A large banner on the upper storey of the hotel proclaims the Albion Hotel as the 3AW Pub of the Year 2006.Digital colour photograph of the Albion Hotel on the corner of Raglan and Evans Streets from across Evans Street with the wall around the reserve in the right foreground.albion hotel, business and traders - hotels, built environment - commercial, evans street, raglan street

A large banner on the upper storey of the hotel proclaims the Albion Hotel as the 3AW Pub of the Year 2006.Digital colour photograph of the Albion Hotel on the corner of Raglan and Evans Streets from across Evans Street in the car park for North Port Station.albion hotel, business and traders - hotels, built environment - commercial, evans street, raglan street

A large banner on the upper storey of the hotel proclaims the Albion Hotel as the 3AW Pub of the Year 2006.Digital colour photograph of the Albion Hotel on the corner of Raglan and Evans Streets diagonally from across Evans Street in the car park for North Port Station.albion hotel, business and traders - hotels, built environment - commercial, evans street, raglan street

A large banner on the upper storey of the hotel (not visible in this photograph) proclaims the Albion Hotel as the 3AW Pub of the Year 2006.Digital colour photograph of the door of the Albion Hotel on the corner of Raglan and Evans Streets and the Evans Street sign on the telegraph pole.albion hotel, business and traders - hotels, built environment - commercial, evans street, raglan street

Star Lane Earles Albion Hotel StawellB/W photograph of Star Lane beside old Albion Hotelstawell

A large banner on the upper storey of the hotel (not visible in this photograph) proclaims the Albion Hotel as the 3AW Pub of the Year 2006.Digital colour photograph of the door and two ground floor windows of the Albion Hotel on the corner of Raglan and Evans Streets and the Evans Street sign on the telegraph pole.albion hotel, business and traders - hotels, built environment - commercial, evans street, raglan street

Albion Hotel Waterloo. Witherden family licensees from 1884 until 1890. Thomas Martin licensee from 1890 until 18992 Black and White Photographs of Albion Hotel Waterloo. beaufort, beaufort hotels, waterloo

A large banner on the upper storey of the hotel (not visible in this photograph) proclaims the Albion Hotel as the 3AW Pub of the Year 2006. The photograph was used in "Chartered Scoundrels - A brief history of Port Melbourne hotels" by Pat Grainger.Digital colour photograph of the Albion Hotel on the corner of Raglan and Evans Streets from across Raglan Street looking down Evans Street towards the City.albion hotel, business and traders - hotels, built environment - commercial, evans street, raglan street

White coloured information booklet about the Albion Hotel in Guernsey.'Your Home in Guernsey. Few minutes from start of bus routes. Boat Trips, Island Tours and the Airport buses. Perfect view of the adjacent islands. Situated on the Harbour front. Your comfort is the Proprietor's first consideration.'

Earles Albion Hotel Stawellstawell

Back of Albion Hotel Stawellstawell

Business O. Gilpin Drapery shops later part of the Albion Hotel Upper Main Street. G Thurgoods Butcher shop next door on right of photo.stawell business drapery streetscape

Albion Hotel Stawell 1890's Albion Hotel built in 1868 by John Allingham, who held the license himself for that year. It was advertised that the hotel contained a billiard table. In 1869 Thomas Nightingale was the Licensee, he advertised Billiards, Skittles and a lunch daily between 11am and 1pm. There were various licensees until 1884 when John T. S. Julian bought the Hotel and was there until his death in 1899. Mrs. Julian owned the premises until her death in 1923. In 1924 the owner was Mr. W. Earle. In 1938 Mrs. Earle was the licensee until her husband died. William Hugh Earle was the licensee from 1938 to 1963. Mrs Jean Earle then leased out the Hotel till at least the 1990's. Hotel with 3 bay verandah. Lady in doorway, horse and buggy at left. Various men and lady posing in photo. Dog far right of photo.stawell

Taken at Lions Club Regatta at Metung VictoriaBlack and white photograph of Ray Kleinitz 1922 Albion Hotel Mail Bus transport, vehicles

Mrs Smith & Minnie (Mrs Tweedley) standing outsidealbion hotel, williamstown, mrs smith & minnie, mrs tweedley, pub

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.