Purchased through the Horsham Art Gallery Trust Fund, 2022inkjet photograph on plywood

Purchased through the Horsham Art Gallery Trust Fund, 2022inkjet photograph on plywood

Donated by the artist, 2016Inkjet prints on papergippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society, 2013Inkjet prints on papergippsland, artwork, permanent collection

Pigment inkjet print (diptych)Signed and dated 'Sophia Szilagyi 2005' lower right under printed image. Titled 'Where Shadows Lie' centred under printed image. Edition 35/40, numbered lower left corner under printed image.

Purchased, 2015Inkjet prints and screenprint on papergippsland, artwork, permanent collection

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed digital inkjet on paper artist, artwork, printmaking, mark graver, parallel prints

One of three photos. Group of people including children associated with the Australian Natives Association at an outing at Eltham Lower Park. The first image was reproduced in EDHS Newsletter No. 163 July 2005 following a query from Nillumbik Historical society (Gwen Myers) seeking information about the location of the photo. It was suggested that it may be Eltham Lower Park, however the house in the background did not appear correct. There were simliar but mirror imaged. A more recent review of these photographs (2023) suggests that the photos were actually taken in Bremners flats (present-day Wingrove Park) looking towards the house near the intersection of Main and Mount Pleasant roads - Mrs Bremner's house. The topograpghy is also more in fitting with this location than that of Eltham Lower Park. A review of a 1945 aerial photo shows only one house of similar style present in this location. Further reviews of photos taken in the 1950s by Grace Mitchell looking back towards Bremner Flats shows two trees close by on a lean similar to that in the photos.Inkjet-printed copy of sepia photographaustralian natives association, bremners flats, recruitment, wingrove park

One of three photos. Group of people including children associated with the Australian Natives Association at an outing at Eltham Lower Park. The first image was reproduced in EDHS Newsletter No. 163 July 2005 following a query from Nillumbik Historical society (Gwen Myers) seeking information about the location of the photo. It was suggested that it may be Eltham Lower Park, however the house in the background did not appear correct. There were simliar but mirror imaged. A more recent review of these photographs (2023) suggests that the photos were actually taken in Bremners flats (present-day Wingrove Park) looking towards the house near the intersection of Main and Mount Pleasant roads - Mrs Bremner's house. The topograpghy is also more in fitting with this location than that of Eltham Lower Park. A review of a 1945 aerial photo shows only one house of similar style present in this location. Further reviews of photos taken in the 1950s ny Grace Mitchell looking back towards Bremner Flats shows two trees close by on a lean similar to that in the photos.Inkjet-printed copy of sepia photographaustralian natives association, bremners flats, recruitment, wingrove park

One of three photos. Group of people including children associated with the Australian Natives Association at an outing at Eltham. A truck displays a flag "Join the Natives". The first image was reproduced in EDHS Newsletter No. 163 July 2005 following a query from Nillumbik Historical society (Gwen Myers) seeking information about the location of the photo. It was suggested that it may be Eltham Lower Park, however the house in the background did not appear correct. There were simliar but mirror imaged. A more recent review of these photographs (2023) suggests that the photos were actually taken in Bremners flats (present-day Wingrove Park) looking towards the house near the intersection of Main and Mount Pleasant roads - Mrs Bremner's house. The topograpghy is also more in fitting with this location than that of Eltham Lower Park. A review of a 1945 aerial photo shows only one house of similar style present in this location. Further reviews of photos taken in the 1950s ny Grace Mitchell looking back towards Bremner Flats shows two trees close by on a lean similar to that in the photos. Inkjet-printed copy of sepia photographaustralian natives association, recruitment, bremners flats, wingrove park

According to Ivor Roy McLachlan's service record (National Archives of Australia), Ivor's next of kin was his father who lived in Western Australia but Ivor was the adopted son of W. Lack of Pine Grove, Research (Vic.) and had lived there since he was a child.Monochromatic A4 inkjet photographic printivor roy mclachlan, pine grove, research (vic.), w. lack

Purchased through the Horsham Art Gallery Trust Fund, 2011inkjet print on cotton rag paperSigned, editioned and titled in pencil, lower edge

Purchased, 2016Inkjet print and silver ink on papergippsland, artwork, permanent collection

Purchased, 2017Inkjet print and blind embossing on papergippsland, artwork, permanent collection

Purchased with the assistance of Brian and Raynor Castles and the Friends of the Gallery, 2019Archival inkjet prints and screenprint on papergippsland, artwork, permanent collection

Donated by the artist, 2013Archival inkjet pigment print on papergippsland, artwork, permanent collection

Purchased, 2015Archival inkjet pigment print on papergippsland, artwork, permanent collection

Purchased, 2015Archival inkjet pigment print on papergippsland, artwork, permanent collection

Donated from the family of the artist, 2019Archival inkjet pigment print on papergippsland, artwork, permanent collection

Donated from the family of the artist, 2019Archival inkjet pigment print on papergippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society and the Robert Salzer Foundation, 2009Archival inkjet pigment print on papergippsland, artwork, permanent collection

MEDIUM: Inkjet print on cotton rag. DESCRIPTION: Abstract image, black and pale brown/ivory, black outer frame with glass, white board inner frame under glass. The objects appear to be broken up pieces of something greater. Pieces of a greater machine, here re-assembled in hard angular lines and triangular blocks, in abstracted form. The image is a close up, the ink on cotton comes up in rough grainy scratches of shadow. Shades of grey with highlights of blue. Dark angles with patches and corners of pure black. Hard dark lines which meet with white surfaces, blend into grey.Signed, titled and dated on backing board.de, grouchy, lightspace, inkjet

From 1955 Alan Marshall's home was a bungalow at the rear of his sister's house at Eltham. The first bungalow burnt down. Its replacement shown here still stands. In March 2020 the property was sold. It was last sold previously in November 1982. No mention was made in the advertising regarding the heritage protected bungalow in the rear yard and advertising material presented it as having future potential to develop STCA (Subject To Council Approval). Concerned local members of the community alerted to EDHS to the pending upcoming sale and Council was also alerted to the sale and the potential risk presented to the heritage protected bungalow. In 2021 an updated amendment, C133nill, was made to the Nillumbik Planning Scheme in response to a planning application to develop the property following its sale. The Minster of Planning approved and gazetted the Amendment. Gazettal occurred on 25th November 2021. A copy of the gazetted Amendment is available on website of the Department of Environment, Land, Water and Planning at www.planning.vic.gov.au/schemes-and-amendments/browse-amendments. It was last updated March 2022. alan marshall, alan marshall bungalow, eltham, heritage assessment, heritage protection overlay, houses, nillumbik shire council, park west road, heritage overlay ho147

Donated by the artist, 2018Archival pigment inkjet print on Baryta papergippsland, artwork, permanent collection

Donated by the artist, 2018Archival pigment inkjet print on Baryta papergippsland, artwork, permanent collection

Donated by the artist, 2018Archival pigment inkjet print on Baryta papergippsland, artwork, permanent collection

Donated by Janina Green, 2018Archival pigment inkjet print on Baryta papergippsland, artwork, permanent collection

Donated by the artist, 2018Archival pigment inkjet print on Baryta papergippsland, artwork, permanent collection

Donated by the artist, 2019Layered archival inkjet prints on cotton raggippsland, artwork, permanent collection