A property illustration by Margaret Picken Commissioned by the real estate agency Woodards Blackburn for the purpose of advertising 20 Husband Rd., Forest Hill This property is listed as having sold for $199,500 in 2001. Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of 20 Husband Rd., Forest Hill, depicting a single story brick house, with driveway leading to a connected carport on the left. In the foreground, a low brick fence and front lawn.20 Husband Rd., Forest Hill Margaret Picken © 2000 Fletchers Real Estatewhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, forest hill

Black and white photo of Husband, Charles Edward, 1864 - 1939.husband, charles edward

Black and white photo of Mr. & Mrs C. Husband & son, Lindsay David Husband. (now where the Bathroom Centre is 2002)husband, mary c, charles edward, lindsay daniel

Genealogy of Charles Edward Husband and Mary Chalmers Main.Genealogy of Charles Edward Husband and Mary Chalmers Mainhusband, c. e., charles edward, mary c., mrs

Black and white photo of Thomas Main, Father of Mary Husband.main, thomas, husband, mary c, charles edward

2 Copies of Black and white photo of Husband, Mary Chalmers Finlay, nee Main 1858 - 1945.husband, mary c, main, mary chalmers finlay

Photo of Husband Family Group outside Family Home 'Waroonga Park', Springvale Road, Forest Hill.husband, mary c, springvale road, tunstall, charles edward, waroonga park

Black and white photograph of a man facing the camera and 2 women turned towards him, standing on a path inn the Gardens"Hazel Bennett and husband and Grace Fraser." E. M. Gibson 831/9hazel bennett, e. m. gibson collection, grace fraser, students, staff

Black and white photograph of Ellen Carroll dressed as a bride, beside her new husband Thomas Alexander Carroll. ellen carroll, bride, marriage, thomas alexander carroll

Black and white photograph of Hazel Bennett (Graduated 1946) and her husband standing on a path at Burnley Gardens. She is holding a bunch of flowers.831/8hazel bennett, e. m. gibson collection, student

Portrait - Goldsworthy Daughter possibly with husbandstawell

From left to right: Stanley, Theodore, Alfred, Ronald seated. This photograph must have been taken after 1931, because that was the year Ronald contracted Polio. Stanley later drowned aged 27.Black and white photograph of the four Edwards brothers of Husband Road, Forest Hill. Father Arthur Edwards, mother Martha (nee Course)edwards family, alfred edwards, theodore edwards, stanley edwards, ronald edwards

This book includes the classic poem ‘Rime of the Ancient Mariner’ by Samuel Taylor Coleridge, the lines of which are set out in twelve pages of double columns. Each section of the poem is titled, such as 'Part the Sixth'. The twenty lithographed line drawings by J. Noel Paton RSA illustrate major events of the story and repeat the applicable verse below them. Most of the drawings have the initials of the artist and the lithographer on the bottom corners, below which are printed their names. The margins of the poem contain printed author's notes. Interestingly, the printer's name is added as a footnote on page 12, at the end of the poem. The book is included in the Rare Books collection of Flagstaff Hill. Its description closely matches one of two copies of the book held by the British Museum. There have been other publications of Coleridge’s poem over the years, based on various editions of his poem and illustrated by other artists. When this book was first published, Paton’s illustrations were available individually for the public to purchase. The author, Samuel Taylor Coleridge (1772-1834), was a notable late 18th to early 19th century English poet. He was the youngest of fourteen children. His father was a vicar as well as the master of a grammar school, with Samuel attended. Coleridge's longest poem, 'Rime of the Ancient Mariner', was written about 1797-1798 and tells of the experiences and adventures of a sailor. It was included in a collection of poetry titled 'Lyrical Ballads', jointly written with his friend William Wordsworth. The volume is considered the beginning of the Romantic era of British poetry. Coleridge acknowledges William Wordsworth in this poem, in ‘Part the Forth’ with the footnote “For the two left lines of this stanza, I am indebted to Mr Wordsworth. It was on a delightful walk from Nether Stowey to Dulverton, with him and his sister, in the autumn of 1797, that this poem was planned, and in part composed”. Sir Joseph Noel Paton RSA (1821-1901) is a well-known Scottish-born artist and painter of historical artwork, created the line illustrations in 1863, highlighting the main points of the poem. In the same year he also illustrated Charles Kingsley's 'Water Babies'. He was appointed Queen’s Limner for Scotland from 1866. The book was published in 1863 by the Art Union of London, an organisation whose members paid an annual subscription, and who received an annual prize of a work of art. The organisation was established in 1837 and membership quickly grew until the 1870's. Membership then slowly dropped off until the organisation was would up in 1912. Lithographer William Husband McFarlane, of Edinburgh, Scotland, created the black and white lithograph outlines from Paton’s drawings, illustrating many of the lines of the poem. The book of poetry and Illustrations was then printed by Neill & Company, Edinburgh, in 1763. The company was formed by Patrick Neill in 176. The company was known for inventing one of the early mechanical typesetting machines, which was used for the Company's publications as well as sold to other companies even into the early 1900s. The firm continued in business until 1973. This copy of the book was presented to Emily Taylor Smith by her father on September 16, 1867, four years after it was published. There is no further information available about Emily at this point in time.This Victorian era book of poetry with illustrated prints, the 'Rime of the Ancient Mariner' by Samuel Taylor Coleridge, is considered to be a rare book. The British Museum holds two copies, one of which is very similar in description. The book is significant for containing a poem written by the renowned British poet Samuel Coleridge, who acknowledges the contribution of a couple of the lines to his friend William Wordsworth. The book's significance is increased for being included in a collection of poetical works jointly written by Coleridge and his friend William Wordsworth, entitled 'Lyrical Ballads' and published in 1797. The printer of the book, Neill & Company, was known for pioneering an early mechanical typesetting machine. It’s significance also includes the collection of Victorian artwork within. Coleridge's poem is significant for being included in 'Lyrical Ballads', which is considered to signify the beginning of the Romantic era of British poetry. Book: large, burgundy linen covered, hard cover, with gold embossed title and images, landscape orientation. Title: Coleridge's Rime of the Ancient Mariner. Author: Samuel Taylor Coleridge Illustrator: J. Noel Paton, R.S.A. Publisher: Art-Union of London in 1863. Lithographer: W.H. McFarlane in Edinburgh, Scotland, 1863. Printer: Neill & Company, Edinburgh, Scotland Contents include the lines of a poem, with lithograph illustrations above applicable short verse. The cover and fly page have the same emblems. A personal inscription is handwritten in a nib pen inside the book.Printed: "COLERIDGE'S RIME OF THE ANCIENT MARINER" "ILLUSTRATED BY J. NOEL PATON, R.S.A." "ART-UNION OF LONDON, 1863" " W.H. McFARLANE, LITHOGr, EDINBURGH" "Printed by Neill & Company, Edingurgh" Emblems embossed on cover, and a repeat printed on fly page, include stars encircling a crucifix and a snake entwined around a cross bow with a branch in its mouth.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, coleridge's rime of the ancient mariner, rime of the ancient mariner, ancient mariner, samuel coleridge, j. noel paton, art-union of london, 1863, rare book, samuel taylor coleridge, art union of london, w.h. mcfarlane, william husband macfarlane, sir joseph noel paton, poem, emily taylor smith, 1867, romantic period, william wordsworth, lithograph, poetry, lyrical ballads, british romantic movement, literary work, neill & company edinburgh, j. noel paton rsa, mechanical typesetting, alexander neill fraser, mechanical typesetting machine

This is part of a contemporary traditional costume worn by males in parades and theatre productions these days, however worn by soldiers in battle during war times in Greece in the 18th - 19th centuryThis is a jacket for boys that is worn as part of the six piece traditional costume. It is navy blue in color and has gold and silver embroidery along the edges. It has silver buttons and a silky orange liningcostume, jacket, tsiolia, τσολιάς, στολή

Part of the Tsolia traditional Costume worn by soldiers in the 16th to 19th century in the mountains of Greece. It has 400 creases depicting the 400 years Greece was under occupation by the Turks.White linen cloth dress worn by soldiers from the 16th to 19th century AD. It has 400 creases depicting the 400 years Greece was under occupation by the Turks.φουστανέλα, tsolia, costume, foustanela, dress, στολή

The full costume used traditionally by soldiers in the 16th to 19th century AD. Recently used in parades and plays as a traditional costumeThis full costume has been ordered from Greece by Thessaloniki Association and used in plays and parades of the club functionsThe shirt of a traditional boys Tsolia costume in white linen and with long sleeves and front white buttons. Part "C" of a 6 piece costume.πουκάμισο, shirt, tsolia, costume, στολή

The full costume used traditionally by soldiers in the 16th to 19th century AD. Recently used in parades and plays as a traditional costume. This is the actual belt used with the costumeHas been used by Thessaloniki Association in parades and playsPart of a six piece costume, red woollen belt with black fringe. The full costume used traditionally by soldiers in the 16th to 19th century AD. Recently used in parades and plays as a traditional costumeζώνη, belt, tsolia, costume, στολή

The full costume used traditionally by soldiers in the 16th to 19th century AD. Recently used in parades and plays as a traditional costume. Beanie is an integral part of the costumeHistorical significance used as part of traditional functions by Thessaloniki AssociationRed woollen beanie with black tassel part of the traditional tsolia costume, with tassel stitched to the top of the beanie. Part "E" of a 6 piece costume.cap, beanie, σκούφο, σκούφος, φούντα, tsolia, costume, στολή

The full costume used traditionally by soldiers in the 16th to 19th century AD. Recently used in parades and plays as a traditional costume.Historical significance since it was used by Thessaloniki Association in parades and playsWhite linen stocking part of six piece traditional tsolia boy's costume.boy, costume, stocking, tsolia, στολή

Elizabeth on left is wearing her wedding ring. She and John Docherty were married in 1894. CABINET 1866-1905 The Cabinet photo was introduced in 1866 in answer to a demand for a larger format photograph which could be mounted for a cabinet or on the wall. They were 4.5 inches by 6.5 inches (11.5 x 16.5 cm), more than twice the size of the cdv. They cost about twice as much as a cdv but eventually displaced them. They were not extensively produced until 1880 and had ceased by 1905. Coloured mounts, especially maroon or green, indicate a date between 1880 and 1890. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991cabinet photo, marg ball collection, shillinglaw family photo album 3, 1898, ann shillinglaw (1861-1940), elizabeth docherty (nee shillinglaw 1861-1942), john docherty, lomer ltd photographers brisbane

Eltham District Historical Society's 50th Anniversary dinner held at St Margaret's Hall, Pitt Street, Eltham, 27 October, 2017Born Digital50th anniversary, eltham district historical society, st margarets anglican church

Louis Schwerkolt studio portrait full beard and rose buttonholelouis schwerkolt, son of johann august

Production Number 66 by the Heidelberg Repertory Group - currently known as the Heidelberg Theatre Company Inc. The program lists names of actors and roles,, backstage, technical crew, creative and administration positions. Special mention of Lois Connor for 'general assistance with costumes and designing and making Mrs. Cheveley's ball gown.'All in Good Condition. The Program is rather fragile.None1961, 66, city of heidelberg repertory group, heidelberg theatre company inc, directed by alice o'donnell

All items in good conditionnon-fiction2024, 451, directed by tim scott, htc, heidelberg theatre company inc

Mr and Mrs Allen traveled to Puckapunyal Army Camp where a canteen was named after Mr Allen. Both the Allens served in World War II. Mrs Allen was a nurse with several units in Malaysia.A newspaper clipping of a large black and white photo of a woman and a man looking at each other, both wearing war medals, with a title and caption'BALLARAT COURIER.' [blue ink, along top of the photo]ww2, wwii, les allen, bull allen, jean elizabeth floyd, jean allen