Introduction: The significance of international law /? Sarah Pritchard.-- Linking international standards with contemporary concerns of Aboriginal and Torres Strait Islander peoples /? Mick Dodson.-- The UN Charter-based human rights system: The UN Charter-based human rights system: an overview /? Garth Nettheim.-- Working Group on Indigenous Populations: mandate, standard-setting activities and future perspectives /? Sarah Pritchard.-- The UN treaty-based human rights system and individual complaints: The UN treaty-based human rights system: an overview /? Hilary Charlesworth.-- Individual complaints: an overview and admissibility requirements /? Hilary Charlesworth.-- Individual complaints: historical perspectives and the International Covenant on Economic, Social and Cultural Rights /? Philip Alston.-- Individual communications under the Optional Protocol to the International Covenant on Civil and Political Rights Elizabeth Evatt.-- Individual communications: the Convention against Torture and the Convention on the Elimination of All Forms of Racial Discrimination /? Michael O'Flaherty.-- The UN treaty-based human rights system and periodic reporting: Periodic reporting: the International Covenant on Economic, Social and Cultural Rights and the Convention on the Rights of the Child /? Philip Alston.-- Periodic reporting: the International Covenant on Civil and Political Rights and the Convention on the Elimination of All Forms of Discrimination against Women /? Elizabeth Evatt .-- The Committee on the Elimination of Racial Discrimination: non-governmental input and the early warning and urgent procedure /? Michael O'Flaherty.-- Indigenous peoples and some relevant human rights standards: Substantive provisions of the International Convention on the Elimination of All Forms of Racial Discrimination /? Michael O'Flaherty.-- The International Covenant on Civil and Political Rights and Indigenous peoples /? Sarah Pritchard.united nations -- history. indigenous peoples -- legal status, laws, etc. aboriginal australians -- civil rights. aboriginal australians -- legal status, laws, etc. human rights.

From the vantage point of the colonised, the term 'research' is inextricably linked with European colonialism; the way in which scientific research has been implicated in the worst excesses of imperialism remains a powerful remembered history for many of the world's colonised peoples. Here, an indigenous researcher issues a clarion call for the decolonisation of research methods. In the first part of the book, the author critically examines the historical and philosophical base of Western research. Extending the work of Foucault, she explores the intersections of imperialism, knowledge and research; en route she provides a history of knowledge from the Enlightenment to postcoloniality. The second part of the book meets an urgent demand: people who are carrying out their own research projects need literature which validates their frustrations in dealing with various Western paradigms. In setting an agenda for planning and implementing indigenous research, the author shows how such programmes are part of the wider project of reclaiming control over indigenous ways of knowing and being.tables, diagramscolonisation, research, imperialsim

Over a number of years, Galen Catholic College sent small groups of students to the Santa Teresa Mission near Alice Springs. These photos were taken during our visit to the Santa Teresa Mission in 2007. galen catholic college, galen college, santa teresa, nothern territory, indigenous peoples, indigenous communities, 2007, mission

maps, b&w illustrations, b&w photographs, tables, CD-ROMworld indigenous peoples' conference on education, conference proceedings

The kit is designed for the general public, teachers and students, to give an understanding of Australian Indigenous people and culture and to break down stereotypes that are common in the school system and the wider community. The information presented is about the cultural, spiritual, economic and religious aspects of pre-contact societies. The impact of invasion on traditional societies and the post-colonial history of Australian Indigenous people is explored.Maps, b&w illustrations, b&w photographs, colour photographsculture, history, john batman, batman treaty, coranderrk mission, koorie culture, lake condah mission, kinship systems, aboriginal art, dreaming stories, kulin, gunai/kurnai, mara, wotjobaluk, wudjubaluk, koori

Writing competition featuring stories, poems and plays by junior entrants. Encourages Indigenous people of the region to write well and develop good standards of literacy.Illustrationsgoulburn valley, creative writing, children, literacy, storytelling, rap, poetry, plays, articles

Deals with the healing from colonial dispossession and the trauma caused Indigenous people by drug abuse, alcoholism and various forms of abuse. The creation of change and healing through personal stories.jiman, bundjalung, psychological trauma, psychology, indigenous mental health, spiritual healing

Part of the Mooney Collection held at Langi Morgala Museum. Wooden bowl carved by Australian Indigenous people. Long carved out boat hull shaped bow. It has carvings of water or an eel on the outside. Used to carry food or wood.Carvings of water or an eel on the outside of the bowl.

Soft-cover book with indigenous artwork on brown cover with maps, drawings and photographs outlining the history of local indigenous people who inhabited the area which became the City of Doncaster and Templestowe.

These are most likely student works from Koorie Art and Design course, 1994. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 11 35mm mounted slides, from Koorie Art and Design classes, 1994. university of ballarat, federation university australia, graphic design, art, koorie, aboriginal art, indigenous art, first peoples, bill, rubina, kylie, abraham

John Prince Siddon is a Walmajarri man who lives in the remote township of Fitzroy Crossing in the West Kimberley. Purlkartu (spider) is a brave foray into technologically assisted printmaking. His painted bull skull has been scanned, modeled and 3D printed with his original markings forming an embossed layer on the surface. Prince then finishes the sculpture with acrylic paint retracing some of his marks and inventing others. By embracing futuristic technology Prince challenges notions of Indigenous painting. JOHN PRINCE SIDDON's psychedelic surrealist paintings bring some of the most urgent themes of our time into piercing view. His ironic combination of Australian narratives, current affairs and ancestral creation stories articulate some of the complexities of the present-day Australian experience. Prince challenges traditional notions of Indigenous painting. Combining diverse influences drawn from television, the traditional Kimberley craft of boab nut carving, desert iconography and the epic characters of Narrangkarni (Dreamtime), he creates a ground breaking style of painting and sculpture that is eclectic, gothic and psychedelic. His vibrant paintings, 3D printed, painted bull skulls and kangaroo hides explore his Country and history. They engage with issues of national and global significance, from the recent floods, endangered species, destruction of Indigenous landmarks and global warming to the war in Ukraine, gun control and the shortcomings of our politicians. Originally from the Great Sandy Desert, Walmajarri people were displaced and relocated through systems of colonisation. John Prince Siddon is a Walmajarri man and like many men from the Kimberley, spent his early years working on cattle stations. His father, Pompey Siddon, was one of the founding members of the Mangkaja Arts Resource Agency. Prince is part of a long tradition of Kimberley men who see truth telling and communicating their personal history and lived experiences as a matter of urgency. These paintings challenge conservative ideas of Indigenous painting; disrupting our notions of Australian contemporary art. John Prince Siddon has been a finalist in the Telstra National Aboriginal and Torres Strait Islander Art Awards (NATSIAA) at the Museum and Art Gallery Northern Territory (2021, 2020, 2019, 2018). He was also a featured artist at the Tarnanthi 2021 festival at the Art Gallery of South Australia. His solo exhibition ‘All Mixed Up’ at the Fremantle Arts Centre, presented in conjunction with the Perth Festival 2020, was heralded as the ‘stand-out exhibition’ of the festival by John McDonald of the Sydney Morning Herald. His works are included in the collections of the Art Gallery of Western Australia, Art Gallery of South Australia and Artbank. technology, first peoples, indigenous painting, future, bull, spider, bead, purlkartu, kimberley, walmajarri, 3d print, embossed

Soft cover book, 168 pages.The Eastern Kulin, like indigenous people all over Australia, believed that they were an integral part of the land; for them nature and culture had been created as one by ancestral beings. Gary Presland presents a unique picture of the Eastern Kulin way of life.

The book shows that Australia's languages are rich, living languages that are relevant to all Australians. You can share the pride that Indigenous people have in their language by reading their accounts of what their language means to them and by learning about how Australian Indigenous languages are structured and used.Maps, colour illustrations, colour photographs, word lists, sheet music, CD-ROMlanguage and culture, bilingual education, linguistics, language and technology, yorta yorta, ganai

Indigenous or First Nation Person beside a large Red River Gum and next to a river (Richardson River) with aboriginal tools. Photo taken at Carrs Plains. Holford Wettenhall, took over as Protector when William Dennis left the Station. Observed during this time indigenous people mainly hunted possum. The last surviving indigenous people at Carrs Plains were moved to Lake Condah and Ebeneezer in 1870. Black and white photograph of a large River Red Gum, with a man standing holding a boomerang, killing stick and shield. Copyright Museum of Victoriastawell aboriginal portrait

A handkerchief box containing newspaper cuttings from 'The Sun-News Pictorial' dated 1938, 'Wonders Of The Outback' on the beauty of and life in the outback. A series numbered 1 to 83. these clips contain photos and descriptions of Aboriginal/Indigenous People, Flora, Fauna, Lizards, Insects, land formations etc.Wonders of the outback 1938. 25 + 26 missing. Up to 83sciences, general, flora and fauna, lydia chancellor, collection, australian outback, outback, australian wildlife, wildlife, australian aborigines, aborigines, australian birds, birds, australian rock carvings, rock carvings, australian deserts, deserts, aboriginal, place, sciences, region, australia, plants, flora, fauna

The two stones were found in middens between Whites Beach and Point Impossible in the mid 1960s. They are believed to be cutting tools used by the Wadawurrung local indigenous people.Two stones, possibly shaped as cutting toolsindigenous, tools, waddawurrung

This book is a useful reference tool on the history of the settlement of Victoria.A 104 pp book with a red cover. It is titled, "The first Chapter in the History of Victoria" written in black print inside a black frame. It is an account of Collin's temporary settlement at Sorrento in 1803. It describes the lives of Buckley, Fawkner, and Batman and includes an account of Batman's treaty with the indigenous people of Port Phillip leading to the founding of Melbourne. melbourne-settlement victoria-history-settlement batman-john-treaty

Article from the Victorian Historical Journal Vol.85, No.1, June 2014. Discusses John Batman's 1835 visit to Port Phillip and possible alternative sites for signing his treaty with Indigenous people of the area.21 pages, maps.john batman, batmans treaty

On 01 January 2014 Monash University Gippsland became a campus of Federation University Australia.Double side A3 sheet outlining a program for indigenous people to increase their knowledge about the university and to create opportunities to attend Monash University Gippsland. Photographs include Aunty Jenny Solomon, Gina Bundle, Nick Johnson, Vicky Murgha, Pauline Mackinnon, Bronwyn Boyce. Courtney Hales, Pro Vice-Chancellor Helen Bartlett.aunty jenny solomon, gina bundle, nick johnson, vicky murgha, pauline mackinnon, bronwyn boyce, courtney hales, helen bartlett., monash university gippsland, aborigines, aboriginal education centre, printmaking, koorie footprints, gippsland campus collection, nicholas johnson

The Australasian pictorial Magazine issued October 1, 1947. Price 2 shillings. The magazine has 67 pages. On the cover a outback girl in yellow pants, white and red shirt, a red vest and an akubra hat, she is holding a thoroughbred horse. The book is full of photos of Australian people, cities, industries, fields, beaches outback, mountains, indigenous people.book, magazine, the australasian pictorial