Aunde / Norwellan Textiles North Western Woollen Mills became Norwellan Textiles then AUNDEColour landscape photo: Two male employees setting up the Jacquard Loom.industry, aunde

From Foster Valley Mill.Featuring a Jacquard loomvalley worsted mill, jacquard

BHS CollectionBlack silk lined with black polished cotton- seven gored skirt. A woven floral design through the fabric. Hemline is finished with a two cm braid hand stitched on the inside of the skirt, and finished with a one cm fringe edging the hemline. Plackett at centre back waistline fastens with seven metal hooks, and hand stitched loops. Cotton tape two cm wide waistband. Small soft gathers at centre front waistline.costume, female, black jaquard skirt

The Axminster Carpet Loom has been set up as a focal point in the centre of the National Wool Museum. The loom was originally built by Brintons in England around 1910 and was initially operating in Geelong in 1960. Brintons designed and built most of their own looms and ancillary equipment. When superseded in 1975 the loom was donated to the Melbourne College of Textiles for weaving training. The College has now donated the loom to the National Wool Museum and Brintons engineering staff has restored it to full working condition. This loom is known as an Axminster gripper loom. The gripper system was invented by Brintons in 1890 and operates using a gripper shaped like a birds beak. This grips the yarn, the yarn is then cut and the gripper swings down to place the tuft into the woven backing. This particular loom also uses a jacquard system for weaving colours. In jacquard weaving, punched cards are used to instruct the loom as to which colour to use. The system was invented by Joseph Jacquard, a silk weaver from Lyon, and was introduced in 1804. It revolutionised pattern weaving as it had the capacity to create intricate patterns through the use of the cards. By 1833 there were approximately 100,000 power-looms used in Great Britain that had been influenced by Jacquards invention. Joseph Jacquard died in 1834. Charles Babbage was later to adapt Jacquards punch-card system to produce a calculator that was the forerunner of todays methods of computer programmingAxminster carpet loom featuring over 1000 Jacquard punch cards and over 100 bobbins of different colours of wool.loom carpet wool, geelong woolbrokers' association, geelong, auction

Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225.Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225. Artist's charcoal sketch with water colour panelfrom which carpet manufacturing pattern is graphed out, prior to preparation on Jacquard Card. Genoese (Axminster) 4/4225.4/418 Genoese MS. M6 RE MG. in Burgundy P2 S7 1st stockweaving, carpet

Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Genoese 4225weaving, carpet

Worn by donor at son's wedding.|Jacquard, a complex and intricate weaving process on a power loom invented bt Joseph Jacquard in 1801. It refers to fabrics or textiles woven by this process of punch cards, using damask, twill, silk or plain weave,wool. The design being woven into the material.1960 Apple green dress and matching coat. There is a silver thread through the weave of the material (Jacquard Design - see History). Dress also trimmed with silver braid. Stand up collar. Back zip and self covered buttons.|Matching coat has round neck - two sets of three self covered buttons and loops.costume, female

Black silk jacquard boned jacket.

Maxim model 27, 12 plate Jacquard design sock knitting machine.

This film features Loom Technician Michael Farquhar demonstrating how the Axminster Carpet Loom works, at the National Wool Museum. The Axminster Carpet Loom has been set up as a focal point in the centre of the National Wool Museum. The loom was originally built by Brintons in England around 1910 and was initially operating in Geelong in 1960. Brintons designed and built most of their own looms and ancillary equipment. When superseded in 1975 the loom was donated to the Melbourne College of Textiles for weaving training. The College has now donated the loom to the National Wool Museum and Brintons engineering staff has restored it to full working condition. This loom is known as an Axminster gripper loom. The gripper system was invented by Brintons in 1890 and operates using a gripper shaped like a bird's beak. This grips the yarn, the yarn is then cut and the gripper swings down to place the tuft into the woven backing. This particular loom also uses a jacquard system for weaving colours. In jacquard weaving, punched cards are used to instruct the loom as to which colour to use. The system was invented by Joseph Jacquard, a silk weaver from Lyon, and was introduced in 1804. It revolutionised pattern weaving as it had the capacity to create intricate patterns through the use of the cards. By 1833 there were approximately 100,000 power-looms used in Great Britain that had been influenced by Jacquard's invention. Joseph Jacquard died in 1834. Charles Babbage was later to adapt Jacquard's punch-card system to produce a calculator that was the forerunner of todays methods of computer programming.Digital film featuring colour footage, audio and animated graphics. michael farquhar, loom technician, axminster carpet loom, brintons, geelong, textile industry, machinery, weaving, restoration, gripper, jacquard, punch cards

Photograph probably for promotional purposes, of a "David Sowden & Sons" loom. Photograph was with other photographs in an envelope printed "David Sowden & Sons" among items from Yarra Falls MillPhotograph. black and white, of a "David Sowden & Sons" loom.DAVIS SOWDEN & SONS SHIPLEY/Power loom and jacquard machine makerstextile machinery weaving textile mills textile mills, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving, textile mills

Photograph probably for promotional purposes, of part of a "David Sowden and Sons" loom attachment. Photograph was with other photographs in an envelope printed "David Sowden & Sons", among items from Yarra Falls Mill.Photograph, sepia, of a "David Sowden & Sons" loom attachment, which has been threaded with yarn.DAVID SOWDEN & SONS/ BRADFORD/ POWER LOOM AND JACQUARD MACHINE MAKERStextile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving

Photograph probably for promotional purposes, of a ""Patent Fast Running Drop Box Loom", David Sowden and Sons, Shipley , Yorkshire No106" loom. Photograph was with other photographs in an envelope printed "David Sowden & Sons" among items from Yarra Falls Mill.Photograph.sepia, of a "David Sowden & Sons" loom. "Patent Fast Running Drop Box Loom", David Sowden and Sons, Shipley , Yorkshire No106.106 DAVIS SOWDEN & SONS SHIPLEY/Power loom and jacquard machine makerstextile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving

Photograph probably for promotional purposes, of a ""David Sowden & Sons Patent Automatic Shuttling Loom", No 162. Photograph was among items from Yarra Falls Mill.Photograph, black and white, of a "David Sowden & Sons Patent Automatic Shuttling Loom", No 162."David Sowden & Sons/Looms/ Patent /Automatic Shuttling/ Loom"/ No 162/Jacquard Machine Makers/ SHIPLEYtextile machinery weaving, yarra falls mill david sowden & sons, weaving looms, weaving machinery, textile machinery, weaving

Sketch from which carpet manufacturing pattern is graphed out, prior to preparation of Jacquard card. Genoese (Axminster) 4/4226. Three sketches, gouache, two long and one short designs. The two long sketches are pasted at one end onto backing paper, which contain inscriptions. Floral design in blues, pink, mauves, white, grey and greens.Genoese 4/4226 AL Ingramweaving, carpet, ingram, a l

Turner Collection. Wedding dress of Margaret Jane Morrissey who married James Cahill 31 May 1868 at St. Patricks Church, Kilmore KHS holds original Marriage Certificate. Both early Kilmore families.Brown silk damask dress with cotton lining. Front button fastening. Jacquard striped, bustle back. Tearing at armhole, breakage at hem, frayed binding, frayed black braid trim detached in places, staining on collar, accretion on back, pest webbing. Very fragile.wedding, morrissey, cahill

Imitation Kashmiri shawls were produced in large numbers in Europe in the second half of the 19th and also in the 20th centuries. The first mechanised production of such shawls was made possible by the invention of the Jacquard loom in France in the 1820s. Machine woven paisley shawl, based on traditional hand-woven Kashmiri designs. paisley shawl, shawls

Machine made lace. Probably made on a Levers machine using jacquard apparatus to make a series of individual square motifs. These were probably destined to be cut apart and used as applique pieces on some other textile.A length of individual square motifs of machine made Filet lace

This rug sample was woven at the National Wool Museum on the 1910 gripper type Axminster Jacquard carpet loom. The rug is made from 80% wool and 20% nylon, the internationally preferred blend for high quality, long lasting carpets.Orange, cream, green, red and black patterned carpet with jute backing.back: [handwritten] 2/57axminster loom, carpet, sample, rug, wool, national wool museum, brinton's

This purse is an example of what is often described as the 1930s anachronistic meeting of industrial Art Deco and the arts and crafts movement, hand crocheted silk meeting geometric frames made of the 'modern' xylonite, an early version of bakelite. The Australian Arts and Crafts movement was at this time very focused on creating a notably 'Australian' design, utilising brown earthy tones and 'natural' shapes, such as this purse's spiral drawing on straw and taffeta purses of previous decades.Circular mount purse with xylonite chain interwoven with brown crocheted chain. Outside brown hand crocheted criss-cross stitch with scalloped edge. Xylonite mount with fleur-de-li patterning, edged with gold and black bead seed bead clusters. Opens with a push latch. Lined with a pink silk jacquard, opening embroidered with pink and green flowers. handicrafts, crochet, bags, handbags, purses, crocheting, wool, silk, cotton, 1930s, 30s, art deco, xylonite

BHS CollectionSome braid matches the braid on the hemline if the jacquard skirt (11400.463) 139 cms. Woven pattern in braid. 317 cms black cord. Six pieces of black flat cord of various lengths. One short length of black cotton tape one cm wide. One short piece of black elastic. One piece black cotton tape- 70 cms long. One piece black cotton tape - 90 cms long.ephemera, mementoes, assorted braids & elastic

This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a group of women taking a fencing lesson, under the guidance of a male teacher. Two women are pictured pointing sabres at each other at the centre of the image, while four other women look on at the right of the image. The teacher is shown on the left hand side of the image, holding a sabre in his right hand which is pointing downwards so that the tip of his sabre is resting against the floor. All figures in the image are wearing Victorian era dress. There is a sticker for Gibson's Auctioneers attached to the bottom right hand corner of the front of the artwork. Two small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.

This is a silk picture woven by the highly acclaimed French jacquard loom woven tapestry maker Neyret Freres. The scene is derived from a painting by Spanish artist Mariano Alonzo Perez (1853-1930). This style of weaving is referred to as a Stevengraph, named for their original creator, Thomas Stevens (1828-1888), a 19th century weaver from Coventry, England. Neyret Freres began manufacturing textiles in 1823, and are still in operation today. Silk embroidery in a decorative gilt frame. The scene depicts a Victorian era billiards room. An ornate billiard table is at the centre of the image. At the near end of the table, two men are crouching down and leaning over the table, examining billiard balls while holding billiard cues in their left hands. At the far end of the table, a woman is sitting on the corner of the billiard table while holding a billiard cue in her left hand, in an intimate face to face pose with a man standing behind the billiard table. All figures are depicted in Victorian era aristocratic dress. The bottom right corner of the images features the signature 'D'A. PEREZ'. Three small stickers for Gibson's Auctioneers are attached to the back of the artwork, as well as a sticker referencing the framer of the work and a shipping sticker for International Art Services. Two d-rings and a wire fitting are attached to the back of the artwork for hanging.

The Manor House Rug was designed by Brinton's Carpets in 1990 exclusively for the National Wool Museum. The design is based on an earlier design from Brinton's UK Persian Rug Archive Library. This Manor House Rug sample was woven at the National Wool Museum on the 1910 gripper type Axminster Jacquard carpet loom. The rug is made from 80% wool and 20% nylon, the internationally preferred blend for high quality, long lasting carpets.Red, green, blue, black, cream floral patterned carpet sample with jute backing.axminster loom, carpet, sample, rug, wool, national wool museum, brintons

Photo Album, brown in colour, 'Hanro' on front cover. 10 photo's in album - 'winding room','knitting room', 'knitting room', 'section of knitting room', 'finishing room', 'cutting and pressing', 'raschel machines and lace machines' 'jacquard machines (sports wear Dept)', 'folding and boxing', 'part of shipping room', 'shipping room'. 1932 on inside of cover. 'Hanro'products and 'Benknit' brand of sports wear. 2 loose photo's 'staff and Management' Hanro. Bendigo Show Display, Nov. 1950. A stand with 2 women working it.organization, business, hanro knitting mills, bendigo knitting mills. hanro. benknit.

Stevengraphs are pictures woven from silk, originally created by Thomas Stevens in the 19th century. In the mid-19th century the town of Coventry, England, was the centre of a ribbon weaving industry. In 1860 the Cobden–Chevalier Treaty was signed; this free trade treaty introduced new competition into the industry, leading to a collapse in the local economy. Thomas Stevens, a local weaver, responded by adapting the Jacquard looms used in Coventry to weave colourful pictures from silk. By 1862, Stevens could produce four different designs and by the late 1880s this had grown to over 900; they became known as "Stevengraphs", after their maker. Many of these designs were used to produce bookmarks, while others were used to make greeting cards and other silk objects.A "Stevengraph marker" woven (loom) in Coventry, England. A collectors item. Religious theme with choir boys in black and white and text mounted on card.'We promise thee O God' T. Stevens. Coventry textile, weaving, ecclesiastical, england, late 19th century

Cream silk, woven in a jacquard style, featuring a floral design. Fully lined with cream silk satin. A 4cm deep, stand-up mandarin style collar. Eight metal hook and eyes fasten the front in a concealed way. Heavy cording, finished with pearl trimmed tassels,a double inverted pleat, 22cm long at the centre back hemline. Three darts at shoulders giving a 'sleeve-like' shape. Lower edges of which are elaborately corded. A 12cm'slit' at the lower edge seam with the front panel gives more flexibilty to the wearer. Tassel head and decorative 1.5cm ''ball'' are woven in a ''turks head'' style. A 2.5cm wide silk ribbon, attached at centre back, and possibly tied around the waist.A card with the cape is hand written - ''For Historical Soc.if wanted, From M.Bush's Collection. Could have been from Mrs. Mueller's. Gift from Mrs. E.G.JARRETT''costume, female, cream silk evening cape

In 1988 Her Majesty Queen Elizabeth II and Prince Philip travelled across Australia to take part in the bicentenary celebrations. In April Her Majesty Queen Elizabeth II and Prince Philip arrived in Geelong to open the Wool Week Display in the almost complete National Wool Centre. Crowds gathered to welcome the royal couple, wool shearing demonstrations took place outside the centre and “Spud” the sheepdog exhibited his heading talents. During their visit to the wool centre they were met by the chairman of the Geelong Regional Commission, Mr Colin Atkins and Mrs Monique Atkins. The Queen was presented with a rug woven by the museums 1910 gripper-type Axminster Jacquard carpet loom and the Duke was presented with a woollen jumper. In return the Queen presented three letters from the archives of the Windsor Castle to the museum. The couple left in the afternoon, charming the Geelong crowd. Two black and white photographs of Her Majesty Queen Elizabeth II, accompanied by the City of Greater Geelong Mayor, Jim Fidge, watching a shearing demonstration by local Geelong shearers outside the then National Wool Centre. Her Majesty Queen Elizabeth II opened the Wool Week Display in the almost complete National Wool Centre during her visit in April 1988.royal visit, wool centre, geelong, queen elizabeth ii, prince philip, national wool centre., bicentenary celebrations