Showing 11 items matching "james tylor"
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City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #14, 2014
... ...James Tylor...James Tylor...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander Mixed Media Photography James Tylor Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #14 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories.Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, mixed media, photography, james tylor -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #4, 2014
... ...James Tylor...James Tylor...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander James Tylor Mixed Media Photography Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #4 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories.Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, james tylor, mixed media, photography -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #10, 2014
... ...James Tylor...James Tylor...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander Mixed Media Photography James Tylor Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #10 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories. Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, mixed media, photography, james tylor -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #12, 2014
... ...James Tylor...James Tylor...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander Mixed Media Photography James Tylor Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #12 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories.Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, mixed media, photography, james tylor -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #5, 2014
... ...James Tylor...James Tylor...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander James Tylor Mixed Media Photography Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #5 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories.Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, james tylor, mixed media, photography -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #13, 2014
... ...James Tylor...James Tylor...Stonnington contemporary art collection Landscape Cultural identity First Peoples post colonialism First Nations Indigenous Aboriginal Torres Strait Islander Mixed Media Photography James Tylor Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #13 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories. Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, first peoples, post colonialism, first nations, indigenous, aboriginal torres strait islander, mixed media, photography, james tylor -
City of StonningtonJames Tylor, (erased scenes) From an untouched landscape #9, 2014
... ...James Tylor...James Tylor...Stonnington contemporary art collection Landscape Cultural identity post colonialism First Peoples First Nations Indigenous Aboriginal Torres Strait Islander Mixed Media Photography James Tylor Digital print on Hahnemühle paper (erased scenes) From an untouched landscape #9 James Tylor ...James Tylor’s practice examines racial and cultural identity in Australian contemporary society and social history. He explores Australian cultural representation through his multi-racial heritage comprising Aboriginal, English, and Maori Australian ancestry. This interest is informed using these media in that era to document Indigenous Australian and Maori culture. Tylor reminds us of what has been removed from the view of the Australian landscape, and reflects on the limitations of the romantic landscape tradition itself - the tensions between Australian and Indigenous histories.Digital print on Hahnemühle paperstonnington contemporary art collection, landscape, cultural identity, post colonialism, first peoples, first nations, indigenous, aboriginal torres strait islander, mixed media, photography, james tylor -
Horsham Regional Art GalleryPhotograph, James TYLOR, Un-resettling (half dome hut on a cliff face), 2013
... James TYLOR...Horsham Regional Art Gallery 80 Wilson Street Horsham grampians Un-resettling (half dome hut on a cliff face) Photograph James TYLOR ...Purchased through the Horsham Art Gallery Trust Fund, 2018 -
Horsham Regional Art GalleryPhotograph, James TYLOR, Un-resettling (ladder tree), 2014
... James TYLOR...Horsham Regional Art Gallery 80 Wilson Street Horsham grampians Un-resettling (ladder tree) Photograph James TYLOR ...Purchased through the Horsham Art Gallery Trust Fund, 2018 -
Horsham Regional Art GalleryPhotograph, James TYLOR, Un-resettling (bird snare), 2017
... James TYLOR...Horsham Regional Art Gallery 80 Wilson Street Horsham grampians Un-resettling (bird snare) Photograph James TYLOR ...Purchased through the Horsham Art Gallery Trust Fund, 2018 -
Horsham Regional Art GalleryPhotograph, James TYLOR, Un-resettling (canoe tree), 2017
... James TYLOR...Horsham Regional Art Gallery 80 Wilson Street Horsham grampians Un-resettling (canoe tree) Photograph James TYLOR ...Purchased through the Horsham Art Gallery Trust Fund, 2018
