Anthropodermic Bibliopegy is the name given to the use of human leather to bind books. The name stems from the combination of the Greek root words, human (Anthropos), skin (derma), book (biblion), and fasten (pegia). The practice of creating anthropodermic books was popular throughout the 17th and 18th centuries. Most commonly, anthropodermic books are medical tomes, with the human leather taken from medical cadavers. Others were produced after criminal trials, with the criminal’s skin used to enclose the record of their own death sentences, creating a form of punishment that would surpass death. Other anthropodermic books contain poems or are religious texts. This book was written and printed in 1599 but most probably was rebound later when creation of anthropodermic books became more predominant. The book is a small tome of a religious nature containing the work of Bishop Thomas Bilson, who in a puritanical voice states that the primary argument articulated in this book is that “the metaphorical Calvinist interpretation of Hell as an exclusion from God was accurate then Christ's descent into hell after his crucifixion must refer to an actual existent hell as Christ was neither subject to sin nor able to be separated from the Divine.” The unusual cover of the book has led to many questions, the main being whether the book is covered with human skin. It was confirmed as such in 2014 with DNA testing undertaken by honours student Talanna Buckley at Federation University finding an 100% match to human DNA on the outside cover of the book. This is one of only two confirmed anthropodermic books in Australia, the other is housed at the National Library of Australia. Other forms of testing the leather of books have been found to be more accurate than DNA testing. For example, before DNA testing or PMF (Peptide Mass Fingerprinting) are undertaken many books have been identified as made from human skin through the close examination of the skins patterning. Hair follicles are the focus of the examination as certain patterns and sizes lend themselves to being human. However, many of these books have been proven to not be bound in human skin, the same can be said of books with inscriptions claiming them as anthropodermic. Peptide Mass Fingerprinting (PMF) testing has been found to be the most reliable way of confirming a leather bindings origin. This process involves the sampling of collagen-based materials, cutting the protein to gain specific amino acid combinations which form individual peptide sequences. Each mammal has an individual amino acid sequence in its collagen therefore its peptide mass combination is unique. This form of test can provide a more accurate outcome as collagen will be preserved for longer after the tanning process and will not be damaged in the same way DNA can be by the tanning process. DNA testing can also provide false positives as trace DNA from someone touching the book could be amplified and provide the reading instead of that of the leather itself. However, this book was tested with many controls as well as specific decontamination procedures in order to ensure that it was not trace DNA being tested. This book is historically and spiritually significant because it is a rare example of an early printed English Christian religious tract produced in Old English and Latin.. Its association with Thomas Bilson, who oversaw the final printing and publication of the King James Bible, is important. The covering of this book has been tested for human dna. Findings prove the book is covered with human skin, increasing the rarity of the object.420 page book with unusual leather cover. The book is written in Old English with passages in latin. There is a pressed petal between p.68 and 69. The covering of this book is made of human skin. The practice of binding books in human skin, also known as anthropodermic bibliopegy.Inside cover - James Hendy No 17 (Fu)gends Road Palmers Village Westminster. The gift of his mother Mrs Thomas Hendy. Some notes made through text eg p.112, and a passage written on the last page.religion, bible, edward lowe, edward lotos, thomas bilson, anthropodermic bibliopegy, james hendy, full redemption, religious, leather, wilson, winchester, jesus, puritanical, puritans, bungey, bilson, human skin, skin, human skin cover, human skin binding

In 2013 Talanna Buckley undertook work on a book in the Federation University Historical Collection to determine whether it was covered with human skin as part of an Honours course in Bio-Medicical Science at Federation University Australia. Five coloured photographs showing Talanna Buckley in the Bio-Medicine Laboratory at Federation University Australia. Talanna working on identification of a human skin covered book held by the Federation University Historical Collection. human skin covered book, talanna buckley, bio-medicine, laboratory, y building, lab coat, biomedical science, alumni

The Geoffrey Blainey Research Centre is a supervised reading room in the E.J. Barker Library on the Federation University Mt Helen Campus. It holds the Art and HIstorical Collections, as well as special librarry collections.Colour photographs of visitors to the Federation University Geoffrey Blainey Research Centre. * Dr Dorothy Wickham, 08 August 2012 * Gene Geoffrey and the Human Skin Covered Book * Major Neil Leckie RFD (Ret'd) with his newly released book 'Creswick's War: Through the Letters of Driver S. Gordon Spittle MM "The War Correspondent", 04 September 2019 * Barry Kentish and Peter Voterakis of the Ballarat Fly Fishing Club * Kevin Jewell and Robert Littlewood, trustees of the Keith Wingrove Memorial Trustgeoffrey blainey resaerch centre, visitors, dorothy wickham, gene geoffrey, neil leckie, barry kentish, peter voterakis, kevin jewell, robert littlewood

NoneAbstract image. Centre image is a human (shown without skin) climbing a narrow mound/hill form. At the top is a screen supported by three poles. The screen reproduces a photograph of what appears to be a classical narrative bas-relief sculpture. On each side of the hill are Celtic and Norse carvings/gilded artefacts/metalworks mounted on long poles. Abstract could patterns are at the top of the print. No matt. Silver metal frame.Front: 1/10 (lower left) Ikon to a Fossil King (lower centre) Allan Mann (lower right) (pencil) Back: (no inscriptions)

Photographer notations on slide: At the Leather Exhib. at T. Hall Melb 1933 Age Published: Age (Melbourne, Vic.: 1854- ), 1933 THE EXHIBITS. (1933, September 20). The Age (Melbourne, Vic. : 1854 - 1954), p. 16. Retrieved January 25, 2026, from http://nla.gov.au/nla.news-article205109730 Published title: THE EXHIBITS. A COMPREHENSIVE RANGE. Curios, Novelties, Working Displays Published Caption: ONE OF THE NOVELTIES – AN OUTSIZE IN SHOES Research by Project Volunteer, Louise McKenzie: Our photo is dated 20 September 1933, and shows a happy, chubby-faced young girl sitting in a very over-sized girl’s shoe. It is labelled – “Shoe, An Out Size, loaned by Messrs Blackman & Rose”. (1) It is an effective way to capture the attention of the readership and alert them to the Melbourne Leather Show 1933. This show was designed to be a drawcard of extraordinary proportion, and there is no doubt that this leather exhibition was a really big deal for Melbourne. It completely took over the Melbourne Town Hall, and was open from 10.30 am until 10.30 pm. It seemed to contain something for everyone – the military, the man about town, the home handyman, the housewife, the child, the sporting types, the domestic workers, the outdoor enthusiasts, the horseracing fans, car enthusiasts, those wishing to show off the latest fashion – both men and women - and those just intrigued by a lot of fascinating and wide ranging exhibits. One of the most comprehensive descriptions of the Exhibition accompanies the photograph, and is worth quoting in full: “PROMINENT among exhibits which first attract attention in the foyer of the Town Hall is a comprehensive display of leather articles used by the defence forces. A conspicuous legend states that leather plays an important part in national defence, being used for saddlery, tool containers, holdalls, range-finding, surveying and signalling equipment, explosives factories, harness accoutrement, bandsmen's equipment and clothing. Three models of horses and several figures of soldiers wearing leather equipment illustrate the lesson, and a great range of leather goods used in military training and work variegate the display. Nearby are Texas cowboy, buckjumping and breaking-in saddles; whips, a walking stick, made of leather and numerous other curios. The general exhibition occupies the whole floor space of the main Town Hall, and is subdivided by partitions running most of the length of the hall. A bewildering variety, of leather goods presses for close and leisured inspection. Here and there operatives in charge of working machinery give practical demonstrations of factory processes in the production of footwear. Polishing materials are well represented. One attractive exhibit includes two bush huts constructed of leather, with wattle bark for roofing. Opossums, rosellas and a kookaburra add touches of bush realism. Adjacent exhibits include bags, fishing boots, leggings, leather covers in all colours. Factory Processes. One exhibitor has installed an automatic cinema apparatus and screen, which projects various factory processes in making a shoe, the operator being shown at work. Elsewhere an interesting exhibit depicts the five stages in the manufacture of sole leather, and the tanning materials employed. "Very handsome effects are achieved in the interior appointments of motor cars, which are attended by figures of smart chauffeurs in leather coats. Motor-trimming leather is said to be more durable and hygienic than fabric materials, and cheaper. The neat finish of the material, its excellent appearance, certainly make a very favourable impression. It takes the hides of three beasts to cover the cushions, squabs and door panels of a full-sized sedan, while to finish the entire interior, including quarter-panels and head linings would take four or even five. Special Exhibits. Amongst the special sections the display arranged by the handicrafts and home industries- committee of the Country Women's Association of Victoria is a notable one. In all there are about 130 entries which are in four classifications, viz., hand-tooled or embossed leathers, suede, hand-made gloves and undecorated leather. The glove section attracted the most numerous entries, a number being the work of members and craft subscribers of the Country Women's Association. In the leathercraft competition, organised by the Country Women's Association, the judges yesterday awarded the first prize for bookbinding (the only prize given in this division) to Miss M. Alston, of South Yarra. There is also a creditable display of exhibits submitted by boys of the orthopaedic section of the Children's Hospital at Frankston. Amongst the novelties on view in other portions of the exhibition were the following: — Leather coats worn by Sir C. Kingsford Smith on his Atlantic flight. Model Wellington boot, Phar Lap's saddle. Melbourne Cup winner's saddle. Longest whip in world, 108 feet long. (33 metres) [See our photo, to left of Girl in Shoe] Diminutive shoes. Pair of shoes 65 years old. Pair of men's working boots 75 years old. Larwood's, Tate’s and Pataudi’s cricket boots. [Three internationally revered cricketers of the day] (2) Picture frame made of leather bought 63 years ago. [See our photo, to right of Girl in Shoe] Leather frame, powder bowl, &c. Saddle used by world's champion buckjumper in U.S.A. Mexican cowboy outfit. Miniature saddle and bridle. A fireman's helmet made of sole leather. (3) Sample of the leather hat worn by porters at the Billingsgate Fish Market, London. (4) From South Australia there have been obtained sets of harness for donkeys, goats and camels, the equipment being displayed to good advantage on stuffed representations of the animals mentioned. Close to the platform is a glass case containing snow shoes and coats which have been used in Antarctic exploration work. Trade Display. Amongst the trade exhibits may be seen in operation a slipper turn shoe sewing machine, with heeling and channelling facilities, and the various stages in the production of ladies' sandals are shown. There is a wide contrast between sole leather of varying degrees of thickness on view in one stall and the choice samples of ladies' footwear in another — footwear, by the way, which could almost be used as ornaments, so dainty in colour and production are they. Again, there are displays of upholstering leathers of such soft texture that they could he readily mistaken for some of the finest cloth. Those who may be particularly interested in the production of chamois leather may gain an insight into the materials and chemicals used in the "working up” of this variety of leather. Supplies of glace kid (5) are tastefully arranged, and there may also be seen bags of all shapes and sizes, including satchels, suit cases and "sporting" cases, and bags for tennis players and golfers. Further variety is given to the exhibition by the display of antique hides, brightly coloured, with punching balls, boxing gloves and batsman's pads. There are crocodile skins and snake skins so cleverly "Worked up" that one could be almost pardoned for betraying an affection for such unpopular creatures.” “ Another wonderful article on this Exhibition, published the same day in one of the opposition daily newspapers, The Argus, is in the weekly article “Women to Women”, entitled “A Great Victorian Industry: Many Uses for Leather”. This weekly column was penned by Vesta, and she writes, with much purpose: “Yesterday afternoon I paid a hurried visit to the Leather Exhibition now being held in the Melbourne Town Hall and I was disappointed to find that the early visitors to the main exhibition were almost all men. Women, I think, should make a point of seeing every exhibition of our great industries, for women are the buyers of household requisites and goods for their own use and their tastes, and opinion influence also, to a large extent, the purchases of men. So, the welfare of industries is more or less in their hands and it becomes a duty for them to inform themselves fully of the extent and the quality of the manufacturing that is done here. The value of the output of the Australian boot and shoe factories alone was in 1930-31, the latest year for which the figures are given, Stg 3,750,000. Fully two thirds of that amount must have been spent by women on boots and shoes for themselves and their children. In a host of other directions, in the purchase of handbags, travelling bags, belts and straps, cushions, furniture coverings, purses, notebooks, spectacle cases, their annual expenditure must be very high. Their interest, therefore, in this industry is practical, and their support of it should be governed by knowledge of comparable values and qualities of the goods they buy. From the point of view of women, however, the exhibition itself is rather disappointing. There is an amazing collection of good stuff on show, but most of it is not displayed in a fashion that attracts attention. I was surprised, for example, at the range and quality of the leathers displayed, the suppleness of the finer qualities, and the varied range of colours and designs. But they are shown in such a fashion that if one set out deliberately to look for them it would be quite easy to miss most of them.” …It was surprising, too, that no one seemed to have taken advantage of the present fashion of wearing coloured gloves, or the cult of glove making, which the Country Women’s Association has fostered so successfully. Outside the collection of chamois leathers I saw no skins which were suitable to glove making. (6) However, it is perhaps a little unfair to be highly critical of the exhibition, inasmuch as it is the first of its kind. The material is there, undoubtedly, for a splendid show of every phase of this enterprising industry, and I am confident that experience will prove to those concerned that it will be worth while next time to devote a great deal of attention of the method of display.” With further research, it transpires that “Vera” is in fact NZ born Stella May Allen (nee Henderson) (1871-1962), a journalist, the first woman in NZ to begin a law course, in 1890-91). She later worked at a law firm while she completed her degree. Study of the law had always been open to women in NZ, but its practice was still barred to them. Her case “…led to amending legislation in 1896 allowing women to practise as barristers or solicitors. However, on gaining her LL.B. in November 1897 she did not apply for admission to the Bar. Instead, she became the Wellington-based correspondent and leader-writer for the Lyttelton Times. Her appointment, the first for a woman, was not welcomed by the all-male Press Gallery, and special permission had to be obtained from a subcommittee of the House before her presence was accepted. In 1900 she married Edwin Allen, a senior leader-writer for the Wellington Evening Post, and they moved to Australia in 1903 when Edwin Allen took up the post of foreign affairs leader-writer and parliamentary man for the Melbourne Argus. As Patricia Keep notes in her excellent entry of Stella Allan in the Australian Dictionary of Biography: “In 1907 The Argus commissioned her to write a series of articles on the first Australian Women's Work Exhibition held in October. They aroused much interest and next year The Argus invited her to join its full-time staff and begin a weekly section on the particular interests of women. She adopted the nom de plume 'Vesta' and called the column 'Women to Women'. Her work was unique in an Australian daily paper at that time. Her pages extended to cover every aspect of women's affairs, children's interests and community welfare, and 'Vesta' became a household word for authoritative information and advice on such matters. An excellent needlewoman and first-rate cook herself, she thoroughly tutored her staff in the work and needs of women in both country and city, as well as providing the usual training for cadet journalists. She conducted interviews and also visited the country to see at first hand the results of bushfires, mouse plagues, droughts and floods. In 1910 she was one of three women foundation members of the Australian Journalists' Association. “…she found time to become deeply involved in community affairs. She was an original committee-member of the Victorian Association of Crèches and of the Free Kindergarten Union of Victoria, and had much to do with the early days of the Victorian Bush Nursing Association, the Baby Health Centres Association and the Queen Victoria Hospital. She was a member of the National Council of Women, first in New Zealand and then in Melbourne, and of the Country Women's Association from its inception. … in 1924 she was appointed substitute delegate for Australia to the fifth assembly of the League of Nations at Geneva and was a delegate to the second Pan Pacific Women's Conference in Hawaii in 1930. A meeting held in the Melbourne Town Hall in 1938 by representatives of all the main Victorian women's organizations paid special tribute to her work and influence. She retired next year to England where she continued to write for the Argus, contributing articles on the experiences of women and children in wartime.” It is little wonder that “Vesta” was unafraid to take to task both the women of Victoria, and those who created the exhibition! One item which appears to have gone unnoticed, or at least unreported, is a framed article in the background of the photo of the chubby girl in the shoe. The display frame is labelled “Leather from the Human Skin, Tanned and Dressed by French artists.” The exhibition was certainly a cabinet of curiosities! A charming article in The Argus is a nice note on which to end. It gives a quick history and overview of the Australian leather industry and its unprecedented, and possibly unexpected, development and success, and states with pride: “Though Victoria is the largest leather producer in the Commonwealth all tanners in the Commonwealth can look back with pride on the long march of progress.” Footnotes: (1) “Blackman and Rose”. Messrs Blackman and Rose were shoe manufacturers, from 1927 located at 200 Noone Street, Clifton Hill. The Melbourne Circle describes their building as a “fine-looking building in the Federation ‘blood and bandage’ style.” It was built around 1912 for Puttifoot and Bloom, boot manufacturers, and today the building is apartments. (2) These cricketers were household names in the day: Tate: Maurice Tate, “English cricketer of the 1920s and 1930s, and leader of England’s Test bowling attack for a long time during this period. The founder of modern seam bowling. “ Larwood: Harold Larwood, “English right-arm fast bowler and the main exponent of the bowling style known as “bodyline”. Used to considerable effect in the 1932-33 Test series in Australia. Pataudi: Iftikhar A K Pataudi, “an Indian prince who in the 1930s played Test cricket for England, and in the 1940s played Test cricket for India (as Captain) – the only test cricketer to have played for both India and England. (3) “sole” leather “… is the thickest and most resistant material existing in the tanning industry … made from vegetable tanned leathers, usually bovine butts, processed in a special way to make them the hardest type of leather in existence.” (4) The hats worn by porters at Billingsgate Fish Market were also known as a “Bobbin” and look quite squat and rather unsophisticated. They were made of wood and tarred leather, with a “flat, hardened top designed to support large rectangular boxes of fish. The upturned brim protected the porter’s head against fish juice draining from the boxes of fish which would be carried on top of the hat. Some hats featured a small drain hole at the rear to allow this collected juice to drain down the back of the carrier. The hats were made using the ‘cuir bouilli’ technique. The leather was immersed in water which was heated until the leather began to shrink. It was then removed and put on a wooden former. The leather was stitched together to make the hat while still wet, and then held in place until dry.” (See article and photo on the London Museum website) (5) Glace kid – described on the Boston Museum of Fine Arts’ Cameo database as “A smooth glossy leather originally prepared from goat or sheepskin. Early glace kid had a shiny surface that was originally prepared by tawing the skin in a mixture of alum, table salt, flour, and egg yolk. Today, glace kid is prepared from many types of vegetable or chrome tanned leathers. The smooth polished surface is obtained mechanically by shaving, glazing, ironing, and/or rolling the dry leather.” (6) In the 1930s, Melbourne’s glovemaking industry was characterised by local manufacturing, with key producers like Simpson’s Gloves Pty Ltd in Richmond and the Stagg Glove Company in Clifton Hill leading the market. These factories produced high-quality leather gloves, handbags, and specialty gear, often employing a clear gendered division of labour and training young, local women. Museum Victoria holds the Simpson’s Gloves Collection, comprising over 1200 items, and the University of Melbourne Archives holds the company’s business records. References: THE EXHIBITS. (1933, September 20). The Age (Melbourne, Vic. : 1854 - 1954), p. 16. Retrieved January 25, 2026, from http://nla.gov.au/nla.news-article205109730 EXPORT LEATHER. (1929, September 17). The Argus (Melbourne, Vic. : 1848 - 1957), p. 17. Retrieved January 19, 2026, from http://nla.gov.au/nla.news-article4037647 LEATHER EXHIBITION (1933, September 18). The Argus (Melbourne, Vic. : 1848 - 1957), p. 10. Retrieved January 19, 2026, from http://nla.gov.au/nla.news-article11693362 (1933, September 23). The Argus (Melbourne, Vic. : 1848 - 1957), p. 21. Retrieved January 19, 2026, from http://nla.gov.au/nla.news-page522766 WOMEN TO WOMEN (1933, September 20). The Argus (Melbourne, Vic. : 1848 - 1957), p. 13. Retrieved January 19, 2026, from http://nla.gov.au/nla.news-article11694034 Australian Dictionary of Biography, Stella May Allan (1871–1962) https://adb.anu.edu.au/biography/allan-stella-may-4998 WOMEN TO WOMEN (1930, January 22). The Argus (Melbourne, Vic. : 1848 - 1957), p. 13. Retrieved January 19, 2026, from http://nla.gov.au/nla.news-article4063888 Museums Victoria, Simpson’s Gloves, 486-496 Victoria Street, North Richmond, VIC, Australia https://collections.museumsvictoria.com.au/articles/2702 The Argus. (1927, October 31). The Argus (Melbourne, Vic. : 1848 - 1957), p. 20. Retrieved February 7, 2026, from http://nla.gov.au/nla.news-article3888451 Melbourne Circle: stories from the suburbs: “Boots and all in Clifton Hill” https://melbournecircle.net/2015/11/20/bootmakers-of-clifton-hill/ Wikipedia, Maurice Tate, https://en.wikipedia.org/wiki/Maurice_Tate Wikipedia, Harold Larwood, https://en.wikipedia.org/wiki/Harold_Larwood Wikipedia, Iftikhar Ali Khan Pataudi, https://en.wikipedia.org/wiki/Iftikhar_Ali_Khan_Pataudi Buy Leather Online Italy, Sole leather: https://buyleatheronline.com/en/blog/outsole-and-insole-leather-n7 London Museum, Porters hats, https://www.londonmuseum.org.uk/collections/v/object-731122/hat-porters-hat/ Cameo Database, Museum of Fine Arts, Boston, Glace Kid, https://cameo.mfa.org/wiki/Glac%C3%A9_kid VICTORIAN LEATHER HAS WON RENOWN (1937, September 22). The Argus (Melbourne, Vic. : 1848 - 1957), p. 31 (March of Progress Supplement). Retrieved February 7, 2026, from http://nla.gov.au/nla.news-article1108704 Photographer notations on slide: "At the Leather Exhib. at T. Hall Melb 1933 Age B5".displays, melbourne town hall, leather, children, shoes, 1930-1939, industry, hats, gloves

The spotted quail thrust is a heavily patterned bird native to Australia. It expresses many calls, including a long, very high-pitched "seeeeeep” and a long sequence of doubled whistles, but the main call in inaudible to humans. Due to their heavy camoflague pattern, they are often very difficult to observe. They are often found on the forest floor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The spotted quail thrush is characterised by yellow and brown tones with black spots on the flanks. The females (10056) have a yellow ochre-coloured throat patch. This particular quail has lost its tail feathers. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 43a. / Spotted Ground Thrush / See Catalogue, page 15. /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, spotted quail thrust, quail

The American Crow is common throughout North America. They reside in areas with open view and trees but can often frequent city parks, suburbs of large cities and along the seashore. The Crow is a robber and therefore, find living in locations which they can raid for food perfect. These birds are sociable animals and are often found in small groups made up of family members. All their lives they reside in the one location; however, they do migrate south during the autumn. They usually find their food by walking along the ground and eat both plant and animal foods. This includes worms, larvae, insects and fruits and nuts. Crows are also known to feed on small rabbits, frogs and mice. They are also identified as nest predators because they feed on eggs. In areas occupied by humans, the Crow will find their food source from trash and also road kill. The American Crow is not considered to be an endangered species and list them on the IUCN Red List as Least Concern. However, large amounts of crows are killed for sporting and during campaigns (having a desire to reduce the population of the Crow in America). This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This American Crow has black plumage which has slightly faded in colour. This colour fading could also indicate that the bird was molting because the feathers of the American Crow appear brownish when the are about to molt and these feathers give way to new glossy black feathers. The specimen has two black glass eyes, a dark bill and dark legs with talons. Both the edges of the bill and the talons are faded into a pale buff colour. It is likely that the legs and talons were painted a dark black by the taxidermist and the paint has either worn off or faded over the years. The bird is standing tall on a wooden mount and looking forwards. It has a paper identification tag attached to the right leg. The tail is short and the feathers are rounded at the ends.153a. / See catalogue page 61taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, america, crow, american crow

The Ring Ouzel can commonly be found in small flocks or pairs. They have a distinctive white strip across their chest which helps to identify this species. They generally reside in large open grassy spaces such as farmlands, and can be found in mountainous areas with large boulders and slopes. They are located across Western Europe, the Mediterranean and Northern Africa. In some countries such as Ireland, England and Wales, the Ring Ouzel is endangered due to human disturbances, however elsewhere the species thrives. Although this is a taxidermy mount, it is highly similar to the real female Ring Ouzel. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Ring Ouzel is a predominantly brown in color. It has a white strip across its chest. The torso is a lighter shade of brown. The tale of the Ring Ouzel is long and a darker shade of brown when compared to the red colouring of the body. This specimen stands upon a wooden perch and has an identification tag tied around its leg. The bill is thin and has a pointed appearance. It has been styalised by the taxidermist in an open position which conveys the idea that this bird is mid call.Swing tag: 109a / Ring Thrush / Catalogue Page 27 / Metal tag: 4139 /taxidermy, taxidermy mount, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ring ouzel, ouzel, european birds, african birds, mediterranean birds

Barking Owls are a nocturnal, medium sized bird of prey native to Australia, parts of Papua New Guinea, and the Moluccas. Average size ranges between 390-440mm in length. Females are generally slightly smaller than males and they are only one of a small number of owl species that do not exhibit marked sexual dimorphism. Barking Owls have characteristic vocalisations, ranging from a 'woof woof' barking dog sound, to shrill, human-like screams, which reportedly alarmed early European settlers to Australia. The Barking Owl's shrill and explosive vocalisation is sometimes associated with Bunyip mythology or referred to as 'the screaming woman call'. The female call is slightly higher in pitch than the male, and males and females often duet, contrasting low and high pitches. Barking Owls may be vulnerable in some parts of Australia due to woodland habitat loss. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Barking Owl is of an average size. It has brown, grey and white spots and vertical streaks. The face and breast are lighter in colour than the wings and the dorsal plumage. The glass eyes are large and dark in colour while the tarsi and toes are yellowish. This specimen stands on a wooden perch with identification tags attached to its leg. [torn] / 16. / Winking Owl / See catalogue Page, 4 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, owls, barking owls, screaming woman call, yowing, woodland birds, birds of prey, australian owls, endangered, loss of habitat, woodland habitat, bunyip, australian early settler mythology

The Grey Shrike-thrush is considered to be one of the best songsters in Australia, with hundreds, if not thousands, of different songs. The song has been described as glorious, pleasing and melodious, with sweet, mellow, rich and liquid notes. Whilst pleasant to humans, the song are less harmonious for nest birds, often hunted by the grey shrike-thrush. It has a varied diet consisting of insects, spiders, small mammals, frogs and lizards, and birds' eggs and young. Grey Shrike-thrushes most of Australia (with the exception of arid areas) and southern New Guinea. This specimen has been mounted in an accurate fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Grey Shrike-thrush specimen is a mostly grey coloured bird, with the plumage around the shoulders a little browner. The underside and neck is paler, off-white with a white ring around the eye. The eyes are made of glass which is a brown colour and replace the original which do not survive the taxidermy process. This specimen stands upon a wooden platform and has an identification tag tied around its leg.27a / Harmonious Shrike-Thrush / See Catalogue Page 12 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, australian birds, thrush, grey shrike-thrush, harmonious thrush, colluricincla harmonica

The Australasian swamphen is a visually striking and socially complex bird found across Oceania. It can be found in eastern Indonesia (specifically the Moluccas, Aru, and Kai Islands), Papua New Guinea, New Zealand, and Australia. As a member of the rail family (Rallidae), it belongs to the diverse order Gruiformes, which also includes cranes and other rail species. Like other rails, it possesses relatively short wings and a strong, elongated bill, both adaptations suited to its semi-aquatic wetland habitat. This swamphen is easily identified by its deep blue-purple plumage, prominent red frontal shield, and sturdy red legs. It primarily inhabits swamps, marshes, and other wet lowland areas, though its range has expanded to include pastures, roadsides, and farmland due to significant landscape modifications over the past 150 years. Unlike many wetland birds, it is highly adaptable and thrives in both natural and human-altered environments. Its diet is similarly flexible, consisting mostly of plant material such as grass stems, shoots, and leaves, but also including invertebrates and, on occasion, the young of other bird species. This specimen was misidentified as a Purple Swamphen in original catalogue records and is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This taxidermy specimen is of a Australasian swamphen which is mounted standing on a wooden platform and has a paper identification tag tied to its upper left leg. The specimen has dark colouring on its back and head with a purple-blue coloured neck, breast and belly. The bill is oversized and is orange/red which is the same colour as the frontal shield on the bird's face. The eyes are made from a red and black glass and the legs of this specimen are orange. The legs are elongated and the toes also long and unwebbed. 17e. / Purple Gallinule / Catalogue Page 35 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, swamphen, moorhen, purple bird, hen, purple swamphen, water bird

The Brown Falcon is a small to medium bird of prey which can be found all throughout Australia. These birds are raptors and typically feed on mammals, birds, snakes, insects and rabbits. The Brown Falcon are located in all but the densest forests. They typically prefer to reside in locations of open grassland and agricultural areas which have scattered trees or telephone poles which the bird can perch on. When frequenting towns located in the Australian Outback, these birds are reportedly quite tame and can be approached by humans. They may stay in the same location throughout the year or chose to move around locally in response to any changes in weather conditions. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th centuryThis specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Brown Falcon specimen has plumage which is mostly brown and intermixed with white. This provides the appearance of having spotted colouring on the birds back. The head is also mostly brown with white under the beak area and a characteristic brown streak under the eye area. The eye is made from dark coloured glass.3 / Brown Hawk / See Catalogue, page 2 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, brown falcon, falconidae

The Crimson Rosella is native to Australia and located in Queensland and South Australia. Australia has a diverse range of rosellas, but the crimson rosella is easily recognised by the red body and blue cheeks. These birds are friendly to humans and consume seeds, insects and some blossoms. They nest in high trees, preferably eucalyptus. Typically, a crimson rosella should have far brighter colours than the specimen collected. This specimen has also been documented as having a light blue or black beak. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Crimson Rosella has a red feathered chest and cape across the head and blue cheeks besides the bill. The tail and wing feathers are mostly black with blue around the edges. The head is angled slightly to the specimen's left. This specimen stands upon a wooden platform and has an identification tag tied around its leg.78a. / Rennauts Parakeet / See Catalogue, page 22 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, california, australian native bird, crimson rosella, rosella, reynell eveleigh johns, platycercus elegans

The Australian White Ibis is commonly known by the colloquial names "bin chicken" and "tip turkey" in Australian culture. These nicknames have arisen based on the presence of this bird at garbage locations where it is often seen rummaging through the waste. The Yindjibarndi people of the central and western Pilbara call this species mardungurra. This bird is located throughout the wetlands of eastern, northern and south-western Australia. Initially, it was not seen in urban areas, however, the species has been able to adapt and reduce fear of humans due to the lure of food found in human garbage. They commonly feed on terrestrial and aquatic invertebrates alongside human scraps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Australian White Ibis has white and cream plumage on its body and a black neck, head, bill and legs/feet. The bill on this particular species has a distinctive long shape which is down-curved. It is a fairly large variety of the Ibis species. This specimen has been stylised in a standing position and is positioned on a wooden platform. 5 C. / White Ibis / See catalogue / Page 32 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ibis, bin chicken, white ibis, australian birds, australian white ibis

The Squirrel is a small to medium sized member of the rodent family Sciuridae. They are commonly located in America, Eurasia and Africa. The Squirrel was introduced to Australia by humans. Interestingly, the tail of the Squirrel serves the purpose of keeping the rain, wind or cold off the body of the animal, to help it cool off in hot weather, to counterbalance when moving and can be utilized as a parachute when jumping from one location to the next. Squirrels consume foods that are rich in protein, carbohydrates and fats. They eat nuts, seeds. fruits and vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Grey Squirrel standing on a wooden platform. The small sized specimen holds a pinecone between its hands and has a paper identification tag tied to one of its arms. It has grey/ash coloured fur with a pale belly and dark coloured glass eyes. It has a long and bushy tail that stands along its back in an arched shape. It has tiny hands and feet.40. ash-coloured / Squirrel / Catalogue, Page, 49. / A.4484 / BMM 75 32 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, squirrel

The Squirrel is a small to medium sized member of the rodent family Sciuridae. They are commonly located in America, Eurasia and Africa. The Squirrel was introduced to Australia by humans. Interestingly, the tail of the Squirrel serves the purpose of keeping the rain, wind or cold off the body of the animal, to help it cool off in hot weather, to counterbalance when moving and can be utilized as a parachute when jumping from one location to the next. Squirrels consume foods that are rich in protein, carbohydrates and fats. They eat nuts, seeds. fruits and vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Grey Squirrel standing on a wooden platform. The small sized specimen holds an acorn between its hands and has a paper identification tag tied to one of its arms. Small acorns are arranged around the specimen's feet. It has orange coloured fur with a pale belly and dark coloured glass eyes. It has a long and bushy tail that stands along its back in an arched shape. It has tiny hands and feet.42. Common Squirrel / Catalogue, page, 50 / A.4487 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, squirrel

The Squirrel is a small to medium sized member of the rodent family Sciuridae. They are commonly located in America, Eurasia and Africa. The Squirrel was introduced to Australia by humans. Interestingly, the tail of the Squirrel serves the purpose of keeping the rain, wind or cold off the body of the animal, to help it cool off in hot weather, to counterbalance when moving and can be utilized as a parachute when jumping from one location to the next. Squirrels consume foods that are rich in protein, carbohydrates and fats. They eat nuts, seeds. fruits and vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Carolina Squirrel specimen has dark coloured fur with paler colouring on the face and hands. It grasps a nut between its hands and stands on a wooden platform. A paper tag hangs from the right arm with a smaller tag attached to the left. The squirrel has dark black glass eyes and sharp claws on the hands and feet. A.4481 BMM7535 35. Carolina Squirrel / Catalogue, Page, 49 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, squirrel

The Squirrel is a small to medium sized member of the rodent family Sciuridae. They are commonly located in America, Eurasia and Africa. The Squirrel was introduced to Australia by humans. Interestingly, the tail of the Squirrel serves the purpose of keeping the rain, wind or cold off the body of the animal, to help it cool off in hot weather, to counterbalance when moving and can be utilized as a parachute when jumping from one location to the next. Squirrels consume foods that are rich in protein, carbohydrates and fats. They eat nuts, seeds. fruits and vegetation. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Carolina Squirrel specimen has dark grey coloured fur. This specimen stands on a wooden platform and its arms are stylized in a raised position next to its face. A paper tag hangs from the right arm with a smaller tag attached to the left. The squirrel has dark black glass eyes and sharp claws on the hands and feet.A.4480 36. Carolina Squirrel / Catalogue, page, 49 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, squirrel

Iodine is an essential trace element for life, the heaviest element commonly needed by living organisms. In medicine, potassium iodide is usually used to treat acute thyrotoxicosis. Hyperthyroidism, an overactive thyroid, is a condition in which the thyroid gland produces and secretes excessive amounts of the free (not protein bound, and circulating in the blood) thyroid hormones, This is the opposite of hypothyroidism ('sluggish thyroid'), which is their reduced production and secretion. Graves' disease is the most common cause of hyperthyroidism. Iodine's main role in animal biology is as a constituent of the thyroid hormones thyroxine If there is a deficiency of dietary iodine, the thyroid will not be able to make thyroid hormone. The lack of thyroid hormone will lead to decreased negative feedback on the pituitary, leading to increased production of thyroid-stimulating hormone, which causes the thyroid to enlarge (the resulting medical condition is called endemic colloid goitre This has the effect of increasing the thyroid's ability to trap more iodide, compensating for the iodine deficiency and allowing it to produce adequate amounts of thyroid hormone. The thyroid hormones are essential to proper development and differentiation of all cells of the human body. These hormones also regulate protein, fat, and carbohydrate metabolism, affecting how human cells use energetic compounds. They also stimulate vitamin metabolism. Natural sources of iodine include sea life, such as kelp and certain seafood, as well as plants grown on iodine-rich soil. Iodized salt is fortified with iodine. Elemental iodine is used as a disinfectant in various forms. It is a wound cleaner and Iodine also acts as an expectorant of mucous from the common cold and other respiratory ailments. Iodine is a common aid for skin conditions, such as acne, ..A brown glass triangular shaped bottle with a plastic screw top lid that contained IodineFront Label : SANA / TINCTURE WEAK (2 1/2 % ) / IODINE / POISON / ANTISEPTIC COUNTER / IRRITANT ETC. / THE SANAX CO. / 5 BRUNSWICK STREET FITZROY / TEL. J 3208 MELBOURNE. on side : ANTIDOTE FOR IODINE / DIRECTIONS.........pharmacy, medicines, iodine, athritis, glassware, bottles, moorabbin, bentleigh, cheltenham, thyroxin, goitre, iodised salt, gravves' disease

CEMA Art collection. Winner of 1966 Portland art Society Art Prize for category oil. Included in the 1999 "Salvage" exhibition at CEMA Arts Centre.AbstractAbstract depiction of a person with a bunch of bananas completed in shades of red, brown and black. The focus of the work is the standing human figure with brown clothing and red skin tones. The person is looking to their right at the bunch of bananas they are holding. The work has a two tiered wooden frame and exposed canvas.Front: Von(lower left, etched into black paint) Back: Taped label:"Banana Grower" Yvonne Cohen Porter St Templestow $ 90.00 Glued label: Yvonne Cohen :Banana Grower"(1966) Yellow sticker: 1966cema, portland artists society, female artists, female, women, bannana, agriculture

Educational teaching chart used at the Northern District School of Nursing, Rowan Street, Bendigo. The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989. Since 1918, Adam, Rouilly & Co has supplied innovative clinical skills simulators, skeletons, anatomical models & charts to medical education worldwideColoured educational chart of Median section through Skin. Paper with wooden header and footer. Written in the top left corner - FROHSE ANATOMICAL CHART PLATE No 14 MEDIAN SECTION THROUGH SKIN ENLARGED TWO HUNDRED AND FIFTY TIMES Made under supervision and Assistance of the Insitute of Anatomy-University of Berlin. Sole Agents for the United Kingdom & British Empire ADAM, ROUILLY & COMPANY HUMAN OSTELOGY, ANATOMY, ZOOLOGY &c. 18, FITZORY STREET, FITZORY SQUARE, LONDON, W.1. Telephone MUSEUM 2703 FEMALE GENTITO-URINARY ORGANS (EXTERNAL AND INTERNAL). The main part of the chart has two diagrams labeled A. Hairy Skin and B. Hairless Skin ndsn, adam rouilly & company, educational chart, nurse training, skin

Rawleigh's Medicated Ointment tins are iconic pieces of 20th-century American advertising, often remembered as a staple in household medicine cabinets and frequently sold door-to-door by Rawleigh dealers. The product, sometimes called "Rawleigh's Antiseptic Salve," has been in continuous production since 1889, often marketed for both human and animal use.A small round blue and white floral patterned Rawleigh's medicated ointment tin with a lift off lid.The manufacturing details are printed in black and white lettering, see Inscriptions below.On the lid: "Net WGT. 2 oz. Rawleigh's Trade Mark Reg. Medicated Ointment for minor injuries of the skin. Soothing and Antiseptic. Manufactured by The W.T. Rawleigh Co., Ltd. Melbourne, Australia." Directions for use are printed inside the lid and indications are on the base of the tin. medications, ointment tins, balsams, ointments, tins

Photographer notations on slide: "Vice Regal visit to Zoo B42" Not published. Description: A group of men and one woman all dressed in hats and overcoats stand by a wire fence while watching an emu. Research by project volunteer, Fiona Collyer: On 25 June 1934, new Victorian Governor, His Excellency Lord Huntingfield and his wife Lady Huntingfield made an official visit to the Melbourne Zoological Gardens in order to grant his patronage to the Royal Zoological and Acclimatisation Society. During the visit, zoo director Mr. Andrew Wilkie introduced them to some of the zoo’s inhabitants, including an emu. After the First World War, many returned soldiers took up the Government’s offer of land in the Soldier Settlement Scheme. Most of the veterans had little or no farming experience and much of the land offered was of poor quality, with blocks often too small to be viable. Many of the settlers had ongoing physical and mental injuries from the war. The Western Australian government allocated land to 5000 former soldiers but by 1929, one quarter of the men had already abandoned their land, unable to make a living. Not only was the world economy struggling with the Great Depression, but the settlers also had to contend with plummeting wheat and wool prices, crippling drought and rabbit infestation. The Scullin Government (Oct 1929-Jan 1932) had promised subsidies to the Western Australian farmers if they increased their wheat crops but were unable to pass the legislation in the Senate. The new Lyons Government (Jan 1932-April 1939) abandoned the legislation and the subsidies were never paid, bringing calls from Western Australia of secession from Australia. In October 1932, a deputation of soldier settlers from the Campion wheatbelt region in Western Australia, petitioned Commonwealth Minister for Defence, Western Australian Senator Sir George Pearce, for assistance. A mob of 20,000 emus were migrating to the coast after breeding and were gathering along the eastern side of the Number 1 Rabbit Proof Fence, attracted to the ripening crops and the dams the farmers had built. They were heading towards Campion, 303 kilometres east of Perth, eating and trampling the wheat, destroying the fences and letting the rabbits in. Having witnessed firsthand the effectiveness of machine guns in killing people in war, the former soldiers thought the guns would be ideal for killing emus. Sir George, wanting to demonstrate that his government was sympathetic to the settlers and hoping to quell Western Australian succession talk, agreed. However, he stipulated that no expense would be incurred by the Commonwealth Government and only active military personnel could use the machine guns. The farmers had to pay for the ammunition, food and accommodation for the military for the length of the operation. The cost for the ammunition was £50 for 10,000 rounds. Sir George also felt the operation would provide excellent target practice for the soldiers! The operation was headed by Major Gwynydd Purves Wynn-Aubrey Meredith, 1887-1975, of the Seventh Heavy Battery of the Royal Australian Artillery, and assisted by Sergeant S. McMurray and Gunner J. O'Halloran. They were equipped with two American-designed Lewis light machine guns and 10,000 rounds. Each magazine held 47 rounds of ammunition and the gun was capable of firing 500 to 600 rounds per minute with effective firing range of 800 metres. A cinematographer from British Movietone News accompanied the soldiers in order to record what was expected to be not only an easy victory but also useful propaganda for both the military and the Lyons Government. Emu (Dromaius novaehollandiae, meaning New Holland Racer) is a species of long-necked flightless bird endemic to Australia. The Tasmanian and the dwarf King and Kangaroo Island subspecies were hunted to extinction after the European settlement of Australia. It is the second largest bird in the world after the ostrich, standing up to 1.9 metres tall and weighing up to 50 kilograms. The Emu has long, powerful legs with three forward facing toes and is the only bird with calf muscles. It is able to jump 2.1 metres into the air and run 50 kilometres per hour. It communicates by drumming and booming through an inflatable neck sac which can be heard up to two kilometres away. Along with its tough hide and a body more feathers than flesh, the emu can be a tricky target. Emus had been a protected native species until 1922, when the government changed their status to “vermin” in response to the emus breaking down fences and destroying crops. Major Meredith told the press that Colonel Oswald V. Hoad of the 1st Cavalry Division NSW had especially requested he send 100 emu skins to replenish the plumage on his Light Horsemen’s hat tops. On the first day of the Emu War, 2 November 1932, Major Meredith spotted a mob of emus out of range of the guns, so he asked the farmers to use their vehicles to drive the emus towards the fence and the guns. The panicked birds split into small groups, kicking up the dust and scattering every which way. Only six were killed, though some were wounded. After that, the emus became very wary of humans. On 4 November, Major Meredith staged a dawn ambush at a dam. As 1000 emus approached to drink, the soldiers opened fire, killing 12 emus. After reloading, the gun jammed and the emus dispersed in all directions, and were not sighted again that day. The West Australian newspaper reported on 4 November 1932 that, “The emus have proved that they are not so stupid as they are usually considered to be. Each mob has its leader, always an enormous black-plumed bird standing fully six-feet high, who keeps watch while his fellows busy themselves with the wheat. At the first suspicious sign, he gives the signal, and dozens of heads stretch up out of the crop. A few birds will take fright, starting a headlong stampede for the scrub, the leader always remaining until his followers have reached safety.” In a later attempt, they mounted a gun onto the bed of a truck in order to chase and mow down the birds. However the truck couldn’t drive fast enough over the rough terrain and it was too bumpy to fire the gun accurately. The birds easily outran the truck except for one hapless emu who faltered while being chased and fell under the truck, its body wedging in the steering gear, causing the driver to crash the truck, and bringing down half a chain of the rabbit proof fence. RSPCA inspector Mr. Arthur Austin arrived with a rifle and knife in order to finish the work of the Lewis guns and dispatch injured emus. He said that while his society was sympathetic to the stricken settlers, he was anxious that wounded birds should not be left to suffer. Major Meredith told the inspector, “What speed can you run? You have to be better than Peter Pan if you want to catch wounded emus that make for the scrub.” (Racehorse “Peter Pan” had won the 1932 Melbourne Cup a few weeks earlier.) The commentator of the British Movietime newsreel uses a jocular tone to optimistically proclaim, “The scouts [emus] of the advancing army have keen eyesight, and in order to get close to the main body, our lads have to do some real stalking, with the enemy watching events through their periscopes raised up over the heads of corn... Instead of the birds ruining the farmers, tables are turned, there will be no more damage down here for many a day to come once the enemy is eliminated.” Emus proved tougher adversaries than expected, barely breaking stride even when badly injured from machine gun bullets, and the suspicious emus soon learnt to stay out of range of the men and their guns. Meanwhile, in the eastern states concern was being expressed about the cruelty of machine-gunning the native birds. Senator James Guthrie UAP of Victoria suggested that there must be “more humane, if less spectacular methods” of coping with the pests. People wrote letters to the newspapers to express their dismay at the inhumane methods used. R.F. Bellchambers from Humbug Scrub, 25 November 1932, lamented that, “At the present rate of extinctions, it will shortly be necessary to go to the Museum to see the remains of our fauna.” The Murchison Times published a letter on 16 November 1932 from “Clay Pan Joe”: “War on Emus. Slaughter of innocent birds would be more appropriate... The birds may be a nuisance and it may be necessary to destroy them, but why cause so much suffering amongst these innocent birds.” E.S. Playford of Norton’s Summit wrote to The Advertiser, 22 November 1932, that “...habitation on the earth would be impossible without bird life. Therefore, it is unwise to say that any bird is useless. Is sentiment dying? Are we so keen on personal gain that our lovely and unique birds have to be ruthlessly slaughtered in thousands and their bodies left rotting in the sun?” In Sydney, picture palace patrons expressed “considerable concern” after viewing the Movietone News newsreel of emus fleeing from the barrage of machine-guns, and wounded emus in the fields in Campion. The press had a field day, dubbing it the “The Emu War” and joking that the “Chicago method” was being used against the feathered foe. The Daily News newspaper published a cartoon depicting the emus outrunning and outsmarting the soldiers. In Parliament NSW Senator James Dunn called Sir George the “Minister for the Emu War”. Labor member Mr. Rosevear, midst great laughter, asked if the minister would consider declaring an armistice and withdrawing his troops from the Western Front. Prime Minister Joe Lyons was asked if medals would be struck for those taking part in the war. Labor parliamentarian Mr. A.E. Green declared any medals should go to the emus who had “won every round so far”. With the embarrassing press coverage and poor results, Sir George ordered a stop to the project on 9 November, and Major Meredith and the soldiers departed for Perth. The WA Premier Sir James Mitchell and the Campion farmers demanded they return, citing the continued destruction of crops and fences by the emus. Major Meredith and his two gunners were allowed to return on 13 November and seemingly having learnt from their previous experiences, had slightly more success this time killing emus. The operation finally finished on 10 December with Major Meredith reporting “definite kills” of 986 emus for 9860 rounds of ammunition, coincidentally and conveniently exactly 10% of the number of rounds used. A further 2500 birds were said to have died from their injuries and although this is a disputed figure, even if accurate, the ratio of rounds expended to emu casualties was thought too high to justify continuing. The operation barely caused a dint in the marauding mob of 20,000 emus. “There’s only one way to kill an emu”, one of the party bitterly remarked: “Shoot him through the back of the head when his mouth is closed or through the front of his mouth when his mouth is open. That’s how hard it is.” Australian ornithologist Dominic L. Serventy noted that “The machine-gunners’ dreams of point blank fire into serried masses of Emus were soon dissipated. The Emu command had evidently ordered guerrilla tactics, and its unwieldy army soon split up into innumerable small units that made use of the military equipment uneconomic. A crestfallen field force therefore withdrew from the combat area after about a month.” Major Meredith expressed the greatest of respect for the enemy. He said, “If we had a military division with the bullet-carrying capacity of these birds, it would face any army in the world. They could face machine guns with the invulnerability of tanks. They are like Zulus, whom even dum dum bullets would not stop." The Major’s official report stated that there were no human casualties in “The Emu War.” Emus are considered the victors of “The Great Emu War.” Western Australian farmers requested military assistance in 1934, 1943 and 1948, including using bombs, but the government refused. The bounty system instigated in 1923 continued, with farmers using rifles against their fleet-footed foe, with 57,034 bounties for dead emus claimed in six months in 1934 in Western Australia alone. 284,704 emus were killed in Western Australia between 1945 and 1960. The other most effective defence against the emus was the construction of a robust, vermin proof fence spanning over a long distance. Emus were formally protected in 1999 by the Environment Protection and Biodiversity Conservation Act. It’s estimated there are between 625,000 to 725,000 wild emus in Australia in 2024. An emu and a kangaroo feature on Australia’s coat of arms, holding up a shield illustrated with symbols of the six states. The animals symbolise the nation moving forward as neither animal can walk backwards. Campion is now a ghost town. A book about the operation, “Letters from the Emu War” by J.A. Bryden was published in 2023 by Playtime Books. In 2024, an Australian film called “The Emu War” was released, starring Damian Callinan and Luke McGregor. Andrew Arthur Wellesley Wilkie, 1853-1948, was Director of the Melbourne Zoo from 1923 to 1936 and was associated with the zoo for 70 years. He first worked as a horticultural assistant to Government botanist Baron Ferdinand von Mueller at the Botanical Gardens at the age of 13, along with his older brother David. One of Andrew’s jobs was to capture moths for the National Herbarium. In 1857, a group of prominent Melburnians assembled at St. Patrick’s Hall to form the Zoological Society of Victoria, with the aim of introducing animals and plants from overseas. It was conceived, “For the purposes of science and for that of affording the public the advantages of studying the habits of the animal creation in properly arranged zoological gardens.” The Victorian Government granted 32 acres (13 hectares) of land to the Zoological Society at the southern end of Richmond Paddock on the opposite bank to the Botanical Gardens. (This is where AAMI Stadium and Collingwood Football Club now stand.) In 1861, the Zoological Society of Victoria was renamed The Acclimatisation Society of Victoria. Unfortunately the Yarra River frontage was damp, swampy and subject to flooding, so the animals were briefly housed at the Botanical Gardens until in 1862, the City of Melbourne donated 55 acres (22 hectares) of land at Royal Park for the fledgling zoo. Baron von Mueller secured employment at Royal Park for Andrew and David and they helped to lay out the gardens, plant trees and take care of a collection of deer, pheasants, hares and partridges. Initially the zoo was used for the acclimatisation of animals recovering from the long voyage to Australia and for breeding them for sport. In 1872, the zoo bought two lions, a leopard and a cheetah that had been seized from circus showmen Keith and Phillips when they were unable to pay the bill of butcher Mr T K Bennet of Bourke Street. The first zoo director, Mr. Albert Le Souef, negotiated with captains of ships to buy animals at overseas ports they visited and soon a multitude of exotic species arrived, including a ten-year-old Indian elephant in 1878. In 1923, after being head keeper for some years, Andrew was appointed director of the zoo. By 1933, the zoo had 110 different species of animals, 200 species of birds and 72 species of reptiles under Andrew’s care. He had personally planted all but six trees and laid out the garden beds. As director he lobbied authorities for funds to build more humane enclosures for the animals. In June 1928, Table Talk magazine wrote of Andrew Wilkie: “Up at the Zoo there is a humble gentleman who is a lion among the lions, who knows the proper specific to employ when the boa constrictor has chilblains, and who is a friend and confidant of Queenie the elephant. His fount of zoological lore has never been plumbed. It is bottomless, like his good fellowship and geniality. Every day he may be seen somewhere in the grounds of that growing sanctuary for the strange and arresting fauna and creeping things of the world, and I assure you as one who is privy to his passion that that area and its inhabitants are rarely out of his thoughts.” Andrew retired from the zoo in 1936 at the age of 83 and in 1948 died at his home in Brunswick aged 94. He and his wife Josephine had six children. The Victorian Acclimatisation Society was founded in 1861 by Edward Wilson, 1813-1878, then owner and editor of The Argus newspaper. He said that Australian indigenous animals were practically useless, providing only “a little sport and an occasional meal”. The Society believed that Australia’s plants and animals were vastly inferior to those in Europe. They wanted to introduce and acclimatise to Victoria “all innoxious animals, birds, fishes, insects and vegetables, whether useful or ornamental” for sport and for the table, and to spread indigenous animals and plants from the colony around the world. Their motto was “if it lives, we want it”. The Society was primarily responsible for introducing sparrows, starlings, sambar and hog deer, ostriches, brown trout, blackberries, and carp to the Murray River. They released the European songbirds, thrush and blackbird to quell the homesickness of British settlers. The Society also sent Australian animals like platypus, echidnas, kangaroos and koalas to Europe for scientific and novelty purposes. Thomas Austin, a wealthy sheep farmer of Barwon Park, Winchelsea (property now owned by the National Trust) was a member and in 1859 he introduced hares, blackbirds, thrushes and partridges onto his property. He is probably best known for introducing 24 breeding rabbits onto his estate as game for shooting parties. Thomas quipped, “The introduction of a few rabbits could do little harm and might provide a touch of home, in addition to a spot of hunting." In 2022, genomic data confirmed that Australia’s feral rabbit population is entirely descended from these rabbits. Biological control has brought the rabbit population down from an estimated high of 10 billion rabbits in the 1920s to approximately 200 million today, inhabiting 70% of Australian landmass (5.3 million square kilometres). In 1872, the Acclimatisation Society was renamed The Zoological and Acclimatisation Society of Victoria and they focused on importing exotic animals for display purposes to the zoo. In 1937, the Royal Acclimatisation Society of Victoria was recreated as the Zoological Board of Victoria with a focus on research of native animals threatened with extinction. In an editorial for The Argus newspaper, 16 March 1856, Edward Wilson lamented: "...this country has been shamelessly stolen from the blacks. Had they been like the New Zealanders or the North American Indians, we should have bought their land, and supplied them with the means of living when we took it... In less than twenty years we have nearly swept them off the face of the earth. We have shot them down like dogs. In the guise of friendship we have issued corrosion sublimate in their damper, and consigned whole tribes to the agonies of an excruciating death. We have made them drunkards, and infected them with disease which has rotted the bones of their adults, and made such few children as are born amongst them a sorrow and a torture from the very instant of their birth. We have made them outcasts on their own land, and are rapidly consigning them to entire annihilation. There are but a few of them left, comparatively. This is what we would do for that few. We would feed and clothe every one of them.” [Note: this last sentence is italicized in the original newspaper article text]. Lord Huntingfield, (William Charles Arcedeckne Vanneck) 1883-1969, Governor of Victoria 1934-1939, was a British Conservative Party politician and the first ever Australian-born Governor of an Australian state (although he was always considered British). He was patron of the Royal Zoological and Acclimatisation Society of Victoria and was acting Governor-General for six months during the absence of Lord Gowie in 1938. Lady Huntingfield (née Margaret Eleanor Crosby) 1884-1943, his American-born wife showed great interest in social welfare and the advancement of women and children. She was president of the City Newsboys Society and Patroness of the Girls Friendly Society. In 1937, rose breeder Alister Clark named a yellow hybrid tea rose for her. In 1940, the City of Melbourne opened the Lady Huntingfield Free Kindergarten in North Melbourne, now the Lady Huntingfield Early Learning and Family Services Centre. Lady Huntingfield died in London in 1943 after her house was bombed during a German airstrike. The Lady Huntingfield Memorial Scholarship was established after the City of Melbourne raised £1000 in a public appeal conducted in her memory for students undertaking a Social Work degree at the University of Melbourne. It is awarded annually to this day. The Queen Victoria Hospital named a bed in her honour. References: VICE-ROYALTY GREETS THE KING OF BEASTS AT THE ZOO. (1934, June 26). The Age (Melbourne, Vic. : 1854 - 1954), p. 11. Retrieved August 23, 2024, from http://nla.gov.au/nla.news-article204818472 Prominent Personalities ANDREW WILKIE (1928, June 7). Table Talk (Melbourne, Vic. : 1885 - 1939), p. 15. Retrieved August 29, 2024, from http://nla.gov.au/nla.news-article146562949 'Edward Wilson (journalist)', Wikipedia, https://en.wikipedia.org/wiki/Edward_Wilson_(journalist) 'Thomas Austin (pastoralist)', Wikipedia, https://en.wikipedia.org/wiki/Thomas_Austin_(pastoralist) 'The Acclimatisation Society was driven by misguided ideals about 'fixing nature' in Australia', ABC News, https://www.abc.net.au/news/2022-11-04/acclimatisation-society-introduced-species-history-listen/101588262?utm_campaign=abc_news_web&utm_content=link&utm_medium=content_shared&utm_source=abc_news_web THE ABORIGINES. (1856, March 16). The Argus (Melbourne, Vic. : 1848 - 1957), p. 5. Retrieved September 28, 2024, from http://nla.gov.au/nla.news-article4833244 WAR ON EMUS. (1932, November 4). The West Australian (Perth, WA : 1879 - 1954), p. 12. Retrieved September 29, 2024, from http://nla.gov.au/nla.news-article32588972 'The Great Emu War: how it started and who won', ABC Australia, https://www.youtube.com/watch?v=Y1wA0PKeJqc Advertising (1932, November 25). The West Australian (Perth, WA : 1879 - 1954), p. 2. Retrieved October 26, 2024, from http://nla.gov.au/nla.news-article32584578 Emu Chasers Must Outstrip Peter Pan (1932, November 9). The Labor Daily (Sydney, NSW : 1924 - 1938), p. 5. Retrieved October 10, 2024, from http://nla.gov.au/nla.news-article237042749 WAR ON EMUS (1932, November 22). The Advertiser (Adelaide, SA : 1931 - 1954), p. 18. Retrieved October 15, 2024, from http://nla.gov.au/nla.news-article73997254 WAR ON EMUS. (1932, October 28). The Labor Daily (Sydney, NSW : 1924 - 1938), p. 6. Retrieved October 24, 2024, from http://nla.gov.au/nla.news-article237046601 EMU WAR (1932, December 3). Mirror (Perth, WA : 1921 - 1956), p. 7. Retrieved October 24, 2024, from http://nla.gov.au/nla.news-article75626301 Machine Gun Offensive Against Emus. (1932, November 10). Western Mail (Perth, WA : 1885 - 1954), p. 3 (PICTORIAL SECTION). Retrieved October 24, 2024, from http://nla.gov.au/nla.news-article37766670 A THOUSAND BIRDS IN LUCK. (1932, November 10). Western Mail (Perth, WA : 1885 - 1954), p. 28. Retrieved October 11, 2024, from http://nla.gov.au/nla.news-article37766849 New Strategy In A War On The Emu (1953, July 5). The Sunday Herald (Sydney, NSW : 1949 - 1953), p. 13. Retrieved October 11, 2024, from http://nla.gov.au/nla.news-article18516559 This is a nice emu-that was! (1932, November 5). The Daily News (Perth, WA : 1882 - 1955), p. 9 (HOME EDITION). Retrieved September 30, 2024, from http://nla.gov.au/nla.news-article82878309 LOCAL AND GENERAL (1932, November 16). The Murchison Times (Cue, WA : 1924 - 1937), p. 2. Retrieved October 14, 2024, from http://nla.gov.au/nla.news-article257500260 Taking Him for a Ride! (1932, October 13). The Daily News (Perth, WA : 1882 - 1955), p. 6 (HOME EDITION). Retrieved September 30, 2024, from http://nla.gov.au/nla.news-article83717338 'The Emu War', History Nuggets, https://historynuggets.squarespace.com/nuggets/2018/4/21/the-emu-war New Strategy In A War On The Emu (1953, July 5). The Sunday Herald (Sydney, NSW : 1949 - 1953), p. 13. Retrieved October 23, 2024, from http://nla.gov.au/nla.news-article18516559 'This is the story of how Australia went to war with emus and lost', First Dog on the Moon, https://www.theguardian.com/commentisfree/2018/jul/26/this-is-the-story-of-how-australia-went-to-war-with-emus-and-lost Photographer notations on slide: "Vice Regal visit to Zoo B42"emu wars, governors, melbourne zoo, city of melbourne, 1930-1939, hunting, lord huntingfield, lady huntingfield, royal park, animals, wildlife

Peter Fryar became a staff member at the Mt Helen. He served on the staff at Ballarat Teachers' College, The State College of Victoria at Ballarat, Then Ballarat College of Advanced Education. Appointed to dean of the Faculty of Human Studies at Ballarat College of Advanced Education in 1980, and Department Director of Ballarat College of Advanced Education in 1987, He retired in 1989.Handwritten notes on foolscap paper bound in cardboard with a green crocodile skin print cover and taped spine.ballarat teachers college, peter fryar, physical education, ballarat college of advanced education, state college of victoria, state college of victoria ballarat, carnival, english, english literature