Black and white photograph on grey board of view (from Law Courts?) towards Howard Place, Bendigo. Conservatory Building in foreground and row of horse drawn cab (equivalent to present day taxis). Two story buildings with Hotel, Grocers, Undertakers, Photographers and Black Swan Hotel. Inscriptions: on back - Conservatory Gardens and Howard Place, Bendigo', '30', 'Gardens, 1204, FSP', '1165 (a)', 'date about 1900 ----', 'Royal Historical Society Victoria, Bendigo Branch' in a circular stamp.buildings, conservatory

black and white image. Two storey building, narrow, one arched window and one door. Verandah with lace work. Former building occupied by Dr. Lamsey. On front in pen MP 127, on rear in pen Dr. Lamsey's Rooms, Howard Place. MP 127

Bendigo 1950s. Bendigo Easter Fair 21/4/1957. Bagpipe Band marching along Howard Place.Kodachromeevent, easter fair, bendigo easter fair, bendigo 1950s. bendigo easter fair 21/4/1957. bagpipe band marching along howard place

An article from the Bendigo 'Advertiser' Tuesday magazine section titled 'Eat, drink and be merry!' This is an account of the life of Luigi Bazzani before and after he met and married Athalie Lamb. They have opened the Copper Pot in Howard Place together. 10/2/1970.person, individual, luigi bazzani, lydia chancellor collection, collection, bendigo, restaurant, hospitality, building, place, dining, luigi bazzani, athalie lamb, howard place, bistro

Hand - written letter on grey, lined note paper dated 1.2.1940 from Doug at Park View Guest House, Howard Place Bendigo to Miss Dorothy Shang, 155 High St, Echuca Victoria. / Envelope - same coloured paper post marked Bendigo 2.2.1940 / red 2 penny postage stamp - appears to be 1937 KGVI 2d Scarlet King George VI. Strip of white paper indicating the birthday of Edith Lund as 25th July, and the name King George VI.document, park view guest house howard place bendigo / 1937 kgvi 2d scarlet king george vi stamp

'Goldpanning' Statue, Howard Place, Bendigo. C1983slide, bendigo, statue, 'gold panning' statue, bendigo

Golden Jubilee Statue. Intersection of McCrae Street Bridge Street and Howard Place, Bendigo.slide, bendigo, golden jubilee statue, golden jubilee statue

Coloured photograph marked on rear as "Les and Norm Gillies at the Howard Place Bakery Ündatedunkown

Bendigo Advertiser "The way we were" from 1999. Image change: the Howard Place Pharmacy, which is now the site of Bazzani's ristorante and bar.newspaper, bendigo advertiser, the way we were

BHS CollectionA large white envelope which contained three photos of a pet dog. Names Geoff 7 Pam Pryor "Langley" 50 Miller Street Bendigo 3550, Tel: (054) 42 4471, printed on rear of envelope. A black and white photograph of a pet dog. A black and white photograph of a dog sitting in a lounge room. A black and white photograph of a dog sitting on a chair in a lounge room.Margaret Kennedy Park Corner Studio, (Adjacent to Howard Place) Bendigo, Vic, Phone 2152.bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, dog, dogs, animal, animals, pet, pets, photo, photography, photograph, photographs, bendigo teachers' college, history, ms. j.c. burnett

Slide. Bendigo & District P.O.I. The Gold Statue corner of Pall Mall & Bridge Street with Howard Street runing along the back (Now Howard Place).slide, bendigo, bendigo & district p.o.i., bendigo & district p.o.i.

Black and white photo title 'Gold Monument' looking up Pall Mall /McCrae St, Bendigo. Gold Monument in Howard Place on left, No 6 Tram on right.person, individual, basil miller

Wall calendar from 1975. Sepia photo of a Bendigo tram. With compliments from Gillies pastrycooks, Howard Place, Hargreaves Street, Bendigo 3550. Wholesale phone 439533. Retail phone 434965. Box 222.business, retail, gillies

black and white photograph: laneway, brick building with windows with shutters, female figure walking towards photographer. Lane opposite School of Mines, running from Mc Crae St. to Howard Place, adjoining the Albert Hotel.place, laneway

Pink 'Alpine' Chilblain Cure label with brown printing. Has double line border with some decoration under the name of the contents. Directions are printed on the label. Name of A. E. Sayer, Chemist, 141 Pall Mall. Howard Place, Bendigo.business, printers, cambridge press, cambridge press collection, a e sayer

2.4.1980 newspaper article re the display of early Bendigo photos by the Royal historical society .Photos shows Easter Parade photos .The top photo show crowds lining Pall Mall and flooding into Howard Place in 1898. The bottom photo was taken at an Easter procession during the 1890'snewspaper, bendigo advertiser, newspaper column

Black and White Photo, Pall Mall and Mundy Streets Intersection, Photo Also includes 'Goudge Bros Butchers' in Howard Place, The shop next door has the sign 'J.J. Cohen, Importer of Fancy Goods', Photo markings on back 'Mundy Street and Pall Mall Intersectioon', 'Holterman Collection 1876'buildings, commercial, mundy street, pall mall, goudge bros butcher, butcher, j.j. cohen

The Mayoral Ball is long held tradition, usually held in the first few months of a new mayors election with proceeds going to a local charity. The 1972 Mayoral Charity Dinner Ball was held at the Bendigo City Town Hall with funds donated to St Luke's Toddlers' Home in White Hills. Catering was provided by the Copper Pot Restaurant, 2 Howard Place, Bendigo and the Frank Charles Orchestra provided the music. 4 minute 24 second black and white 16 mm film in original film can, labelled. 0340a; Label (no longer affixed to can) 0340b Film Can 0340c; Film Reel 0340d; 16mm filmLabel; A / BCV - TV / PRODUCTION / Subject The Mayoral Ball - 1972 / Duration 4 min 24 sec / Bendigo & Central Victoria Telecasters Ltd / Lily Street, Bendigo, 3550 / Phone (ill)3-0584Film Can Lid; EASTMAN KODAK COMPANY Film Reel; tuscan / HUNDRED FEET / Made in Australia by / Australian Reel Co. / Pty Ltd city of bendigo mayor, city of bendigo town hall, city of bendigo events, mayoral ball, mayor elliott, mayoress elliott, elliott collection

Black and white photograph. Conservatory, Rosalind Park, Bendigo. Inscription on back 'MP 262', Circular blue rubber stamp 'Royal Historical Society of Victoria, Bendigo Branch'. History of object: Photo taken from upper floor of Law courts, Pall Mall, soon after the Conservatory was completed. Photo could date as late as after May 1920. A.E Sayer occupied the corner building of Howard Place from 1909 until this time. Prior to this it was Vale's Pharmacy, Beckett's, Boully's and originally Garsed's Conservatory Centenary was 1998. UK inscription inserted. Corner building now Bazzani's Restaurant.buildings, conservatory

Documents. Connelly, Tatchell & Dunlop. 1 - Abt 1896 - Letter from M McDonald. 2 - 1896 - Letter from Connelly, Tatchell & Paling, Solicitors, Melbourne re Seeber v Hill. 3 - 1896 - Letter from Harvey James, Mologa. 4 - 1896 - Letter from Hunter H, Howard Place. 5 - 189? - Letter from Malke? Regarding assets purchased from McCoy? Letter written on Dr. note to The Bendigo Evening Mail Co. Limited, Hargreaves Street, Bendigo. 6 - 1896 - Letter from Twigg Geo, Wilsons Hill, Marong. 7 - 1896 - Letter from McWhae John & Co, Stock and Share Brokers, 94 Queen Street, Melbourne re Flegg & Son. 8 - 1896 - Letter from Parker, E Shirley, Solicitor, London regarding South Bendigo Gold Mines and New Chum Gold Mines.cottage, miners, connelly, tatchell & dunlop, mcdonald m, connelly, tatchell & paling, seeber, hill, harvey j, hunter h, malke? mccoy?, the bendigo evening mail co. ltd, twigg g, mcwhae j & co, flegg & son, parker e s, south bendigo gold mines, new chum gold mines

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card.Printed lower left hand side of the card "American Studio, 324 Geo. St."tintype, american studio, woman, unidentified woman, women, photograph

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .2) A tintype portrait of two girls heads, attached to a card. The girls are wearing a cloak with a large bow at the frontlittle gem, women, children, photography, tintype

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .4) A tintype portrait of a man, attached to a card. little gem, tintype, man, unidentified man

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a child, attached to a card. little gem, child, hat

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .5) A tintype portrait of a child, attached to a card. little gem, photography, child, portrait

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman, photography

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .9) A tintype portrait of a woman's head, attached to a card. The cheeks have been hand coloured.little gem, woman, unidentified woman, women, photography