Showing 111 items
matching john pearce
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Federation University Historical Collection
Letter, Inwards Correspondence to the Ballarat School of Mines, 1898, 1898
... john pearce... and McCrindle Homes McCrindle Broken Hill J.E. Blake NOrval john pearce ...A number of handwritten letters bound together with a brass split pin on the top right corner. * Letter from Thomas Harwood from Port Darwin concerning bags of auriferous sand for treatment. * Letterhead from Ivor Davies, Cambrian Battery, Mosquito Flat * Request for results and certificates from D.W. Kennedy * J.H. Salter requesting a Ballarat School of Mines prospectus * Ballarat School of Mines Indentures student Thonmas Andrews * Letter introducing prospective student Walter Pomeroy * Ballarat School of Mines visit to New Normanby Mine * Letter from Sara McLean of Daylesfors asking about Botany, Geology and Drawing classes and railway forms. thomas harwood, darwin, mining, letterhead, ivor davis, frogmore sorell tasmania, d.w. kennedy, james horsfall, walter andrews, thomas p. lewis, j.h. salter, lettercard, queenstown tasmania, arch douglas, thomas andrews, gundagai, joseph bryant, c.m. bryant, percy glenton, clunes, land surveying, chalk and cahir, steam gauge testing, brisbane newspaper company, h. herman, t. price, geelong college letterhead, walter pomeroy, industrial schools act, n.r salmon, james and mccrindle, homes mccrindle, broken hill, j.e. blake, norval, john pearce, new nprmanby mine, maryborough school of mines, duncan mcdougall, old scotch collegians club, w.a. gosman, broken hill pty co. ltd, w. robertson, howard smith and sons, sara mclean, daylesford, william h. nicholas, surprise gold mining company, a. vaudeau, j.w. banfield, letterhead*, william howard smith and sons, port pirrie, blakeville, royal mint, assay -
Federation University Historical Collection
Book - Ledger, Ballarat Technical Art School and Ballarat School of Mines Rough Cash Book, 1896-1901, 1896-1901
... william john pearce... john pearce w.l. bailleu thomas proctor daisy ditchburn maurice ...The Ballarat Technical Art School was a division of the Ballarat School of MinesA hard covered ledger with marbled cover and brown tape spine. It includes students names. A selection of names can be found in the keywords.ballarat technical art school, frank young, r. hager, g.w. kelly\drawing, carpentry, smelting, treatment, assay, w. wilson yong, treatment of pyrites, g.m. vare, alfred seely, t. trengrove, w. pearce, c.v. day, john heinz, m. ditchburn, d. ditchburn, w. baragwanath, g. cornell, chemistry, w. wardle, j.j. carroll, julia carroll, h. murphy, d.m. lenehan, joh caley, h. fleahy, alfred gordon, effie dulfer, b. lloyd, p. papenhager, h.j. waller, k. malcolm, esther daniel, john watson, harry leggo, r. john allan, basil reid, e. wasley, w. richard, edgar lamb, rita webb, sophia mccartney, arnold cowdell, thomas glover, m. hamburger, r. allan, r.w. holmes, a. dobbie, a. slade, w. pepper, r. gilpin, w.a. gossman, james a. bass, w.t. bass, thomas lynch, stanley batten, murial hart, essie herbert, david o. nightingale, george p. hayes, j.a. powell, w. amor, c.f. wilson, bertram g. wheal, thomas wade, h. woodward, v. symons, robert j. allan, thomas woolcock, john w. williams, r. shand, william caldwell, charles lyons, ruby webb, a. trehowan, nicholas white, thomas commons, otto rieglhuth, james kidd, james bass, justus angwin, john munro, james ronaldson, a.b. osborne, g.j. boudry, john sprague, leslie c. langsford, john don, waller e. hearman, j.c. pickford, edwinn penn, w.g. price, thomas mann, william brokenshire, john blayney, arthur mccooey, samuel walmsley, matilda lees, e.w. campbell, ernest wiliams, william john pearce, w.l. bailleu, thomas proctor, daisy ditchburn, maurice hamburger, james dando, nelson humphrey, james pyke, james c. pickford, john coad, george richard pratt, ferguson boyce, ernest whettle, william lamb, john cawley, christina watson, ivor davies, percy la gerche, norman gaunt, william bolte, leonard p. seal, alex young, george penny, w. caircross, harold frew, robert allan, james h. holst, george green, herbert semmens, john ronaldson, william robinson, james paterson, walter douglas, louisa roberts, james swenson, austin woods, herbert hillman, william cairncross, harry blyth, john craford, william h. callister, clare gartery, daisy batten, j. attenborough, herbert o'neilk, j.f. lynch, fred holst, a. doepel, horace giles, john perry, samuel morrow, thomas hawthorn, george britnall, alan j. acton, jessie cantwell, franci a. horsfall, william stubbs, john sutherland, percy russell, richard walsh, oliver jager, garfield bolton, thomas vincent, james holst, j.a. hill, william charles hughes, a. vale, james lonie, karl moore -
Federation University Historical Collection
Document, Ballarat Identities Research Notes
... Pearce, John Permewan, Emanual Steinfeld, James Pinnock, A.J... O'Loughlin Martin O'Loughlin Isiah Pearce John Permewan Emanual ...A folder of notes relating to the Ballarat Biographies including Martha Clendinning, George Clendinning, John Hepburn, Elizabeth Hepburn, Smeaton Estate, William Bailey, Egerton Mine, Redmond Barry, Thomas Bath, Graham Berry, Francis Cane, Thomas Bury, Thomas Carpenter, Charles Gavan Duffy, Henry Dunnsford, Charles Dyte, Stanley Elder, Archibald Fisken, Alexander Greenfield, William Henderson, William Irwin, King Billy, Mullawullah, Kopke, Rod Lacey, Peter Lalor, John Dunmore Lang, George Long, Thomas Learmonth, Evan Rowlands, Robert Lewis, F.W. Niven, Ochiltree, Alexander Ocheltree, W.B, Ochiltree, Edward G. Ochiltree, Lal Lal Estate, Count O'Loughlin, Martin O'Loughlin, Isiah Pearce, John Permewan, Emanual Steinfeld, James Pinnock, A.J. Pittard, J. Deardem, Rochlitz, William Henry Shaw, William Collard Smith, Henry B. De La Poer Wall, William C. Weir, John Winter, Lauderdale housedianne campbell goldfields lawyers collection, martha clendinning, george clendinning, john hepburn, elizabeth hepburn, smeaton estate, william bailey, egerton mine, redmond barry, thomas bath, graham berry, francis cane, thomas bury, thomas carpenter, charles gavan duffy, henry dunnsford, charles dyte, stanley elder, archibald fisken, alexander greenfield, william henderson, william irwin, king billy, mullawullah, kopke, rod lacey, peter lalor, john dunmore lang, george long, thomas learmonth, evan rowlands, robert lewis, f.w. niven, ochiltree, alexander ocheltree, w.b, edward g. ochiltree, lal lal estate, count o'loughlin, martin o'loughlin, isiah pearce, john permewan, emanual steinfeld, james pinnock, a.j. pittard, j. deardem, rochlitz, william henry shaw, william collard smith, henry b. de la poer wall, william c. weir, john winter, lauderdale house -
Ballarat RSL Sub-Branch Inc.
Victory Medal Ribbon
... This object relates to John PEARCE. He was born on 1/01... goldfields This object relates to John PEARCE. He was born on 1/01 ...This object relates to John PEARCE. He was born on 1/01/1889 in Ballarat East, VIC. John served in the AIF (8203) enlisting on, 14/07/1915 in Ballarat, VIC before being discharged from duties with the 2 GEN HOSP as a Army Non-Commissioned Lance Corporal / Lance Bombardier (LCPL/LBDR) on 10/01/1924. John PEARCE was not a prisoner of war. His next of kin is Isiah PEARCE.(Father).first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat -
Ballarat RSL Sub-Branch Inc.
British War Medal 1914-20
... This object relates to John PEARCE. He was born on 1/01... goldfields This object relates to John PEARCE. He was born on 1/01 ...This object relates to John PEARCE. He was born on 1/01/1889 in Ballarat East, VIC. John served in the AIF (8203) enlisting on, 14/07/1915 in Ballarat, VIC before being discharged from duties with the 2 GEN HOSP as a Army Non-Commissioned Lance Corporal / Lance Bombardier (LCPL/LBDR) on 10/01/1924. John PEARCE was not a prisoner of war. His next of kin is Isiah PEARCE.(Father).first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat -
Federation University Historical Collection
Book, Abstracts: Researchers @ UB Making Connections
... Kruger Dorothy Lea Liping Ma John Shepherd Yanchun Zhang Alyx ...University of Ballarat is a Predecessor of Federation UniversityA5 sized book with blue cover and white writing university of ballarat, kerry o cox, wayne robinson, joel epstein, trevor hastings, andrew saunders, briony dow, jenene burke, colin donald, heath dunstan, singrayer florentine, martin westbrooke, graeme ambrose, robyn fisher, julie heron, rachel jamieson, david austin, john winkleman, kathleen keogh, zeb leonard, marie purtill, george rafael, travis j richies, michael shiell, andrew warnock, janis webb, dawn whitehead, rebecca wilson, damon aisbett, kristy francis, candice boyd, arunava banerjee, musa mammadov, marcello bertoli, michael tuck, brian chappell, vicki bethall, mark bradby, frank vriesekoop, marcial cano-perez, rob davis, rupert russell, eugene menon, margaret zeegers, strobe driver, liu gang, jennie garnham, elizabeth grylls, simuzar hajilarova, sol hart, john yearwood, jennifer hazelwood, sam henson, julian lowe, sandra herbert, robyn pierce, shamsul huda, ameeta jain, samudra jayasekera, chandramali jayawardana, uma jogulu, larissa koroznikova, cameron klutke, stafford mcknight, steve hall, catherine knox, sally wellard, shahnaz kouhbor, julien ugon, alex rubinov, alexander kruger, dorothy lea, liping ma, john shepherd, yanchun zhang, alyx macfadyen, andrew stranieri, karim mardaneh, adil bagirov, fernando marmolejo-ramos, alexa tatiana jimenez heredia, kathryn martin, garry menz, vivek mishra, mirka miller, nial muecke, karyn newnham, krystal newnham, bahadorreza ofoghi, ranadhir ghosh, jaloni pansiri, patrick prevett, homer rieth, cathy roberts, muhammed saad saleem, gary saunders, sasa ivkovic, natalie saunders, leonie otago, scott mclean, gensheng shen, shivenda singh, shirani gamlath, lara wakeling, helen song-turner, sudaryanto, jerry courvisanos, kiki sugeng, joe ryan, tian feng, chandima tilakaratne, heping pan, cameron hurst, jackie tuck, thi minh thu vuong, david yost, robert watson, john mcdonald, dora pearce, dorothy wickham, paul williams, ruth williams, karolina yeats, nadine zacharias, brad beales, student authors -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
... artefact loch ard mutton bird island eva carmichael tom pearce john ...This handmade green glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber-coloured glass and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free-blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from the fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best-known, shipwrecks in Victoria’s history.Bottle, green glass wine bottle with contents. Glass has ripples and crease lines. The mouth has a seal in place. The applied lip is cracked. It has a deep pushed-up base with a pontil mark. Handmade with no seams in the body. The contents smell like apple cider vinegar. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle, green glass -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
... artefact loch ard mutton bird island eva carmichael tom pearce john ...This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber-coloured glass and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a two-piece dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free-blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from the fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best-known, shipwrecks in Victoria’s history.Bottle, black glass wine bottle with contents. Glass has ripples, crease lines and side seams. The mouth has a seal in place. The applied lip is wide. The base has been pushed-up base and has a pontil mark. Handmade with a ridge in the body around the base of the shoulder. The bottle has a white sticker.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle, black glass, black bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
... artefact loch ard mutton bird island eva carmichael tom pearce john ...This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber-coloured glass and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a two-piece dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free-blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from the fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best-known, shipwrecks in Victoria’s history.Bottle, black glass wine bottle with contents. Glass has ripples, and crease lines and the neck has side seams. The mouth has a seal, the top of which comes away from the rest of the seal. The applied lip is wide. The base has been pushed-up base and has a pontil mark. Handmade with a ridge in the body around the base of the shoulder. The contents have no colour or odour. The bottle has a white sticker.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle, black glass, black bottle -
Federation University Historical Collection
Book - Ledger, Ballarat Junior Technical School Examination Results, 1913-1919, 1913-1919
... arthur Coates hector gay w.c.f. Almeida Arthur Pearce john ...The Ballarat Junior Technical School was established in 1913 as a division of the Ballarat School of Mines. It is a predecesor institution of Federation University Australia.Black cloth covered foolscap book with red leather spine and corners. The book is filled out by hand and includes the name of each student, the subjects they studied, their grade for each subject and a total. Each page is signed by Principal A.W. Steaneballarat junior technical school, exams, examinations, a.w. steane, steane, a.e. williams, a. northcott, r. borradale, h. wakeling, r. mcvitty, e. embling, w. skilbeck, c. brittain, r. bath, john dulfer, r. luikeis, allan bernaldo, a. whitla, r. hauffman, n. ellis, a. cutter, h. dodds, h. edmonds, j. deautschmann, j. landvogt, george leech, guido brelaz, roy kauffman, baily leslio, henry dodds, john landvogt, e. adamthwaite, alan billman, william deveux, thomas fry, ernest towsell, thomas wesley, h. barraclough, william baragwanath, rex kitchen, matt moralee, john breen, john garner, g. quigley, h. o'bern, sid chambers, frank prout, reginald crick, f. leask, v. coates, a. butterworth, claude gunnell, eugene lowe, cecil hart, thomas rees, sam prout, charles strachan, thomas stubb, fred ellsworth, cecil hood, vivian taylor, thomas wasley, william shattock, harry o'bern, victor coates, albert anstis, alex amiller, jospeh minster, h. hammer, l. featherstone, j. penhalluriack, r.j. selkirk, j.d. chard, a.s. begg, r. caldwell, w. lepp, arthur coates, hector gay, w.c.f. almeida, arthur pearce, john trethowan, john cowan, ivan ditchburn, a. boyce, a. pattendon, s. rowe, h. corne, j. skilbeck, e. wyatt, e. birt, r. young, lyle eves, hubert lazarus, harry david, john jude, raymond proctor, gustave j. zilles, david flockhart, richard j. young, alfred e. boyce, l. curnow, p. dance, e.f. rowe, h. holmes, c. hiscock -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
... artefact loch ard mutton bird island eva carmichael tom pearce john ...This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has some diagonal creases and a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Pushed up base has pontil mark. Base is uneven. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
... artefact loch ard mutton bird island eva carmichael tom pearce john ...This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
... artefact loch ard mutton bird island eva carmichael tom pearce john ...This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Pushed up base has pontil mark. White discolouration in a narrow line down the body. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
... artefact loch ard mutton bird island eva carmichael tom pearce john ...This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has a line with a long bump where shoulder meets body. Body tapers inwards to base. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
... artefact loch ard mutton bird island eva carmichael tom pearce john ...This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth has cork seal, partly removed, with content remnants inside. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
... artefact loch ard mutton bird island eva carmichael tom pearce john ...This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections. Mouth is sealed, and has remnants of tape on outside. Tooled cork-top finish with ring below. Slightly bulged neck. Shoulder has some diagonal creases and a distinct line where shoulder meets body. Body tapers inwards to base. It has a bubble and diagonal crease lines. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1878
... artefact loch ard mutton bird island eva carmichael tom pearce john ...This handmade black glass bottle was recovered between the late 1960s to early 1970s from the wreck of the sailing ship Loch Ard. The ship was wrecked in 1878 and its remains are located at Mutton Bird Island, near Port Campbell, Victoria and bottles of liquor were listed as part of the Loch Ard’s cargo. This bottle is now part of the John Chance collection. Black glass is one of the oldest bottle colours and dates back to the early 17th century. In the 1840s to late-1870s black glass bottles were mainly used for liquor and ale. All glass is made from silica, which is found in quartz sand. The naturally occurring sand has impurities, such as iron, that determine the colour of the glass. Residual iron leads to green or amber coloured glass, and carbon in the sand makes that glass appear as ‘black’. A strong light behind the glass will show its colour as dark green or dark amber. This handmade bottle appears to have been made in a dip mould, with the molten glass blown into a seamless shoulder-height mould to give the body a uniform symmetrical shape and size. After the body is blown, the glass blower continues blowing free-form (without the mould) to form the shoulder and neck, then the base is pushed up with a tool, and the finish for the mouth is added with his tools. The dip mould gives the body a slightly textured surface, with the free blown shoulders and neck being smoother and shinier. There is usually a line around the shoulder where the mould of the body meets the shoulder, and a lump or mark in the centre of the base, called a pontil mark, where the push-up tool was removed. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This bottle is historically significant as an example of liquor bottles imported into to Colonial Victoria in the mid-1800s to early-1900s. Its significance is increased by also being an artefact recovered by John Chance, a diver from the wreck of the Loch Ard and other wrecks in the late-1960s to early-1970s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. The bottle is also significant for being part of Flagstaff Hill’s collection of artefacts from the Loch Ard, which is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. The collection is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417. The collection has additional significance because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The shipwreck is one of the worst, and best known, shipwrecks in Victoria’s history.Bottle, black glass. Thick matt body, with slightly bumpy texture, areas with sheen, colour imperfections, bubble in glass. Bottle has foul smelling contents inside. Mouth has hard capped cork seal with black, hard rubber capped stopper. Side of mouth has ship or mark. Tooled cork-top finish with ring below, slightly bulged neck. Shoulder has some diagonal creases and a line where shoulder meets body. Body tapers inwards to base. Heel varies in width. Base is uneven. Pushed up base has pontil mark. Handmade, dip mould. No inscriptions.flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, loch ard, mutton bird island, eva carmichael, tom pearce, john chance, bottle, black glass, antique bottle, bulge neck bottle, handmade, dip mould, mouth blown, pontil base, blown bottle, liquor bottle, ale bottle -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: BARRACKING
... Norris, Jennifer Annison, John Pearce, Phillip Barber, Les Hester... Pearce, Phillip Barber, Les Hester, Alan Norris, John Dean ...Bendigo Advertiser "The way we were" from Monday, March 29, 2004. Barracking: Long Gully State Scholl students at the Bendigo Rural Schools Sports Day, 1961. Back row: Ian Jenkins, Wayne Robbins, Geoff Barker and Kaye Paynting. Middle row: Ruth Norris, Jennifer Annison, John Pearce, Phillip Barber, Les Hester, Alan Norris, John Dean and Gretchen Vincent. Front row: Susan Withington, John Payne, Janet O'Connell and Stephen Rowe.newspaper, bendigo advertiser, the way we were -
Ballarat RSL Sub-Branch Inc.
Dead Man's Penny
... , it is John PEARCE, his brother. John also served in WW1 as 8203 L... is Isaiah PEARCE (Father) and after his parents' deaths, it is John ...This object relates to Joseph William PEARCE. He was born on 1/01/1886 in Ballaarat, VIC. Joseph William served in the AIF (CAPT) enlisting on, 22/03/1915 in Ballaarat East, VIC and served with the 21 BATTN. He was awarded the Military Cross on 20 OCT 1916 for conspicuous gallantry during operations in France. He was killed in action at Broodseinde Ridge on 04/10/1917. Joseph William PEARCE was not a prisoner of war. His next of kin is Isaiah PEARCE (Father) and after his parents' deaths, it is John PEARCE, his brother. John also served in WW1 as 8203 L/CPL with the 12 FLD AMB and was awarded the Military Medal. first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat -
Federation University Historical Collection
Booklet, Ballarat School of Mines Prospectus, 1905-6, 1906
16 page prospectus relating to the Ballarat School of Mines. non-fictionballarat school of mines, andrew anderson, john warrington rogers, r.t. vale, james bickett, james oddie, s.e. figgis, george fitches, f. herman, m. lindsay, j. lonie, richard maddern, h.a. nevett, i. pearce, r. scott, j.e. woolcott, j.t. mitchell, r.e. williams, henry cuthbert, thomas hart, charles kent, daniel walker, alfred mica smith, h.j. hall, charles deane, arthur garrard, valentine anderson, hubert murphy, hugo eklund, william tucker, w. figgis, a.e.c. kerr, john m. sutherland, j.f> usher, charles e. campbell, mining engineering, associateship, metallurgy, geology, electrical engineering, assayer -
Federation University Historical Collection
Photograph - Photograph - coloured, Creative Framing Gallery, Occupational Health and Safety Certificate Course, intake 42, January 2007, 2007
Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.brown wood framed photograph with title and names of students underneath, green background.Creative Framing Gallery stamp on back.37viosh, viosh australia, occupatonal health and safety, daniel bilucaglia, anthony borg, nathaniel bryant, graeme braybrook, josephine cavanagh, gregory coates, vanessa deane, barry dunn, tracy edwards, stephen fisher, paul flower, brenton gallaway, luke gibson, andrew graham, ian hamley, nigel hevey, william hurenkamp, phillip irvine, michael johnson, glenn joy, richard keating, michael ketchen, sheryllea lucas, malcolm mcdonald, graham mcfee, andrew mcgregor, thomas nash, stephanie newell, wayne newstead, sydney parker, bernadette pearce, robert pfeiffer, branton proctor, lyndsay shanahan, nicola smirnios, glen spalding, mark st clair, emma stuart, greg taylor-adams, leonie ter horst, jason van boven, paul wilkinson, elizabeth window, timothy wood, john zen -
Federation University Historical Collection
Book, Ballarat School of Mines Students and Australian Institute of Mining Engineers at the Central Mine, Broken Hill, 1906, 1906
Each year The Australian Insitutue of Mining Engineers held a meeting in an important mining district or township. In 1906, via the good offices of David Ham an invitation was extended to the Ballarat students to take part in a trip to Broken Hill, via Wallaroo and Moonta, and Port Pirie. They left the Ballarat station on Saturday May 19, 1906 aboard the Adelaide Express. The Ballarat party consisted of David Ham (Ballarat School of Mines Council Member); staff members Frederick J. Martell, A.D. Gilchrist, John Sutherland, A.E.C. Kerr, A. Garard and E.J. McConnon. The attending students were W.P. Avery, M. Boyer, M.H. Bade, E. Booth, E. Crossly, A. Cooper, G.H. Davenport, W.E. Figgis, R. Galloway, C. Hesselmann, H. Hawkesworth, M. McCallum, H.F. Owen, W. Pearce, W. Sayer, J. Sutherand, Arthur E. Tandy and H.C. Valentine. Students were also present from the Working Men's College (later RMIT), Bairnsdale School of Mines, Melbourne University and the Bendigo School of Mines. Members of Australian Institute of Mining Engineers and students from the Ballarat School of Mines at the Central Mine, Broken Hill. It is assumed the Ballarat School of Mines students are in the boater hats with the striped hat braid. ballarat school of mines, australian institute of mining engineers, central mine, broken hill, broken hill, visits, excursions, david ham, frederick j. martell, a.d. gilchrist, john sutherland, a.e.c. kerr, a. garard, e.j. mcconnon, w.p. avery, m. boyer, m.h. bade, e. booth, e. crossly, a. cooper, g.h. davenport, w.e. figgis, r. galloway, c. hesselmann, h. hawkesworth, m. mccallum, h.f. owen, w. pearce, w. sayer, j. sutherand, arthur e. tandy, h.c. valentine. -
Federation University Historical Collection
Book, Education Department Certificates 1908 - 1922
School of Mines Ballarat was a predecessor of Federation UniversityBlack cloth covered book with handwritten pages and loose foolscap pages at the front and sticer on front cover with CERTIFICATES written on it.education department, school of mines ballarat, leslie bennett, eulali perry, hector osborne, doris mcdougall, mary mullins, john mclean, mary morrish, francis kelly, robert gullan, henry bull, clara clegg, john david, albert ferguson, ina westcott, vera walker, agnes walker, eileen tremain, florence smith, lizzie pier, annie reynolds, charles peverill, william pearson, doris patterson, rebecca mcphan, constance mchenry, jean mcgregor, florence mingst, gwen mann, roz kelly, edward jones, freddi jacobi, percy baker, doris carter, stephen chambers, ruth catt, arthur dousey, d'arcy, bessie doncaster, alan eggleston, lena featherstone, clarice fisher, sylvia williams, james walker, annie treloar, shearer, cora sandberg, elsie pearce, jan mcgregor, cyril mcgibbon, margaret moore, thomas kierce, william james, alice horan, lucy hamilton, beatrice blake, catherine bowers, mona callow, lillian cameron, joyce dopel, iva denovan, william thompson, irene hewitt, catheriine kardens, beatrice stuart, hugh ross, mavis regelhuth, isabelle bell, melba perriman, vera muny, alan bernaldo, kathleen conway, dorothy darling, walter dunston, mary dwyer, agnes fraser, enid gates, maude williams, violet wheeler, jean tunbridge, maud auberry, john b. allen, rose c. andrews, willie banagwanath, john n. bennett, alfred bayley, geo h. blake, ida bolte, allison brown, eva brown, harold r. brown, henry f. bull, arthur burge, olive cotton, gertrude f coxon, alice culph, curtain, r.l. cutter, florence davis, w.m davies, helen dempster, ed dopel, l.c.m. dovey, ernest duncan, hugh elliott, nelson h. ferguson, mary featherstone, amelia field, david cochrane, phyllis polson, frederick proctor, geoff richards, bessie robertson, catherine ronald, cora saudberg, mary sheppard, scott smith, leonard steele, j.b. suttcliffe, nellie thornhill, vernon fisher, gordon fletcher, elsie ford, constance furness, grace m. geddes, ada giacometti, mary gleeson, v. hall, harold herm, dorothy hambley, clemence hill, evelyn hodgson, annie holmes, glynis humphreys, augus henderson, joseph james, queenie johnson, harold jolly, francis n. king, william knott, mary kinnear, adelaide leash, doris lonie, a lilbourne, f.j. llewellyn, herb malui, muriel mathew, nellie moloney, mabel morris, ernest morshead, w.k. moss, winifred moyley, eileen mcinerney, jack mclean, chas mcnamara, maryanne medwell, alice osbourne, elsie pitts, percy trompf, basil tunbridge, david walker, ruby walton, annie whitla, kenneth whittle, walter wilberforce, alb e williams, masie wise, amy wolff, olive wunhym, beryl atkins, hector ashby, geo banagwanath, g.n.j. barker, marion r. bailey, kathleen bowe, lelia brough, cecil campbell, basil craddock, ida chapman, iris campbell, una campbell, eileen cleary, reg m.l. cuttter, lyle eves, violet elston, eric embling, violet evans, f.l. ellsworth, vera fisher, una fowles, colin graham, victor greenhalgh, clarence grose, dororthy hall, margaret hannaby, leslie henderson, harold herbert, effie holmes, herbert hopkins -
Federation University Historical Collection
Photograph, Ballarat Teachers College 1950s Exies
Ballarat Teachers College is a predecessor of Federation UniversityColoured photograph taken in 2014 of Ballarat Teachers College Exiting Students of the 1950s and a list of names of those in the photograph.dorothy jennings, ron chalmers, ballarat teachers college, laurie melgaard, kevin cunningham, john stuchberry, don halladay, garreth mann, beth walker, geoff walker, wilf poole, margaret mcdonald, margaret baudinette, elsie o'brien, elsie cunningham, lenice stuchberry, lenice quick, betty chalmers, betty collins, deirdre faye dickinson, deirdre faye nicholson, pat pearce, pat hanrahan, joan blaney, joan kemp, joyce van leeuwen, joyce murphy, cynthia poole, arthur jennings, ron lane, helen lewtas, helen oxley, june rogers, june schofield, barbara mann -
Federation University Historical Collection
Book, University of Ballarat Annual Research Conference 2000: Abstracts, 08/09/2000
96 page book with research abstractsnon-fictionuniversity of ballarat, university research conference, bruce armstrong, peter arnold, adil bagirov, beverly blaskett, patrice braun, maryann brown, fred cahir, kate callister, patricia cartwright, john cowley, sarah davis, briony dow, john fisher, christopher fox, michael gathercole, rosemary green, julie heron, deborah hiskin, gavin hurst, tariq khan, maylene kule, lin zheng, david manterfield, john mcdonald, tunde meikle, elaine millls, ross morgan, john morris, angela murphy, john nicholson, pauline nunan, dora pearce, leeane pitman, patrick prevett, paula ransom, natisha sands, simon sim, jeff stweart, john struhs, elizabeth swayn, michael tuck, margaret zeegers, breat cancer diagnosis and prognosis, professional reading circles, tertiary undergraduate literacy integration program, carp, gendered communication, kidmap, agricultural restructure on farm families, psychiatric nursing, heat pump design, mixed species eucalypt foothill forest, stawell goldmines, heat stress management, accessing foucault, e-commerce, helen hayes, indigenous heritage, family care-giving -
Bendigo Military Museum
Book, John Masefield et al, Gallipoli, 1916
Red buckram hard cover, no dust cover. Black embossed print, 183 pages. Illustrated black & white photos, maps.Arthur T Pearce with love from his sister M.E.P. Portishead, Christmas 1916books, military history -
Federation University Historical Collection
Book - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 27, June 1986 to 30 August 1986
Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 7 June 1986 to 30 August 1986.Book with yellow cover, front, spiral bound. teaching positions advertised, pre-employment courses, courses available, fire hazard-memorial theatre, new women's skill program at smb, colin mccurry, funding delay hampers theatre repair, work skill newsletter, minister for the arts, race mathews, royal south street society, president peter barwood, secretary stan hooper, john snowden, smb school of performing arts, jared dickson student, smb fitness program older adults, lee-anne law, rehabilitation after accident, geoff browning hairdressing department, young workers show their skills, governor praises smb buildings, davis mccaughey, e j tippett, official opening, e j tippett learning resource centre, catering and hospitality, kay mcfarlane, david boyle, women's theatre, patrick kirby boilermaker, most skilful 10 chosen, andrew wardell apprentice of the year, bcae celebrations, ballarat college of advanced education, theatre funding restoration, dino procaccino, richard goss, tops at their trade, safety contribution, changing role of women, christine pearce welding, laurelle pearse welding, amanda burns drafting, michelle scott drafting, small business course at smb, jack barker to retire, sebastopol technical school 25 years, ballarat group apprenticeship schemme, electrical mechanics david thomson and ron irwin, panel beaters glenn virgo and geoffrey mason, motor mechanics alex bond and mark lewis, fund-raising by hairdressing students for new salon, annette evans and suzanne gandur, smb performing arts, mellissa bone photography prize, david stoddart cookery course at smb, nelson thomas and jamie holloway reiv scholarship winners, building work on schedule, literacy course for adults -
Glen Eira Historical Society
Letter - Glen Huntly Road, Elsternwick
Ten documents concerning the redevelopment of 543-555 Glenhuntly Rd., Elsternwick in the early 1980s by B. P. Food Plus to create a 24 hour drive-in convenience store. Includes newspaper articles and correspondence from local residents, small business and community groups stating their objections and concerns. Also a report by the MMBW, 1982, on the development of guidelines for such shops.town planning appeals tribunal, de silva m., de silva m. a., b. p. australia ltd., city of caulfield, riley john, buckner john, wright h. mcm., cook r., burleigh brian, caulfield progress association, wilson lawrence john, murphy barry oliver, messrs. whiting and byrne solicitors, messers t. j. mulvaney co., mckimm russell, robinson g. a., watt h. w., kinder alan, commercial development, white o. a., van hoon joan, van hoon john, smith p., ben s. g., lee g. b., gibbs les, brennan h. p., pretty f. w., rasmussen l., orchard a. r., lopek m., carpenter mrs., pearce mrs., mcgrowan e., owens p., brawn j. e., harron g., brittingham w. c., lindsey m., de silva s., horton mary, james m., walker e., bennett h. l., riley s., b. p. food plus, coltex, glen huntly rd., hopetoun gardens, pickerd c. w., doolan g. n. (cr), the retail confectionary and mixed business association, town planning, land values, peak susan, white ted, ingleby june, elsternwick chamber of commerce, moore h. r., melbourne metropolitan board of works, ‘convenience premises and convenience shops report and guidelines’, legal documents, hawthorn road, petitions, north road, petrol stations, hopetoun hospital, foster street, winton hall (special accommodation home), caulfield council, resident action, murray street, councils -
Glen Eira Historical Society
Article - St. Clement’s Church of England, Elsternwick
This file contains two items: 1/An article from Southern Cross, dated 15/12/1993, detailing proposed eviction of ‘Little Kids Occasional Care Centre’ if Brighton Hyundai go through with plans to enlarge their parking storage area in the current Miller Street, St. Clement’s Church Hall. 2/An article from the Port Phillip Leader, dated 03/04/2012, about the increased attendances of churches, mentioning Rev. Rowan Fairbairn of St. Clement’s Anglican Church.southern cross, leigh howard, elsternwick, kindergartens, st. clement’s church of england, st. clement’s anglican church, halls, miller st., brighton rd., glenhuntly rd., hotham st., hislop john rev., richtman shana, north caulfield, pearce sue, stephens katie, grossbard alain cr., little kids contact and occasional care centre, brighton hyundai, caulfield council, thurston richard, fairbairn rowan rev., st. clement’s anglican church, nepean highway -
Glen Eira Historical Society
Document - Ormond Amateur Football Club
2 articles on Ormond Amateur Football Club, 1933 – 1973: 1/A 12 page document including 3 photocopied photos. Article documents the Premiership coaches for the 1933/34 seasons, a break till 1950 when article then continues to 1973 season. A brief description on the coaches success and mentions successful players who competed in the various team divisions over these years in the document. 2/A pamphlet for season 1935 Ormond Amateur Football Club listing office bearers, patrons, AGM details of business to be discussed, nominations for 1936 and income and expenditure account details.ormond amateur football club, clubs and associations, anthony mick, bentleigh amateur, bols lou, coaches (people), farrell ted, farrell edwin, farrell greg, wood roger, bourne bruce, moran graeme, chisholm andrew, patterson michael, blight bernie, cameron ian m., ferrari brian, kingston jack, foulsham clyde, burdekin e. f., moran graeme f., farrell e. j., graham a., russ jeff, cameron s. m., mcinerney peter j., finlayson brian, grace john, rowse ken, lepage neil, joachim nick, purcell ken, corben bruce f., stock jack, gillespie rob, mcdonald colin, humphries andrew, christie graham, graer david, craig beryl, smith thelma, stock val, johnston j. r., rogers s. w., wood r. j., cameron robert, ladd kevin j., pierce greg, ladd clarrie, meeking john, fitts clive, doble alan, cooper stephen, mclean alan, english graeme, andrew graham, purcell peter, rose mark, borland norm, wood andrew, farrell e. j., logan r. j., morgan peter, faulkner alan, slatter mick, burney cal, stock jack, norris mick/micheal, beecroft barry, crump wayne, humphreys andrew, cameron robert, morris steve, anstee laurie, spence phillip, hand robert, curtis noelene, murphy p. m. peter, foulsham d. a. david, finlayson r. j., roberts r. c., grumpton t. r.-terry, jenkins r. c. ron, mortimer j. i., wood r. j. roger, morgan p. j., graham a. m. alan, curtis r. s., grace j. m., johnston j. r., marshall l. j., logan r. j., jackson d. w., bourne b. k., farrell e. j., sierakowski d. d. peter, dexter p. d., russ j. i., scott d. h., joachim nick, hardham leigh, chapman ray, smith stephen, sterling greg, cramer dean, anstee laurie, barnes ted, barwick john, russell geoff, kozlowski i. a., pearce g. w., roberts r. c., swan g. m., graham a. m., curtis r. s., blight b. f., fitzroy r. m, jackson d. w., farrell e. j., pierce greg, scott david, holman greg, russ steve, mcdonald david, fisher s., o’reilly pat, borland norm, thomas g. t., naylor alan r., lewis m., szylit m., dove s. w., mooney d. j., bevers f. h., gunn e. e., stevens r. a., ellis h., fancett w., grainger v., rermezel y., dawson p., smith r. a., pascoe h., chisholm l. a., jones j. a., juniper p., anderson a. e., ellis r., o’dwyer f., pope a., handcock c., hatton c. h., anthony m., dunbar h., jones w., mckechnie h. j., jennings s., jennings a., porter j. r. dr., hogan j. f., frew g., hassed m. j., ryan rev. father, fethers d. b. dr., hallows bruce, porter j. r., nelson w. t., groves frank, chisholm l. a., vinton j. t., smith w. d., knowling c. h., duus e., evans r. j., smyth l. c., clarke w. j., bishton ja, grant v., tremills f. s., mcfadzean j. d., marley k. j., mckittrick a. e., halkyerd c. s., patience c. e., lynch k., occleshaw f. r., howard r., chapman c. w., jones j. a., evans j. g., ellsworth g., coaches, dunbar h., jones bill, wright bill, mooney mrs., trophies, bishton j. h., manning j., bray h., smyth l., creighton j., wright w., kirchner s., baker n., bevers mrs., gunn mrs., fancett mrs., creighton mrs., stevens mrs., ellis mrs., hatton mrs., mogan mrs., pascoe mrs., frew mrs., phillips mrs., grainger mrs., massed mrs., stillard miss, matt e. g., matt mrs., tremills mrs., cullen l. mrs., parker f. w. mrs., societal events and activities, flags, ormond park trust, sporting clubs, football clubs, football, australian rules football, sports officials, ormond, bentleigh