Hand-painted Irish Belleek desert plate one of a set of six. 1st period black mark to underside with overglaze printed armorial for Bishop Moore of Ballarat on facing side.

Ceramic vase with hand-painted Lily of the Valley design and two tone background. The rim is painted in gold. Inscription on base reads: Handpainted A Woods, To Joyce + David from Cale + Lyli 1983Handpainted A Woods, To Joyce + David from Cale + Lyli 1983

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Porclain food dish, glazed, Chinese. Handpainted blue swirls as decoration.chinese, goldfields, gios, tableware, glaze, porcelain, dish, buckland, handpainted

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Small Chinese porcelain cup, Pale blue with pink and green handpainted flower design, glazed.chinese, cup, goldfields, gios, tableware, glaze, porcelain, handpainted

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Porcelain food dish, glazed, Chinese. Handpainted blue lines with Chinese writing as decoration.chinese, goldfields, gios, tableware, glaze, porcelain, dish, buckland, handpainted

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Small Chinese porcelain cup, glazed, with a pink and green handpainted flower design on a pale blue base.chinese, cup, goldfields, gios, tableware, glaze, porcelain, handpainted

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food bowl, celadon glaze. Decorations in blue colour on outer surface. Blue lines circling the inside, handpainted.Blue Chinese writing or maker’s stamp on base.chinese, goldfields, gios, tableware, glaze, harrietville, celadon, handpainted, porcelain bowl

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain wine cup. Chinese tableware decorated with handpainted flowers and leaves in colours, pink, green and brown.Chinese writing or maker’s stamp on base, in orange ink / dye..chinese, cup, floral, goldfields, gios, tableware, glaze, porcelain, harrietville, wine, handpainted

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Porcelain food bowl, glazed, Chinese. Handpainted swirling pattern with Chinese writing on outer surface. Bowl base colour is a milky blue.Blue Chinese writing or maker’s stamp on base.chinese, bowl, goldfields, gios, tableware, glaze, porcelain, buckland, handpainted

Seven handpainted tiles of flowers.hibiscus, handpainted tiles, flora, wild iris, bottlebrush, bladderwort, tufted lily, lobelia, darling lily

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food dish, glazed with floral decoration. Handpainted on inside surface. Celadon background with floral design in colours, pink, green, white and brown with gold frosting on leaves.Chinese writing or maker’s stamp on base in orange ink / dye.chinese, gold, floral, goldfields, gios, tableware, glaze, porcelain, dish, buckland, celadon, handpainted

Hand painted china plate with sepia scene of Central Deborah mine with tram in foreground on white china with gold edge & wording Birney car & Central Deborah Mine Bendigo.Handpainted by J Michener Bendigo 1985domestic equipment, table setting, plate

Blue and white hand-painted ashtray with three shallow grooves on rim for resting cigarettes. The scalloped rim is also decorated with a blue catkin branch. In the centre circle is a picture of a cafe and the inscription "12 ½ Jaar Cafe Tromp".On the reverse is painted; "Handpainted Delft Blue made in Holland".

This item is from a collection donated by descendants of John Francis Turner of Wodonga. Mr Turner was born on 6 June 1885. He completed all of his schooling at Scots Boarding School in Albury, New South Wales. On leaving school, he was employed at Dalgety’s, Albury as an auctioneer. In 1924 John was promoted to Manager of the Wodonga Branch of Dalgety’s. On 15/03/1900 he married Beatrice Neal (born 7/12/1887 and died 7/2/1953) from Collingwood, Victoria. They had four daughters – Frances (Nancy), Heather, Jessie and Mary. In 1920, the family moved from Albury to Wodonga, purchasing their family home “Locherbie” at 169 High Street, Wodonga. "Locherbie" still stands in Wodonga in 2022. The collection contains items used by the Turner family during their life in Wodonga. Japanese pottery and ceramics had varying basemarks, particularly those designed for export. Some restrictions were due to requirements imposed by other countries after WW2. This Japanese type of china was advertised in the 1920's and 1930's. During the years of the American occupation of Japan (1945-1952), all exports from Japan were marked "Made in Occupied Japan" and after the occupation simply "Japan". This information helps to establish the provenance of items such as this toast rack.This item is representative of ceramic domestic items used in Australian homes in the 1920s and 1930s.A ceramic rectangular toast rack decorated with a cherry design. Each end is shaped as a shallow bowl and there are 3 upright dividers to support slices of toast. The cherry design is hand painted and then glazed. The bottom centre is stamped with MARUHON WARE, HAND PAINTED, JAPAN around a K in a circle.Underneath "Maruhon Ware/ K in circle/ HANDPAINTED/ JAPAN"domestic items, japanese pottery

Original handpainted Ballarat Junior Technical School sign on galvanised iron. ballarat technical schoool, ballarat junior technical school, signwriting, crest, logo, coat of arms, henderson, angus henderson

This honour board commemorates Victorian Postmaster General's Department workers who served in the First World War. A total of 3,726 employees of the Postmaster General's Department enlisted in the Australian Imperial Force during the First World War. This represented about one in every five of the total number of men employed by the Department. Many other employees volunteered, but were rejected for health or other reasons, whilst men in key positions could not be spared. This board was displayed at the Spirit of ANZAC Centenary Experience, Melbourne, in February 2016.This honour board was produced by the Postmaster-General's Department and passed through its successor entities until donation to the National Communications Museum in 2018. Its provenance is further supported by the supplementary photograph (VH256) held by the Museum which shows the board in production. The board provides a comprehensive list of the names of Postmaster-General staff across various departments, constituting an important resource for genealogical or social history researchers and a focal point for remembrance by fellow communications workers. The style of the board itself is rare, as it was an unusual practice for honour boards to be hand-lettered on paper.Handpainted paper on linen honour board, perspex glazed with a wooden frame."POSTMASTER GENERAL'S DEPARTMENT / VICTORIA" "ROLL OF HONOR / 1914 1918" "FOR / GOD / KING / AND / EMPIRE"|Headings that precede list of names: "CORRESPONDENCE / BRANCH" "CENTRAL EXCHE" "SUBURBAN AND COUNTRY / POST OFFICES" "TELEGRAPH / BRANCH" "ELECTRICAL ENGINEER'S BCH" "MAIL / BRANCH"pmg, postmaster general's department (pmg), world war 1, ww1, postal workers, honour boards, first world war

Clay Vessel (unsigned), made by Anne Sweeney, a local potter, at her Fuller Street, Mitcham home.Bulbous shaped light and dark brown vessel with cream handpainted design.ornaments, mixed media, handcrafts, country crafts

Ken HOVENDEN Working at Bendigo Pottery from April 1972 at the age of 17, Ken Hovenden was also involved in the Lillydale Pottery venture. He worked at Cannie Ridge Pottery for a time, exhibiting work there in 1979. Known as a great thrower, his work featured beautifully fitted lids and quantities of mugs of identical size. In the 1980s, he set up his own pottery at Malmsbury and sold his work through Bangles Gallery at Cobargo. From late 1988 to 1997, he worked under the business name Shiloh Pottery in Castlemaine. His work often features a unique gum leaf design on individually thrown work. Marks used include KH on Bendigo Pottery Epsom Ware, Kevin Hovenden on Badger Creek Pottery, KH on Lillydale Pottery and his own impressed KH initials.Stoneware teapot with beige glaze and handpainted gumleaves, and stamped 'KH' on the footrim.australian studio pottery, ceramics, ken hovenden, teapot

Robin Boyd developed a close friendship with the founder of the Bauhaus in Weimar Germany, Walter Gropius, who had moved to the USA in the 1930s. Through this connection, Boyd was invited to be the Massachusetts Institute of Technology (MIT) Bemis Professor at the School in the North American academic year 1956-7. Robin and Patricia Boyd, with their youngest daughter Suzy, were based in Cambridge, Massachusetts for the year. Boyd gave some lectures at MIT and he was also invited to give lectures at many other universities, allowing him to travel widely within the USA, especially on the East Coast. This gave him the opportunity to meet architects like Frank Lloyd Wright, Eero Saarinen, Paul Rudolph and many others, and visit the offices of Skidmore, Owings and Merrill, and places like Taliesin and the General Motors Technical Center Detroit. On the way home, the Boyds visited London, Berlin, Paris and Le Corbusier’s Ronchamp Chapel in France.Colour slide in a mount. Governor's Palace Supper Room Colonial Williamsburg, Virginia, USASuper Room, The Palace / Wallpaper handpainted in China / RB / D (All Handwritten)mit bemis professorship, mit, robin boyd, slide

Alva Dorothy GOODEN (1864-1949) Gooden was a china painter who is best known for her decoration of many dishes, plates and vases with Australian wildflowers and blackboy trees. Although Alva Gooden painted on a variety of different china including Wembley Ware, she was not one of the artists employed at the Subiaco WA china factory. Much of her work is simply signed ALVA. (https://www.daao.org.au/bio/alva-dorothy-gooden/, accessed 25 March 2017)Image of three saucers and a small cup, all handpainted by Alva Gooden, and depicting Grass Trees. alva gooden, blackboys, grass trees, china, alva

Reproduction of original handpainted advertisement for fruit juice. Materials: Paper, Ink, Wood, Cardboard, Glasstennis

The Hamilton-Smith collection was donated by the children of Grace Mary Hamilton-Smith nee Ellwood (1911-2004) and John Hamilton-Smith (1909-1984) who settled in Wodonga in the 1940s. The Ellwood family had lived in north-east Victoria since the late 1800s. Grace’s mother, Rosina Ellwood nee Smale, was the first teacher at Baranduda in 1888, and a foundation member of the C.W.A. Rosina and her husband Mark retired to Wodonga in 1934. The collection contains significant items which reflect the local history of Wodonga, including handmade needlework, books, photographs, a wedding dress, maps, and material relating to the world wars. Grace and John married at St. David’s Church, Albury in 1941. John was a grazier, and actively involved in Agricultural Societies and the Belvoir Wodonga Rotary Club. Grace was an active member of several organisations including the CWA, Red Cross, the Wodonga Show Ladies' Auxiliary and the Victorian Agricultural Societies Association. These small decorative items were used as decorations in the family home, often displayed on mantlepieces or dressing tables to show life teachings or inspirational messages.This item has well documented provenance and a known owner. It is part of a significant collection from the Hamilton-Smith family of Wodonga Three small decorative designs, handpainted and mounted on thick card. They have a stand attached for display purposes.hamilton-smith collection, decorative arts

Handpainted by internment at Camp 3. Plate returned from GermanyArmy issue hand painted light tan colour tin dinner plate, circular with decorative patterned edging in black, green, red and whiteplate, tin, rippert c, kuebler g, camp 3, tatura, ww2 camp 3, domestic, table, setting

Made by internees at Camp 3, Tatura. Handpainted by Georg HoffmannCarved wooden lamb on a wooden base. Painted green. Lamb is a creamy-fawn colour with black highlightslamb, wood, hoffmann g, kazenwadel k, camp 1, camp 3, tatura, ww2 camps 1 and 3, handcrafts, woodcarving, toys, general