Murray Comrie Collection. This photograph is a black and white copy created from a colour original.Black and white photograph being a copy of an Intercolonial Exhibition certificate, won by Tarnagulla Borough Council for mineral specimenstarnagulla, awards, mining, mineralogy, intercolonial exhibition, borough council

First Prize Medal awarded to J. Scott, Nurseryman, Hawthorn. during the Intercolonial Exhibition 1866-67. Awarded by Mrs J.C. Corbett's aunt married a son of James Scott.Bronze coloured medal raised in relief - set in illuminated cardboard certificate glued on wooden back board with brown paper backing. Awarded to James Scott, Nurseryman, Hawthorn. Designed and printed and hand finished by W. Calvert 89 Little Collins St. East, Melbourne. Sculpted by C. Summers. Printed on the illuminated certificate are the Royal Standard of United Kingdom and Victorian coat of arms. (Also see B93.0664 - associated award to J Scott, and framed colour printed replica B92.0548)Bronze relief MEDAL AWARDED TO JAMES SCOTT VICTORIA INTERCOLONIAL EXHIBITION 1866-7 Latin inscription FACIES NON OMNIBUS UNA NEC DIVERSA TAMEN. QUALEM DECET ESSE SORORUM, with pictured classical ladies grouped in the relief. Certificate surrounding the metal relief contains much printed explanation of the exhibition. Opened by his excellence Sir J. H. T. Manners-Sutton, K.C.B, on the 24th October 1866; Closed February 23rd 1867 FIRST PRIZE MEDAL AWARDED FOR GENERAL DISPLAY OF CUT FLOWERS (Fuchsias, 10 varieties; Collection of cut flowers 50 varieties) TO J. SCOTT, NURSERYMAN, HAWTHORN. Handwritten on reverse, 'Presented by Mrs. J.C. Corbett, 28 Stawell St., Kew. (Her aunt married a son of James Scott)medal, certificate awarded, j. scott, nurseryman, w. calvert, c. summers, mrs. j.c. corbett, james scott, j.c. corbett, flowers, first prize, intercolonial exhibition

Medal awarded to G W Knight for horticulture at the Intercolonial Exhibition Victoria 1866-1867. Round copper medal under glass in timber frame, showing a group of females in period costume & wording ' Facies Non Omnibus Una Nec Diversa Tamen. Qualem Decet Esse Sororum'.C Summers Sculp - W Calvert Fecittrophies & awards, public events, intercolonial exhibition

Illuminated and coloured styilised design in pinks and gold on cream background surrounded by names of Australian states , New Zealand, New Calendonia and Netherlands India. Inscribed, original frame and glaze award. Intercolonial Exhibition of Australasia, held at Melbourne, 1866 & 7, certifying that the jury of Section X have awarded Honourable Mention to J. Scott of Hawthorn for Coniferous Foliage, Plants & for Bouquets & Flowers. John B. Bleasdale D.D., Special Commissioner for Juries. J.C Knight Secretary. Surrounded by names of Australian states, New Zealand , New Caledonia and Netherlands India. Inscribed on back, 'Donated by Mrs J.C. Corbett, 28 Stawell St, Kew (her Aunt married a son of James Scott),' in T. Kneen's handwriting.j. scott, intercolonial exhibition, 1866, mrs j.c. corbett, j.c. corbett, james scott, framed certificate, intercolonial exhibition of australasia, honourable mention

Document presented to the Borough Council of Sandhurst. In recognition of highly valuable services -- handwritten. List of names of 26 commissioners. Secretary- J.G.Knight.F.R.I.B.A Exhibition opened by His Excellency. Sir J.H.T.Manners-Sutton. K.C.B on the 24th of October 1866 and closed on the 23rd of February 1867. Having been opened to the public for 105 days. Original civic momento. Coloured in Red & Green. DR 269civic mementoes, presentations, memorial exhibition

Framed and glazed copy or replica of B92.0536See B92.0536medal, certificate awarded, j. scott, nurseryman, w. calvert, c. summers, mrs. j.c. corbett, james scott, j.c. corbett, flowers, first prize, replica

Jean-Pierre Trouette was natuarlised in 1862 the year he, his wife Anne (nee Blampied) and her brother Emile purchased land at Great Western and established the Great Western wineries. Unless a person was a Victorian citizen they could not own freehold land and run a business. This certificate testifies to Trouette's legal status and entitlement to establish the Great Western vineyards. At the Intercolonial Exhibition in Melbourne in 1866 his wines were noticed and was noted also in 1867. His vineyard was named St Peter's and visitors included Hubert de Castella in 1882. blampied, trouette, great western, st peter's, intercolonial exhibition, naturalisation, henry barkly

A copy of an early oil painting of Fernshaw in Victoria.A copy of an early oil painting of Fernshaw in Victoria by Isaac Whitehead. Isaac Whitehead (1819–1881) was an Irish-Australian artist who worked in watercolour and pastel. He was also a picture framer and art promoter. It is believed that Isaaz Whitehead emigrated to Australia with his family in either 1853 or 1858. Isaac Whitehead died at his home 50 Punt Road, Prahran, Melbourne, on 21 April 1881. Isaac Whitehead had established himself as the foremost picture framer in Melbourne by 1860, known for his highly ornate frames with floral decorations. Among the clients of his framing business were Louis Buvelot, Nicholas Chevalier, and Eugene von Guérard. In his own paintings, he painted a number of scenes of the forests of Gippsland, Victoria. His work focused on the rich landscapes with trees and ferns, with a high degree of botanical detail. His work won him two medals and his work was posthumously exhibited at 1884 Victorian Jubilee Exhibition, the 1886 London Colonial and Indian Exhibition, and the 1888 Melbourne Centennial Intercolonial Exhibition. Fernshaw was a rural township 63 km northeast of Melbourne and 10 km northeast of Healesville. Situated on the Watts River, near where a log had fallen making a convenient crossing, Fernshaw was settled in the 1860s. It provided good country for orchards and berry growing. The location was at the foot of Blacks Spur, with Mounts Juliet and Mondah rising on either side, providing spectacular scenery. There were nearby fern gullies giving rise to the name – ‘shaw’ is old English for thicket or wood. By 1875 Fernshaw had a post office (1865), two hotels, a school (1871), and stores. It was famed for its beauty, attracting tourists. In 1886 the Melbourne and Metropolitan Board of Works began work on the Watts River water catchment scheme – later to become Maroondah – and the Board obtained approval for the catchment country to be reserved and kept free of settlement. This required the removal of the Fernshaw township, which was completed by about 1890.isaac whitehead, fernshaw, victoria, louis buvelot, nicholas chevalier, eugene von guerard, gippsland, victorian jubilee exhibition, london colonial and indian exhibition, melbourne centennial intercolonial exhibition, watts river, healesville, blacks spur, mount juliet, mount mondah

This photograph was most likely taken for the 1866 Intercolonial Exhibition in Melbourne.25cm x 20cm black and white reproduction of a photograph of the Oriental Bank Corporation, 7 Sydney Street Kilmore, from the State Library of Victoria. Double storey building with decorative parapet along roofline, wrought iron balconets at upper storey windows, decorative hood molds above windows, name of bank in stone under ground floor cornice, a man standing on path in front of bank. Woman standing at back of building in shadow. A sign on post at back of building reads: Land for Sale Apply to W. Grace Solicitor Kilmore.Printed on back: REPRODUCTION RIGHTS RESERVED Copied by State Library of Victoria Tenders called for erection of this building in March 1864.banks, 19th century

Small head and shoulder portrait of a man with a beard. He is wearing a three piece suit and a bow tie. Photo mounted on cream card with gold border and gold printing on the front and back. Card has rounded corners. On the back is Prize Medal Intercolonial Exhibition Melbourne 1866.W. Cawston, St. John Street, Launceston, Tasmaniaphotograph, portrait, male, portrait of a man, w cawston

Small head and shoulder portrait of a lady. She is wearing a high neck dress with a high lacy frilled collar and decoration at the neckline. Her dress has buttons down the front. Photo mounted on cream card with a gold border and gold printing on the front and back. Card has rounded corners. Printed on the back is Prize Medal Intercolonial Exhibition Melbourne 1866.W. Cawston, St. John Street, Launceston, Tasmaniaphotograph, portrait, female, portrait of a lady, w cawston

Bendigo Advertiser ''The way we were'' from 2000. Wares: an array of products sits outside the Bendigo Pottery in 1930. The pottery was established in 1857 on the left bank of Bendigo Creek, near the junction of Eaglehawk Creek, and was brought to prominence in 1968 when then owner George Guthrie was awarded two gold medals at the Intercolonial Exhibition in Melbourne. By 1870, the pottery was producing a wide range of items, from stoneware pipes to spirit bottles. The pottery still operates at Epsom today. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Account from Joseph & Co. Watchmakers & Manufacturing Goldsmiths.dated 14 July 1875. Account has crest at the top of page with a lion and a unicorn each side of a shield with a crown on top. Another crown is above with a lion on top of it. On a banner at the bottom is: Mon Dieu Et Droit. Further down on each side of Sandhurst are two medallions, One with Joseph & Co. Sandhurst Prize Medal and the other one is: Intercolonial Exhibition Melbourne 1866. The account is for a Colonial Al? & chain? £10:10:0 Signed Paid ?Joseph & Cosocieties, aof, correspondence, ancient order of foresters no 3770 collection - account/receipt, joseph & co.

Object. Silver coloured medal with badge pin. Circular shape with border of eight cut out axe head shapes with engraved pattern. Obverse: Around edge inside raised ring '' Intercolonial Industrial Exhibition 1879''. Reverse: Shield shape engraved in centre. Engraved on raised edge section, ''M Ely''.numismatics, medals-civil, second award medal 1879

Moritz Cohn was one of three Danish brothers (with Julius and Jacob) that arrived in Bendigo in 1853. Cohn Brothers was a brand well-known in Bendigo from the gold rush days until the 1970s. Their first venture, on arriving at the goldfields, was a pub, the Criterion Hotel. that they sold after a year. The brothers turned their hands to making drinks rather than selling them. Initially, they focused on soft drinks, cider and raspberry vinegar, but by 1856 the Cohn Brothers brewery in Bendigo’s Victoria Street was producing ale and porter. Image (Photograph??) was taken by Johnstone, O’Shannessy & Co, founded in Melbourne in 1864 by Henry James Johnstone and Emily Florence Kate O'Shaugnessy, in their photographic business. The firm exhibited photographs at the Intercolonial Exhibition in Melbourne in 1866, where the ‘special excellence’ of their work was noted by the judges.Drawing of Moritz Cohn by Johnstone, O'Shannassy and Co. Wooden frame, glass broken on front. Screws and string on the back for wall hangingJohnstone O'Shannassy and Co.drawing, etching, moritz cohn, moritz cohn, cohn bros

Murray Comrie Collection. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph depicting a view across Tarnagulla in June 1866.tarnagulla, views, mining, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the roof of the Council Chambers. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

David Gordon Collection. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies.

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Thomas Comrie's Exchange Store was at south end of Commercial Road, it has since been destroyed. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking north down Commercial Road, Tarnagulla from the Wayman Street corner, opposite Thomson and Comrie's Exchange Store (at south end of Commercial Road).tarnagulla, views, thomas comrie, comrie exchange store, commercial road, local people, residents, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. Victoria Hotel and Theatre is the stone building at centre right. On the immediate left is Pierce's Southern Cross Store, later to be incorporated into the flour mill complex. The gentleman in the white hat in the group on the left is George Thomson. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph looking south down Commercial Road, Tarnagulla from near the Victoria Hotel and Theatre, at northern end of Commercial Road.tarnagulla, views, victoria hotel and theatre, commercial road, local people, residents, aimé marchand, photographers

Murray Comrie Collection. Copy of an 1866 photograph by Aimé Marchand. The building was originally Company's Hotel, then used as temporary premises by the Colonial Bank during construction of the bank's own premises, then Borough of Tarnagulla Council Chambers and Mechanics Institute. Also known locally as Burstall Hall from c1960 following a donation of maintenance funding from the Estate of the late RH Burstall. In June 1866, Aimé Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honorable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies. Monochrome photograph the Tarnagulla Council Chambers in June 1866. tarnagulla, views, burstall hall, council chambers, local government, commercial road, local people, residents, aimé marchand, photographers

TROVE : The Argus (Melbourne, Vic. : 1848 - 1957) Thursday 14 February 1867 p 1 Article 'THE EXHIBITION. OFFICIAL DISTRIBUTION OF PRIZES. The culminating point in the history of the Intercolonial Exhibition of 1866-7, was reached yesterday, when His Excellency Sir Henry Manners Sutton, Governor of Victoria, publicly received the reports of the jurors, and formally declared their awards. .........................CHEMICAL AND METALLURGICAL PRODUCTS AND PROCESSES....................... MEDALS - VIctoria .............John Kruse, chemist, Melbourne - For his fluid magnesia...........................'. Haines, Gregory, 1994, Á History of Pharmacy in Victoria, The Australian Pharmaceutical Publishing Company in association with the Pharmaceutical Society of Australai (Victoria) Ltd, Melbourne, Australia.opp. page 54, photo of 'John Kruse' and of 'John Kruse's pharmacy, Russell Street, Melbourne, 1866'. TROVE : Melbourne Punch (Vic. : 1855 - 1900) Thursday 21 January 1897 p 3 Article A Musical Genius. BY X. THERE is a chemist's shop in Hawthorn in the drawingroom over which some of the best, music that has ever been heard under the Southern Cross has been discoursed. Here John Kruse, the famous violinist , has delighted his late father with his violin. Here Nellie Mitchell's (Madame Melba's) voice found appreciative admiration long before she became famous. It is the shop of John Kruse, chemist and druggist, the inventor of fluid magnesia, insecticide and a world of well-known articles of daily consumption. The old mail died some time back, but lived long enough to gratify his chief wish, viz,, to see his famous son, Herr Johann Kruse. John journeyed from Germany to see his dying father. His brief but brilliant sojourn amongst us will be remembered by all lovers of music. TROVE: Colac Herald Friday 1 September 1876, page 4, Article. TROVE: The Argus Tuesday 2 July 1867, page 3, Advertisement. 'Felton Grimwade, 125 Russell Street, Melbourne'Clear glass bottle, oval shaped in section with text embossed on both sides and on base. Embossed on base 'M65' over '1923 6' over 'AGM'. Side 1 : 'KRUSES PRIZE MEDAL MAGNESIA' Side 2 : 'THIS BOTTLE IS THE PROPERTY OF FELTON GRIMWADE & CO PTY. LTD. MELBOURNE'. Over the numeral '1'.chemist, magnesia

David Gordon Collection. There were four banks in Tarnagulla at one stage, but two - the National Bank and the Bank of Australasia - were open for a short period only. The single-storey brick building at far left was built in 1859 and used by the Union Bank until 1888, and was later renamed 'Lochcarron' and used as premises by doctors and dentists. The two-storey building (right) was built in 1866 by the Colonial Bank of Australasia. Before this, the site had been occupied by Foo's shop. Whilst it was being built, the Colonial Bank operated from Company's Hotel (later known as Burstall Hall and the Council Chambers). The double-storey building in this image was used by the Colonial Bank from 1866 until 21st February, 1888. The premises were sold to the Union Bank for £2500. The Union Bank moved in and commenced operations on 6th June 1888, continuing until 1942. The building was later used as a general store until the 1990s. Both buildings are now private residences. This image was created by Aime Marchand in June 1866. Marchand (1846-1910) made a series of fourteen photographs which were submitted to the 1866-67 Melbourne Intercolonial Exhibition, where they earned a 1st Class Honourable Mention. This is one of those fourteen images. Of French or Belgian origin and possibly formerly an assayer in California, Marchand appears to have begun his practice of photography in Tarnagulla around 1865 as an assistant to A.B. Clay. By the following year he had settled in Portland, where he opened the Royal Photographic Studio in Gawler Street. From his base in Portland he toured surrounding districts, offering portrait and view services. Little else is known about his life. He appears to have left Australia in 1878. A misprint of his name in a local directory as Annie Marchand created the misconception that he was one of only a few named women photographers in the colonies.

TROVE : The Argus (Melbourne, Vic. : 1848 - 1957) Thursday 14 February 1867 p 1 Article 'THE EXHIBITION. OFFICIAL DISTRIBUTION OF PRIZES. The culminating point in the history of the Intercolonial Exhibition of 1866-7, was reached yesterday, when His Excellency Sir Henry Manners Sutton, Governor of Victoria, publicly received the reports of the jurors, and formally declared their awards. .........................CHEMICAL AND METALLURGICAL PRODUCTS AND PROCESSES....................... MEDALS - VIctoria .............John Kruse, chemist, Melbourne - For his fluid magnesia...........................'. Haines, Gregory, 1994, Á History of Pharmacy in Victoria, The Australian Pharmaceutical Publishing Company in association with the Pharmaceutical Society of Australai (Victoria) Ltd, Melbourne, Australia.opp. page 54, photo of 'John Kruse' and of 'John Kruse's pharmacy, Russell Street, Melbourne, 1866'. TROVE : Melbourne Punch (Vic. : 1855 - 1900) Thursday 21 January 1897 p 3 Article A Musical Genius. BY X. THERE is a chemist's shop in Hawthorn in the drawingroom over which some of the best, music that has ever been heard under the Southern Cross has been discoursed. Here John Kruse, the famous violinist , has delighted his late father with his violin. Here Nellie Mitchell's (Madame Melba's) voice found appreciative admiration long before she became famous. It is the shop of John Kruse, chemist and druggist, the inventor of fluid magnesia, insecticide and a world of well-known articles of daily consumption. The old mail died some time back, but lived long enough to gratify his chief wish, viz,, to see his famous son, Herr Johann Kruse. John journeyed from Germany to see his dying father. His brief but brilliant sojourn amongst us will be remembered by all lovers of music. TROVE: Colac Herald Friday 1 September 1876, page 4, Article. TROVE: The Argus Tuesday 2 July 1867, page 3, Advertisement. 'Felton Grimwade, 125 Russell Street, Melbourne' Clear glass ellipse in section bottle, with embossed text on both sides and initials and numerals on base.'KRUSES PRIZE MEDAL MAGNESIA', 'This bottle is the property of FELTON GRIMWADE & CO Pty Ltd Melbourne on sides. 'S1935' 'AGM' on base.magnesia, kruse, felton, grimwade, chemist

The model of the horse and spring cart was made by Mattaeus (Martin) Schaefer. Martin was awarded a Silver Medal for the model at the Bendigo Juvenile Exhibition in April 1879. At the Melbourne Intercolonial Juvenile Industrial Exhibition, 1880, Martin was awarded a gold medal for the 'woodwork of model spring cart' (Bendigo Advertiser 6 March 1880) 'Mr. Schafer (sic) is certainly entitled to the gold medal awarded to him for his very beautiful model of a spring cart. It stamps him as a workman of the highest order' Bendigo Advertiser, Saturday 20 March, 1880, page 1 ‘ Our Excursion trip to Melbourne” In 1882, he was awarded a first prize for the cart at the Grand National Show, Bendigo. 1885: first prize County of Bendigo Agricultural and Horticultural Society Spring Show.Gold wooden frame, dark mottling on surface. Dark grey mount board, edged in royal blue, cream background behind certificates. Three certificates in frame relating to awards presented to Matthaeus (Martin) Schaefer for his horse and spring cart model. Top certificate: handwritten on buff heavy card background ''1879. Bendigo A. and H. Society, Silver Medal, recommended by the Judges, Model Spring Cart, Martin Schaefer'. Middle certificate: printed on blue card 'Agricultural and Horticultural Society, Grand National Show 1882, Class Jn. Section Extra, First Prize, awarded to Mr. Schaefer. H.M. Marks, Secretary'. Bottom award in frame: light buff card, printed on top 'County of Bendigo, Agricultural and Horticultural Society, Spring Show 1885, First Prize, Wooden Horse and Spring Cart, awarded to Mr. Schaefer. H.M. Marks Secretary'. martin schaefer, model, woodwork, bendigo, gold medal, silver medal, spring cart

The model of the horse and spring cart was made by Mattaeus (Martin) Schaefer. Martin was awarded a Silver Medal for the model at the Bendigo Juvenile Exhibition in April 1879. At the Melbourne Intercolonial Juvenile Industrial Exhibition, 1880, Martin was awarded a gold medal for the 'woodwork of model spring cart' (Bendigo Advertiser 6 March 1880). In 1882, he was awarded a first prize for the cart at the Grand National Show, Bendigo. 1885: first prize County of Bendigo Agricultural and Horticultural Society Spring Show. In 1883, Schafer (sic) was a member of the Bendigo Coachbuilders' Association ( Bendigo Advertiser, 'Bendigo Coachbuilders Association', Saturday 9 June, page 3 ) Martin died in 1900, at the age of 40, from pneumonia. His obituary reads: 'Death of Mr. M. Schaefer. After an illness of a few days, Mr. Martin Schaefer, coachbuilder and son of the late Mr. Peter Schaefer of Ironbark, died early on Wednesday morning. The cause of death was pneumonia, supervening on a cold which he contracted about Saturday last. He was 40 years of age and unmarried. He leaves three brothers one of whom is the Manager of the Victoria Consols Mine and another is Mr. Peter Schaefer of the Bendigo Post Office. The funeral took place yesterday, the remains being interred at the Bendigo Cemetery. The Rev. Mr. Leypoldt officiated at the graveside and the mortuary arrangements were carried out by Mr. W.H. Oakley' Bendigo Independent, Saturday 17 November, page 4. Parchment coloured certificate. Printed on certificate: ' County of Bendigo, Agricultural & Horticultural Society, Spring Show 1884, Special Prize for ...(handwritten) Model Spring Cart. Awarded to: M. Schaefer' Written on bottom of certificate in small text: ' W. Holmes, Printer, Bookbinder, Lyttleton Terrace'martin schaefer, model, woodwork, bendigo, gold medal, silver medal, spring cart, horse, juvenile industrial exhibition

The model of the horse and spring cart was made by Mattaeus (Martin) Schaefer. Martin was awarded a Silver Medal for the model at the Bendigo Juvenile Exhibition in April 1879. At the Melbourne Intercolonial Juvenile Industrial Exhibition, 1880, Martin was awarded a gold medal for the 'woodwork of model spring cart' (Bendigo Advertiser 6 March 1880). In 1882, he was awarded a first prize for the cart at the Grand National Show, Bendigo. 1885: first prize County of Bendigo Agricultural and Horticultural Society Spring Show. In 1883, Schafer (sic) was a member of the Bendigo Coachbuilders' Association ( Bendigo Advertiser, 'Bendigo Coachbuilders Association', Saturday 9 June, page 3 ) Martin died in 1900, at the age of 40, from pneumonia. His obituary reads: 'Death of Mr. M. Schaefer. After an illness of a few days, Mr. Martin Schaefer, coachbuilder and son of the late Mr. Peter Schaefer of Ironbark, died early on Wednesday morning. The cause of death was pneumonia, supervening on a cold which he contracted about Saturday last. He was 40 years of age and unmarried. He leaves three brothers one of whom is the Manager of the Victoria Consols Mine and another is Mr. Peter Schaefer of the Bendigo Post Office. The funeral took place yesterday, the remains being interred at the Bendigo Cemetery. The Rev. Mr. Leypoldt officiated at the graveside and the mortuary arrangements were carried out by Mr. W.H. Oakley' Bendigo Independent, Saturday 17 November, page 4. Model of horse and spring cart in a wooden display case, made by Matthaeus (Martin) Schaefer. The wooden horse is cream with black hooves and a dark cream horse hair tail. Horse is carved from wood; harness made from fine leather with buckles and embellishments made from metal. Spring cart model is made from wood and metal with the shafts extended forwards alongside the horse. Inside the body of the cart is a bench seat, upholstered in leather. The cart is secured in place in the display case by wooden block restraints placed either side of the wheels. Wheels are painted red, each wheel has fourteen spokes. martin schaefer, model, woodwork, bendigo, gold medal, silver medal, spring cart, horse, juvenile industrial exhibition

This piano was made by Aucher Freres of Paris, said to be famous for its pianos in the mid-late 1800s. Aucher Freres (Aucher Brothers) produced a model of piano that was built specifically for use on sailing vessels, the upright yacht-style piano. Pianos were amongst the domestic goods brought to Australia by many colonial immigrants. They were also imported by Australian distributors by the shipload and sought after by settlers. A piano was often found in a Missions to Seamen club room, where visiting seafarers would entertain or be entertained by music and song as part of their relaxation in port. A sarcastically written news article of January 2nd 1869 reported that the Secretary of the Loyal Liberals of Ballarat, Mr Henry Bell, was presented both with a “illuminated address” and a piano. The piano was made by Aucher Freres of Paris and was purchased for sixty guineas (which converts to around $7,500 Au in 2019). The gift was criticised for encouraging foreign industry rather than native Australian products, thus going against what the Loyal Liberals own protectionist policy. The writer goes on to state that several pianos made in the Colony compared very favourably at the International Exhibition with those manufactured by the English or French. He then says that “… the secretary … might learn a lesson from his piano ... the name Aucher Freres, Paris emblazoned on its front should be … a perpetual reminder of the hollowness of that protectionist imposture …” [Refer to Intercolonial News, Victoria, originally published in The Argus, was repeated in the Wallaroo Times and Mining Journal of South Australia 2-1-1869.] Aucher Freres pianos were still around in 1930. A second-hand model was advertised for sale as a good practice piano. The advertisement was placed by the Mount Gambier, SA, agents for Saver’s Pianos Ltd of Adelaide. The piano was described as “a sound little instrument of good tone and appearance”. The asking price in November 1930 was 32 pounds and ten shillings (which converts to about $2,500 Au in 2019). [Refer to Savery’s advertisement, Mt Gambier Border Watch 11-11-1930]This piano is significant for its connection with the time period of chapel and club room at Flagstaff Hill's St Nicholas Seamen's Church. It represents the form of entertainment enjoyed by seafarer's world wide, which is appropriate for a maritime village. The maker of the piano is famous for its quality pianos of the 19th and early 20th century.Piano, upright, polished wood. The wooden hinged keyboard cover lifts up to allow access to the keyboard. The piano also has two brass candlesticks. The top of the piano is hinged and lifts up to allow access to the piano mechanic's inside for tuning and maintenance. The inside flap has a music stand incorporated into it. It also has the usual two hard-soft pedals at the base. There are two brass decorated hooks at each end to allow for ease of movement when the position of the piano is changed. Maker's name inscribed inside keyboard lid in gold lettering. Made in Paris by Aucher Freres (Aucher Brothers)."AUCHER FRERES / Paris" (NOTE: the "C" is sometimes mistaken for a "G")flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, piano, music, upright piano, paris, france, aucher freres