Biographical notes about and by Leigh and David Hay, community residents and activists, with additional details by Rosie Bray9 p. text and colour photographs. Copy 2.hay family, david hay, leigh hay

Biographical notes about and by Leigh and David Hay, community residents and activists, with additional details by Rosie Bray9 p. text and colour photographshay family, david hay, leigh hay

Christmas poem written by Leigh Hay, a local author2+1 p. black and white typescript, including covering letterpoetry, christmas poetry, leigh hay

Black and white photograph. Female students collecting hay for the Silo. One student is taking a photograph, one is sitting on the cart holding the reins of Donny the draughthorse. Others are forking the hay into the cart.On reverse, "1944 Collecting the Hay for the Silo - Old Donny in the shafts."hay, silo, donny, helen dudley, 1991, centenary, students working outside, draughthorse

Donated by Carine Williams Wettenhall in 1991 for the Centenary Year.Sepia photograph.Draught horse with cartload of hay and 2 men working.On reverse, "Tom. Mr. Russ second in command on the hay. 1929." draught horse, hay, men, carine williams (née wettenhall), 1991, centenary, 1929, tom, mr russ, agrostology

77p. black and white print, illustrationsfictionLeigh Hay is a local author. This is her first individual collection of poems.poetry, leigh hay

77p. black and white print, illustrations. Black and white flyer.fictionLeigh Hay is a local author. This is her first individual collection of poems. Includes invitation to the launch of this book on July 13 2013.poetry

Unmade road through bush and trees. One white horse and one black horse pulling cart loaded with hay. Two hatted men seated on top of hay. A rider on horseback with stock in background. Very rural scene.Carting hay on Nobbies RoadThe Nobbies Roadlocal history, photographs, the nobbies road, sepia photograph, betty kus collection, rural scene, phillip island, bruce bennett

The opening of Reid's Lightweight Aggregate Pty Ltd ( a subsidiary of Reid's Quarries Ltd) in Greensborough, circa 1960. Explains the method of manufacture and uses of shalite in building industry. Reid's later became Albion Reid before being taken over by Boral. The shalite quarry, now closed, was on the site now called Blue Lake in Yellow Gum Park, Plenty.7 photocopied pages, text and colour and black nd white illustrations.reids quarries, shalite, aggregate, yellow gum park, plenty

Bail Elevator loading hay bales from truck c1955Truck and machinery stacking rectangular Straw Hay BalesF W Moodie, North Plains, Stawellfarming, harvesting

The first photograph was taken prior to 1910. The location is at the corner of Centre and Jasper Roads, East Brighton, (now known as Bentleigh). It is an early view of John L. and "Minnie" Smith's Hay and Corn Store, situated on the South West corner of those two roads. The first photo was taken prior to the introduction of electricity in the area. A gas lamp and horse "hitching post" can be seen "in shot". There are several loaded wagons waiting in line to have their hay milled to chaff. Farmers came from places as distant as Carrum to have their loads of hay milled into chaff. John Smith was born in 1860 in Point Nepean Road, Brighton, and Minnie was born in Patterson Road, Moorabbin, in a wattle and daub cottage with earthen floor and butter muslin over the windows. The couple married in 1884, Minnie was a devout Methodist and the family became very involved in the development of the local Methodist church. The couple had four children and during the 1890s Depression their first child died, they lost all their possessions, and John's family struggled to survive. Finally in the late 1890s JL Smith was able to rent a shed from Mr Henry Box on the corner of Centre and Jasper Roads, and he later purchased that property. With the gradual improvement in the economy, and the development of the successful market gardening industry in the Shire of Moorabbin, JL Smith's produce store became quite prosperous. Over some years the little "shed" developed into a thriving Hay and Corn Store. JL Smith went on to become Moorabbin Shire President in 1914. He and his wife were active in assisting soldiers returning injured from the 1st WW, in the local Methodist Church and other early community projects. Smith was a typical example of the majority of the early settlers in the Shire of Moorabbin, being god-fearing and devoted to the idea of service to the community. The photographs demonstrate the primitive conditions and early development of what is now a bustling and well-recognised area of Bentleigh, (known as east Brighton before 1907). The photo shows a gas lamp in use before the introduction of electricity in 1916. The Smith's story is representative of the many early pioneering traders, who elected to "set up shop", who suffered the adversity of the 1890s depression, but who survived and made their living in the largely undeveloped area of East Brighton ( now Bentleigh) district. Two black and white early photographs both of the same location. The photos are of the corner of Centre and Jasper Roads, Bentleigh. (Prior to 1907 this area was known as East Brighton.) Both photos show J.L Smith's General Merchant Produce store. "Steam Chaff Cutting and Corn Crushing Mills" and the surrounding area at differing stages. In the first photo taken prior to 1910, we can see there are several horse-drawn carts loaded with hay waiting to be milled, a gas lamp and a horse "hitching post". The store is just a single unadorned, shed. The later, second photo of the same area, shows improvements and the further development of that site. On the back of the photo "Hay and Corn Store -/ not later than 1910."/"Photographer /Victor C Smith,/ Phone Number XL1472"/hitching post, methodist church, smith minnie, moorabbin shire president, gas lamp, east brighton district, 1890s depression, wattle and daub cottage, centre road, jasper road, box henry, smith john l

Black and White photograph showing 3 men who have been cutting hay. Handwritten in white on the lower edge of the photo is: 'Breen Bros cutting hay 3 ton to the acre with a Deering at Holly Hill, Ferny Creek, 15-1-16.' and '85.' Photo shows a 3 horse team harnessed to a wagon. A man sits on hay on the wagon. He is loosely holding a whip. Beside him are a man and a boy who stand between sheaves of hay. All three are wearing trousers, waistcoats and shirts with sleeves rolled up. The men are wearing hats and the boy is wearing a flat cap. Where they are standing there is hay stubble. Beyond the horse team the crop is still standing 3 trees are in the background. They appear to be dead. 'Breen Bros cutting hay 3 ton to the acre with a Deering at Holly Hill, Ferny Creek, 15-1-16.' and '85' are written in white on the original photo.

The Hay-Smith family were pioneers of the Bengworden area. Many of the family were buried in the Bairnsdale Cemetery.Sepia toned photograph of the Hay-Smith grave in an unnamed cemetery in East Gippsland Victoria. Bairnsdale Cemeterycemeteries, settlers, pioneers

The hay shed was sited on railway land fronting onto Evans Street and near Station Street. Retail shops including Harris Scarf now occupy the site. The pine trees in the background were along Horne Street.The hay was stored in this building before being transported.Cereal growing was one of the agricultural activities carried out in the Sunbury area.A scanned print of an old black and white photograph of a corrugated shed with hay bales stacked at the rear of the building. A 1960s sedan car is parked in front of the building and there is a smaller shed in the background.hay shed, railways, sunbury station, evans street, horne street

Printed on the occasion of the 50th anniversary of the arrival in Australia. Interviews with 69 of the original Dunera men and their families done by 15 Hay students from Hay War Memorial School.Light blue covered folio side bound in black. Contains 70 pages of printed text and photos. Black and white picture on cover. Title in black ink above picture. Black taped spine.The Dunera Tapes Conversations on a Windy Day in Hayhay internment camp, 50th anniversary of dunera arrival, hay war memorial school, internment camp interviews, peter alsberg, paul altmann, max arnott, herbert barber, michael brent, gerald cunningham, peter danziger, reinhold eckfield, peter feistmann, adi felder, henry felder, john fletcher, werner frank, fred freitag, ernest green, john gresham, dennis goodman, frank heymann, horst jacobs, ernie katz, walter kaufmann, jimmy king, heinz kuehlenthal, george lederer, kurt leiser, kurt lewinski, hans loewe, franz menzel, rudi meth, albert meyer, martin moore, fred parkinson, fred reich, howard rickenberg, ernest rodeck, max rubinsohn, fren schonbach, ernest schonfeld, henry seaman, martin shelton, mike sondheim, ralph stern, george strauss, henry teltscher, roy thalheimer, herbert treidel, harry unger, fred warschauer, harold weinberg, mendel weisser, victor wieselmann, walter weyl, ernst wolf, christoph wolkenstein, oswald wolkenstein

Copies of 6 sketches done by Reinhold Eckfeld whilst an internee in camps 9 and 10 at Hay NSW. He was also on the Dunera.Collection of 6 copies of sketches done in pencil and laminated. 1 - Pencil sketch of Rudi Laqeur and Hans Abarbanell 2 - Pencil sketch of Michael Ritterman, Heinz Oschinski and Hans Feder (sketches 2 and 3 were joined together) 3 - Pencil sketch looking through 3 rows of barbed wire to trees beyond 4 - Pencil sketch looking through 3 rows of barbed wire at a different view point to no 3 5 - Pencil sketch of inside hut 39 Hay, front corner with bunks on left hand side 6 - Pencil sketch of two of the mess huts and other huts at Hay and some of the gardenhans feder, michael rittermann, heinz oschinski, internment camps new south wales, hans abarbanell, rudi laqeur, hay internment camp, dunera internees

Hay bales are a key food in a grazing livestock production system. The paddock shows the co-existence of native vegetation which provides cover for livestock. Digital photographfarming, hay, native vegetation, agriculture, farm, western victoria

significant as a work of art by local Pyrenees artist, locally significant to the Central Highlands Region of Victoria as a representation of local landscape and/or culture painting of a hay fieldsigned: HDF (lower right)