Ink and wash drawing of a chicken's head. Signed (L.l) 'Clifton' and dated (L.r) '1954'.cllifton pugh, drawing, ink wash, chicken, dunmoochin

Blind Creek was located between the Abbotsford Convent and what is now the Collins Bridge in Studley Park. In an 1858 map of East Collingwood by Clement Hodgkinson, in the State Library of Victoria, one can see how the creek was originally a significant landmark in Collingwood; remaining vacant land until a barrel drain enclosed it. The area was later filled in, surveyed and developed. The position where Blind Creek entered the Yarra was in the immediate vicinity of Hodgson’s Punt, which had linked Kew to the other side of the Yarra from 1839. The Punt was purchased by the Colonial Government in 1852 and was in use until the opening of the Studley Park Road (Johnston Street) Bridge in 1858 made its continued use redundantThe point of view selected by the artist for the watercolour is from the banks of Blind Creek in East Collingwood, looking across the Yarra to the Kew side of the river.Inscribed verso 'Creek and Old Watering stage, on the Yarra East Collingwood 1854 / Trees, stage, &c have long since disappeared / [Artist Signature] / FT 110 / Creek itself now being filled in 1903.gb richardson, blind creek - abbotsford, yarra river - abbotsford (vic) - kew (vic), colonial artists, australian art - 19th century, george bouchier richardson

Donated by Alexander Thurston Watson through the Australian Government Cultural Gifts Program, 1979Ink, wash and gouache on papergippsland, artwork, permanent collection

Donated from the estate of Wemyss Struss, 2016Ink, wash and conté on papergippsland, artwork, permanent collection

PETER CLARKE (1935 - ) Born Deloraine, Tasmania Peter Clarke was both artist and teacher. He held 14 exhibitions between 1957 and 1977, as well as participating in a number of group exhibitions, including Contemporary Australian Painting shown in Los Angeles and San Francisco. He is best known for large colour-field works. Peter Clarke's abstract painting emphasises texture, colour and gesture. He won the George Crouch Memorial Prize in 1967 This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract painting with an ink wash.art, artwork, peter clarke, abstract

Proposed design for Kinloch Gardens project with 12 sites illustrated plus Kinloch Main House. Ian Jelbart owned the entire Woodridge Estate but retained the top of the hill in Arthur Street until this development in 1997-1998, which he developed in conjunction with Graeme Gunn. Ian Jelbart inherited the land from his father who had purchased it cheap during the Great Depression. Kinloch is a castle in Scotland. Ink, wash and pencil on paper adhered to 13mm thick polyurethane boardKinloch Gardensarthur street, eltham, graeme gunn, ian jelbart, jelbart property, kinloch gardens

[b.1917]Ink and washSigned

Ink and wash

Australia 1899 - 1970Ink and wash

Purchased, 1983Ink and wash on papergippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society, 2005Ink and wash on papergippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society, 2005Ink and wash on papergippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society, 2005Ink and wash on papergippsland, artwork, permanent collection

Donated by the artist, 2013Ink and wash on papergippsland, artwork, permanent collection

Donated by Alexander Thurston Watson through the Australian Government Cultural Gifts Program, 1979Ink and wash on papergippsland, artwork, permanent collection

Donated by Alexander Thurston Watson through the Australian Government Cultural Gifts Program, 1979Ink and wash on papergippsland, artwork, permanent collection

Donated by Alexander Thurston Watson through the Australian Government Cultural Gifts Program, 1979Ink and wash on papergippsland, artwork, permanent collection

Donated from the estate of Wemyss Struss, 2016Ink and wash on papergippsland, artwork, permanent collection

Donated by Merle Hathaway, 2016Ink and wash on papergippsland, artwork, permanent collection

Australia 1899 - 1970Sepia ink and wash

Gift of Mack Jost, 1990pen, ink and wash on paper

Mounted ink and wash on paper.Handwritten (LR): Löwit Other Inscriptions: Center, inscribed on a wall: "Ich habe mehere Nächte darüber nachgedacht - und bin nun endlich auf eine hervorragende Idee gekommen - das Problem der imme anwachsenden Insassenanzahl im Ghetto zu lösen es wird notwending sein: (1) die Insassen schichtenweise quer uber einander zu legen, was bei einer durchschnittlichen Hohe der Raume von etwa 3m ganz besonders günstig sein durfte --- und (2) schlage ich vor, während der Winter monate alle Boden in heizbare Raume zu verlegen" [I have pondered for many nights and have finally come up with a great idea for the problem of the ever-increasing population of the ghetto. It will be necessary: (1) to stack the inmates at right angles on top of each other which should prove particularly useful in rooms approximately three meters high, and (2) I suggest that during the winter months all attics be made into rooms that can be heated] Center, inscribed on a selection of files: "GHETTO AUFBAU ROBERT MUNORY" [Ghetto Construction, Robert Munory] second world war, 1939-1945, jewish history & people, holocaust, czech republic

Donated by Merle Hathaway, 2016Pencil, ink and wash on papergippsland, artwork, permanent collection

Donated by Merle Hathaway, 2016Pencil, ink and wash on papergippsland, artwork, permanent collection

Donated by Merle Hathaway, 2016Pencil, ink and wash on papergippsland, artwork, permanent collection

Donated by Merle Hathaway, 2016Pencil, ink and wash on papergippsland, artwork, permanent collection

Donated by Merle Hathaway, 2016Pencil, ink and wash on papergippsland, artwork, permanent collection

Australia 1922- 2004Ink and wash, conte on paperSigned I.r