in cosmetics today. This item is of minor interest as an example of a cosmetics holder in use in the 20th century. It will be useful for display. This is a small brass container. It is rectangular in shape and has curved sides with ridged lines along the top and bottom edges. It opens via a small clip to reveal two compartments hinged in the middle. One compartment has an oval recess containing rouge powder and the other compartment has an inset mirror which is broken in two. A cloth pad for daubing the rouge on to the cheeks is also inside the container. ‘Velvet Grape’ cosmetics, history of warrnambool

Mildara wines collectiona large plaster made brown bottle with a label Mildara special muscat used for promotionlabel with grapes picture on front of bottle mildara, merbein, muscat, wines, spirits, alcohol

This is a photo of one of the first upright machine grape harvesters operating in the Rutherglen area. It was operating in the B Seppelt & sons Distillery Road vineyards on the edge of the Murray River in Wahgunyah. Riding on the top of the machine are from left to right Mandy Jones (partly obscured), Rolly Guscot (vineyard manager), machine driver, Doug Jones (manager) and Leanne Schoen (nee Jones). Mandy Jones and Leanne Schoen being the daughters of Doug JonesBlack and white photograph of several people riding on top of a machine operating in a vineyard. On left hand side is Leanne Jones , her father Doug Jones ( Manager of Seppelts) The photograph was taken in the flats vineyard ( now Pfeiffer vineyard) It was reputably the first mechanical grape harvester in the areaOn back of photo: "170% [upper case D in small circle] Seppelt's"wineries, north east victoria, wine industry, mechanical harvester, grape harvest, seppelts winery, rutherglen, doug jones

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Faience mould for a grape cluster.james dodgson, aquila dodgson, flinders petrie, faience