Graphite grease used to lubricate rotating objects circa 1900Imported and sold by Holden and Frost1 Pound tin of graphite grease with a press on lidDixons Graphite Cup Grease Number 3graphite, grease, dixons

Dixons flake graphite used as a dry lubricantAs imported, used and sold by Holden and FrostRectangular red painted tin with press lid contents and manufacturer printed on tinDixons Flake graphite 5Lb 2.27 kg Nettgraphite, lubricant, dry

Lubricating flakes used to lubricate varied moving parts on wagons, carts and the likeAs imported and sold by Holden and FrostRectangular tin container with press lid for retail of lubricating flake graphite with instructions on labelDixon Ticonderoga No1 Large Flakes Lubricating Flake Graphitelubrication, flake, graphite

"Alexander Colquhoun [Herald art critic 1914-1922 and feature writer for the Age 1926-1941] ... took private students in the first decade of the century, and one of these was Winifred Miles, who after her marriage in 1910 lived the remainder of her life in Ringwood. ... (She) began by doing charcoal studies of animals when she was in Balranald, but in later years moved to oils and then watercolours, travelling around Ringwood to find places to paint by means of a pony-driven governess-cart. She won prizes for paintings in the Royal Melbourne Shows." - Hugh Anderson - Ringwood, Place of Many Eagles [p.217].Pencil drawing with cardboard border in glass-fronted frame.

Large blue hard covered book with leather spine. cebrauch, graphics, commercial art, berlin olympics

historic building, built by Richard RennieSepia photo, Dr. Longden's house, front garden and family, Dr. Frank Reginald Longden, Mrs Josephine Mary Longden, and sons Cedric and Norman Longden.buninyong, house, longden, rennie

used to enjject a stream of grahite dust to hard to reach places Ca 1900Imported and sold by Holden and FrostPot bellied shaped hand sized gun, Compression ring on bottom, nozzle on topDixons Graphite Gungun, graphite, applicator

Lubricating agent used on moving parts on coaches, wagons etcUsed and sold by Holden and Frost ca 1900Red metal rectangular tin holding Dixon Flake GraphiteDixon ticonderoga Flake Graphite. re instructions on tinlubricating, carts, axles

Was used to lubricate Differentials and Transmissions in early VehiclesAs imported and sold by Holden and FrostTin can with screw lid printed with instruction labelDixon's Graphite Grease No677 Joseph Dixon Crucible Company for Transmissions and Differentialsgraphite, grease, lubricant

To commemorating 40 years since The Dawn Of a New Era for the Royal Australian Navy - 1965-2005 - A limited release of a graphite print of Guided Missile Destroyers HMA Ships PERTH (38), HOBART (39) and BRISBANE (41) served the Royal Australian Navy (RAN) from 1965 and 2001.These ships were the first for the RAN to have been designed for the 'Missile Era' and were also the first to be not of a British design instead they were purchased from the United States of America. All 3 served with distinction on the 'Gun Line' during the Vietnam War and the BRISBANE also saw operations of the First Gulf War.Framed print drawn in graphite depicting three Guided Missile Destroyers at sea RAN - Commemorating 40 years since The Dawn Of a New Era for the Royal Australian Navy - 1965-2005 Limited Edition 3/50ran, hmas perth, hobart and brisbane, guided missile destroyers

This crucible was raised from the wreck of the LOCH ARD. It is one of six similar relics, in a range of sizes, now in the Flagstaff Hill collection. All bear markings to indicate their manufacture by the Morgan brothers of Battersea, trading as the Patent Plumbago Crucible Co. A crucible is a container used for purifying and melting metals so that they can be cast in a mould to a predetermined shape and use. They must withstand extremely high temperatures, abrupt cooling, and shed their contents with minimal adherence. The addition of graphite to the traditional firing clays greatly enhanced the durability of industrial crucibles in mid-Victorian Britain, a significant technological advance at a time of great activity and expansion in foundries and demand for refined metals. The Morgans first noticed the advantages of graphite crucibles at the Great Exhibition held in London in 1851. Initially they contracted to be sole selling agents for the American-made products of Joseph Dixon and Co. from New Jersey, but in 1856 they obtained that firm’s manufacturing rights and began producing their own graphite crucibles from the South London site. The Morgans imported crystalline graphite in 4-5 cwt casks from the British colony of Ceylon (now Sri Lanka) and mixed it with conventional English (Stourbridge) clays to be fired in kilns. Their products were purchased by the Royal Mints in London and India, and exported to official mints in France and Germany. They were successful exhibitors of their crucibles and furnaces at the London Exhibition held in 1861 (Class 1, Mining, quarrying, metallurgy and mineral products, Exhibit 265, Patent Plumbago Crucible Co). The range of sizes represented by the six crucibles retrieved from the LOCH ARD, suggest they may have been part of a sample shipment intended for similar promotion in the Australian colonies ― at Melbourne’s International Exhibition to be held in 1880. A summary of the LOCH ARD cargo manifest, by Don Charlwood in ‘Wrecks and Reputations’ does not mention any crucibles, implying that they were not part of a larger consignment of uniform items. A newspaper account of an 1864 tour of the Morgan brothers’ ‘Black Potteries’ at Battersea indicates: “All the pots were numbered according to their contents, each number standing for one kilogram, or a little over two pounds; a No. 2 crucible contains two kilogrammes; a No. 3, three kilogrammes, and so on.” These numbers are obscured by marine sediment on three of the crucibles in the Flagstaff Hill collection, but those legible on the remaining three are 5, 6, and 8. None of the six are of the same size from a visual appraisal. The shipwreck of the LOCH ARD is of State significance ― Victorian Heritage Register S417A No. 6 size Morgan’s graphite crucible (i.e. 6kgs capacity). The crucible rises in a slight curve from a smaller flat base up to a wider top with a (chipped) pouring lip. It was recovered from the wreck of the LOCH ARD. The artefact is largely accretion free despite its long period of submersion at the wreck site. It has a number of visible maker’s markings which identify the manufacturer and the smelting capacity of the pot. The graphite crucible is in fair and stable condition. The number “6” which is framed in a square. The letters “THE PATENT PLUMBAGO CRUCIBLE COMPANY” and “BATTERSEA WORKS COMPANY”. Below rim "... GNS"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, graphite crucible, plumbago crucible, morgan's crucible company, loch ard, crucible, fluxing pot

It is made up of andalusite. Andalusite is a rock-forming mineral, sometimes found in granite or schist. It is often used to make glass, ceramic products, chemicals, and heat-resistant bricks as it can withstand high temperatures without changing. The chiastolite contains particles of graphite, which arranges in geometric patterns. When crystal growth occurs in the rock, the granite particles concentrate at crystal interfaces and can result in cross shapes. These ‘cross stones’ have been valued and used for their spiritual or religious meaning and used as charms, gems, or amulets. Chiastolite was first discovered in 1754, seen in a description in a published book by a palaeontologist, Franciscan priest, and Spanish author, Jose Torrubia. Deposits have been found in Australia, France, the USA, Chile, Canada, Spain, Brazil, Sri Lanka, and Russia. Deposits have been found in Western Australia and South Australia. This particular specimen was found in Bimbowrie, South Australia. Other chiastolite specimens have been found in Bimbowrie, along with jasper, quartz, and aventurine in the form of rolled pebbles or schist. This chiastolite specimen is socially and historically significant. It is a very rare sort of andalusite mineral. It is from one of only two locations where it is regularly found in Australia. The carbon cross has made it an important religious symbol in the past. Its ability to withstand high temperatures has made it a common ingredient in heat-resistant bricks and ceramics today. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A metamorphic mineral consisting of andalusite, with a cross shaped graphite pattern in colours of grey, brown and yellowburke museum, beechworth, geological, geological specimen, andalusite, chiastolite, geometric, cross stone, spiritual, religious, australia, south australia, bimbowrie, quartz, jasper, aventurine, schist

Caroline (Carrie) Shillinglaw was the third child of Phillip and Sarah Shillinglaw, born 29 February 1876 in Bundoora. She commenced school at Eltham State School No. 209 in Dalton Street in April 1882. She married Christopher Watson on 23 Oct. 1907. Christopher Watson was son of Christopher Watson Jnr, the owner of Watson's Hotel on the corner of Pitt Street and Maria Street (Main Road).caroline shillinglaw, caroline watson (nee shillinglaw), caroline (carrie) watson (nee shillinglaw 1876-1956), carrie shillinglaw

Gift of Mack Jost, 1983graphite on paper

Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper

Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper

Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper

Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper

Gift of Mack Jost, 1983graphite on paper

Gift of Mack Jost, 1983graphite on paper

Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper

Gift of Mr and Mrs Laurence Scott Pendlebury, 1982graphite on paper

A Dunlop 'Graphite' tennis racquet. Materials: Graphite, Leather, Adhesive tape, Nylon, Ink, Plastictennis

A Spalding 'Assault 95' model graphite racquet. Materials: Graphite, Plastic, Nylon, Adhesive tapetennis

Gift of Mack Jost, 1990graphite and chalk on paper

Gift of Mack Jost, 1990graphite and chalk on paper

Gift of the artist, 1999oil and graphite on canvas

A Dunlop 'Graphite' tennis racquet. Materials: Graphite, Paint, Plastic, Leather, Ink, Nylon, Adhesive tapetennis

A Snauwaert 'Graphite Impact' tennis racquet. Materials: Graphite, Plastic, Nylon, Adhesive tape, Adhesive label, Leathertennis

A Wimbledon '100% Graphite' tennis racquet. Materials: Graphite, Paint, Ink, Plastic, Adhesive tape, Leather, Nylontennis