Twelve page booklet, with heavy card covers titled "What's on January >> June 2003 immigration museum" with a prepublicity photo on the front cover for the Access Gallery "Trammies" Exhibition. Details events on at the museum, details of the museum, various exhibitions, and what's coming. Printed in colour and saddle stapled. Features Malcolm of The Connies, Darren Hutcheson and Roberto D'Andrea on the front cover. Two copies collected. Supplementary File contains papers concerning the exhibition and BTM involvement. See also Reg Item 2455 to 2457 for other parts of the exhibition.trams, tramways, trammies, exhibitions, immigration museum

Publication produced as part of the Sweets Exhibition held at the Immigration Museum from March 2012 to April 2013 BookletImmigration Museum publication sweets, tastes, traditions, culture, exhibition, immigration museum

Immigration Museum Exhibition panelTitle panel: Where to? To a New Beginning . . .

Exhibition panel of the Slovenian Exhibition at the Melbourne Immigration MuseumA New Beginning V novo bodocnost (in Slovenian)

Printed invitation for the opening of the Trammies Exhibition, Immigration Museum, Access Gallery prepared for Warren Doubleday. Invitation featuring a MMTB 6d ticket on the front, giving basic details of the exhibition and on the rear, opening details. Features Connies Performance Troupe logo, BTM logo and VicHealth Smokefree logo. Used on Thursday 20/2/2003. Opened by Peter Batchelor MP, Victorian Minster for Transport. Supplementary File contains papers concerning the exhibition and BTM involvement. See also Reg Item 2454 2455, 2457 for other parts of the exhibition.trams, tramways, trammies, exhibitions, immigration museum, connies

Six page A4 size full colour brochure titled "Trammies / A ride through Victoria's tramway culture" published by the Immigration Museum featuring four "trammies" on the front cover, detailing the transition from Cable to Electric, the MMTB, the Birth of the W class tram, Women, Sir Robert Orison, Victoria's Provincial tramways, Calcutta and Gunzels. On the rear cover has a photo of a group of BTM workers (Reg. Item 1678), and the BTM logo. Features Don Stewart of Bendigo, Malcolm of The Connies, Darren Hutchesson of Bendigo and Roberto D'Andrea - Connies on the front cover.trams, tramways, trammies, exhibitions, immigration museum, connies

Six page A4 size full colour brochure titled "Trammies / A ride through Victoria's tramway culture" published by the Immigration Museum featuring four "trammies" on the front cover, detailing the transition from Cable to Electric, the MMTB, the Birth of the W class tram, Women, Sir Robert Orison, Victoria's Provincial tramways, Calcutta and Gunzels. On the rear cover has a photo of a group of BTM workers (Reg. Item 1678), and the BTM logo. Features Don Stewart of Bendigo, Malcolm of The Connies, Darren Hutcheson of Bendigo and Roberto D'Andrea - Connies on the front cover. Two copies collected. Supplementary File contains papers concerning the exhibition and BTM involvement. See also Reg Item 2454 2456, 2457 for other parts of the exhibition.trams, tramways, trammies, exhibitions, immigration museum, connies

CHARM Committee members invited community members, associations and clubs to be involved in the Immigration Museum Project through sharing their personal stories and community activities on film. A number of community members, associations and clubs responded and agreed to do this.This DVD captures the personal stories of Mauritians and Rodriguans who migrated to Victoria Australia. The main aim: Research, share and preserve history through personal stories and community activitiesInterviews, filming and stories shared by community members in 2004 - Chapter 1 to Chapter 9 Running time - 87 minutesImmigration Museum Project - AV Produced by Lindsay Harris Interviews by Sabrina Lapierreimmigration, immigration museum project, migration, stories, activities,

Beyond the postcard image...Mauritians & Rodriguans in Victoria - Souvenir Brochure produced by the Immigration Museum for the Exhibition held at their Community Gallery from 4 Nov 2006 to 18 March 2007.Immigration Museum Project - Immigration Museum 2006. Sponsored by the Victorian Government, Victorian Multicultural Commission, Scanlon Foundation and C.H.A.R.M. Vic.

Exhibition panel depicting the Question Where to?Where to? and Pregled in Slovenian language

Exhibition Catalogue: Where to? To a New Beginning . . .Where to? To a New Beginning . . . in English and Slovenian languages

This publication was published as part of a community project coordinated by C.H.A.R.M in collaboration with the community, the Immigration Museum and proudly supported by the Scanlon Foundation and the Victorian Multicultural Commission. It was produced after much time and effort had been spent researching and collating information about people who migrated to Australia from the islands of Mauritius and Rodrigues. particularly those in Victoria. Publication with faces of people from the islands of Mauritius and Rodrigues and sunset picture on the coverImmigration Museum Project - Sponsored by the Victorian Multicultural Commission and C.H.A.R.M. Vic.beyond the postcard image, community project, mauritians and rodriguans in victoria

swiss italian, exhibition, opening, immigration museum

Photocopy of an article from the Melbourne Age, 19 Feb. 2003, titled "Taking history for a ride" publicity for the 'Trammies' exhibition to opening the following day. Features a photograph by Penny Stephens of Kathleen Anseline, Fortunato Grosso, Roberto D'Andrea, Hugh Waldron and Sovann Sok inside a W class tram. Article written by Carolyn Webb, noting the exhibition, how it illustrates Melbourne's ethnic melting pot through its trammies. Supplementary File contains papers concerning the exhibition and BTM involvement. See also Reg Item 2454 2455, 2457 for other parts of the exhibition. trams, tramways, trammies, exhibitions, immigration museum, connies

Negatives No. 279 and colour print made by colour laser printer (stored in folder ) of the construction of the west bound track in Bourke St near Queen St. The eastbound track at this location has been completed. Photo shows the nature of construction, sleepers on a concrete foundation and then concrete in. Envelope containing the slide not dated, but assumed to be 26/5/1954 as for Reg. Item 1559. Photo by Geoff Grant. Hi res scan of negative and image updated 19/5/2020. Four prints or copies of the photograph, 101mm square, added 1/6/03. Photo used in the Melbourne Immigration Museum's "Trammies" Exhibition Feb to May 2003. Prints made by the Immigration Museum for use in the making of the display panels.trams, tramways, melbourne, bourke st, construction, queen st

Negatives No. N358 and N359 and black and white prints made by a laser printer (stored in folder ) of AETA tour (Australian Electric Traction Association) on 25/6/1955 at Spencer St. terminus. Both trams have AETA tour signs and the slogan. 980 has "Save traffic congestion, Move People not vehicles" 1618.1 - 980 and 1001 at the then new Bourke St. terminal at Spencer St. Carlyon's hotel in the background. 1618.2 - 980 and 1001 with the Mail Exchange in the background See also Reg. item 1611 for other photos at the same time. hi res scan made and image updated 23/5/2020. Two prints or copies of the photograph, 101mm square, added 1/6/03. Photo used in the Melbourne Immigration Museum's "Trammies" Exhibition Feb to May 2003. Prints made by the Immigration Museum for use in the making of the display panels. hi res scan made and image updated 23/5/2020.trams, tramways, melbourne, bourke st, spencer st, aeta tour, tram 980 tram w7 1001

This book was bought at an Op Shop and given to me and I have donted it to The Croatian Australian Immigration Museum. An example of items that came out with migrants when they moved from Croatia to Australia. August Senoa is a highly acclaimed Croatian author.Zlatarovo Zlato by August Senoa, hardcover , 263 pages An inscription is written inside front cover written in pen in Croatian / Za uspomenu Nadici i Franciju/ od tete Olge/ Zagreb, 26 VIII 1953book, knjiga, leisure, author, croatia

This black and white photograph is estimated to have been taken c1900 inside the Burke Museum. Several objects part of the museum collection at the time can be seen, with a high number of Asian influence objects visible; potentially Chinese in origin, as several Chinese villages were located around Beechworth and across Spring Creek, from the mid 1800s. The Burke Museum is part of the Precinct of Beechworth, which was established upon the discovery of gold in 1852. Originally built as the Beechworth Athenaeum in 1857, the museum was later renamed to the Robert O'Hara Burke Memorial Museum, more commonly known as the Burke Museum, in honour of the famous explorer and former Beechworth Superintendent of Police, Robert O'Hara Burke, after his death in 1861 at Coopers Creek during the famed ill-fated Burke and Wills expedition.This photograph is contextually, historically and socially significant due to its connection to both the Burke Museum and Chinese culture in and around Beechworth during the mid-1800s through to 1900s. Around 4700 people of Chinese heritage lived at the Ovens goldfield by April of 1857, representing one-quarter of the entire population at the time. The object holds strong representativeness to the history of the Burke Museum and to the objects in its collection. Its interpretive capacity could be supported and enhanced with other photographs and objects in the collection. Collectively, these records and objects could provide an insight into the museum's collection and its relationship with the origins of the objects.Black and white rectangular photograph printed on paper. Unmounted; taped to paper. beechworth, spring creek, chinese, burke museum, immigration, chinese immigration, ovens goldfield, china, museum, robert o'hara burke, burke and wills expedition, burke and wills, goldfields

1939 Cap Badge for the "Tramways Superintendent". Made from cast brass to indicate the position held by the wearer on their cap as part of their uniform. Cast in the form of the handwritten or script word/s and underlined. On the rear, silver soldered on are two brass loops at either of the badge to enable the badge to be sewn or fitted with clips onto the cap. Fitted through the loops are brass clips for securing onto a cap. Possibly indicates never been used. On the back of the back of the badge in very small letters is the name of the manufacturer - Stokes & Sons / Melbourne. Note the same manufacturer logo as for the "Tramways Superintendent", Reg. Item 1938. Used by the SEC only? Assumed collected by Les Denmead from spares held by the SEC. 1939.1 - as for 1939, but appears to have been n n ickle plated on the front and then painted with a brownish covering which has partially come away from the plating to give a burnished appearance. Only has one brass securing clip. Worksheet amended 3/8/03. Included with the worksheet, is the text panel used in the Immigration Museum display for such items and photographs used by the Museum in the production of the Trammies Exhibition brochure.tramways, trams, cap badge, hat badge, uniforms

Autumn 1995 issue of Gateway with a trammie (Roberto D'Andrea) leaning from 870 on the front cover. Contains an article "The Lucky City", written by Michael Davie about Melbourne and its city, in particular its trams. Has a photo of a City Circle tram (866) on page 22. Gateway published the Federal Airports Corporation as an inbound magazine for overseas travellers. In an email from Roberto 2/10/2014 - "G'day Warren, Yes indeed the Gateway Magazine with a younger Roberto at South Depot. Brings to mind that South Depot did the bulk of the tramways media through the 90s until closure. On the list of programs I have in the archive is Totally Wild (Channel 10), Monty the Weatherman did 4 crosses live (Channel 9), 7.30 Reports (ABC), we hosted 4 Corners around the network and a few other programs on Channel 7. Plenty of newspapers and radio. Handy with a close to city location the PTC sent the media to South for tram stories. I have the 6 Trammie banners from the Trammies Exhibition at the Immigration Museum where we worked together back in 2003. I've used them occasionally and may need them for a tram presentation in March next year....would they be handy as a part of a exhibit at Hawthorn? The Connies are still going strong....festivals and events, sometimes in schools and we've co-funded 2 tram festivals in Kolkata with the Calcutta Tramways in 2012 and 2013....environment central to the themes. Kevin keeps me posted on how things are going at Hawthorn. I met Doug Prosser at Hawthorn a few months ago and all looking good. Kevin sends me copies of The Bellcord....and just last week I was on the Hawthorn Museum website reading about the Box Hill - Doncaster Tram for a Connie performance in Box Hill late in November. Regards - Roberto www.connies.com.au www.tramconductors.net www.tramjatra.net"trams, tramways, city circle, melbourne, tramways, tram 870, tram 866

The following information is from http://melbourneday.com.au/about.html, accessed 30 August 2016 Melbourne was founded on 30 August 1835 by settlers who sailed from Van Diemen’s Land (Tasmania) aboard the schooner Enterprize. They landed on the north bank of the Yarra River and established the first permanent settlement, close to where the Immigration Museum at the Old Customs House — on the corner of William and Flinders Streets — stands and the place today known as Enterprize Park. Melbourne Day Committee was established to help correct the record about the founding of Melbourne and celebrate its anniversaries. The settlers came from Launceston in search of sheep-grazing land. Land had become expensive and there had long been stories told by whalers and sealers working in Bass Strait of fertile land to the north. This was the southern part of the colony of New South Wales, which the Colonial Government did not want settled at that time. After the Henty family crossed Bass Strait and settled at Portland in 1834 others quickly followed. The north bank was chosen because a small waterfall, or rapids, stopped further progress up the river. The waterfall also separated the tidal movement, providing a vital supply of fresh water. The site had previously been noted by the colony of New South Wales' surveyor, Charles Grimes, in 1803. The north bank also offered more stable, suitable ground. The people of the Kulin nation are the traditional owners of the land that became Melbourne — including the Boonwurrung, Woiwurrung, Taungurung and Djadjawurrung people, who gathered in this place for ceremonies and cultural activities. The topsail schooner Enterprize you see today is a full-size replica of the one that brought the settlers and has become a symbol of Melbourne Day. Her keel was laid at Polly Woodside Maritime Museum in 1991, and the $2.5 million, 27m vessel was launched by Felicity Kennett on 30 August, 1997, at Hobsons Bay. The original ship was bought by John Pascoe Fawkner in April 1835 specifically to search for a suitable place for a settlement in the Port Phillip District. After helping establish Melbourne, the original Enterprize continued operating as a coastal trading vessel for a number of years. She eventually disappeared off the shipping register in 1847, having been wrecked on a sand bar in the Richmond River in northern NSW, with the loss of two lives. The replica is managed by the Enterprize Ship Trust, a not-for-profit organisation. The first settlers were those on board the Enterprize — her crew and passengers. They were John Lancey , master mariner and Fawkner’s representative; Enterprize's captain, Peter Hunter; George Evans, plasterer/builder; carpenters William Jackson and Robert Hay Marr; Evan Evans, George Evans’ servant; and Fawkner’s servants ploughman Charles Wise, general servant Thomas Morgan, blacksmith James Gilbert and his pregnant wife, Mary. And Mary's cat! Enterprize set sail on her historic voyage from Launceston on July 21, 1835, stopping at George Town in northern Tasmania where creditors detained Fawkner. He was therefore not part of the first trip to Melbourne. Enterprize then left on August 1 under the command of captain Hunter. The expedition was led by Lancey, Fawkner's delegate. The party first considered Western Port and the eastern side of Port Phillip for a place to settle, before deciding on the Yarra’s north bank — known today as Enterprize Park. On Sunday, August 30, they disembarked and began to erect shelter, build a store and clear land to grow food, thus starting the permanent European settlement of Melbourne.Image of the fledgling town of Melbourne on the banks of the Yarra River. melbourne, yarra river, john helder wedge

This photograph depicts members of the Beechworth Band at a 'Liedertafel' concert in the main hall at the Burke Museum in 1999. The concert was associated with an exhibition titled, 'From the Liedertafel to the Skating Rink: Entertainment in Beechworth 1852 - early 1900s', which celebrated the rich and diverse entertainments that were a part of Beechworth life in the nineteenth and early twentieth centuries. Marching bands, choirs, circus acts, theatrical performances, races, and seasonal activities, such as Mr. Spiller's roller skating rink, founded in the late 1860s, were among the attractions on offer. 'Liedertafel' is a tradition that accompanied German settlers to Australia. It refers to a friendly society of men united by an enthusiasm for singing. The Beechworth Brass Band was formed by Mr. H. Vandenberg in 1887. The Beechworth Liedertafel was established 14 March 1894 at the London Tavern, Camp Street, Beechworth, by Mr. A.A. Billson, and a visiting conductor, Mr. H. Fielder. German clubs, complete with marching bands, athletics associations and Liedertafel choirs, were centres of social activity attracting wide audiences not limited to members of their own ethnicity. Alfred Arthur Billson was the youngest son of Mr. George Billson, who served as Beechworth’s mayor between 1869-1871. In 1872, George purchased the Oven’s Brewery in Last Street, which became Billson’s Brewery, one of the oldest continuing beverage manufacturers in Australia. An active member of Beechworth’s cultural, business and political life around the turn of the century, A.A. Billson served on Beechworth Shire Council from 1884 to 1893, and from 1895 to 1910, with three terms as president (1888–89, 1899–1901, 1908–09). He founded the Beechworth Progress Association in 1891 and produced an ‘Illustrated Guide to Beechworth and Vicinity’ to develop tourism potential. This photograph of the Beechworth Band playing at the Burke Museum is historically significant for the information it conveys about an exhibition at the Burke Museum between September and November 1999. The use of the contemporary Beechworth Band in a 'Liedertafel' performance provides insight into curatorial approaches at the turn of the twenty-first century and improves our understanding of how exhibitions use objects in the Burke Museum's Collection to tell stories about the past in the present. The image is historically and socially significant for attesting to the enduring appeal of local musical associations, which were a popular means of entertainment that fostered social connections among settlers from diverse ethnic backgrounds. Rectangular colour photograph printed on matte photographic paper. Reverse: 7029 / Label: 7029 / Source / Burke Museum / Beechworth / Band / 1999/2000 /liedertafel, beechworth band, burke museum, from the liedertafel to the skating rink, entertainment in beechworth 1852 - early 1900s, gold rush, immigration, beechworth's german heritage, london tavern beechworth, beechworth's first brick tavern, spiller's skating rink, vandenberg's beechworth brass band, protestantism, teetotallism, skating carnivals, beechworth german association, yma's, beechworth skating rink, progress societies, billson's brewery, german-australians, beechworth progess association, lodges, freemasonry, colonial australia

This photograph depicts female singers accompanied by members of the Beechworth Band at a 'Liedertafel' concert in the main hall at the Burke Museum in 1999. The concert related to an exhibition titled, 'From the Liedertafel to the Skating Rink: Entertainment in Beechworth 1852 - early 1900s', which celebrated the rich and diverse entertainments that were part of Beechworth life in the nineteenth and early twentieth centuries. 'Liedertafel' is a German tradition that accompanied European settlers to Australia. It refers to a friendly society of men united by an enthusiasm for singing. The Beechworth Liedertafel was established 14 March 1894 at the London Tavern, Camp Street, Beechworth, by president, Mr. A.A. Billson, and a visiting conductor, Mr. H. Fielder. The Beechworth Brass Band was formed by Mr. H. Vandenberg in 1887. Marching bands, choirs, circus acts, theatrical performances, races, and seasonal activities, such as Mr. Spiller's roller skating rink, which was founded in the late 1860s, were among the entertainments on offer in Beechworth.This photograph of the Beechworth Band playing at the Burke Museum is historically significant for the information it conveys about an exhibition at the Burke Museum between September and November 1999. The use of the contemporary Beechworth Band in a 'Liedertafel' performance provides insight into curatorial approaches at the turn of the twenty-first century and improves our understanding of how exhibitions use objects in the Burke Museum's Collection to tell stories about the past in the present. The image is historically and socially significant for attesting to the enduring appeal of local musical associations, which were a popular means of entertainment that fostered social connections among settlers from diverse ethnic backgrounds. Liedertafel choirs were originally male-only, therefore, the presence of female singers at the 1999 exhibition reflects progressive social and community values with regard to gender and inclusion.Rectangular colour photograph printed on matte photographic paper.Reverse: 7030 / Label: Burke Museum / Liedertafel Exh / Emily Messen, Luetta / Schier, Hannah / Routledge, Sarah / McKinley 2000 (?) / 2000 (?) / liedertafel, beechworth band, burke museum, exhibition 1999, from the liedertafel to the skating rink, entertainment in beechworth 1852 - early 1900s, past exhibitions, performances at the burke museum, european settlers, german community, german choral societies, brass bands, male choir, colonial passtimes, colonial entertainments, cultural traditions, gold rush, immigration, beechworth's german heritage, london tavern beechworth, camp st beechworth, beechworth historic district, beechworth's first brick tavern, spiller's skating rink, vandenberg's beechworth brass band, benevolent societies, intellectual societies, protestantism, billson brewery beechworth, teetotallism, fancy dress carnivals, skating carnivals, fundraising societies, german musicians, crimean war, beechworth german association, freemasonry, yma's, beechworth athenaeum, beechworth skating rink

This photograph depicts two members of the Beechworth Band at a 'Liedertafel' concert in the main hall at the Burke Museum in 1999. The concert related to an exhibition titled, 'From the Liedertafel to the Skating Rink: Entertainment in Beechworth 1852 - early 1900s', which celebrated the rich and diverse entertainments that were a part of Beechworth life in the nineteenth and early twentieth centuries. 'Liedertafel' is a German tradition that accompanied European settlers to Australia. It refers to a friendly society of men united by an enthusiasm for singing. The Beechworth Liedertafel was established 14 March 1894 at the London Tavern, Camp Street, Beechworth, by president, Mr. A.A. Billson, and a visiting conductor, Mr. H. Fielder. The Beechworth Brass Band was formed by Mr. H. Vandenberg in 1887. Marching bands, choirs, processions, circus acts, theatrical performances, races, fancy dress and roller skating carnivals, were among the vibrant and diverse entertainments offered in Beechworth during the gold rush period. Race meetings were revived with a gala atmosphere at Baarmutha on New Year's Day and Easter Monday in the early 1880s. 'Spiller's Skating Rink', which premiered at St. Georges Hall in August 1869, was accompanied by the 'Beechworth Fire and Drum band'. In 1888, Beechworth had two skating rinks in operation, the Columbia Elite at Oddfellow's Hall, and the Beechworth Skating Rink, corner Camp and Last Streets, Beechworth. Vandenberg's Beechworth Brass Band was reported to have provided musical entertainment for patrons at both venues.This photograph of the Beechworth Band playing at the Burke Museum is historically significant for the information it conveys about an exhibition at the Burke Museum between September and November 1999. The use of the contemporary Beechworth Band in a 'Liedertafel' performance provides insight into curatorial approaches at the turn of the twenty-first century and improves our understanding of how exhibitions use objects in the Burke Museum's Collection to tell stories about the past in the present. The story of Liedertafel's and Beechworth Brass Band is historically and socially significant for understanding the role played by German immigrants in building Victorian communities. In settler communities, cultural associations centred on artistic, recreational and sporting activities not only provided a popular means of entertainment, but fostered social cohesion among settlers from diverse ethnic backgrounds.Rectangular colour photograph printed on matte photographic paper. Obverse (On keyboard): Technics / Reverse: 7028 / Label: Liedertafel / exh. / Beechworth / Band / 1999/2000 /liedertafel, beechworth band, burke museum, from the liedertafel to the skating rink, entertainment in beechworth 1852 - early 1900s, gold rush, immigration, beechworth's german heritage, london tavern beechworth, beechworth's first brick tavern, spiller's skating rink, vandenberg's beechworth brass band, protestantism, teetotallism, skating carnivals, beechworth german association, yma's, beechworth skating rink, progress societies, billson's brewery, german-australians, roller skating history

Taken in the 1990's, this photograph depicts a row of shop fronts in the 'Street of Shops' exhibition in the Burke Museum in Beechworth. This exhibition was created and opened in 1979 and was intended to reflect and imitate a historic peirod in the town's past. The time period decpicted is that of the Gold Rush which swept through many Victorian towns from the 1850's onwards. For the town of Beechworth, the gold rush began in 1852, when gold was discovered in Spring Creek, drawing in many new residents seeking to make a fortune and transforming a once remote town into a bustling centre brimming with hope and opportunity. By 1857, the town contained over 200,000 residents and with this, the need for more amenities and intsitutions arose. Multiple churches, banks, schools, shops, hospitals and other essential buildings appearing over the years. The wealth acquired through the gold rush is largely responsible for the vast development of the town and many of its significant buildings which still remain to this day. This photograph also highlights the significance of this type of exhibition, providing a new mode of experiencing and learning about the past. The street depicts the many supporting trades and industries that arose from the mass migration during the gold rush. The creation of the Street of Shops in 1979 was envisioned by Roy Harvey who was the curator at the time, with the intention of recreating an authentic feel to the environment while collecting from the community to accurately portray the multiculturalism that is ingrainded in many towns and communities of Victoria. This photograph contains historical significance as it relates to and portrays an especially important period of time within Beechworth and Victoria's history. The gold rush phenomena ushered in a wave of hope and prosperity for citizens and immigrants alike. It provided many with the opportunity to strike it rich, while the town prospered and grew in many ways. This widespread development that accompanied the gold rush occured throughout Victoria and holds great historical importance when recording the social, economic and communal developments that occured throughout the time period which gave way to the beloved towns and communities we know today. Beechworth itself is acknowledged as Victoria's best-preserved gold mining town and deserves recognition of its significance. it also showcases the great significance of social develpment and globalization that occured throughout the state during this period. Coloured rectangular photograph printed on matte photographic paper and unmounted. Obverse: Dancing every night 8pm-6am [mirror] / Gold Diggers Arms Hotel façade / Star / Beechworth Gold / J. Davidson / Saloon Reverse: 3306 beechworth, burke museum, street of shops, gold rush, indigo shire gold rush, 1850s beechworth, burke museum exhibitions, saloon, gold buyer, hotel, historical streetscape, gold rush immigration