This book covers the formative years of Victoria's pottery industry during the second half of the 19th Century. It includes a section on Nunawading's Dahlke's Filter and Pottery Works operating between 1870 and1876. The White Bros acquired the pottery in 1888 and called it Springfield Pottery (1888-1911).non-fictionThis book covers the formative years of Victoria's pottery industry during the second half of the 19th Century. It includes a section on Nunawading's Dahle's Filter and Pottery Works operating between 1870 and1876.potteries, dahlke's filter and pottery works, geal's pottery, daniel robertson, australian tesselated tile company, wunderlich, 1800's

xv, 619 pages ; 23 cm.1 v 225x160: indexnon-fictionSweeping history of public and private life in Melbourne's Establishment during the mid-to late 19th century. Contains extensive biographical entries, a bibliography, an index, and appendices which include lists of landowners in 1879 and club members.elite (social sciences) -- australia -- victoria -- history., upper class -- australia -- victoria -- history., elite (social sciences), manners and customs., upper class., victoria -- social life and customs., victoria., upper classes history, victoria, elite (social sciences) -- virginia -- history., upper classes -- victoria -- history., social classes -- victoria -- history -- 19th century., upper class -- victoria -- history -- 19th century., upper classes -- victoria -- history -- 19th century., elite (social sciences) -- victoria -- history -- 19th century., upper class -- victoria., elite (social sciences) -- victoria., upper class -- victoria -- history., elite (social sciences) -- victoria -- history., upper classes -- history., pioneers and pioneer life -- victoria., victoria -- social conditions -- 1834-1900., victoria -- social conditions -- history., victoria -- history -- 1851-1900., victoria -- social life and customs -- 1834-1900., social class, elites, social customs, history, book

Lists all towns and villages with entries in the Victorian censuses between 1841 and 1901. It includes in excess of 1400 entries with the latitude and longitude for each town, numbers males and females in the town, and the number of occupied dwellings (where available). For many of these settlements the only visible trace of them today is in the census results collected by the fledgling governments of Colonial Victoria. It is a comprehensive reference and a fascinating insight into the movements of early populations of new Australians.cities and towns victoria, history 19th century, statistics, ghost towns - victoria, geographical names victoria, victoria census

HistoricalLarge, glossy soft covered book including large sepia photographs with brief explanationIncludes index. Edited by Shirley Davies, Beryl Stockton and Edith Torokfalvy. Published by Hastings-Western Port Historical Society Inc.hastings, victoria, history, 19th century, western port, families,

(''A tracing of Bendigo's urban development in the 19th century'') - a 9 paged Research Project; Australian History; T.O.P. Year 12 General Studies; author - Val Pendlebury; 12/9/1980. Reference to: Henry Carey Bennett; Howards Coaches; Camp Street; Auction Street; Captain Andrew Clarke; Theatre Royal; William Larritt; Municipal Council; Bendigo Water Works Company; Big Hill reservoir; Vahland. Bibliography.Val Pendleburybendigo, history, 19th century bendigo, henry carey bennett, howards coaches, camp street, austion street, theatre royal, municipal council, bendigo water works. big hill reservior, vahland. william larritt.

Samuel England Jeans, Mayor of St Kilda 1888-1889Cream card with brown printing and bearing logo of Borough of St Kilda1889 Borough of St Kilda. The Mayor of St Kilda (Councillor S. E. Jean)s and Mrs Jeans request the pleasure of Mr and Mrs Pugh's Company at a Ball in the Town Hall, St Kilda, on Tuesday Evening, 9th July, at 8.30 o'clock. The favour of an early reply (addressed to the Town Clerk, Town Hall, St. Kilda) is particularly requested.borough of st kilda, 1889, samuel england jeans, st kilda - history, 19th century, st kilda mayoral function

Bendigo Art Gallery Mid to Late 19th Century exhibition on display June 3 to July 4 2001, celebrating the transformation of a town into a city. The Bendigo Advertiser is a proud sponsor of exhibition printing a souvenir poster for the occasion depicting a water colour of Kangaroo Flat Sandhurst in 1857 by George Rowe on the cover, a chromolithograph of Sandhurst in 1887 by Francis Niven overleaf and on the back a water colour of the Bendigo Goldfields C.A. Ross & Co. Derwent Store in 1852 by John Cater of Northcote.George Rowebendigo, history, 19th century bendigo

128 pages, 12 unnumbered pages : illustrations ; 25 cm.non-fictionsilverware -- australia., silverwork -- australia -- history -- 19th century.

xxii, 324 p., [10] p. of plates : ill. (some col.), ports., photos. ; 25 cm.non-fictiongovernors' spouses -- victoria -- history -- 19th century., victoria -- politics and government -- 1834-1900.

Index, p.522.non-fictionEuropean history in the nineteenth centuryeurope - history, europe - history - 19th century

Index, bib, p.298.non-fictionPart 1 of a 3-part series, the Green Flag, which traces the rise of Irish Nationalism. The focus of this volume, Strongbow - the Great Famine, charts the development of the Irish nationalist impulse.ireland - politics and government, ireland - history - 19th century

Index, bib, plates, ill., p.398. non-fictionThis is the first narrative history that brings together the stories of the political prisoners sent as convicts to Australia from all parts of the British Empire. penal colonies - australia - history, australian history - 19th century

Index, bib, p.244.non-fictionThe story of the mutiny on the Bountygreat britain - royal navy, new south wales - history - 19th century

Index, notes, ill, maps, p.614.non-fictionBiography of Lachlan Macquarie including references to relations between Aborigines and Europeans, including attacks, murders, proclamations, raids, settlements, attitudes; Aboriginal habits. governors - new south wales - biography, new south wales - history - 19th century

First report of the Municipal Council of St Kilda, for the half-year from 11 March 1857 - 11 September 1857. The Municipal District of St Kilda was proclaimed on 24 April 1855 but the election of the Council was delayed by a dispute over boundaries. This report outlines the process of deciding on the boundaries and establishing the Council, which met for the first time on 11 March 1957.Four-page report, printed double sided on two sheets of folded blue bank papermunicipality of st kilda, st kilda - history, 19th century

BHS CollectionHistoric guide to Bendigo, Bendigo Historical Society Inc, 60 pages with maps and black & white photographs.bendigo, history, 19th century bendigo, bendigo-history

Illustrated book with white front cover that has four coloured illustrations of women in various activities. Title and authors' names are printed in red ink, along with a book description in black ink on the front cover along with publisher's logo and four red lines. Abbreviated title, underlined, in white ink, and authors names in black ink are printed on an orange background on the spine along with the publisher's logo. The back cover has a summary of the book printed in orange, along with another three illustrations of women, publisher's logo and 'Victoria 150 ' logo on a yellow background.non-fictionThis book explores the experiences of women in Victoria over 150 years, highlighting their diverse roles in public and private life. It features more than fifty women, from convicts to nuns, actresses to soldiers, settlers to writers, and housewives to political activists, showcasing their social and personal diversity. The book emphasizes the home's importance, alongside the marketplace, and examines the significance of both reproduction and production. It provides a new perspective on Australian history, focusing on women's place, relationships between public and private life, paid and unpaid work, and the intersection of politics and gender. women-victoria-history-19th century, women-victoria-history=20th century, women-victoria-social conditions

Index, ill, p.287.non-fictionA biography of Horatio Nelson - famed English Admiralgreat britain - history - naval - 19th century, admirals - great britain - biography

Bendigo Art Gallery"Colonial Bendigo", Bendigo Art Gallery exhibition (5th December 1984 - 25th February 1985) which celebrates the rich pictorial history of 19th century Bendigo. Booklet includes twelve B&W prints of early Bendigo development. The exhibition celebrates the rich pictorial history of 19th century Bendigo; linked to Victoria's 150th Anniversary Celebrations. colonial bendigo, exhibition, bendigo art gallery

The maker of this cruet set is unknown. It is a high quality household item and would have been a common item in households of the more affluent homes in the 19th and early 20th centuries. Cruet sets are not used much these days but have usually been replaced by salt and pepper shakers without a stand. This cruet set has no known local provenance but is retained as an example of a household item of the past. It will be useful for display This cruet set consists of a stand, a container for mustard and two containers for salt and pepper. The stand is silver-plated and has a rectangular base with pointed edges and three slots for the containers, one rectangular and the other two square in shape. The handle is riveted to the base with two screws which are now rusty. The base of the stand also has six studs. The silver plating is tarnished in places. The salt and pepper containers are made of cut glass in rectangular shapes and have silver-plated circular-shaped lids. The top of one of the lids has broken loose from the lid. The mustard container is made of cut glass and is rectangular in shape. The silver plating on the lids is wearing away. history of warrnambool, 19th century household items, cruet set

A4 size book with photograph of 7 women and 3 children in c1890sworking clothing and long white aprons, sitting and standing in front of a hedge with washing draped over the hedge. The two girls on the right are wearing wide-brimmed hats. The title is in white print on a band of dark blue across the middle. The bottom third features an early image of Warrnambool and the author's name in dark blue.non-fictionA history documenting the lives of women in Warrnambool and district between 1840 and 1910.warrnambool, history of warrnambool, 19th century women, women pioneers, silent lives, elizabeth o'callaghan, cover design james colquhoun

A short history of 19th century Coburg, Victoria covering points of interest. Includes a map of the landmarks covered in the text. One page, printed on both sides in black and white text, drawings and photographs. Folded into 5. coburg (victoria), pentridge

This is a soft cover book of 144 pages plus 16 pages of black and white photographs and other images. The front cover has a buff-coloured background featuring some original diary writing with an inset of a black and white photograph of Jessie MacGillivray. The back cover has a black and white photograph of the Peterborough coastline. The book has 16 chapters of text.non-fictionThis book details the life of Jessie MacGillivray.peterborough (vic.) history, history of warrnambool, jessie macgillivray

This postcard is one in an album of mainly late 19th and early 20th century decorative and photographic postcards. This postcard is one of only three postcards in the album dating from the 1940s. It recalls Prince Henry Hospital in St Kilda Rd, Melbourne. Prince Henry's history dated from the 19th century. It was rebuilt on the St Kilda Rd. site and opened c1940. It ceased operations on that site c1991. The number on this card suggests this card may have been bought as part of a fund-raising 'raffle'.This postcard recalls a hospital building which has now disappeared from St. Kilda Rd.Black and white photographic postcard of Prince Henry Hospital 1942 On front, printed: '1942 Souvenir / PRINCE HENRY / HOSPITAL / 6d.' Also printed on extreme right-hand side: 'No. 44578' On back: Hand-written recipe with no title for something like a jam slice. postcard, photography, postcard album, 1940s, prince henry hospital, "green postcard album"

This deck cannon is believed to be a replica Carronade as it has no foundry mark, year of manufacture, proof marks or weight of carronade on it. However, its design matches the design of Carronades used in the early to mid 19th century. History: The carronade was designed as a short-range naval weapon with a low muzzle velocity for merchant ships, but it also found a niche role on warships. It was produced by the Carron iron works and was at first sold as a complete system with the gun, mounting, and shot altogether. Carronades initially became popular on British merchant ships during the American Revolutionary War. A lightweight gun that needed only a small gun crew and was devastating at short range was well suited to defending merchant ships against French and American privateers.   Its invention is variously attributed to Lieutenant General Robert Melville in 1759, or to Charles Gascoigne, manager of the Carron Company from 1769 to 1779. In its early years, the weapon was sometimes called a "mellvinade" or a "gasconade". The carronade can be seen as the culmination of a development of naval guns reducing the barrel length and thereby the gunpowder charge. The Carron Company was already selling a "new light-constructed" gun, two-thirds of the weight of the standard naval gun and charged with one-sixth of the weight of the ball in powder before it introduced the carronade, which further halved the gunpowder charge. The theory of its design was to use less powder and had other advantages that were advertised in the company's sales pamphlet of the time, state. The smaller gunpowder charge reduced the barrel heating in action, also reduced the recoil. The mounting, attached to the side of the ship on a pivot, took the recoil on a slider, without altering the alignment of the gun. The pamphlet advocated the use of woolen cartridges, which eliminated the need for wadding and worming, although they were more expensive. Carronades also simplified gunnery for comparatively untrained merchant seamen in both aiming and reloading that was part of the rationale for adopting the gun. Other advantages promoted by the company were. The replacement of trunnions by a bolt underneath, to connect the gun to the mounting, reduced the width of the carriage that enhanced the wide angle of fire. A merchant ship would almost always be running away from an enemy, so a wide-angle of fire was much more important than on a warship. A carronade weighed a quarter as much as a standard cannon and used a quarter to a third of the gunpowder charge. This reduced charge allowed Carronades to have a shorter length and much lighter weight than long guns. Increasing the size of the bore and ball reduces the required length of the barrel. The force acting on the ball is proportional to the square of the diameter, while the mass of the ball rises by the cube, so acceleration is slower; thus, the barrel can be shorter and therefore lighter. Long guns were also much heavier than Carronades because they were over-specified to be capable of being double-shotted,(to load cannons with twice the shot, for increased damage at the expense of range). Whereas it was dangerous to do this in a carronade. A ship could carry more carronades, or carronades of a larger caliber, than long guns, and carronades could be mounted on the upper decks, where heavy long guns could cause the ship to be top-heavy and unstable. Carronades also required a smaller gun crew, which was very important for merchant ships, and they were faster to reload. Additional notes: Cannon cast in England, Wales and Scotland had their imperial weight chiselled or engraved in the format of 4-2-0 on the bottom of the cascabel, indicating the weight of the cannon as 4 hundredweight, 2 quarters and 0 pounds. Since a hundredweight equals 112 pounds and a quarter weight is 28 pounds the total weight is 504 pounds or about 228 kilograms. The small bore replica carronade and carriage is part of a collection of nineteenth Century Flagstaff Hill Guns and cannons, and is a representation of carronades used from the early 18th up to the 1850s on merchant and military ships particularly the British Royal Navy until 1850. This example is not significant in the historic sense but demonstrates the type of artillery used aboard vessels of the time for protection & offensive military actions. Cannon, cast iron, small smooth bore cannon on the stepped wooden carriage with wooden wheels. It appears to fire a 12-pound cannonball. The Cannon barrel can have its elevation adjusted via a sliding sloped block at the rear of the cannon. Gun carriage has loops for locating and holding the carriage in position with the use of ropes. It is believed this carronade is a replica of a mid-to-late 19th-century Carronade cannon.Cast into metal; [Royal emblem of Queen Victoria (VR "Victoria Regina")]warrnambool, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cannon, naval cannon, cannon on carriage, 19th century cannon, fortifications, smooth bore cannon, 12 pounder, carronade, artillery, replica, deck cannon, cannon in carriage, ship cannon

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. The male Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. The female is similar, but not as bright, with a whitish facial mask, no red on the wing, and a pale wing stripe. Old birds of both sexes may have orange underparts. Once common throughout many parts of eastern Australia, the Turquoise Parrot was formerly recorded from near Mackay in Queensland south to Melbourne until the 1880s, when its population suddenly crashed. It was even considered to be extinct by 1915, but populations recovered spectacularly over the next 20 years or so, and by the 1930s they were again recorded through much of their former range. Now the species can once more be seen in many parts of eastern and south-eastern Australia, though not quite as extensively as before. These birds are vulnerable in NSWThis specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This Turquoise Parrot is bright green above, with a turquoise blue crown and face. A brilliant two-tone blue band around the bend of the wing contrasts with a dark, brick-red shoulder patch. Its underparts and tail edges are a rich yellow. Old birds of both sexes may have orange underparts. This particular specimen is faded with some missing feathers. It is mounted on a wooden stand with a tag wrapped around its leg.Label: 80a. / Chesnutt-shouldered Grass Parakeet / See Catalogue, page 22.taxidermy, parrot, turquoise parrot, taxidermy bird, australian bird, burke museum, trustees of australia