Colour slide in a mount. Image from a magazine of Kansas City's International Airport, Kansas City, Missouri, USA. (Architects: Cooper-Roberson-Carlson-O'Brien.)Made in Australia (Print) / Kansas City's International Airport / Platte County ----- / Cooper-Roberson-Carlson-O'Brien / 10 / Encircled 12 (All Handwritten)slide, robin boyd

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images are of a religious person seated on an ornate chair.(26) Pope Pius X, bestowing his benediction as Supreme Pontiff, from his / throne in the Vatican, Rome.stereographs

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images are of two men and a small white dog on a horsedrawn cart along a wide pavement.(94) Ross Castle/Lakes of Killarney, Ireland.stereographs

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images show water cascading over a bank.(73)-5430 - The world's grandest waterfall - Niagara, from Prospect Point.stereographs

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images show a woman standing at the edge of a sheer cliff.(14)-6080-Nearly a mile straight down and only a step - from Glacier Point / (N.W.), Yosemite, Cal.stereographs

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images shows a woman holding an umbrella (or parasol) walking near a waterway.(100)-486-One of Nature's Jewels - Upper Lake of Killarney.stereographs

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images show a man on one side of a crevasse holding onto a rope. Two men are on the other side of the crevasse holding the same rope.(32)-1767-The ascent of Jungfrau, Crossing the Glacier, Switzerland.stereographs

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images are of an elaborate study. Chandelier in centre of room.(23)-8335-Private study where Pope Pius X reads and writes. (His Holi / ness at desk). Vatican, Rome.stereographs

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images show a young girl standing in between a cow and a sheep.8854- "A Little Child Shall Lead Them"stereographs

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Stereograph of two black and white images. Images are a cityscape of Rome.(4)-1968-Rome, the Eternal City, from the dome of St. Peter's Italy.stereographs

The shell is painted dark green & beige. There is an insignia on the side with a navy blue circle with a white star in the middle. Two red squares with 2 yellow stripes on either side.cessna o.1 bird dog

Designed to be used with a Sun Sculpture viewfinder.A collection containing 3 stereoscopes from the Underwood and Underwood brothers Ottawa, Kansas. depciting images of Australian sheep stations and the Dalgetty's wool sales floor. Copyrighted in 1908 by Underwood and Underwood. Each item consists of two identical photographs, side by side on a grey backing card with rounded edges.Wording: Underwood & Underwood, publishers. / Ney York, London, Torronto - Canada, Ottawa - Kansas.;Method: Printed;Location: Left Hand side of card perpendicular to the image. Wording: Works and Studios ~ / Arlington, N.J. Westwood, N.J.;Method: Printed;Location: Right Hand Side of card perpendicular to the photograph Wording: Sun Scultpure /Trade Mark. ;Method: Printed;Location: Right hand side of card. Wording: (27) - 10255 - Dalgetty's Sales Rooms where wool-buyers came from all parts of / the world - Australia. Copyright 1908 by Underwood & Underwood. U-113253.;Method: Printed;Location: Bottom of card. Wording: (57) - 10285 - Drink for 5000 thirsty sheep on a big ranch at Warrah, Australia. / Copyright 1908 by Underwood & Underwood. U-113324;Method: Printed;Location: Bottom of Card. Wording: (29) - 10257 - four thousand sheep changing pasture during a dry season - / Australia. Copyright 1908 by Underwood & Underwood. U-113121.;Method: Printed;Location: Bottom of Card.stereoscope, photographs, sun sculpture viewfinder, sheep, wool, station, underwood and underwood, dalgetys, warrah

The Boyd family recall how Robin Boyd loved gadgets for their beautiful industrial design and their functionality.Juice-O-Mat. Metal handle on right-hand side, metal squeezer on top. Cream coloured body to hold cup. When the handle pulled back the fruit can be inserted.On base: SINGLE-ACTION Juice-O-MAT. US CAT NO 462-C. Rival MFG. CO Kansas City MO. U.S.A.gadget, walsh st appliances, robin boyd, ohm2022, ohm2022_11

Coleman Lamp Stove Co Ltd possibly making irons by arrangement with Coleman Lamp & Stove Co Ltd in Canada. Origin of these companies - started by William Coleman of Oklahoma and Kansas, USA. Iron has chrome plated sole - blue enamel body with white speckles and hemispherical tank (probably copper - has typical green verdigris appearance) for the lighting fluid that would have supplied the heat. The wooden handle is painted blue. Top screw is missing from the fuel tank.clothes iron

An oval, wooden racquet with a laminated concave throat. Decal of company trademark features on throat of obverse. Within a football device is the inscription: TRADE MARK/SCHMELZER'S/KANSAS CITY/SPORTING GOODS. Stamped inscription along right side of stem: THE/SCHMELZER COMPANY. Materials: Wood, Gut, Metal, Ink, Glue, Lacquer, Stringtennis

Each postcard folder was sent to a Mss B Murdoch by F.G.Davey, .1) features New York City, .2) Kansas City, .3) Salt Lake City. Part of the Frederick Gardner Davey DFC RAAF collection. Refer Cat No 3536P for his service records.Postcard folders, set of three containing coloured illustrations depicting city scenes, each folder cover and back depicts a city scene, titles are printed in colour in various fonts, each front cover has a space for an address and postage stamp, on the inside cover of each is a history of each city.On all three covers in black ink, “Miss B Murdoch 123 Wattle street, Bendigo, Victoria, Australia”. On inside cover of .3) handwritten in black ink, “Fondest love, yours truly”postcards, souvenirs

Sad-irons or "solid" irons were made by blacksmiths and used to smooth out material by pressing the hot iron over it. A piece of sheet -iron was placed over the kitchen fire and the irons placed on it could be heated whilst remaining clean of ash.. The women used 2 irons - one heating while the other was used. Thick cloth or gloves protected their hands from the hot irons. The handle was removed from the cool iron and re- attached to remove the hot iron from the fire. The cool iron was replaced on the fire or stove to heat again. These irons were cleaned with steel wool to prevent them marking the material. If the iron was too hot the material would scorch. Most homes set aside one day for ironing and some large households had an ironing room with a special stove designed to heat irons. However, most women had to work with a heavy, hot iron close to the fireplace even in summer. Late in the 19thC designers experimented with heat retaining fillings for these irons. William Coleman began selling Kerosene lanterns in 1900 in Kingfisher, Oklahoma, USA. He moved to Wichita, Kansas in 1902 and the company became world wide. The company also produced a range of cooking stoves and domestic irons. This spirit- fuelled flat iron was very popular in 1920s - 30s These sad irons remind us of the difficult circumstances experienced in their daily routines by the pioneers and early settlers of Moorabbin Shire The family of Miss M Curtis were early settlers in Moorabbin ShireA) spirit- fuelled, sad iron with chrome plated sole c1920, and metal trivet The iron is blue enamel with a white speckled body, with a hemispherical tank for the Coleman 'Lighting Petrol' that provided the heat for smoothing the material B) Coleman Fuel measuring can and funnellMetal Trivet/stand " COLEMAN" ; Petrol can " COLEMAN" / MEASURING CAN / for INSTANT LIGHTING IRON/ with printed instructionssad iron, kitchen equipment, coleman william, kansas, oklahoma, pioneers, early settlers, market gardeners, sewing, craftwork, clothing, moorabbin, brighton, bentleigh, fireplaces, stoves, petrol fuelled irons, spirit flat irons, coleman lamp stove co. ltd.

Five copies of a letter from ? Smith, Engineer Way & Structures, of the Kansas City Public Service Company to Paul A. Douden & Co., dated November 15, 1937. He tells of their experiences with Scalebuoys. He mentions reduction of scale and about a 30% reduction in the consumption of soap and the chemicals used in the water for cleaning purposes. In the bottom left corner is a small picture of a bus and a tram.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, kansas city public service company, paul a douden & co, ? smith

A transitional flat-top, wooden racquet with a laminated convex throat. Decal inscription of model type around crown on obverse: TRIUMPH. Decal of company trademark features on throat on obverse. Within a football device is the inscription: TRADE MARK/SCHMELZER'S/KANSAS CITY/SPORTING GOODS. Stamped inscription along right side of stem: THE/SCHMELZER COMPANY. Materials: Wood, Gut, Metal, Ink, Glue, Lacquer, String, Leathertennis

Stereoscopic Views . Printed on Front. Underwood & Underwood, New York, London, Publishers Ottawa - Kansas. Works and Studios, Ardlington Nth, Littleton Nth, Washington. 1. Man - eating Alligators of India looking for another meal. 2. Loch Katrine, Scotland. 'The spot an Angel designed in Grace'. Faded undecipherable description on reverse. 3. Overlooking Natures Grandest Scenery - from Glacier Point [N E Yosemite Valley, Cal. Printed Description reverse.Underwood & underwood.photography, viewers

The A47-24 was a B-25D MITCHELL,a twin-engined medium bomber built by NORTH AMERICAN AVIATION COMPANY in Kansas City U.S.A. Initially issued for use by the Netherlands East Indies Air Force as N5-216, The Aircraft was taken on charge by the RAAF in 1944. On the 01/12/44, A47-24 was undergoing flight trials over the Torquay Bombing Range off Pt. Addis,when it appeared to catch fire and subsequently crashed into the sea. Of it's crew of 5,3 were killed. This Propeller was recovered after becoming entangled in fishing nets. A47-24 PropellerNone. Sea erosion of the Aluminium is very evident.propeller, b25 bomber, crash, torquay, pt addis

This dress belonged to Mary Grace Medbury (nee Matthews, 1885-1967). Mary was born in Kansas, USA, and as a teenager travelled to Devon, England, before she came to Australia with her family and married Walter Ambrose Medbury (1887-1947). They lived together in Cheel Street, East Oakleigh. Walter, a building contractor, worked on numerous construction projects in the Melbourne area, including the Oakleigh Methodist Church, the HMAS Cerberus naval base and - closer to home - the former Brighton Courthouse, which was built in 1936 and still stands at 15 Boxshall Street. Mary gave the dress to her granddaughter, Fiona Nissen, when Fiona was a teenager. A Brighton local, Fiona donated it to the Society in 2013.White cotton muslin day dress with three-quarter length sleeves and square neckline, both edged with lace. The dress features white floral embroidery on the sleeves, skirt and front of bodice. Hook and eye fastenings at back.mary grace medbury, mary grace matthews, fiona nissen, migration, 1900s

Cream booklet with brown printing titled Bendigo Electronic Company of Australia Proprietary Limited. Includes Capital, number of Shares, Directors, Solicitors, Bankers Registered Office, Copy of a letter re Patents, Information about Scalebuoys, Users of Scalebuoys, What Scalebuoys Do and Where they are used, Also copies of letters from the Victorian Railways, City Overseer Bendigo, Lane's Motors Pty Ltd Melbourne, Union Oil, Soap & Candle Co. Ltd NZ, Knox Home NZ, Maungatapere Co-Op Dairy Co. Ltd., Whangarei Co-operative Dairy Company Ltd. NZ, Kettering Cartons Limited England, Pennsylvania Rubber Company USA, and the Kansas City Public Service Company USAsciences, instruments - general, scalebuoy, bill ashman collection - correspondence, bendigo electronic company of australia pty ltd, a s bloomfield, r h s abbott jnr, harry ponsonby mackenzie rn (retd), arthur robinson & co, the commercial banking company of sydney limited melbourne, a t madden, h a abbott, e c eyers, frank stevenson, city of bendigo, frank h day, lane's motors pty ltd, h c holland, national mutual chambers (n.z.) ltd, union oil soap & candle co ltd, knox home, n a duthie, w h mccorkindale, maungatapere co-op dairy co ltd, j stevenson, the whangarei co-op dairy company ltd, w h millingford, kettering cartons limited, j g arlidge, pennsylvania rubber company, paul a douden & company, w e humphrey, kansas city public service company, h w smith, j t picken & sons

An oval, wooden racquet with a laminated convex throat. Decal inscription of model type around crown on obverse is illegible. Decal of company trademark features on throat of obverse. Within a football device is the inscription: TRADE MARK/SCH[MELZER]'S/KA[N]SAS [CIT]Y/S[P]ORTING GOODS. Hand carved name along throat on obverse: JEANETTE. Hand carved initials, in Greek script, across throat on reverse, read 'Pi Delta'. Hand carved inscription further down on handle reads: JOE BROWN. Decal inscription along right side of stem: SCHMELZER ARMS CO./KANSAS CITY, MO. Materials: Wood, Gut, Metal, Ink, Glue, Lacquertennis

John NEELY (1953- ) Born Leavenworth, Kansas, USA John Neely is the Professor of Ceramics at Utah State University. John has studied Ceramics in Japan, and lectured and conducted in workshops, including at the Gippsland Centre for Art and Design. He is an expert in the technology of clay, glaze and kiln firing with a keen interest in pattern and texture. After completing a Bachelor of Fine Art at Alfred Univerity, New York in 1975, John Neely participated in a one year Foundation Fellowship at Tokyo, Japan. The following year he was the recipient of a Rockefeller Brothers Fund One Year Fellowship in Tokyo, Japan. Neely completed a Ministry of Education Two Year Postgraduate Research Fellowship at the Kyoto City College of Fine Arts, Kyoto, Japan and was awarded a Master of Fine Art at Ohio University, Athens, Ohio in 1982. This work is part of the Jan Feder Memorial Ceramics Collection which was amassed with funds raised by Jan Feder's student peers at the Gippsland Centre for Art and Design in the mid 1980s after Jan Feder passed away. Although many of the works are donated the intention of the collection was to purchase from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught at the Churchill Campus. Ceramic salt fired pot John Neely from Logan, Utah, USA, who was a guest lecturer at the Gippsland Centre of Art and Design (later Federation University Australia).ceramics, gippsland campus, jan feder memorial ceramics collection, john neely

Report - black Rexene cloth card covers, 28 pages (including blank end and glued papers), sewn binding one section titled "Chairman's Report upon his Visit to Europe and America in connection with Electric Tramways 1923". Title gold blocked. Details Alex Cameron's 1923 visit to America, Great Britain and the Continent of Europe in connection (note different spelling to the cover) with electric tramways. In particular it was to investigate the question of the use of Conduit systems. Visited San Francisco, Los Angeles, Kansas City, St Louis, Chicago, Detroit, Cleveland, New York and Washington. Then to London, Paris, Brussels. Also attended the Municipal Tramways Association conference held in Portsmouth, August 1923. His conclusions - conduit system not desirable, and the need to regulate buses from competition with tramways. Has an appendix extracts of numerous reports, letters and papers about the various issues. Report dated 29th Oct. 1924. Second copy from the McComb collection added 5-1-2017 - scanned to a pdf - text readable when opened in Adobe format.Has a lable on the first page, "Plan & EPA Library M0036390" Second copy - has Mr. Lormer in the top left and right hand comers.trams, tramways, trams, tramways, mmtb, conduit systems, tramways, conversion, electrification, europe, usa

It took 15 years to invent the can. It took 100 more to invent a standard way to open it. In the 19th century, decades after the invention of canning, there were virtually no can openers. Canned food, such as sardines, came with its own "key" to peel back the tin lid. Birth of the can One of the oddest things about the can opener is that the can predates it by almost 150 years. Though common today, cans were once military-grade technology. In 1795, Napoleon, to whom the phrase "an army marches on its stomach" is attributed, offered 12,000 francs to anyone who could find a way to preserve food. Without any knowledge of bacteria or their role in food spoilage, scientists didn't even know where to begin. It took 15 years before a chef named Nicholas Appert claimed the prize after successfully jarring food. Soon after that, his countryman Philippe de Girard came up with a variant on Appert's method—metal tins—and sold the idea to the British. Spoiled food, and the sickness it caused, was a widespread problem. The public would have benefited from canned food, but for decades cans were almost exclusively for the army and the navy. The canning process, with its hours of boiling and steaming, its scrupulous cleanliness, its heated metal, and its need for a great deal of disposable material, made canned food far too expensive for anyone but the military. No can openers were needed or even possible. The metal of early cans was too thick to make openers practical. Soldiers and sailors had plenty of sharp objects on hand and made ample use of them when they wanted to eat. During the 19th century, the process of canning was refined and mechanised, and the metal wall of the average can slimmed down enough that a civilian could get it open—if that civilian had the right tool. No one had that tool yet, so early cans had to open themselves. In other words, they came with built-in openers. The result was a confusing but pleasing free-for-all, in terms of product engineering. Each type of food came with its own kind of can, and each kind of can came with its own kind of opener. Tinned fish and meat were often sold in rectangular cans. These cans were fitted with a "key" that would roll down the top of the can. Coffee, beans, and other types of meat were packaged in cylinders with metal strips that could be peeled back with their own kinds of built-in keys. Cans of milk, which didn't need to be completely opened, came with puncture devices. As tinned food became more common, its containers became more regular. A nice cylindrical can became the norm, and, as these cans filled kitchens, more engineers put their minds to finding a convenient way to open all of them. The first standalone can opener worked on a simple principle: point, stab, and pull. From the mid-19th century to the end of World War I, the typical can opener looked roughly like a wrench, if the lower 'jaw' of the wrench were replaced with a blade. People used the blade to puncture the top of the can near its edge, push the upper jaw against the side of the can, and drag the blade through the metal along the rim. Because meat was the first and most popular canned substance, these can openers were often shaped to look like cows and given the nickname 'bully beef can openers'. The bully beef can opener, popular in the mid-19th century, resulted in many lost fingers. Later, a corkscrew was added that was seated in the handle, and could be pulled out for use. Bully beef can openers were so common, effective, and sturdy that they are still frequently available on collectors' sites. Some are advertised as “still working,” and every last one of them is, without a doubt, soaked in the blood of our ancestors. Dragging a sharp blade along the edge of a can is certain to cause injury sooner or later. So once people got a reliable can shape and a reliable way to get the can open, the search was on for a reliable way to get a can open without the possibility of losing a finger. The answer came in 1925, from the Star Can Opener Company of San Francisco. This is probably the first can opener that resembles the one people have in their kitchens today. Instead of using a blade to pry open a metal can, buyers could clamp the edge of the can between two wheels and twist the handle of one of the wheels to move the blade around the lip. The Star can openers weren't perfect. Compared to the bully beef model, they were flimsy and breakable, but they probably prevented a few injuries. Six short years after the Star model came to market, the first electric can opener was invented. It was patented in 1931 by the Bunker Clancey Company of Kansas City, who had already been sued by the Star Can Opener Company for trying sell a double-wheeled can opener like the Star model (the case was dismissed). The electric can opener must have seemed like the wave of the future and a sure-fire seller, but it proved to be too far ahead of its time. In 1931 not that many households had electricity, and those that did weren't interested in buying can openers. The Bunker Clancey Company was subsequently bought by the Rival Company, which still makes small appliances like can openers today. It took another 25 years for electrically powered can openers to become practical. In the 1950s, Walter Hess Bodle and his daughter, Elizabeth Bodle, developed an electric can opener in the family garage. Walter came up with the opener's blades and motor, and Elizabeth sculpted the outside. Their can opener was a free-standing unit that could sit on the kitchen counter. The Udico brand of the Union Die Casting Company put it on the market in time for Christmas in 1956 and had great success with it. Over the next few years it came out in different styles and colours, and, like the bully beef can opener, has become a collector's item. Also like the bully beef model, Udico can openers often still work. They don't make 'em like they used to. Although there have been some design changes and refinements over the last sixty years, there have yet to be any more leaps forward in can opener technology. If you're resentfully opening a can, you are almost certainly doing it using the Star design, manually forcing the can between two wheels, or the Bodle design, clamping the can into a free-standing electrical opener. Whether or not you enjoy your holiday meals, at least you can be happy that you are not getting poisoned by your own food or cutting open your hand with the blade you use to get at it. That's something, right?The can opener, Bottle opener and the corkscrew are still very important and essential items in most kitchens.Metal can opener, chromed, with bottle opener, and a corkscrew seated in the handle.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, canning, can opener, corkscrew, bottle opener, kitchen equipment