Staffing outline of the Client Services unit from circa 1975 to 1988, as created by Mary Guy. It covers the timeline of staff entering the unit, including Department Head, Social Worker, Preschool, Occupational Therapy, Secretary, Psychology, Physical Therapy and Orthoptist, as well as some location changes: pre 1975 - located in city then Plaza Theatre, Burwood 1975 - Children's Services located in accounts 1977 Moved to Pool Area 1981 - Expanded into flat upstairs. 4 pages of names and departmentsnon-fictionroyal blind society of nsw, felicity purdy, margaret jamieson, anne bickmore-hutt, melinda hughes, robyn white, mary guy, penny shepherd, julianne kenehan, irene lovelock, hilary nicol, christine lacey, robyn brentnall, gillian long, janet clarke, fran murphy, wendy macdonald, jutta williams, jane pardey, jan wulff, alan weiss, rosemary mcgomery, sue slattery, judith lawliss, margaret onus, ingrid simon, robyn wellington, lorraine smith, joan rowlands, louise whiting, annette mcgraine, leah francis, maryann bonney, christine johnston, lizette campbell, sue wood, toni williams, glenn larner, josephine key, chris rubie, merrianne sinclair, ann spicer, phillipa matthews, karen nix, denis thomas, di uther, roma st clair, imelda hernon, betty simon, sharon hopper, sue gibson, sherry mak, ann lancastor, sandy norton, rosalie driver, geraldine doney, jenny begg, paulo olymbios, gail martin, nadine khoury, robyn dagwell, maree lamacchia, gillian brooks, alana matthews, liz barker, kerrie mulhearn, annette collins, liz williams, chris maple

"I am an Australian of German parents born in Persia. I was taught by Peter Rushforth, with a very strong Japanese influence. My work attempts to incorporate these four elements of my history. For form, my influence comes from Art Nouveau, or Jugendstil as it is called in Germany. Techniques are informed by pottery from Japan, China, Korea and Germany. My colours are inspired by the Australian landscape. Using the language of woodfiring, I create a personal vocabulary with new subjects, grammar and syntax, which make each pot a one-off object containing all my diverse influences." (Roswitha Wulff)Roswitha WULFF (1941- ) Born Tabrize, Iran. Arrived Austrqalia c1949 Roswitha Wulff spent her early childhood with her mother, potter Helma Klett, in Germany. In 1964, she obtained a ceramics certificate from the East Sydney Technical College. From 1964-65, she worked with Robin Welch and Ian Sprague at Sprague's Mungeribar Pottery in Upper Beaconsfield, VIC. In 1966 she worked at the Sturt Pottery in Mittagong, NSW under Les Blakebrough. Between 1967 and 1969 Roswitha Wulff travelled overseas, spending 6 monthe with Robin Welch after his return to England and 9 months as a full-time thrower at Briglin Pottery, London, as well as working in potteries in Denmark and Germany. From 1969-70, she worked in North-West Pakistan as a research scholar for the Smithonian Institute and the University of NSW. Returning to Australia in 1970, she set up a workshop in Paddington, NSW, with the help of an Australia Council grant and taught part-time at the East Sydney Technical College and the Willoughby Workshop Art Centre. Since then she has been a lecturer and Head of Ceramics in many institutions, including the National Art School. In the 1990s she moved her studio to Botany Bay, NSW.. While working with the vessel form, she sees her pots as abstract landscapes. Recently she has also been working with wall tiles. During a residency at the Canberra School of Art in 2002, she developed tiles that looked like woodfired pillows with soft rounded rims. In 2007, she used such tiles to create a mural commemorating the Sesquicentenary of St Vincent's Hospital in Paddington. Woodfired stoneware bowl with flay ashSigned on baseroswitha wulff, jan feder, jan feder memorial ceramics collection, woodfire, ceramics, gippsland campus, botany bay studio pottery