Diaries of Tim Burstall November 1953 to December 1954. Tim Burstall lived in Eltham. Tim Burstall, the celebrated director of Stork, Alvin Purple and numerous other definitive 'ocker' comedies, is credited with shaking the moribund Australian film industry out of its torpor. But long before that, in the early 1950s, he began keeping a diary to record the world of the group of 'arties' and 'intellectuals' he was living among in Eltham, then a rural area outside Melbourne, where cheap land was available for mudbrick houses and studios, and where suburban rigidities could be mercilessly flouted. Burstall was in his mid-twenties, with two young sons and an open marriage with his wife, Betty. Eager to become a writer, to go against the grain, he kept a record almost daily-of the parties and the talk in pubs and studios, about art and politics and sex, of Communist Party branch meetings and film societies, of political rallies and the first Herald Outdoor Art Show. Somehow, while holding down a public relations job in the Antarctic Division and juggling his love affairs and obsession with the beautiful, brainy Fay, he wrote 500 words almost every day. Betty, according to the diaries, kept the show on the road, feeding friends after the pub, milking goats and working in her pottery making bowls and mugs, which Tim sometimes decorated at weekends. These Memoirs of a Young Bastard, as Burstall dubbed himself and them, are among the most evocative Australian diaries of modern times. Burstall can write. He has an eye for the telling detail, an unerring ear for cant and pomposity and, most endearingly, an ability to mock himself-always from the perspective of a bloke of his generation. Source: Publisherxxiv, 343 p., [18] p. of plates : ill., maps, ports., facsims. ; 27 cm.ISBN 9780522858143diary, motion picture director, film director, author

Members and staff of Vision Australia Foundation's library service at the 2002 Library Awards night held at the Kooyong office. 1 - Karl Hughes and Jennifer Yang 2 - David Tredinnick and Caroline Lee (narrators) 3 - Liana Fonti and Joelle Rault 4 - unknown 5 - Marie Aberle, Meike Mellars and Lynda Downie 6 - Jane Clifton and Evelyn Krape (narrators) 7 - Tony Porter (narrator) 8 - Joelle Rault and Anna Fairclough 9 - Caroline Baum (host) 10 - Don Watson (author) presenting the Braille Book of the Year Award 11 - Peter Rose, author of Rose Boys, Braille Book of the Year winner. 12 - Judge (unknown) 13 - Stig Wemyss (narrator) 14 - Melissa Eccleston (narrator) 15 - Rebecca Macauley (narrator) 16 - Chris Thewlis (from Civica Pty Ltd, sponsor) 17 - Agnes Nieuwenhuizen presenting YA Book of the Year award to Irini Savvides, auhor of Willow Tree and Olive 18 - Irini Savvides 19 - Paul English (narrator) 20 - Paul English (narrator) 21 - Deidre Rubenstein (narrator) 22 - Evelyn Krape (narrator) 23 - Robert Stillwell (of Bib Stillwell BMW, sponsor) 24 - Robert presenting award to Paul English for his narration of either Corfu or The Blind Eye (he was nominated twice) 25 - Paul English 26 - Hilary McPhee (publisher/editor) presenting Adult Audio Book of the Year Award 27 - Hilary McPhee 28 - Either the winning author, or the author’s representative, accepting the award28 photographs of attendees for the 2002 Vision Australia Foundation Library Awards.vision australia foundation, awards, book of the year, karl hughes, jennifer yang, david tredinnick, caroline lee, liana fonti, joelle rault, marie aberle, meike mellars, lynda downie, jane clifton, evelyn krape, tony porter, anna fairclough, caroline baum, don watson, peter rose, stig wemyss, melissa eccleston, rebeca macauley, chris thewlis, agnes nieuwenhuizen, irini savvides, paul english, deidre rubenstein, robert stillwell, hilary mcphee