Showing 41 items
matching joshua black
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Glenelg Shire Council Cultural Collection
Book - Family Bible belonging to Joshua Black, The Bible, 1805
... Family Bible belonging to Joshua Black...Joshua Black...Displayed in History House. Joshua Black landed in Portland... Neil Black 24th October 1973/This was the property of/Joshua... to Joshua Black Book The Bible Brown leather bound bible. Rag-paper ...Brown leather bound bible. Rag-paper page. Family inscription page at beginning of New Testament.joshua black, western district families, family bible, religious text -
Glenelg Shire Council Cultural Collection
Print, Joshua Black, n.d
... Joshua Black...Joshua Black...Black and white laminated laser copy. Joshua Black... Cliff Street Portland great-ocean-road Print Print Joshua Black ...Black and white laminated laser copy. Joshua Black is sitting in a cane chair-holding walking stick. Wearing a one button coat. Card on front - Joshua Black.Front: W.L. Blac, photo, Portland. No. Copies may be had by sending number.joshua black, portland -
Glenelg Shire Council Cultural Collection
Photograph - Photograph of painting - Photocopy - Joshua Black, n.d
... Photograph of painting - Photocopy - Joshua Black...Coloured photo of painting. Joshua Black - Head... - Photocopy - Joshua Black Photograph Coloured photo of painting ...Coloured photo of painting. Joshua Black - Head and shoulders. Black Jacket and tie. White shirt.Back: Holland's Picture Framing and Art Supplies. Hilary. 16 Henty St, Portland. Phone 03 55233582 -
Glenelg Shire Council Cultural Collection
Painting, Joshua Black, c. 1850
... Joshua Black... Cliff Street Portland great-ocean-road Painting Painting Joshua ...UnknownPortrait of a man against a blank brown and black background. He is in formal attire, with black jacket, high-collared white shirt and black cravat. His hair (black) is parted on the left and he has side burns descending past his cheekbones. Framed in a black frame with gilding.Front: (no inscriptions) Back: (no inscriptions) Conservation Centre, Melbourne - label. -
Churchill Island Heritage Farm
Functional object - Mantel Clock, c1890
... , a blacksmith. He was not happy there and with the help of Joshua Black... there and with the help of Joshua Black came to Portland, Victoria, opened ...Family heirloom. Originated in County Tyrone in Northern Ireland. Came to Tasmania with the family of Thomas Johnstone, a blacksmith. He was not happy there and with the help of Joshua Black came to Portland, Victoria, opened a blacksmith business in the town and then took up a section at Swan Lake near Portland.No Churchill Island significance - suits the period of Amess HouseMantel clock placed traditionally above the fireplace. Ornate wood carving on top. Etched glass shows a bird on branches with a spider web. Lettering says 'Ansonia".mantle clock, fretwork -
Greensborough Historical Society
Article - Website, Aaron and Joshua Grimshaw, 1801o
The author is a family researcher, collecting information from around the world relating to the Grimshaw family. Josiah, b1809, was an early identity in Greensborough, charged with the murder of John Mitchell.6 pages (of 16). Colour and black print.grimshaw family, aaron grimshaw, josiah grimshaw, maygar, mitchell -
Federation University Historical Collection
Honour Board, The Pitman Benjamin Prize for Engineering Sustainability Honour Board, c2006
The Pitman Benjamin Prize for Engineering Sustainability is awarded to the Civil Engineering student whose thesis best promotes sustainable engineering. It is awarded in memory of a Heather Pitman, the first woman to graduate in Engineering at Ballarat. The Pitman Benjamin Prize for Engineering Sustainability is sponsored by Benjamin Real Estate, and was first awarded in 2006. Heather was the first female graduate from Ballarat College of Advanced Education and obtained outstanding results. Throughout her career she worked predominantly in local government and for much of that time with the Shire of Ballarat, then the City of Ballarat. During that time she worked as a civil engineer and in planning. Heather was a trail blazer in many respects and was one of the first women to be employed into an engineering position at that time. It was not easy, and she applied for about 200 jobs before being employed by the Shire of Greensborough, north of Melbourne. In 2002 Heather Pitman was Land Development Engineer with the City of Ballarat. The following year she was the City of Ballarat's Manager, Building & Assets. Award sponsor Terry Benjamin was a great mentor of Heather’s sponsoring the award in her memory when she died suddenly at the age of 48. Honour Board, gold lettering University of Ballarat. Black lettering The Pitman Benjamin Prize for Engineering Sustainability. The Pitman Benjamin Prize for Engineering Sustainability has been awarded to: * 2006 - Nathan Whittle; * 2007 - Christopher Quinn; * 2008 - Vinoch Ravi; * 2009 - Troy Vanberkel; * 2010 - Nil; * 2011 - Craig Furniss; * 2012 - Joshua Handreck; * 2013 - Matthew Willis (not on board 10/6/2014); * 2013 - Daniel Camilleri (not on board 10/6/2014);pitman benjamin, nathan whittle, christopher quinn, vinodh ravi, troy vanberkel, craig furniss, joshua handreck, prize, engineering, sustainability, heather pitman, stuart benjamin, benjamin real estate -
Bendigo Military Museum
Photograph - PHOTOGRAPH RAAF, c.1936
Given that the photo is 1936 the first two are possibly, F/O Joshua Roger McDONALD No 86, enlisted 15.1.35. At his death on 10.12.1941 he was Wing Commander No 13 Sqd RAAF Darwin. Flying Hudson No A16-69 himself and 3 crew members were killed when the plane crashed into the sea near Ambon Island, Indonesia. Fl/Lt Robert Frederick DALTON No 37, no details of enlistment date. When he was discharged from the RAAF on 16.12.1947 he was Wing Commander at RSTN Laverton (TD & RS) F/O Frederick Attwood WITTSCHEIBE No 89 enlisted on 15.1.1935. At discharge from the RAAF on 21.5.1946 he was Wing Commander at Station HQ East Sale. There is only one WITTSCHEIBE listed on the nominal role. Refer also Reg No 97.Black & white photo of 3 members of A Flight No 21 Squadron in rectangular black timber frame with wire hanger.Hand written on rear: F/O McDonald, FL/Lt R F Dalton, F/O F A Wittscheibe (Born Bendigo 1913, died Bendigo 1998) A Flight No 2 Squadron, circa 1936.military history, photography - group photograph, raaf -
National Wool Museum
Photograph - Photographs, C. Glover and Sons Pty. Ltd, 1890-1944
C. Glover and Sons Pty. Ltd. was founded on Brougham Street, Geelong c.1870. They operated as a wool and sheepskin storeroom situated on both sides of Brougham Street; where the current Elders building is located. The store was owned and operated by Joshua Glover with his brother Cyrus. A third brother Arthur also worked at the store. It was a very successful business and employed up to 40 men at its peak. Cyrus Glover died quite young, around 54, with his son Howard taking his place in the partnership at 23. During the Second World War the business was requisitioned by the Australian Government. Their wool was utilised to produce defence uniforms for Commonwealth personnel C. Glover and Sons was a very successful business which reluctantly closed its doors around 1975, as a result of the wool industry taking a downward turn Australia wide. It was decided by the family that this was the only option at the time. Howard Glover was Jan Glover’s (donor) father in law. Jan Glover donated these images to the National Wool Museum in 2021. Image 1 is a black and white image of a truck with 11 men standing in front. The truck is loaded with dumped bales of wool. The image is taken outside of the C. Glover and Sons' building. The reverse of the image is stamped. Image 2 is a black and white image of 2 rows of men. The first row of six men are sitting in their cricket whites. The second row of 10 men are standing in suits bar one-man 3rd from the right, who is also in his cricket whites. The image is taken on a cricket oval with the grandstand visible in the background. Image 3 is a black and white image of 12 men. The first 3 men are sitting on wool bales while the other 9 stand behind. The image shows the word 'record' spray painted on a piece of timber hanging behind the man. This is expressed in the men's faces with emotions of joy and celebration coming through. The men are standing in front of large machinery presumed to be used for wool pressing/dumping. Image 4 is a black and white image of 15 men and 5 horses in front of two large white sheds with triangular rooves. The men are all standing with the majority having their arms crossed. On the left is a cart carrying sheep skins. On the right are two smaller carts that appear to be carrying wool bales. Image 5 is a black and white image of a wool and hides storeroom. The ceiling is lined with multiple sheep skins while the floor has multiple wool bales neatly stored. In the background of the image, two men can be seen inspecting wool while sitting at a small white table. Behind this, 5 men are standing in a crowd while another man is seen to the left of the men at the table. This separate man is standing inspecting a wool bale. Image 6 is a black and white image of a wool storeroom. Numerous bales of wool can be seen open for inspection stacked semi-neatly one next to another. 6 men can be seen inspecting a bale of wool in a group. Another 5 men are present in the room performing separate duties.Image 1 Reverse. Black Stamp INTERNATION FOTO-NEWS / H. A SOETEKOUW / 52 GHERINGHAP ST., / GEELONG / PHONE X 2920 Image 2 Wording. Typed black lettering. Geelong Buyers and Brokers Cricket Team. Image 3 Wording. Blue handwriting RECORD OF PRESSING FOR ONE DAY / FORTY BALES / 1910 Image 4 Wording. Blue handwriting. 1890 Image 5 Wording. Typed black lettering. Messrs. Moss & R. Allan. / Government Sheepskin Appraisers. 1918. Image 6 Wording. Black Handwriting. C. GLOVER & SONS. APPRAISEMENT NO. 50 14/12/1944. / GOVERNMENT SHEEPSKIN APPRAISERS. MESSERS. R. BORLAND & H. V. McCALLUM / GEELONG REPRESENTATIVES. J. GLOVER & H. J. GLOVER. c. glover and sons pty. ltd, geelong 1870, brougham street, wool & sheepskin storeroom -
Flagstaff Hill Maritime Museum and Village
Photograph - Vessel, S.S. Warrnambool, 1998-2003
This photograph and a matching earlier photograph are the images of a painting of the British steamship SS Warrnambool at Dover Strait in the English Channel. The photographs were donated by the painting’s owner, who acquired the 30” x 56” (76 x 142.5 cm) oil on canvas painting in 1998. Both photographs were accompanied by a letter, one written in 2001, and the other in 2003. The letters confirm that the artist of the painting was Charles Keith Miller, signed with the initials “CKM” and dated “1893”. The painting shown in the photographs was a gift to the Town Council of Warrnambool, presented to Warrnambool folks in Melbourne on December 1, 1892, by the Captain of William Lund’s ship SS Warrnambool. The painting was given by Lund in appreciation of the Ladies of Warrnambool who had presented the ship with a ‘house’ flag bearing the Blue Anchor Line’s symbol of a diagonal blue anchor on a white background; the ladies had made the decision to present the flag only a month earlier. A few days later, December 6th, the SS Warrnambool was on its homeward journey to Britain, sailing via Adelaide. It anchored for a short time off the Port of Warrnambool. A boat was launched from Lady Bay to take a group of friends to the ship with a delivery of gifts. After cheers were roused for both the ship and the Captain, the ship continued on its way. The photograph shows the gifted white flag with a diagonal blue anchor flying from the masthead. The same symbol is painted on the ship’s black funnel. The signal flags on the foremast display ‘M’ ‘R’ ‘V’ ‘B’. These letters are most likely the ship’s call number ‘MRVB’. Although the painting was given as a gift in December 1892, it is post-dated “1893”. Perhaps the painting was given earlier than anticipated; or the date added later, but whatever the reason, the provenance of the painting was confirmed at auctions of this painting and other works by the same artist. CHARLES KEITH MILLER 1836-1907:- Captain Charles Miller left his home in Scotland at the age of 15 years for a life at sea. He earned his Master’s Certificate ten years later. After being the captain of sailing ships he moved over to the steamships because they were faster. In 1866 he married and settled in Glasgow. Over the following eleven years he and his wife had five children, then sadly his wife passed away. Captain Miller returned to the sea for a while but in 1888 he gave up his sea life to spend his time as a marine artist. His understanding of seafaring life and vessels, combined with his artistic skills, gave him the ability to produce fine art and several galleries and museums have collections of his sought-after works. S.S. WARRNAMBOOL 1892-1925:- The steamship SS Warrnambool was built in 1892 by the Sunderland Ship Building Company for the Lund Line of London, founded by William Lund in 1869. It efficiently carried both passengers and cargo across the world to Australia, under the command of her master Captain Joshua Edward Iibery, who had many years of experience with the Blue Anchor Line. The company, referred to as the Blue Anchor Line or BAL, owned a fleet of both sail and steamships. The funnels of all of the steamships were painted black, with a white band around the top bearing a diagonal blue anchor and chain. The company’s house flag was also white with a diagonal blue anchor. The SS Warrnambool carried passengers and cargo in a ‘no frills’ service to and from Europe around the Cape of Good Hope, stopping at some ports in between. The ship was involved in bringing home returned solders in 1895. At one time it carried a doctor from Victoria, Australia, to assist at the war front in South Africa. The ship had a very good reputation for its cargo arriving ‘almost always in excellent condition.’ Exported goods from Australia included iron safes, flour, wool, apples, frozen rabbits, butter, cheese, pork, cattle, poultry and sheep. One remarkable delivery contained Ostriches for Queen Victoria and they survived the journey well. The SS Warrnambool was sold in 1900 to the British and South American Steam Navigation Co. Ltd of Liverpool and was renamed ‘Harmodius’. The company was managed by R.P. Houston & Company of London and its Houston Line funnels were red with a black top. The Harmodius was sold in 1919 to K.S.S. Co. Ltd, managed by Kaye Son & Co. Ltd. of Liverpool, and was renamed ‘Kut’. The line had black funnels with a white ‘K’ in a diamond or between white stripes. In 1926 it was purchased by T.W. Ward Ltd. and broken up. NOTE- other vessels named “Warrnambool” Two other vessels carried the name “Warrnambool” (1)- HMAS Warrnambool J202 (1941-1947), a Bathurst Class corvette vessel owned by the Royal Australian Navy, destroyed by a mine. The photograph is significant for its association with the painting "SS Warrnambool" by well-known early 20th century marine artist Charles Keith Miller, whose paintings are well valued. The painting and the photograph of it are namesakes of Warrnambool and are connected through the gifts exchanged between the ship company owner, the City of Warrnambool and the Ladies of Warrnambool; the House Flag and the painting by C K Miller. The image is a good likeness to original photographs of the late-19th to early-20th century steam and sale vessel. Coloured photograph of a painting, the steamship S.S. Warrnambool. The three-masted ship has lowered sails. It is in calm water, land on one side, and other vessels in the water. The ship has four raised signal flags, a house flag and a blue ensign. The funnel also bears the house flags symbol. Smoke emits from the funnel. Figures are visible onboard. There is a signature and a title on the lower edge of the photograph. (Artist of the painting in the photograph was Charles Keith Miller)House flag symbol, [diagonal blue anchor on white background] Text "CKM" and "1893" Text "S. S. WARRNAMBOOL."flagstaff hill, warrnambool, photograph, steam ship warrnambool, flagstaff hill maritime village, shipwreck coast, ss warrnambool, captain, charles keith miller, ckm, 1893, william lund, warrnambool town council, blue anchor line, lund line, ladies of warrnambool, house flag, diagonal blue anchor, captain miller, sunderland ship building company, migrant ship, 1892 ship, home flag, bal, australian export, s.s.warrnambool, dover strait, english chanel, port of warrnambool, lady bay, mrvb, captain charles miller, captain joshua edward iibery, ostriches, queen victoria, british and south american steam navigation co., harmodius, r.p. houston & company, houston line, k.s.s. co. ltd, kaye son & co. ltd, kut, t.w. ward ltd -
Phillip Island and District Historical Society Inc.
Photographs, Early 20th Century
Two photographs donated by Joshua Gliddon.328-01 - Reproduction of sepia photograph of a group of people in the New Year's Eve Fancy Dress procession on the foreshore at Cowes. 1915-16. 328-02 - Black & White photograph of a large group of penguins returning back at dusk after a day out "fishing".328-01 - "Fancy Dress Procession - Cowes, Phillip Island, New Year's Eve, 1915-16".penguin parade, wildlife - penguins, new year's eve fancy dress parade, joshua gliddon -
Phillip Island and District Historical Society Inc.
Article, "Island won greatest G-Final ever" 1951
The Powlett Express was based in Wonthaggi, precursor to The Sentinel Times. WDFL was the Wonthaggi and District Football League. Shops were Wonthaggi Shops team. This photo was prepared for inclusion in "Phillip Island in Picture and Story" by Gliddon but never used.HistoricalBlack and white photo of newspaper article The Powlett Express Thursday September 6, 1951. " Island won the greatest G-Final Island" "In Saturday's Grand-Final", "These were stars"phillip island football club 1951 premiers, joshua gliddon, the powlett express 1951, redda claringbould, wagner, bill jones -
Phillip Island and District Historical Society Inc.
Photograph, 1950
One of a collection of seven photographs of Amygdales polished by Dr G Baker CSIRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story".Black & White photograph of an Amygdale Stone."Phillip Island Amygdale - magnified 5 diam. Colours greyish brown with edges white".phillip island, amygdale stone, dr g baker, joshua w gliddon -
Phillip Island and District Historical Society Inc.
Photograph, 1950
One of a collection of seven photographs of Amygdales polished by Dr G Baker CSIRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story".Black & White photograph of Amygdale Stone"Yellow, also some green & red. Magnified about 3 diam."phillip island, amygdale stone, dr g baker, joshua w gliddon -
Phillip Island and District Historical Society Inc.
Photograph, 1950
One of a collection of 7 photographs of Amygdales polished by Dr G Baker CSRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story". Black & White photograph of an Amygdale Stone."Brown chiefly. Magnified about 3 diam"phillip island, amygdale stone, dr g baker, joshua w gliddon -
Phillip Island and District Historical Society Inc.
Photograph, 1950
One of a collection of 7 photographs of amygdales polished by Dr G Baker CSRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story".Black & White photograph of an Amygdale Stone - outer ring and inner ring with patterned centre."Phillip Island Amygdale magnified 5 diam. Colours red & yellow."phillip island, amygdale stone, dr g baker, joshua w gliddon -
Phillip Island and District Historical Society Inc.
Photograph, 1950
One of a collection of seven photographs of Amygdales, polished by Dr G Baker CSRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story". Black & White Photograph of an Amygdale Stone. Circular image with multi patterned interior."Phillip Island Amygdale. Magnified 5 diam. Colours chiefly brown and yellow."phillip island, amygdale stone, dr g baker, joshua w gliddon -
Federation University Historical Collection
Book, Ursula Hoff, Masterpieces of the National Gallery of Victoria, 1949
Bluehard covered book of 243 pages. Black and white illustrations. non-fictionnational gallery of victoria, art, artists, daryl lindsay, ursula hoff, alan mccullogh, joan lindsay, joan lindsay, hans memling, uccello, titian, veronese, canaletto, battista tiepolo, claude le lorrain, nicolas poussin, peter paul rubens, francisco de goya, rembrandt van rijn, jan de heem, gerard terborch, jan steen, jacob van ruisdael, anthony van dyck, joshua reynolds, thomas gainsborough, george romney, henry raeburn, george morland, thomas rowlandson, john cozens, joseph turner, john constable, william blake, william etty, charles holmes, augustus john, william nicholson, paul nash, john tunnard, jacob epstein, maurice lambert, auguste rodin, jean houdon, jacques david, daumier, jean corot, jean millet, louis boudin, edouard manet, edgar degas, claude monet, alfred sisley, camille pissarro, paul cezanne, vincent van gogh, maurice utrillo, august rodin, william dobell, russell drysdale, norman lindsay, conrad martens, louis buvelot, frederick mccubbin, tom roberts, john russell, john longstaff, emanuel phillips fox, walter withers, charles conder, rupert bunny, george lambert, arthur streeton, lionel lindsay, max meldrum, hans heyson, hugh ramsay, george bell, william frater, adrien feint, eric thake, jack carrington smith, constance stokes, lyndon dadswell, ola cohn -
Port Melbourne Historical & Preservation Society
Book, Richard Broome, Remembering Melbourne 1850-1960, 2016
"Remembering Melbourne 1850-1960". Large red covered book with black and white dust cover featuring panoramic view of Princes Bridge looking North. Photographs and text covering Melbourne CBD and 20 suburbs including Port Melbourne.Royal Historical Society Victoria (RHSV) bookplate signed by Don Garden and Richard Broome.built environment, business and traders, centenary bridge, piers and wharves - railway pier, sport, industry, religion - anglican (holy trinity), swallow & ariell ltd, sandridge lagoon, melbourne air service, joshua brothers distillery, robert harper & co ltd, faram brothers hardware, j kitchen & sons pty ltd, courthouse, police station, north port oval, missions to seamen, commonwealth engine works -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Elizabeth Rodda, 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cr David Brand when plans for demolition were approved by CouncilBlack and white photograph of Sugar Shed, corner Rouse and Johnston St. View south along Johnston St with focus on corrugated iron.industry, manufacturing, sugar shed, joshua brothers distillery -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Elizabeth Rodda, 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cr David Brand when plans for demolition were approved by CouncilBlack and white photograph of Sugar Shed, corner Rouse and Johnston St. View along Johnston St with focus on corrugated iron.industry, manufacturing, sugar shed, joshua brothers distillery -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Elizabeth Rodda, 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cr David Brand when plans for demolition were approved by CouncilBlack and white photograph of Sugar Shed, corner Rouse and Johnston St. View along lane at rear with focus on corrugated iron.industry, manufacturing, sugar shed, joshua brothers distillery -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Elizabeth Rodda, 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cllr David Brand when plans for demolition were approved by Councilblack and white photograph of Sugar Shed, corner Rouse and Johnston St showing roof beamsindustry, manufacturing, sugar shed, joshua brothers distillery -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Julia Mildenhall, 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cllr David Brand when plans for demolition were approved by Councilblack and white photograph of Sugar Shed, corner Rouse and Johnston St. 'Untitled' collageindustry, manufacturing, sugar shed, joshua brothers distillery -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Kinta Walker, 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cllr David Brand when plans for demolition were approved by Councilblack and white photograph of Sugar Shed, corner Rouse and Johnston St. Corrugated iron.industry, manufacturing, sugar shed, joshua brothers distillery -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Alison Spence, 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cllr David Brand when plans for demolition were approved by Councilblack and white photograph of Sugar Shed, corner Rouse and Johnston St.industry, manufacturing, sugar shed, joshua brothers distillery -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Alison Spence, 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cllr David Brand when plans for demolition were approved by Councilblack and white photograph of Sugar Shed, corner Rouse and Johnston St.industry, manufacturing, sugar shed, joshua brothers distillery -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Alison Spence, 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cllr David Brand when plans for demolition were approved by Councilblack and white photograph of Sugar Shed, corner Rouse and Johnston St.industry, manufacturing, sugar shed, joshua brothers distillery -
Port Melbourne Historical & Preservation Society
Photograph - Sugar shed, corner Rouse and Johnston Streets, Port Melbourne, Rob Faulkner, 1999
Photographic competition organised 1999 by PMH&PS and developer John Sheridan of Sheridan Property at suggestion of Cllr David Brand when plans for demolition were approved by Council'Old Sugar Shed 8.15am winter' black and white copy of photograph of Sugar Shed, corner Rouse and Johnston Street: Equal first prizewinner in photo competition, by Rob Faulkner (original with City of Port Phillip)industry, manufacturing, sugar shed, joshua brothers distillery -
Monbulk RSL Sub Branch
Book, Ebury Press, Forgotten voices of the Blitz and the Battle for Britain, 2006
Drawing material from the Imperial War Museum's extensive aural archive, Joshua Levine brings together voices from both sides of the Blitz and the Battle of Britain to give us a unique, complete and compelling picture of this turbulent time. We hear from the soldiers, airmen, fire-fighters, air-raid wardens and civilians, people in the air and on the ground, on both sides of the battle, giving us a thrilling account of Britain under siege. With first-hand testimonies from those involved in Dunkirk and the Battle of Britain, Black Saturday on 7th September 1940 when the Luftwaffe began the Blitz, to its climax on the 10th May 1941, this is the definitive oral history of a period when Britain came closer to being overwhelmed by the enemy than at any other time in modern history.Index, ill, p.486.non-fictionDrawing material from the Imperial War Museum's extensive aural archive, Joshua Levine brings together voices from both sides of the Blitz and the Battle of Britain to give us a unique, complete and compelling picture of this turbulent time. We hear from the soldiers, airmen, fire-fighters, air-raid wardens and civilians, people in the air and on the ground, on both sides of the battle, giving us a thrilling account of Britain under siege. With first-hand testimonies from those involved in Dunkirk and the Battle of Britain, Black Saturday on 7th September 1940 when the Luftwaffe began the Blitz, to its climax on the 10th May 1941, this is the definitive oral history of a period when Britain came closer to being overwhelmed by the enemy than at any other time in modern history.battle of britain 1940 - personal narratives, the blitz