A four-part guide on Kaurna Language and descriptions of Kaurna funerals. Includes hymns and psalms.CD, cards, b&w photographs, song lyrics, b&w illustrationskaurna, adelaide

Notes on spelling and pronunciation / Rob Amery. Kaurna wordlist / Jane Simpson and Rob Amery. Outlines of a grammar, vocabulary, and phraseology of the Aboriginal language of South Australia, spoken by the natives in and for some distance around Adelaide /C.G. Teichelmann, C.W. Schu?rmann.B&w illustrations, colour illustrations, word listskaurna, adelaide

The story of Kaurna man Uncle Lewis O'Brien and his family, beginning with his great, great grandmother Kudnarto - the first Aboriginal woman to marry a white man in South Australia. Contents: 1: Padniadlu wadu: Let's walk together in harmony 2: Kudnarto of Skillogalee Creek 3: Who was Tom Adam senior? 4: Tom and Tim Adams of Poonindie 5: The Adams Family of Point Pearce mission 6: Treasured memories and lessons from the mission 7: My difficult childhood 8: Leaving school and doing an apprenticeship 9: Joining the Merchant Navy 10: Becoming a 'land-lover' and settling down 11: Reflections on working in schools and university 12: Sharing our space 13: Achievements and celebrations.colour photographs, maps, b&w photographskaurna, south australia, political activism

Includes songs in the reclaimed Aboriginal languages of the Adelaide region, including some composed by Chester Schultz.B&w illustrations, b&w photographs, sheet music, word listskaurna, adelaide

Maps, colour photographs, word lists, CDkaurna, kaurna plains school

Jack Buckskin is a man whose mission is to sculpt a new urban Aboriginal language and culture, and through that bring hope back to his people. Broadcast on ABC1 Television on 13 October, 2013DVDkaurna, south australia, language activism

A dictionary of South Australian Pidgin English, spoken primarily between Aboriginals and Europeans in South Australia in the 19th and 20th centuries. It is a valuable resource for those engaged with historical and literary texts that in the past have often proved difficult to those not trained in pidgin linguistics.Word listssouth australian languages, nunga, kaurna, pidgin english

maps, tableskaurna, education, bilingual education, lote, languages other than english, language revival, aboriginal english, language ecology

Place names often evoke important information about features of the environment and their place in Indigenous knowledge. On the other hand, place names given by European settlers are largely arbitrary.Maps, b&w photographs, b&w illustrations, word listsplace names, wik, cape york peninsula, ngalakgan, alawa, marra, yukgul, kaurna, yuwaalaraay, yuwaaliyaay, gamilaraay, ngiyampaa

Sera Waters is an artist, arts writer and academic living on Kaurna land, South Australia. Since being awarded a Ruth Tuck Scholarship in 2006 to study hand embroidery at the Royal School of Needlework in the UK, Waters’ art practice has been characterised by a darkly stitched meticulousness. Her embroideries and hand-crafted sculptures dwell within the gaps of Australian histories to examine settler-colonial home-making patterns and practices, especially her own genealogical ghostscapes. More recently Waters has been exploring how textile traditions can help navigate a future affected by climate change. These two works by Sera Waters draw on myths, histories, and narratives of the Australian bush and interior, weaving together research into explorers, family stories, popular culture, and folklore. Teeth and wild mouths become portals into different times and experiences: our colonial past, fictional bush tales, and lived encounters with a harsh, unpredictable land. Hand-embroidered and embellished with time-intensive techniques once linked to domestic craft, the works embody both fragility and ferocity. Delicate yet unsettling, these works reflect on survival, risk, and endurance, transforming personal and collective histories into strange offerings that are humorous, dark, and deeply human.

Sera Waters is an artist, arts writer and academic living on Kaurna land, South Australia. Since being awarded a Ruth Tuck Scholarship in 2006 to study hand embroidery at the Royal School of Needlework in the UK, Waters’ art practice has been characterised by a darkly stitched meticulousness. Her embroideries and hand-crafted sculptures dwell within the gaps of Australian histories to examine settler-colonial home-making patterns and practices, especially her own genealogical ghostscapes. More recently Waters has been exploring how textile traditions can help navigate a future affected by climate change. These two works by Sera Waters draw on myths, histories, and narratives of the Australian bush and interior, weaving together research into explorers, family stories, popular culture, and folklore. Teeth and wild mouths become portals into different times and experiences: our colonial past, fictional bush tales, and lived encounters with a harsh, unpredictable land. Hand-embroidered and embellished with time-intensive techniques once linked to domestic craft, the works embody both fragility and ferocity. Delicate yet unsettling, these works reflect on survival, risk, and endurance, transforming personal and collective histories into strange offerings that are humorous, dark, and deeply human.

An English-Aboriginal word list for the purpose of naming houses or possessions - information is derived from ?Macquarie Aboriginal Words? and includes source languages for words.word listsbundjalung, datiwuy, diyari, eastern arrernte, gooniyandi, kaurna, meryam mir, murrinh-patha, ngiyampaa, nyungar, paakantyi, torres strait creole, wemba wemba, wik-mungkan, wiradjuri, yindjibarndi

nunga, paralowie reception 12 school, kaurna plains school, national aboriginal pedagogy project, aboriginal and torres strait islander education policy, curriculum development, south australia, oral history, literacy and learning