The coin was discovered by Julie Wilkins, a Victorian scuba diver who had already experienced more than 500 dives in Australia and overseas. She was holidaying in Peterborough, Victoria, and looking forward to discovering more about the famous Loch Ard ship, wrecked in June 1878 at Mutton Bird Island. The fast Glasgow-built clipper ship was only five years old when the tragedy occurred. There were 54 people on board the vessel and only two survived Julie's holiday photograph of Boat Bay reminds her of her most memorable dive. Submerged in the calm, flat sea, she was carefully scanning around the remains of the old wreck when, to her amazement, a gold coin and a small gold cross suddenly came up towards her. She excitedly cupped them in her hands, then stowed the treasures safely in her wetsuit and continued her dive. She soon discovered a group of brass carriage clock parts and some bottles of champagne. It was a day full of surprises. The items were easily recognisable, without any build-up of encrustations or concretion. Julie secretly enjoyed her treasures for twenty-four years then packed them up for the early morning train trip to Warrnambool. After a short walk to Flagstaff Hill Maritime Museum and Village, her photograph was taken as she handed over her precious find. She told her story to a local newspaper reporter, lunched a café in town then took the late afternoon train home. Her generous donation is now part of a vast collection of Loch Ard shipwreck artefacts, including the gold watch and the Minton Majolica model peacock. The coin is a British 1793 George III Gold Spade Guinea. It was already 83 years old when the Loch Ard had set sail. The loop and ring have been added, perhaps as a pendant, pocket watch accessory or similar purpose. It may have been worn for ‘good luck’ on the long journey to Australia, where ships had to carefully navigate the treacherous Bass’s Strait before arriving at their destination of Melbourne. Sadly, many met their fate on that short stretch of ocean aptly named the Shipwreck Coast. The coin is very recognisable even though it was exposed to the wrecking of the ship, its consequent movement, and the sea's turbulence. Its bent, scratched, buckled, split, dinted and worn condition is part of its story. The red-brown-black discolouration is similar to that found on other gold coins, sometimes called the ‘corrosion phenomena’. Studies suggest the possible cause is contaminants in the minting process reacting to the coins’ environment. The GEORGE III GOLD SPADE GUINEA: - The British Guinea was introduced in 1663 and was circulated until 1814. It was made of 22 carat gold, was 25 to 26 cm in diameter and weighed 8.35 grams. It had a value of 21 British shillings. The guinea coin ceased circulation after 1816 and was replaced by the one-pound note. However, the term ‘guinea’ continued to represent 21 shillings. King George (1738-1820) had six gold guinea designs minted during his reign from 1760 and 1820. Each of the six had different obverse portraits, all facing the right. There were three different reverse sides. The Spade Guinea was the fifth issue of the coin, introduced in 1787 and produced until 1799. The reverse shows a royal crown over a flat-topped shield with the Royal Arms of Great Britain, used in Scotland between 1714 and 1800. The shield images are, from left to right, top to bottom, the Arms of England and Scotland, the Arms of France, the Arms of Ireland, and the Arms of the House of Hanover. The Gold Guinea is also part of Australia’s history. It was the first coin mentioned in the announcement of Governor King of New South Wales his Australian Proclamation of a limited variety and denomination of coins accepted for use in the Australian Colony. The historic and decorative George III Spade Guinea has been reproduced for special collections of coins. However, replicas and imitations have also been made as souvenirs for tourists, as gaming tokens and chips for gamblers, and as ‘fake’ coins for profit. These coins differ in many ways; they may be only half the weight of the genuine coin. Often have a small stamp on the obverse with “COPY” or the manufacturer’s name or initials. Some have scalloped edges, some have dates that are different to the original dates of issue, and some even have text in Latin that translates as something very different to the original coin.The King George III Guinea was only produced from 1663 to 1814 and was the first English coin to be mechanically minted. The coin is the fifth edition of the King George III Guinea, the Spade Guinea, was only produced between 1787 and 1799. It is the only edition with this portrait of King George and the only one with the Royal Coat of Arms of Great Britain in Scotland on the reverse side. This edition was also the last guinea in circulation, because the sixth edition was reserved as the Military guinea. This edition of the Guinea is unique; This coin is the only guinea in our collection. It was minted in 1793, so it is now over 230 years old. The Gold Guinea is part of Australia’s history; it was the first coin in the list of coins for use in the Australian Colonies, mentioned by Governor King of New South Wales in his Australian Proclamation speech of 1800. The George III Spade Guinea was included in the Limited Edition Sherwood 12 Coin Collection of Notable Coinage of Australia. This coin is the only known guinea coin recovered from the wreck of the Loch Ard. It was already 85 years old when the ship was wrecked.Gold coin; British. 1793, King George III of the United Kingdom of Great Britain and Ireland (1760-1820), Spade Guinea. Yellow gold coin with gold metal loop mount and a gold ring through the loop. The design is the fifth issue of the George III Gold Guinea. The obverse relief is a portrait of George III facing right. Reverse relief is a crown above the Coats of Arms (1801-1816) of flat top spade-shaped shield divided into four quadrants that depict crowned lions, fleur de lies, a harp. These images are identified as, from left to right, top to bottom, England and Scotland, France, Ireland and Hanover. Inscriptions are minted around the rims of each side. The coin is dated 1793. Its surface has dark areas on both sides and the reed edge and surfaces are well worn. The loop mount is bent and the ring is buckled. The coin was recovered from the wreck of the ship Loch Ard.Obverse text; 'GEORGIVS III DEI GRATIA' (translates to George the Third, by the Grace of God) Obverse relief; (King George III bust, facing right, laurel wreath on head) Reverse text; 'M.B.E.ET.H.REX.F. D.B.ET.L.D. S.R.I.A.T.ET.E' '1793' (translates to: King of Great Britain, France and Ireland, Defender of the Faith, Duke of Brunswick and Lüneburg, Arch-Treasurer and Elector of the Holy Roman Empire) Reverse relief; a spade-shaped image i.e. (Crown with fleer de lies, above Shield with crowned lions in different postures, a harp, and other details)flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, royal mint, british coin, currency, guinea, military guinea, australian currency, british guinea, gold coin, spade guinea, king george iii, george iii, fifth portrait, arms of england and scotland, arms of france, arms of ireland, arms of the house of hanover, coins, gold coins, gold medallion, georgian era, 1793, numismatics, contamination phenomena, gold corrosion, good luck, lucky charm, pendant, lucky coin, trade, loch ard, wreck of the loch ard, 1878, mutton bird island, peterborough, scuba diver, 1980s, guinea coin, gold guinea, shipwreck artefact, relic, julie wilkins

Index, bib, maps, p.458.non-fictionA history of Hanoverian England from 1714 to 1815house of hanover, great britain - history

Medal issued to celebrate the coronation of King George V and Queen Mary in 1911. George ascended the throne on his father?s death on 9 May 1910. During his reign, which spanned World War I, the royal house abandoned the title the house of Saxe-Coburg-Gotha (or the house of Hanover or Brunswick) and became known as the house of Windsor. George died in 1936, and was succeeded briefly by Edward VIII. Different versions of this medal were produced for the states. In all, Stokes produced over 400,000 medals, with many issued to school children.A bronze commemorative badge for the coronation of King George V, Has loop at top. On front is coat of arms-"peace and prosperity" and back has profiles of King George V and Queen Mary.medallion badge george-v

This Great Britain shilling is dated 1819, the year before King George III died. There were over 7 million of these coins minted. King George III succeeded his grandfather, King George II, on the throne in 1760. He reigned until his death on 29th January 1820. The shield in the centre of the reverse of the coin is the Hanoverian Shield, showing that the House of Hanover was elected to the crown rather than taking the crown as a victory. This coin’s denomination is not inscribed on the coin but it has been identified as a shilling from information about the King George III currency 1816-1820. - The 6 pence coin is 19mm - This Shilling is 24mm (the same size as this coin) - The Half Crown is 32mm British coins such as this one shilling were in circulation in the colony of Australia until 1910, when the Commonwealth of Australia began producing its own coinage. This coin was minted by the Royal Mint at Royal Mint Court, in Little Tower Hill, London, England. Coins for circulation in the Kingdom of England, Great Britain and most of the British Empire were produced here until the 1960’s when the Royal Mint shifted location to Wales. The obverse side of the coin’s inscription translation is “George III by the Grace of God, King of the British territories, Defender of the Faith”. The engraver of the obverse image was Benedetto Pistrucci. The reverse side’s inscription on the coin is translated "Evil to him who evil thinks” The engraver of the reverse image was Thomas Wyon. AUSTRALIAN CURRENCY The early settlers of Australia brought their own currency with them so a wide variety of coins, tokens and even ‘promissory’ notes (often called IOU’s) were used in the exchange of goods and services. In 1813 40,000 silver Spanish dollars, purchased by the English government, were delivered to Sydney to help resolve the currency problem reported by Governor Macquarie. The coins were converted for use by punching a hole in the centre of the coin. Both the outer ring, called the holey dollar, and the punched out ‘hole’, called the dump, were then used as the official currency. The holey dollars hold the place of being the first distinctively Australian coins. In 1825 the British Government passed the Sterling Silver Currency Act, making the British Pound the only legal form of currency in the Australian colonies. Not enough British currency was imported into the colony so other forms of currency were still used. In the mid 1800’s Australia entered the Gold Rush period when many made their fortunes. Gold was used for trading, often shaped into ingots, stamped with their weight and purity, and one pound tokens. In 1852 the Adelaide Assay Office, without British approval, made Australia’s first gold coin to meet the need for currency in South Australia after the Gold Rush began. In 1855 the official Australian Mint opened in Sydney, operating as a branch of the Royal Mint in London, and the gold was turned into coins called ‘sovereigns’. Other branches also opened in Melbourne and Perth. Up to the time Australia became a federation in 1901 its currency included British copper and silver coins, Australian gold sovereigns, locally minted copper trade tokens, private banknotes, New South Wales and Queensland government treasury notes and Queensland government banknotes. After Federation, the Australian government began to overwrite privately issued notes and prepared for the introduction of its own currency. In 1910 a National Australian Currency was formed, based on the British currency of ‘pounds, shillings and pence’ and the first Commonwealth coining was produced. In 1966, on February 14th, Australia changed over to the decimal currency system of dollars and cents. Australia did not have its own currency in the colonial times. Settlers brought money from other countries and they also traded goods such as grain when currency was scarce. For a long time there was no standardised value for the different currencies. In 1825 British currency became the only official currency in the colony of Australia and coins such as this silver shilling were imported into Australia to replace the mixture of foreign currency. Australia became a Federated nation on 1st January 1901. In 1910 National Australian Currency was formed and Australia produced its own currency, based on the British ‘pounds, shillings and pence’. The British currency was no longer valid. This silver shilling is of national significance as it represents the British currency used in Australia from 1825-1910. Coin, Great Britain shilling, 1819. Silver coin, round. Obverse; King George III head, looking right. Reverse; crown on top of quartered shield, 2 diagonally opposite quarters both show 3 lions, another quarter has a rampant lion, another quarter has a harp; in the centre of the shield is a small crowned shield with 3 symbols that appear to be lions. Inscriptions on both sides of coin (denomination not inscribed).Obverse “GEOR . III D . G . BRITT . REX F . D .” and “1819” Reverse “HONI . SOIT . Q [UI obscured] . MAL . Y . PENSE” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coin, currency, money, legal tender, australian currency history, royal mint, great britain shilling 1819, king george iii currency, colonial australia currency, benedetto pistrucci, thomas wyon, numismatics

This Great Britain shilling is dated 1819, the year before King George III died. There were over 7 million of these coins minted. King George III succeeded his grandfather, King George II, on the throne in 1760. He reigned until his death on 29th January 1820. The shield in the centre of the reverse of the coin is the Hanoverian Shield, showing that the House of Hanover was elected to the crown rather than taking the crown as a victory. This coin’s denomination is not inscribed on the coin but it has been identified as a shilling from information about the King George III currency 1816-1820. - The 6 pence coin is 19mm - This Shilling is 24mm (the same size as this coin) - The Half Crown is 32mm British coins such as this one shilling were in circulation in the colony of Australia until 1910, when the Commonwealth of Australia began producing its own coinage. This coin was minted by the Royal Mint at Royal Mint Court, in Little Tower Hill, London, England. Coins for circulation in the Kingdom of England, Great Britain and most of the British Empire were produced here until the 1960’s when the Royal Mint shifted location to Wales. The obverse side of the coin’s inscription translation is “George III by the Grace of God, King of the British territories, Defender of the Faith”. The engraver of the obverse image was Benedetto Pistrucci. The reverse side’s inscription on the coin is translated "Evil to him who evil thinks” The engraver of the reverse image was Thomas Wyon. AUSTRALIAN CURRENCY The early settlers of Australia brought their own currency with them so a wide variety of coins, tokens and even ‘promissory’ notes (often called IOU’s) were used in the exchange of goods and services. In 1813 40,000 silver Spanish dollars, purchased by the English government, were delivered to Sydney to help resolve the currency problem reported by Governor Macquarie. The coins were converted for use by punching a hole in the centre of the coin. Both the outer ring, called the holey dollar, and the punched out ‘hole’, called the dump, were then used as the official currency. The holey dollars hold the place of being the first distinctively Australian coins. In 1825 the British Government passed the Sterling Silver Currency Act, making the British Pound the only legal form of currency in the Australian colonies. Not enough British currency was imported into the colony so other forms of currency were still used. In the mid 1800’s Australia entered the Gold Rush period when many made their fortunes. Gold was used for trading, often shaped into ingots, stamped with their weight and purity, and one pound tokens. In 1852 the Adelaide Assay Office, without British approval, made Australia’s first gold coin to meet the need for currency in South Australia after the Gold Rush began. In 1855 the official Australian Mint opened in Sydney, operating as a branch of the Royal Mint in London, and the gold was turned into coins called ‘sovereigns’. Other branches also opened in Melbourne and Perth. Up to the time of Australia becoming a federation in 1901 its currency included British copper and silver coins, Australian gold sovereigns, locally minted copper trade tokens, private banknotes, New South Wales and Queensland government treasury notes and Queensland government banknotes. After Federation the Australian government began to overwrite privately issued notes and prepared for the introduction of its own currency. In 1910 a National Australian Currency was formed, based on the British currency of ‘pounds, shillings and pence’ and the first Commonwealth coining was produced. In 1966, on February 14th, Australia changed over to the decimal currency system of dollars and cents. Australia did not have its own currency in the colonial times. Settlers brought money from other countries and they also traded goods such as grain when currency was scarce. For a long time there was no standardised value for the different currencies. In 1825 British currency became the only official currency in the colony of Australia and coins such as this silver shilling were imported into Australia to replace the mixture of foreign currency. Australia became a Federated nation on 1st January 1901. In 1910 National Australian Currency was formed and Australia produced its own currency, based on the British ‘pounds, shillings and pence’. The British currency was no longer valid. This silver shilling is of national significance as it represents the British currency used in Australia from 1825-1910. Coin, Great Britain shilling, 1819. Silver coin, round. Obverse; King George III head, looking right. Reverse; crown on top of quartered shield, 2 diagonally opposite quarters each show 3 lions, another quarter has a rampant lion, another quarter has a harp; in the centre of the shield is a small crowned shield with 3 symbols that appear to be lions. Inscriptions on both sides of coin (denomination not inscribed).Obverse “GEOR . III D . G . BRITT . REX F . D .” and “1819” Reverse “HONI . SOIT . Q [UI obscured] . MAL . Y . PENSE” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coin, currency, money, legal tender, australian currency history, royal mint, great britain shilling 1819, king george iii currency, colonial australia currency, benedetto pistrucci, thomas wyon, numismatics

Hard cover book. The Faith of Men Author: Jack London Publisher: William Heinemann Ltd Date: 1904 Further Information: Brick-red cloth boards, gilt/black spine lettering. Small 8vo format, roughly 246 pages. William Heinemann publisher's device on the title page, and referenced in bibliographies as BAL 11878 / Woodbridge 27fictionThe Faith of Men, and Other Stories (1904) is Jack London's fourth short story collection, gathering eight tales largely set against the backdrop of the Klondike Gold Rush and the far north the milieu that made London famous. The collection includes the title story "The Faith of Men," along with others such as "Too Much Gold," "The Marriage of Lit-lit," "The Story of Jees Uck," and "The One Thousand Dozen." As with much of London's northern fiction, the stories explore themes of survival, endurance, greed, loyalty, and the clash between "civilised" and Indigenous or frontier codes of conduct hallmarks of the naturalist style he became known for.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the faith of men, jack london, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

Rev Robert Hodgson: His father was Robert Hodgson Snr, of Congleton, and Mildred (née Porteus) in early 1773. He was baptised on 22 September 1773 at St Peter's Church, Congleton. Hodgson was a close relative (by marriage on his father's side and by blood on his mother's side) of Beilby Porteus, Bishop of London of whom Hodgson wrote a biography of Porteus. On his mother's side, he was a descendant of Augustine Warner Jnr., who presided as the Speaker of the Virginia House of Burgesses during the time of Bacon's Rebellion (Warner served before the Rebellion in 1676, and after the Rebellion in 1677.) Hodgson was educated at Macclesfield School and Peterhouse, Cambridge, where he graduated with a BA as 14th Wrangler in 1795. He was appointed rector of St George's, Hanover Square for over forty years, from 1803 until his death in 1844. Bishop Beilby Porteus: Beilby Porteus 8 May 1731 – 13 May 1809), successively Bishop of Chester and London was a Church of England reformer and a leading abolitionist in England. He was the first Anglican in a position of authority to seriously challenge the Church's position on slavery. Porteus was born in York on 8 May 1731, the youngest of the 19 children of Elizabeth Jennings and Robert Porteus ( 1758/9), a planter. Although the family was of Scottish ancestry, his parents were Virginian planters who had returned to England in 1720 as a result of the economic difficulties in the province and for the sake of his father's health. Educated at York and Ripon Grammar School, he was a classics scholar at Christ's College, Cambridge, becoming a fellow in 1752. In 1759 he won the Seatonian Prize for his poem Death: A Poetical Essay, a work for which he is still remembered. He was ordained as a priest in 1757, and in 1762 was appointed as domestic chaplain to Thomas Secker, Archbishop of Canterbury, acting as his assistant at Lambeth Palace for six years. It was during these years that it is thought he became more aware of the conditions of the enslaved Africans in the American colonies and the British West Indies. He corresponded with clergy and missionaries, receiving reports on the appalling conditions facing the slaves from Rev James Ramsay in the West Indies and from Granville Sharp, the English lawyer who had supported the cases of freed slaves in England. In 1769 Beilby Porteus was appointed as chaplain to King George III. He was also Rector of Lambeth (a living shared between the Archbishop of Canterbury and the Crown) from 1767 to 1777, and later Master of St Cross, Winchester (1776–77). He was concerned about trends within the Church of England towards what he regarded as the watering-down of the truth of Scripture and stood for doctrinal purity. He was, however, happy to work with Methodists and dissenters and recognised their major contributions in evangelism and education. In 1776, Porteus was nominated as Bishop of Chester, taking up the appointment in 1777. He was Renowned as a scholar and a popular preacher, it was in 1783 that the young bishop was to first come to national attention by preaching his most famous and influential sermon. In 1787, Porteus was translated to the bishopric of London on the advice of Prime Minister William Pitt, a position he held until his death in 1809. As is customary, he was also appointed to the Privy Council, and Dean of the Chapel Royal. In 1788, he supported Sir William Dolben's Slave Trade Bill from the bench of bishops, and over the next quarter-century, he became the leading advocate within the Church of England for the abolition of slavery, lending support to such men as Wilberforce, Granville Sharp, Henry Thornton, and Zachary Macaulay to secure the eventual passage of the Slave Trade Act in 1807.Beilby Porteus was one of the most significant, albeit under-rated church figures of the 18th century. His sermons continued to be read by many, and his legacy as a foremost abolitionist was such that his name was almost as well known in the early 19th century as those of Wilberforce and Thomas Clarkson but 100 years later he had become one of the 'forgotten abolitionists', and today his role has largely been ignored and his name has been consigned to the footnotes of history. His primary claim to fame in the 21st century is for his poem on Death and, possibly unfairly, as the supposed prototype for the pompous Mr. Collins in Jane Austen's novel ”Pride and Prejudice”. But, ironically, Porteus' most lasting contribution was one for which he is little-known, the Sunday Observance Act of 1781 (a response to what he saw as the moral decay of England), which legislated how the public were allowed to spend their recreation time at weekends these laws continued for the following 200 years until the passing of the Sunday Trading Act of 1994.Book of sermons cover is brown with gold border and decoration Beilby Porteus (or Porteous; 8 May 1731 – 13 May 1809), successively Bishop of Chester and of London, was a Church of England reformer and a leading abolitionist in England. He was the first Anglican in a position of authority to seriously challenge the Church's position on slavery. The Works of The Right Reverend Beilby Porteus Vol 2” . Spine has “Porteus’ Works, Vol. II Sermons”. The works of the Right Reverend Beilby Porteus, D.D., late Bishop of London; with his life, by the Rev. Robert Hodgson, A.M.F.R.S. and one of the Chaplains in Ordinary to His Majesty. A New Edition in Six Volumes. Vol. II – Sermons. Published in 1811 for T. Cadell and W., Davies, in The Strand, London. Printed by G. Sidney, Northumberland-street. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, right reverend beilby porteous, sermons, london reverend

Franz Karl Barth was born in Hanover, Germany in 1863. On 19/11/1890 he married Annie Catherine Myer in Castlemaine. They had the following children:- Friederike (Frieda) 1891- 3/8/1982; Wilhelmina Augusta (Minnie) 1893 -1976; and Helene Ann (Nellie) 1898 - 30/5/1904. The family ran the Adventure Vineyard at Mandurang. Frieda married Stephen Chambers in 1915.Copy of photograph showing Mrs F K Barth seated in gig with daughter Frieda and daughter Minnie standing. The gig was made by Frieda's fiance Stephen Chambers at Adventure Vineyard.photograph, building, house, bendigo-history-genealogy-barth-vineyards

Anvil's Star won the Bendigo Pacing Cup on the 24 January 1997, followed by Desperate Comment and No Equal. Anvil's Star owned by RM Cameron & K Kotzikas, was trained by RM Cameron and driven by Ricky May. Anvil's Star raced from 1995 (3yo) through to 2001 (9yo). Career: 17 wins 22 seconds 11 thirds 116 starts.Two colour photographs, one small one large in a brown, black, gold frame. At the top: Bendigo Harness Racing 24-1-97/ Gerard K House Pty Ltd Bendigo Pacing Cup / C9 or Better At the bottom: Left corner: Distance 2400 metres/ Mile rate 1.59.3 / Greg Matthews Photos - Stawell Centre: Anvils Star (Vance Hanover - Venetian Star) / Desperate Comment 2nd / No Equal 3rd Right corner: Owned by- RM Cameron & K Kotzikas/ Trained by RM Cameron / Driven by Ricky Maybendigo harness racing club, horses, race, winner, bendigo trotting club, pacing cup, driver, trainer, owner, 1997, anvils star, rm cameron, ricky may, k kotzikas, desperate comment, no equal, robert cameron, r may, r cameron

Hard cover book. The Way Home Author: Henry Handel Richardson Publisher: William Heinemann Ltd Date: 1925 Further Information: Black Cloth embossed hardcover with lettering and patterning to spine in Gilt The spine has a Library label with an inscription.fictionThe Way Home (1925) is the second volume of Henry Handel Richardson's trilogy The Fortunes of Richard Mahony, published by William Heinemann Ltd, following Australia Felix (1917) and preceding Ultima Thule (1929). The three were later collected into a single volume in 1930 under the trilogy's overall title. The novel continues the story of Richard Mahony, an Irish-born doctor who made and lost a fortune on the Victorian goldfields. After years of struggle in the Australian outback, Richard Mahony returns to his native England to live out his years in comfort and quiet. Although his dreams have been realised, he soon discovers the prejudice with which the wealthy view men who went across the world to make their fortunes. Unable to gain a foothold in the land of his birth, he makes the difficult decision to return to Australia. It's a heavily autobiographical work, as Richardson built the character of Mahony from her own father, a doctor whose life followed a very similar arc, including a descent into mental illness.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the way home, henry handel richardson

Hard cover book. Maurice Guest Author: Ethel Florence Lindesay ( Pen Name Henry Handel Richardson) Publisher: William Heinemann & Co Date: 1929 Further Information: Red Cloth front hardcover with lettering in black. Rebound reinforced spine with red reinforced cloth strip. The spine has a Library label with an inscription.fictionSet in the 1890s music world of Leipzig, Germany, the novel follows Maurice Guest, a young Englishman studying piano at the Conservatorium, who falls into an obsessive, ultimately destructive love affair with Louise Dufrayer, an Australian woman already entangled with a gifted but caddish violinist, Eugen Schilsky. The story follows Maurice's violent passion for the indolent, sensuous Louise, who is the mistress of the talented violinist Eugen Schilsky. Maurice consoles himself with another woman, but a scandal drives Schilsky away, after which Maurice and Louise come together. Maurice is forced to confront his own mediocrity as a musician, and Louise's chequered past comes to light through a former lover, leading to a violent confrontation, further betrayals, a suicide, and finally Louise leaving Maurice, who then walks into the countryside and shoots himself. It is essentially a naturalist tragedy of obsessive love and thwarted artistic ambition, set against a vividly rendered expatriate music-student milieu.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, maurice guest, henry handel richardson

Hard cover book. Flowering Wilderness Author: John Galsworthy Publisher: William Heinemann Ltd Date: 1932 Further Information: Green cloth boards, gilt/black spine with gilt lettering. William Heinemann publisher's device on the title page, and rebound spine in black cloth. fictionFlowering Wilderness (1932) is a novel by John Galsworthy, and it's the second book in his 'End of the Chapter' trilogy it's a sequel to 'Maid in Waiting', continuing the story of the Cherrell family. It centres on Dinny Cherrell (niece of the Forsyth-adjacent Cherrell clan) and her love affair with Wilfred Desert, a poet who under threat of death while a captive in the Middle East had renounced Christianity and converted to Islam. The novel explores the social scandal and moral judgement that follows him back to England, and Dinny's loyalty to him in the face of society's condemnation. It's part of Galsworthy's broader fictional universe that includes the famous Forsyte Saga, although this particular trilogy follows a different but related family branch.shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, flowering wilderness, john galsworthy

Hard cover book. When God Laughs Author: Jack London Publisher: Reprint Publisher Unclear Possibly Heinemann Date: 1912-1940s Further Information: A plain dark green cloth binding with the title and author stamped in flat white/silver block lettering "WHEN GOD / LAUGHS" over "JACK LONDON." There's no gilt decoration, no illustrated boards, and no dust jacket. fictionWhen God Laughs, and Other Stories is Jack London's eleventh collection of short fiction, originally published in 1911 (by Mills & Boon in the UK) when London was about thirty-five and roughly at the midpoint of his career. It gathers twelve stories he had mostly written as quick, paying magazine work, and the quality is famously uneven hack pieces sit alongside some of his finest short fiction. Jack London lived beyond his income for much of his writing career, and to pay his bills he often produced 'immediately remunerative short fiction for the magazines'. In 1911 he pulled twelve of these into one volume. The collection takes its name from the opening story, about a couple who try in vain to sustain an intensely idealistic romance against the erosion of time and human inconstancy, and the book as a whole explores themes London was known for: survival in hostile environments, humanity's rawest instincts, and worker exploitation under industrial capitalism. Unlike much of London's earlier Klondike centred work, this collection is set largely in Polynesia and the South Seas, reflecting his voyages aboard the Snark in the years just before.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, when god laughs, jack london, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

Hard cover book. Ulima Thule Author: Ethel Florence Lindesay ( Pen Name Henry Handel Richardson) Publisher: William Heinemann & Co Date: 1929 Further Information: Black Cloth front hardcover with lettering and embossed patterning. Rebound brown spine with red reinforced cloth strip. The spine has a Library label with an inscription.fictionUltima Thule (1929) is the landmark third and final novel in the acclaimed trilogy The Fortunes of Richard Mahony by Ethel Florence Lindesay ( Pen Name Henry Handel Richardson). The synopsis of Ultima Thule follows the final, tragic chapter of Dr Richard Mahony's life. Having lost his wealth due to poor investments and misplaced trust, the forty-nine-year-old Mahony returns to Australia financially ruined. Forced to restart his medical practice in the rural Victorian towns of Chiltern and Koroit, Mahony suffers a severe physical and mental breakdown driven by early-onset neurosyphilis and profound alienation from his surroundings. The narrative focuses on mental and physical decay, with a harrowing and realistic depiction of Mahony's descent into dementia and insanity. The psychological struggle of his steadfast wife, Mary (Polly), is also depicted, as she steps up to support the family amidst social stigma and poverty within the harsh Australian landscape, alongside her own alienation as an exile in an unyielding environment.shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, ultima thule, henry handel richardson, ethel florence lindesay

Hard cover book. Sard Harker Author: John Masefield Publisher: William Heinemann Ltd Date: 1924 Further Information: Red Cloth hardcover with lettering and patterning to spine in black. The spine has a Library label with an inscription.fictionThe novel centres on Chanticleer "Sard" Harker, a serious, stoic first mate aboard the trading ship Pathfinder. While anchored off the coast of the fictionalised South American nation of Santa Barbara a recurring setting in Masefield's fiction Harker experiences a vivid, recurring dream predicting that a woman named Doña Margherita Luisa Rosa is in grave danger. Driven by a strict sense of duty and premonition, Harker goes ashore to track down the estate where she is staying to deliver a warning. This decision plunges him into an extraordinary physical ordeal: separated from his ship and framed for murder, Harker must trek through hostile jungles, arid deserts, treacherous swamps, and rugged mountain passes while battling corrupt local officials, bandits, and a sinister occultist/cult leader named Don Hirsch Gomez.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, sard harker, john masefield, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

Hard cover book. Eggs & Baker or The Days of Trial Author: John Masefield Publisher: William Heinemann Ltd Date: 1936 Further Information: Navy blue cloth with pictorial end papers hardcover with lettering and patterning to spine in black. The spine has a Library label with an inscription.fictionEggs and Baker, or The Days of Trial (1936) is a novel by the English poet and Poet Laureate John Masefield, best known for verse ('Sea-Fever', The Everlasting Mercy) and children's classics like The Box of Delights and The Midnight Folk, published the previous year. The story is set inland in Masefield's imagined English county of Tatchester/Condicote his recurring fictional geography, also used in The Box of Delights. The plot centres on a long-running trial of two men one a 'half-wit' accused of shooting and killing a gamekeeper while poaching. The real protagonist, though, is a baker who is losing business and standing in the community because of his socialist sympathies, and who takes up the accused men's cause at real cost to himself. A contemporary Kirkus review called it 'a totally unexpected book from Masefield, and a disappointing one', and wondered whether it was intended as 'a spoof on the law, or a serious commentary on problems of justice'.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, masefield, john, eggs and baker, john masefield, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

Hard cover book. The Box of Delights Author: John Masefield Illustrator: Judith Masefield Publisher: William Heinemann Ltd Date: 1935 Further Information: Navy blue cloth with pictorial end papers hardcover with lettering and patterning to spine in black. The spine has a Library label with an inscription. fictionThe Box of Delights is a children's fantasy novel by John Masefield, a sequel to The Midnight Folk, first published in 1935. Kay Harker is returning from boarding school when he finds himself mixed up in a battle to possess a magical box which allows the owner to shrink in size, to fly swiftly, to go into the past and to experience the magical wonders contained within. He's opposed by a wizard named Abner Brown and his gang of disguised bandits and witches masquerading as clergymen, and aided by talking animals, most memorably the cat Nibbins. It's a Christmas story at heart, steeped in English folklore, magic, and the atmosphere of a snowy Midlands winter.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the box of delights, john masefield, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

Hard cover book. Dead Ned Author: John Masefield Publisher: William Heinemann Ltd Date: 1938 Further Information: Green Cloth hardcover with lettering and patterning to spine in black. The spine has a Library label with an inscription.fictionThe full title for Dead Ned is The Autobiography of a Corpse Who Recovered Life Within the Coast of Dead Ned and Came to What Fortune You Shall Hear. The novel follows a young doctor who is hanged for a murder he did not commit, is rescued just in time, and rushed out of the country on a slave ship. The novel is an 18th-century-set adventure about a wrongly accused medical student, Ned Mansell. While he's aboard the slave ship, the story follows his journey as he is saved from the gallows at the last minute by friends who send him off to hide as a doctor on the vessel. It has a sequel, Live and Kicking Ned (1939), a seafaring novel about the African slave trade that continues the 1938 story.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, dead ned, john masefield, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

Hard cover book. The Bird of Dawning Author: John Masefield Publisher: William Heinemann Ltd Date: 1933 to 1939 Further Information: Blue Cloth hardcover with lettering and patterning to spine in gilt. Front cover with title & authors name in gilt. The spine has a Library label with an inscription.fictionThe Bird of Dawning (1933) is a sea-adventure novel about the clipper ship Black gauntlet, which is racing home from China to London when she's struck at night by a passing steamer. Only about half the crew sixteen men escape into a lifeboat before she goes down. The 22-year-old second mate, Cruiser Trewsbury, takes command of the survivors and leads them on a roughly 700-mile open-boat voyage to the island of Fayal in the Azores, fighting sharks, dwindling water and food, a leaking boat, and the threat of mutiny along the way. Partway through, the survivors come across an abandoned, dismasted clipper still afloat and Cruiser gets the chance to jury-rig her and sail her home himself, turning survival into a race against time.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, martin hyde the dukes messenger, john masefield, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

Hard cover book. The Midnight Folk Author: John Masefield Publisher: William Heinemann Ltd Date: 1930-1940 Further Information: Two-tone quarter binding dark green/black spine and quarter shelf-back with red cloth sides, with hand-lettered ink text on the spine "The Midnight Folk / Masefield"). The spine has a Library label with an inscription.fictionThe Midnight Folk (first published in 1927) is a celebrated fantasy novel for young readers written by John Masefield. The story centres on a young, lonely orphan named Kay Harker, who lives in a country house guarded by his stern governess. Kay learns that his great-grandfather, Captain Harker, lost a valuable treasure—the plunder of the Santa Barbara—that was entrusted to him. Kay sets out on a quest to locate the lost treasure. Guided by his cat, Nibbins, and an assortment of talking animals, witches, goblins, and nocturnal creatures (the titular 'Midnight Folk'), Kay journeys through magical, dream-like realms. The story seamlessly weaves together British folklore, nautical high adventure, piracy, and childhood wonder.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, the midnight folk, john masefield, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

Hard cover book. Victorious Troy or The Hurrying Angel Author: John Masefield Publisher: William Heinemann Ltd Date: 1935 Further Information: First edition with original publisher's blue cloth binding with gold foil/gilt lettering on both the front board ("VICTORIOUS TROY / JOHN MASEFIELD") and the spine. The spine has a Library label with an inscription.fictionVictorious Troy or The Hurrying Angel (first published in 1935) is a dramatic maritime novel by John Masefield. Set in 1922, the story takes place aboard a full-rigged grain ship—the Hurrying Angel—sailing from Melbourne, Australia, back to the UK across the South Pacific. Deep in the ocean, the ship is hit by a catastrophic cyclone. The storm dismasts the vessel, kills or incapacitates the captain and senior officers, and leaves the ship in perilous condition. The hero of this novel is eighteen-year-old senior apprentice Dick Pomfret, who is forced to take command. Through sheer grit, seamanship, and leadership, Dick clears the wreckage, constructs a jury-rig mast, and navigates the battered ship towards safety. Grounded in Masefield's real-life young adult experiences aboard merchant sailing ships, the novel is celebrated for its technical accuracy, vivid descriptions of rough seas, and authentic nautical terminology.warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, victorious troy, the hurrying angel, john masefield, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.

In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.