Single lenses were used to assist reading for many centuries before spectacles were widely available. This magnifying lens may be even older than its case. The simple, large glass lens is held in a hand-worked horn or bone rim. The leather case decorated with floral beadwork is typical of northern European styles c1850.This lens is significant for the collection as it is the earliest mounted single lens in the Kett Museum.Large, round, horn-rimmed reading glass, or magnifier lens, incorporating ring-shaped handle. Glass lens in horn or bone rim. Leather slip-in case with floral beadwork.lens, magnifier, reading lens, horn rim, beadwork

Pair of Bifocal Horn Rimmed Spectacles in old Spectacle case.personal effects, seeing aids

From the estate of Jenny Lang, 11 Pearcedale Road, NunawadingHorn rimmed spectacles which fold on the bridge of the nose and at the end of each arm. The case is brown leather with a gold satin lining.Alfred Nott Pty Ltd, T & G Building Collins & Russell Streets Melbourne D - 1967personal effects, seeing aids

Black and white image mounted on buff board Man is dressed in formal suit, white wing collar, white bow tie. Woman dressed in dark dress, lace sleeves, jet necklace. Man wearing glasses, woman horn rimmed glasses. Written on bottom on board ' Vincent Kelly, Bendigo' in handwriting.cottage, miners, man and woman portrait. photographer vincent kelly bendigo.

These reading glasses plus the two additional replacement lenses were highly fashionable in the late 1800's and early 1900's due to their light frames ie. wire. They are of light material and are not as obtrusive, or heavy, as horn rimmed reading glasses.This minimisation of the eye wear was to allow the facial features to be presented without any obstructing eye wear, "au naturel". The "light weight" wire connections to nose and ears was to minimise weight upon those physical areas. It was an eye piece preferred by accountants and all forms of "book worms". This was a period when the "written word" was at its peak. This was well before the light enhanced computer screen and at an age where the "written word" was in the majority as compared to the typed word. These reading glasses are very significant to the Kiewa Valley as they provide additional material which supports the "isolational factors" which were prevalent in the 1800's and early 1900's. Poor lighting and lack of available optical technicians in rural areas, required those suffering with eye troubles in these rural areas to go to Melbourne. An advertisement placed by H B Bissel "eyesight specialist" in the "Independent" Newspaper in 1915 on page 3 " Every person's eyes are liable to be affected by some little weakness or other and these weaknesses, if not corrected at once, are apt to assume a most serious aspect as time goes on". This type of advertisement is putting "the fear of God" on those with slight eyesight problems. It also does not factor the poor lighting used by most in rural areas at this point in time. By the mid to late 1950's, electricity in the Kiewa Valley was available to all households and improved lighting helped nighttime readers. These reading glasses, made in Melbourne, highlight the fact that the Kiewa Valley and its region were still reliant on Melbourne based "specialists" and travel to and from these highly professional health practitioners not only involved a long, and time consuming journey, but also an expensive one.The frames of this oval wire reading glasses is made from gold plated copper wire. There are three nose bridges each with a slightly different angle and shape, each has a different magnification. This may suggest that they were in use at different developmental periods during the wearers ages. Each of the three lenses were fixed onto the frame by a screw and fastened directly onto the glass. Two of the glasses have nose "guides/rests" and one without.. The fine wire ear "loops" has a small "ball" feature at its end (to stop the glasses from slipping off the face).personal effects, spectacles, eye fashion, reading glasses

Maastricht, Holland, was the city where Petrus Regout established the De Sphinx pottery in 1836. De Sphinx operated under the name Petrus Regout & Co. until 1899. The firm was noted for its transfer-printed earthenware. Many factories in Maastricht are still making ceramics. The plate was created to celebrate the silver jubilee of Queen Wilhelmina in 1923.A ceramic plate decorated in blue with pictures and words. Central to the image is a coat of arms featuring a central lion and 4 identical hunting horns. The whole is surmounted by a crown. The rim is decorated with orange blossoms.The words read: "Mijn schilt en de betrouwen Syt Ghy O God myn Heer. Op U soo wil ick bouwen Verlaat my nimmermeer." These are words from the second verse of the National Anthem recorded in Old Dutch. The dates 1898-1923 also feature on the front of the plate. The back bears the maker's stamp, an imprint of a small arrow, an imprint of ¾ and the words "Made in Holland". The maker's stamp reads: "Petrus Regout & Co Maastricht". It is surmounted by a sphinx. There are also two holes in the rim to enable hanging of the plate.

Used to communicate with ships from Point Hicks Lightstation. In Greek mythology, "Stentor" was a herald on the Greek side during the Trojan War. His name has given rise to the adjective "stentorian", meaning loud-voiced, for which he was famous. Homer said his "voice was as powerful as fifty voices of other men." He died after his defeat by Hermes in a shouting contest. See the Iliad, V. The large funnel-shaped device is nearly 750mm (30 inches) in length and is made of re coated cardboard that is riveted together. It has a metal mouth-piece at the narrow end and a metal edge at the wide end, and a metal handle. The maker’s information inside indicates that it is a ‘Stentor Megaphone’ patented on 4 April 1899 by a company in Boston. Stentor brand megaphones were manufactured by Merriman Brothers, a firm established in Boston in 1898 specializing in hardware for yachts. Merriman Bros. Manufacturers. 139 Border St. East Boston, Mass. Their equipment, which included pulley blocks, winches and fittings, was well-known worldwide before the company closed in about 1995. However, their ‘main business was not blocks and winches’…‘it was Merriman megaphones, including the familiar cheerleader megaphones’. They came in different sizes, one of which was employed by the United States Navy because of its scientifically proven horn angle of 22 degrees’. Their patent for the device, dated April 4, 1899, specified details such as the ‘rivets, metal mouthpiece, and adjacent parts’,and an undated pamphlet promoting the Stentor Megaphone emphasizes its ‘highly finished’ appearance ‘with nickel mouthpiece, rim and other fittings’. It also pronounces ‘the carrying power of a Megaphone is astonishing. Even under adverse conditions, it magnifies the power of the voice many times. For listening to distant sounds, it is also of great assistance’. Various sizes were designed for particular uses, and the pamphlet advises that the 30 inch no.2 model, which cost US $2.50, ‘makes it easy to talk half-a-mile and shout a mile’. An advertisement also stresses that it has ‘no iron parts’, making it ideal for marine situations.The Penobscot Marine Museum, Searsport, Maine, United States, has the same or similar model of megaphone in its collection, and the Flagstaff Hill Maritime Village Museum, Warrnambool, Victoria, has a galvanised metal ‘Acme Stentor’ megaphone. The Point Hicks Stentor Megaphone has first level contributory significance for its provenance and historic value, and also as a relatively rare item of equipment once used worldwide in marine situations, such as lightstations, as demonstrated by this example in a Victorian lightstation.One large funnel shaped megaphone made of coated cardboard riveted together. Has a metal handle and metal rims at each end. Dark reddish brown colour."No 2 / THE / STENTOR MEGAPHONE / PATENTED APRIL 4TH 1899 / .../ MAKERS / .OSTON. MASS"

Steel lined silver thimbles were a great improvement in an era when thimbles were essential tools for the needleworker.Silver is soft and silver thimbles hole easily, Charles Horner's steel lined silver thimble was a significant improvement for needleworkersSteel lined silver thimble. Thimble plain rim marked CH 7 DORCAS. Upper domed body with Louise design.dorcas thimble. charles horner, steel lined silver thimble

Thimbles have long been used as a shield for the fingertip when hand sewing In the Victorian period, an ornate silver thimble would be given as an engagement gift, but silver proved too soft for withstanding pins. In 1885, Charles Horner patented a new silver thimble with a steel core which became the Dorcas thimble and enabled a functional but still decorative thimble. This particular thimble was made by Charles Horner post 1905. The thimble collection was owned by Kallista woman, Beryl Collett (1925-2018). Some may have originally belonged to her mother (Hettie Collett nee Thorn) who was a talented milliner and from whom Beryl first learnt her considerable handicraft skills. These thimbles form part of a large and varied range of objects which were either collected by or hand-made by Beryl and which have been donated to the Museum. This varied thimble collection has been collected during the long lifetime of a local woman who enjoyed needlework and lacemaking.Silver thimble with a floral decorative design on top and side of thimble. Underneath that is a band of a pattern of repeated squares. Around the rim is a plain band with manufacturer's imprint. Markings indicate it is a Size 5, Charles Horner thimble.On bottom band imprinted: 'CH 5 / DORCAS'. beryl collett, hettie collett, thimbles, charles horner

Thimbles have long been used as a shield for the fingertip when hand sewing In the Victorian period, an ornate silver thimble would be given as an engagement gift, but silver proved too soft for withstanding pins. In 1885, Charles Horner patented a new silver thimble with a steel core which became the Dorcas thimble and enabled a functional but still decorative thimble. This particular thimble was made by Charles Horner post 1905 and is part of a thimble collection which was owned by Kallista woman, Beryl Collett (1925-2018). Some may have originally belonged to her mother (Hettie Collett nee Thorn) who was a talented milliner and from whom Beryl first learnt her considerable handicraft skills. These thimbles form part of a large and varied range of objects which were either collected by or made by Beryl. This varied thimble collection has been collected during the long lifetime of a local woman who enjoyed needlework and lacemaking.Silver thimble with a dense floral design on the side and top of thimble. Plain band around rim of thimble. Markings indicate it is a Size 4, Charles Horner thimble.Bottom band imprinted: 'CH 4 / DORCAS'. beryl collett, hettie collett, thimbles, charles horner