Joan Kirner was Deputy Premier and Minister for Education in Victoria. Joan Kirner (Hood) taught at Ballarat Girls' Technical School.Typed A4 page on Ministry of Education Letterhead. Signed by Joan E. Kirnereducation, minster for education, joan kirner, deputy premier, letterhead, margaret evans, ocean grove, barwon heads, primary school, marj fisher, joan hood, ballarat girls' technical school

Joan Jessup was born on the 17th November, 1926 at at Nurse Longmore's in High Street, Beechworth. In this recording, Joan recounts her childhood in Beechworth, her personal and working life as a young unmarried woman, and then later her marriage to Albert Jessup and her family life at Murmungee and Beechworth. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the BurkeThis recording of Joan Jessup's life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural, historical, social, and religious heritage of the region. She details important historical events, local life, religious matters, and schooling in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and women's societal and working roles in a rural area. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preservedThis is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Joan Jessuplisten to what they say, joan jessup, beechworth, burke museum, jessup

Hardcover w/ Dust Jacket"For Patricia Founders wishes Joan Sutherland" inside front coverwalsh st library

Hardcover book, 189 pages. Book has a brown cover with a colour image of a woman wearing a green dress on a purple chaise. A man is standing behind her with his arms crossed.fictionRomance novel.joan blair, romance, fiction

"The banner has been with the Club since it was created in 1957. Recent research has confirmed that it was made by Joan Eddy, the wife of club member Kevin Eddy and a professional seamstress. Grace Blake’s interview notes record her conversation with Mr Eddy on 24 October 2014: Kevin confirmed that the banner was made by his wife, Joan Eddy, in time for the opening of the new shed after the Olympics (1957). Kevin was the Social Secretary at the time, and co-opted his wife, who had worked as a machinist for Harford Clothing in Carlton before they married. Her mother had also worked there as a sewing hand (hand sewing the linings for jackets). The company was later taken over by Sires. ... It was made at home (Joan had ‘retired’ from work by then)." Excerpt from the 2014 Significance Assessment, p32.Banner Celebrating Albert Park Rowing Club Olympic Representatives, 1956 Statement of significance by Margaret Birtley, October 2014 Harry Gordon, the distinguished Australian sports historian, wrote of the 1956 Melbourne Olympic Games: "When the Olympic Games moved into Melbourne ... it was as if the city had been brushed by a certain magic. Nothing before or since ... has ever evoked such sheer emotional involvement from the whole community." Gordon refers to the large crowds that massed in Melbourne with anticipation and exhilaration on the day before the official opening, ‘with little apparent motive other than just to be there, and be happy’. The hand-crafted banner celebrating Albert Park Rowing Club’s representatives at those Olympic Games seems to exude that same sense of joy and exhilaration. Made by the wife of the club’s social secretary, it testifies to the admiration felt by individuals and organisations for the success of their own on a world stage. The banner has historic significance for its accurate documentation of the great achievement of a single rowing club in contributing six outstanding athletes to the relatively small Australian rowing team. Additional historic significance derives from the fact that this is an unofficial expression of tribute and pride. The banner’s incorporation of the Olympic rings would now be likely to require licensing by the Australian Olympic Committee, a process that can dampen social engagement. While definitely a hand-made item, there is some aesthetic significance in the design and execution of the banner. Good judgement has been demonstrated in the selection of fabrics and the choice of colours. The workmanship is quite skilful. The vertical symmetry and the horizontal balance of the design are pleasing to the eye. The use of red for the heading lines and black for the Olympians names is well-chosen and aesthetically pleasing. The collection holds black and white photographs of the same oarsmen at the Olympic regatta. This banner complements their role in the collection by providing colour and a sense of connection with an affectionate and supportive community. Its social significance transcends the local context for which it was created and used, to become part of the large body of art, craft and memorabilia that are associated with the Olympic movement worldwide. A handmade embroidered banner to commemorate the Albert Park members who were part of the 1956 Olympic Rowing team.A.P.R.C. / REPRESENTATIVES OLYMPIC GAMES MELBOURNE 1956 / R. DUNCAN / R. DICKSON / K. McMAHON / R. LIBBIS / I. ALLEN / J COCKBILL coxrowing, apsm rowing club, olympic games, albert park rowing club, albert park lake, duncan, robert, dickson, bruce, allen, ian, libbis, reg, mcmahon, kevin, cockbill, john

213 p.non-fictionjoan lindsay, daryl lindsay, mulberry hill

Christmas postcard greetings and news, including envelope, from Joan Sutherland to Patricia and John Davies.Card in envelope, Envelope stamped "Bonynge Chalet Monet Route de Sonloup 1833 Les Avants", Switzerland

A Golden Celebration A Gala Tribute to Dame Joan Sutherland and Mr Richard Bonynge was held at Opera Theatre Sydney Opera House on Thursday 22 January 2004. The major patron was Australia Post who issued stamps with Joan Sutherland's image on them. Many singers took part in the Celebration Concert, including Jacqueline Dark and David Hobson both born in Ballarat. Cream card covered A4 booklet. Gold writing text on cover. Gold blue and black writing on white paper, with images throughout of Joan Sutherland and Richard Bonynge. A synopsis of the life and celebration of the works of Joan Sutherland and Richard Bonynge, the program of events of the celebratory concert, a list of performers and artists.joan sutherland, stamps, richard bonyngne, jacqueline dark, david hobson, opera, a golden celebration

Joan JOHNS From an early age Joan Johns was interested in botanical specimens. Her are reflects this interest with a refined focus on the dynamics of colour, contrast, form and pattern. Working with an oil pastel resist technique allows for the building up of layers, chance application of inks and pastel, leading to a vibrancy of colour. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed drawing of a rose.art, artwork, joan johns, rose, flora, horsham campus art collection

B&W head and shoulders photograph of Joan Dugdale."Joan Dugdale The Spectator September 10"dugdale, joan

Hardcover book, 287 pages. Front cover of book has a colour image of a woman wearing a brown suit standing at the top of a set of stairs leading to the front door of a building.fictionStory about 3 women running a guest house.joan kennedy, fiction

Slip in Album of 50 B&W photographs of East Ringwood, "Taken January 2000 by Joan Walker". Image 6501-001 attached to this catalogue entry 6501 is of the album. See 6501-nnn catalogue entries for individual Photographs/descriptions; C:\Master_Docs\6501-002.pdf is the Typed List inside the album; C:\Master_Docs\6501-003.xlsx is the OCR extract with jpg file names (copies of both attached)

B & W photograph of Heather Joan Watson sitting at a desk at Rolland House."Heather Joan Watson Rolland House student"watson, heather jones, roland house, deaconess

Joan Stott was one time State President of the UCAF.B&W head and shoulders photograph."Chairperson of NGAFG Joan Stott"stott, joan

This memorial commemorates the ideas of mateship through using the legend of the Pikeman’s Dog. According to the legend, the Pikeman's Dog 'Wee Jock' stayed by his masters side during the Eureka rebellion and stood guard over his body and grave. The dog was awarded a Purple Cross by the RSPCA for service to humans in 1997 and a bronze life-size sculpture commemorating him was unveiled on December 3rd 1999 at the Anniversary of the Eureka Stockade Rebellion, in Ballarat, Victoria. The bronze Irish Terrier has an expression of his sadness with his his head turned towards the place where once his master stood. This statue was relocated from inside the Eureka Centre to a more prominent position within the Eureka Stockade Memorial Park when the Museum of Democracy at Eureka (M.A.D.E) was constructed. The new memorial was unveiled at a ceremony on December 3, 2014 - the 160th anniversary of the Eureka Stockade. The new memorial consists of 22 large golden stockade posts – representing the number of diggers killed in battle – erected in a triangle behind the statue of Wee Jock, the work could be viewed from the cafe area of the Museum of Australian Democracy at Eureka. The triangular shape of the monument is metaphorically symbolic. The V shape can be interpreted as symbolising victory, and the 22 golden posts represent the 22 diggers who were killed. At the time of awarding the building the new memorial in July, the sculpture artists Charles Smith and Joan Walsh-Smith were quoted: “This ‘new incarnation’ will be a much more significant memorial than the original, and much more accessible to the public,” they said. “We have set the golden stockade post/poles in a graphically precise angle to each other, which both leads the eye to the dog and the pike, while, at the same time, creating a sense of controlled visual ‘unease’. Essentially, the impression is one of ‘controlled collapse’ while suggestive of purpose and final victory.”The memorial is of historic and aesthetic significance to the people of BallaratA small bronze dog surrounded by gold-coloured metal polespikemans dog, eureka stockade

A Golden Celebration A Gala Tribute to Dame Joan Sutherland and Mr Richard Bonynge was held at Opera Theatre Sydney Opera House on Thursday 22 January 2004. The major patron was Australia Post who issued stamps with Joan Sutherland's image on them. Many singers took part in the Celebration Concert, including Jacqueline Dark and David Hobson both born in Ballarat. Issue of stamps in place in A4 presentation cardboard with image of Dame Joan Sutherland in costumejoan sutherland, stamps, richard bonyngne, jacqueline dark, david hobson, opera, a golden celebration

Joan Bagot distributing fruit to seafarers at one of the many mission picnicsSmall monochrome outdoor photograph, depicting a lady holding a basket and walking along a row of 10+ men Fruit being distributed at picnic. Miss Bagot. Joan Bagotjoan bagot, bagot, fruit, picnic, lhlg

Photo of Joan Miller, a Legacy widow and volunteer that was actively involved in Legacy over many years. Between 1985 to 1998 she was the Widows' Club Co-ordinator, organising many events and functions for the widows. This photo was published in the regular column she wrote in editions of The Answer. The article was published in 2018 and is a good summary of her important work. Photo reference 910319 on the proof sheet (00851) is assumed to mean the date was 19 March 1991.A record that professional photographers took photos for use in publications.Black and white photo of Joan Miller.Label of Keesing Photographic on the back. Handwritten "Page 2" in blue ink.staff, joan miller

After marrying Ron Kirner, Joan Hood was known as Joan Kirner. She became the first female Premier of Victoria. “When I went out teaching, I went to Ballarat Girls Tech, where I met [husband] Ron who was at Ballarat Boys Tech. They were seen as tough schools, and I saw the disadvantage faced by these girls who were at the lowest of the low of the education rung – and yet there were some fantastic girls there who needed equal opportunity. So I think it was teaching that cemented in my mind that people don’t get an even go – and in particular girls. It didn’t take me too long to realise blokes were largely empowered. And it was teaching that cemented how equity and empowerment for women could be achieved through education.” Sarah Capper: You graduated from Melbourne University in 1958, and as mentioned, began work as a teacher in Ballarat. You married Ron in 1960 and received one of those government letters asking you to resign - JK: Yes, I think it burnt a hole in my pocket when I brought it home! We were both teachers, and I said to Ron, “Well, you got married – where’s your letter?!” That really clarified that the world wasn’t quite even, even in this profession that I’d always wanted and loved. I didn’t get superannuation – I think I got something like 100 pounds as pay in lieu of permanent service. And that wasn’t just me – that was a whole generation. Fancy that – that’s what it said – “pay in lieu of permanent service”. So that made me livid. If I hadn’t been a feminist before then, I certainly was by then. I realised the distribution of power was different for women and men. http://sheilas.org.au/2014/02/a-bonza-joan-kirner/, accessed 06/06/2015 Teacher Joan Hood (later Joan Kirner) is surrounded by a number of students from the Ballarat Girl's Technical School, all members of the Magazine Committee.joan hood, joan kirner, ballarat girls' technical school, university women, equal opportunity

Colour photos of Joan Miller, a Legacy widow and volunteer that was actively involved in Legacy over many years. Between 1985 to 1998 she was the Widows' Club Co-ordinator, organising many events and functions for the widows. This photo was published in the regular column she wrote in editions of The Answer. The article was published in 2018 and is a good summary of her important work. Photo reference 910319 on the proof sheet (00851) is assumed to mean the date was 19 March 1991.A record that professional photographers took photos for use in publications.Colour photo x 2 of Joan Miller.Label of Keesing Photographic on the back. staff, joan miller

Hardcover w/ Dust JacketPrint out from Victorian Arts Centre Artistically Speaking Luncheon with Boyd family tree & profile of Martin Boydjoan sutherland, soprano, opera, walsh st library

A sculpture unveiled on December 3rd 1999, the Anniversary of the Eureka Stockade Rebellion, in Ballarat, Victoria commemorates the Pikeman's Dog . The centerpiece of the sculpture is the bronze Irish Terrier. His stance, is a direct expression of his forlorn anguish, as he sits at the base of a symbolic bronze Pike, his head turned towards the place where once his master stood. The Pikeman's Dog statue was relocated from inside the Eureka Centre to a more prominent position within the Eureka Stockade Memorial Park. The new memorial was unveiled at a ceremony on December 3, 2014 - the 160th anniversary of the Eureka Stockade. The new memorial consists of 22 large golden stockade posts – representing the number of diggers killed in battle – erected in a triangle behind the statue of Wee Jock, on high ground outside the Museum of Australian Democracy at Eureka. The triangular shape of the monument is metaphorically symbolic. The V shape can be interpreted as symbolising victory, and the 22 golden posts represent the 22 diggers who were killed. The Pikeman`s Dog (known as Wee Jock), a little terrier, showed great devotion and bravery at the death of his master at the Eureka Stockade on 3 December 1854. As a result of the attack on the miners by Crown forces, five British soldiers and some thirty miners died. Among the miners lay a Pikeman, mortally wounded with some 15 wounds. Guarding his body throughout the hours it lay unclaimed at the battlefield, and later accompanying it on the death cart as the remaining bodies were transferred to the cemetery, was this small dog. According to reports the dog howled continuously and could not be separated from his master. The dog was awarded the RSPCA`s Purple Cross which Honours exceptional behaviour in serving humans in 1997.Colour photographs of the Pikeman's Dog statue in the Eureka Stockade Memorial Gardens. pikeman's dog, eureka stockade, statue, charles smith, joan walsh-smith

A 22 cm H book with 231 p, and includes an index, appendix and notesnon-fictionThe subject of this biography is a redoubtable and unusual woman. Born in 1900, Margaret Cunningham was educated at Clyde and Melbourne University where she took a science degree, not a common choice for women in those days; then, after a time as welfare superintendent at a large department store, she went to London to train as a teacher. Back in Melbourne she joined the staff of Fintona, a girls' school which she later bought and transferred to a new site. From 1936 to 1962 in partnership with deputy principal Miss Beatrice Chilvers, she shaped a school which tried to make the most of every student's talents and fostered co-operation and goodwill among staff and pupils.cunningham, 1900-, fintona girls' school, teachers -- victoria -- melbourne -- biography, margaret cunningham

Joan Mary Bray was born 6/9/1915 in Brisbane, the daughter of Herbert Edward Bray and his wife Grace (nee Shepherd) who married in Wisbech, Cambridge in 1892. The family lived at 5 Barton Street from the late 1920s. She completed her primary schooling at Auburn Primary by travelling there by the little black bus along Canterbury Road. She then went on to Mont Albert Central School and Melbourne Girls High. Locally she belonged to the 1st Surrey Hills Girl Guide Company at Holy Trinity Church. She trained as a nurse at Epworth Hospital and in 1941 served with the army at Gaza Hospital in the Middle East, then in New Guinea. From 1944 until the end of the war she was in Bougainville. Her mother died in Surrey Hills 29/9/1945 and her father moved to Hawthorn; he died in 1955. She had 3 older sisters: Eveline Grace (1893-1978) m Eric Benson; Violet Constance (1894-1983 - ? Sister Constance in mother’s death notice); Dorothy Maud (1896 - ? Sister Ursula in mother’s death notice). After the war she was a RSSL nurse, Matron of St Gabriel’s Baby Home in Balwyn, then Director of Nursing at the Royal Eye and Ear Hospital, East Melbourne. She resigned to be married. [No success in locating her marriage, presumed to be to UNKNOWN Wicks.]Black and white head and shoulders portrait of Joan Bray. She is wearing a plain shirt or jacket.barton street, mont albert central school, auburn primary school, melbourne girls high school, girl guides, 1st surrey hills girl guide company, nurses, nursing, hospitals, health services, australian army nursing service, world wars, 1939-1945, epworth hospital, st gabriel's baby home, eye and ear hospital, (miss) joan mary bray, matron joan bray, (mrs) joan wicks

Colour photographs of Joan Kirnerballarat school of mines, joan kirner, premier of victoria, plaques, visitors