John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Lidded ceramic form.art, artwork, john o'loughlan, ceramics, available, available ceramics

John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks, such as 'Reliquary No. 20' engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Four wheel thrown goblets, two with decorative stems. art, artwork, john o'loughlin, ceramics, goblets

John O'LOUGHLIN Born Snowtown, South Australia In 1980 John O'Loughlin's life changed when he started wheel throwing ceramic vessels. During this time he discarded the superfluous and unnecessary clutter collected on the journey of life, yet retaining the essence of what mattered to him. John O’Loughlin's later artworks engages with the way in which organised religion, specifically the Catholic Church, deals with the translation of the spiritual into the material. Informed by his extensive travels and studies, O’Loughlin’s ceramics reference the reliquaries and church artefacts that connect the life of this world with that of faith in another world. Completing undergeduate and post graduate works at Federation University John O'Loughlin's honours thesis was entitled "Ways and Means of Meaning, The Use of Symbol and Surface as Expressive Media in Ceramic Sculpture". The University provided a serious ceramic studio equipped with all the research tools for advanced ceramic exploration. Access to raw materials and a variety of kilns combined with excellent lecturers, mentors and technicians inspired, motivated and challenged him to push his accumulating knowledge to higher levels. O'Loughlin's working method in the studio is one of quiet, determined interaction with clay, idea and content. Experimentation with a variety of temperatures, firing methods and atmospheric conditions has produced a broad tonal and textural palette. He has worked with various clay bodies overlaid with coloured oxides, slips and engobes as the foundation for many of his works. O'Loughlin ufilised raised surfaces from old cemetery tombstones using the impressed forms and textures in his constructions. This research led him to the use of dry engobes to create a sense of antiquity, with crusty and distressed surfaces that resemble objects neglected in the oceans. These objects seem covered with the accretions and accumulations of history when re-discovered and brought to the surface as miraculous objects of mystery and magic. (https://www.thefreelibrary.com/John+O%27Loughlin%3A+a+man+re-invented.-a0216897107, accessed 12 September 2020) in 2007 John completer a Masters at the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Botanical inspired wheel thrown goblet with decorative incised leaves on stem and flower head shaped cup. Glazed 'JOL' on bottom.art, artwork, goblet, botanical, ceramic, john o'loughlan, alumni

The Ballarat Technical Art School opened in 1907 as a division of the Ballarat School of Mines.Ledger with brown and blue marbled paper cover and brown tape spine. Some names are listed under keywords.ballarat technical art school, h.w. malin, lilliam moyle, queens college, .doris walker, emily turnbull, viola jackson, c.w. sergeant, hilda wardell, hettie gilbert, alice benoit, ella morrow, d.g. johnston, p. brokenshire, edna tweedie, millicent white, dorisn walker, isla gray, mollie brophy, annie speak, c.v. clegg, agnes w. reid, nin z. woinarski, bessie yates, bessie landles, jean mcdonald, harold herbert, harold h. herbert, lizzie develin, florrie sides, fletcher j. crane, catherine ronald, gertrude owen, m.d. hamilton, clara v. clegg, leslie sim, ida barker, charlotte turner, florrie barnes, james n. boyce, leo coburn, carrie peters, mabel chapman, fred mcintyre, elsie rich, henry c. hart, g. bannerman, jack meadows, preston white, lyn hamilton, a. murray, lillian moyle, nina davies, maggie kittelty, m. snell, samuel mee, agnes carley, ida delina, katherine dillon, nellie mccubbin, lila lynch, e. owen, g. owen, d. owen, alice m. coltman, ruby bawden, elsie joy, ellen j. norton, herbert rich, g. medwell, maria loader, agnes gibb, quennie young, a.e. kennedy, o. geddes, ruby l. smith, roy proctor, elsie naples, w.b.g. mcdonald, cecil brittain, elsie fawcett, g. calvert, albert coates, catherine hogan, may vercoe, daisy saunders, dora furness, matilda johnson, gordon steele, c.w. sargeant, e. cornell, irene hewitt, wilie finn, clare clegg, jessie mccallum, c.f. white, e. kilsall, kate morris, ella garrett, winnie trompf, ellie mckissock, oswald gedded, doris walker, elsie tipping, rose smith, daisy lewellin, eliza frank, una e. fitts, may wasley, grace medwell, mollie laffey, a. duck, pearl sergent, e. penny, r. bieske, f. pattendon, e.g. bailymay booth, nelliw evans, gertie evans, e. baker, c. brittain, ralph leyland, e. tipping, mary sheehan, may chenery, j. bickart, e. perry, m. bessemeres, george richardson, f. mcintyre, h. fern, d. little, o. tolputt, arthur toop, p. lakeland, charles j. rawlings, jack hooly, thomas pattenden, elsie finch, ernest murfett, gordone steele, frank power, n.j. coote, william ewart, patrick ryan, david walker, john perry, vera lindsay, robert cooper, violet leadbeater, maggie skelton, clara mann, laura ritchie, james m. johnston, ida brown, ethel butcher, michael glenane, f.j. branigan, keith booth, henry elliot, reg cutter, stan westcott, frank king, lottie finch, ladies art association, pauline lakeland, cyril thermeyer, albert berryman, stanley lindsay, joseph bickart, alf berryman, leo hewitt, hilda tweedie, vera carroll, lionel davies, isabel kiel, alex dickens, henry elliott, mollie buley, meg moore, harrie fern, eileen conway, minnie buchanan, thomas price, edward stewart, joy lugg, olive grainger, m. heinz, d. gooch, p. moon, g. bailey, charles bray, daisy dickman, george calvert, florence sides, tom hannah, eileen blake, ethel benoit, ruby oaff, chrissie ware, harrie wilson, muriel cornel, phoebe wilkinson, fanny kay, john norcott, stewart o'loughlan, m. featherstone, f. tweedie, a. corbould, d. allanby, f. buchanan, l. cody, v. fisher, r. murphy, hilda jamieson, bessie eason, phyllis palmer, lila hall, vera hall, anie walton, ruby stevens, dorotthy davison, ethel hancock, anas ross, lizzie williams, lional davies, leslie page, frank page, lilian bell, may henry, doreen mclean, dorothy dobson, helen mcintosh, charles fraser, murial cornell, j.b. sutcliffe, dorothy dawson, emma mavin, agnes lumsden, virginia kerr, emily figgis, beryl craddock, winnie treloar, gladstone procter, f.w. procter, effie baker

The original Honour Board for the Castlemaine branch of the Manchester Unity Independent Order of Oddfellows was hanging in the Castlemaine Market Building in 2013.Colour photograph of a timber honour board for the Provincial Grand Masters of the Castlemaine Branch of the Manchester Unity Independent order of Oddfellows. The Provincial Grand Masters are: 1859 Wal Smith 1861 George Farroll 1862 William Bird 1863 G.J. Fawkner 1864 Joseph Davie 1865 J. Collings 1866 J.D. Hatch 1867 S.H. Clark 1868 John Tate 1869 J. Mackenzie 1870 J.H. Dickinson 1871 F. Emery 1872 H. London 1873 C.F. Randal 1874 H.S. Hilton 1875 Edgar Slee 1876 Francis Rotanzi 1877 J. Desmond 1878 Charles Slee 1879 J.S. Unklater 1880 William Field 1881 W. Broughall 1882 George H. Page 1883 J.S. Horner 1884 R. Mitchell 1885 John Reid 1886 C.C Servante 1888 A. Belcher 1889 G.W. Halford 1890 Stephen Box 1891 W.A. Reid 1892 W.J. Wood 1893 H. Paterson 1894 E. Trenchard 1895 Robert Maddin 1896 D.H. McDonach 1897 C.W. Armstrong 1898 M. O'Loughlan 1899 J. Crawford 1900 R. Hutton 1901 John Oke 1902 D.J. Duggan 1903 john Lean 1904 W.E. Goodwin 1905 S.S. graves 1906 J.H. Liscombe 1907 R.H. Laird 1908 R. Leanmanchester unity independent order of oddfellows, muioof, castlemaine,