Men's Y shaped button braces of black, blue, grey and white elastic. Grey leather back join and end of back strip. Gold coloured metal buckles and length extenders.A pair of grey leather button holders on each end.costume accessories, male, braces, black, blue, grey white.

The TAMA Collection comprises an extensive survey of contemporary (post-1970s) textile and fibre art practices in Australia with key international influences represented from time to time, such as Marcel Marois’ Mutation - Time: Blue, Grey, White, Red. Canadian artist Marcel Marois began his career at the height of a period of innovation and dynamic growth in tapestry weaving in the 1970s. Marois is known for his references to pixilated photographic imagery, particularly as seen in newspapers; his weaving recreates the detail of photographic blur. These four tapestries were acquired to commemorate the major contribution of the Gallery’s inaugural director, the late Pamela Gullifer AM, towards the establishment and development of Ararat Gallery in the early 1970s. An extensive and diligent fundraising campaign was undertaken by the local community between 1999 and 2002, challenged by the Canadian dollar strengthening relative to the Australian dollar in that period. Marois’ imagery references political, environmental and social events of his time and location. In this set of woven panels the artist refers to natural elements – air (blue); water (grey); earth (white) and fire (red).

35 mm colour positive transparency Mount - Fuji Film grey whiterussell yeoman collection, scan - 35mm positive, film - fuji, mount - fuji film grey white, stony creek, trestle bridge

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This outfit is one of a number of items donated to the Fashion Collection by Annie McIntyre, who purchased the outfit in the later 1980s.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Black wool striped jacket with square neck and buttons in the same fabric at front. Other items in the outfit include a grey skirt and a white blouse. Gary Theodore and Fiona Scanlan started their fashion house in 1987.Label: Theodore and Scanlanfiona scanlan, women's clothing, australian fashion - 1980s, day wear, mcintyre collection, gary theodore

Grey and white cats purchased in Norway. Brown and white cats purchased in Melbourne.Pair of porcelain small grey and white cats with blue pairs. Pair of porcelain brown and white cats with musical instruments. One with a violin (broken stick), one with a book.china, ornaments, cats

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Stoneware lid, glazed on upper surface. Grey/ whitechinese, ginger, jar, glaze, stoneware, lid

Made by students and staff at the School of Mines Ballarat in 1983 and donated to the then fledgling ATCV. Photo attached shows staff Robert Brouwers and Gayle Spicer accepting the donation.........The boxes have been in the safe keeping of Terry Peacock at the Adelaide CVA office.....terry recalls that the only injury treated using the box he recalls was when the box slammed forward when the bus stopped abruptly and hit his head...Basic safety was important from the very first projects. ATCV/CVA later developed a formidable safety culture.Wooden boxes for storage and transport of First Aid materials on ATCV/CVA tasks/projects.Grey cross in white circle on sideof, school, ballarat, peacock, mines, safety, first, aid, terry

School of Mines is a Campus of Federation University.Date stamp used at the School of Mines Library. Grey/White bottom and blue top.COLOP mini-dater S120date stamp, ballarat school of mines and industries, federation university australia, federation university, colop, mini-dater

Slide. Bendigo Buildings & Churches. Scaffolding can be seen behind the grey/white building.slide, bendigo, bendigo buildings & churches., bendigo buildings & churches.

The panels from the I Am Because We Are series are woven from cut-up donated socks. They were woven on a four-shaft floor loom with a cotton warp. The names of the donors have been typed onto polyester ribbons which have been woven in with the socks. It’s possible that the typewriter ink could fade if exposed for long periods to strong light, but the sock material should be fairly stable as they were almost exclusively commercially-produced socks. The wood of the frames has been painted with an acrylic paint, and covered with MDF boards. The fabric is stretched over the frames and secured with staples.Wangaratta Art Gallery Collection. Donated by Artist.A woven textile work using fabric in shades of black, grey, white, green, and orange.

Possibly brought from Scotland by donor's grandmother Ellen Richardson who had a school at Taradale, Victoria. Later married Ferdinand Rosan and settled at Torrumburry.Decorative edging for a shelf. Blue tent stitch background with design in black, grey, white and silver beads in a floral design.beading, canvas work, furnishings, mid 19th century, scotland

Grey White Marble Effect Patterned Box Containing One Gents Hair Brush and Comb. Inscribed J A and other itemsstawell

Urban Hair & Beauty is located in Hailes Street East, GreensboroughPart of a collection relating to local businesses.Printed in black and grey on white cardTelephone no., web address, street address and provision for appointment detailshairdressers, hailes street greensborough, urban hair and beauty

The Air Force General Purpose Uniform was adopted by the RAAF in July 2014. It is worn as dress of the day for non-combat operations. These were worn by Bob Schouten.Trousers with a blue/grey/white/green camouflage pattern. Pockets on the sides, a metal zip at the front and plastic button at the top.Drawstring hems at the ankles.air force, raaf, fatigues, uniform

The daybed cover here is same fabric as some of the cushions (items F045-F058) located on the two daybeds in the front west facing rooms of the Children's Pavilion.Striped dark grey/white heavy cotton. Box pleated at each corner. "skirt" reaches to the floor. Piling around the top edge.walsh st furnishings, robin boyd

Triumph Adler Gabrielle 100 DS/SC Electric Typewriter Grey-White body with large keyboard in the front half and blue auxiliary switches TA Triumph Adler Gabrielle 100 DS/SC

Official RAAF Magazine issued fortnightly during WW2 between April 1943 to March 1946 This magazine is the final edition.Grey and white magazine with photograph of six planesVol 6 No 5 Mar 15, 1946 RAAF's first twenty five years - Page 2 FINAL EDITIONwings, raaf, magazine, ww2

Australian Army Nursing Service (A.A.N.S.) nurses in England during WWI in their full uniform of grey dress, white apron and veil, and red cape. Photographic postcard of a group of eight Australian Army Nurses in uniform sitting and standing on the front step of an ivy covered building.'WWI ENGLAND AANS IN ENGLAND' [Handwritten in blue ink on the back of the card] 'RNC' [Handwritten in black ink on a white sticker on the back of the card]world war 1914-1918, ww1, wwi, australian army nursing service, nurses, england

The photograph was taken in 1927 to celebrate the engagement of John Black and Elpinike Zaverdinou.A non-digital black and white studio photograph of a lady and man. The photograph is in an oval shape, surrounded by a grey, white and black border. The photographer's signature is partly hidden. john black, elpinike zaverdinou., engagements

35mm colour positive transparency Mount - Grey and Whitebrougham steet, brougham steet bridge, eltham, infrastructure, roads